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Journal articles on the topic 'English poetry Weddings Narrative poetry'

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Published: 4 June 2021

Last updated: 16 February 2022

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1

Buivytė, Giedrė. "The Manifestations of Fate in Medieval Germanic Poetry and Lithuanian Folk Songs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 8–21. http://dx.doi.org/10.37384/aplkp.2021.26-2.008.

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Reflections of mythical worldview are embedded in traditional oral poetry, viz. Old Icelandic collection of poems Poetic Edda, Old English poem Beowulf, and Lithuanian folk songs. Archaic motifs and archetypal imagery are conveyed by means of poetic grammar (alliteration, kennings, epithets, etc.). Through interpretation, the hidden (symbolic) meaning of the poetic grammar is unveiled, and the connection between the two worlds, the sacred (the divine) and the profane (the human) (Eliade 1959), is exposed. To advance the analysis of poetic narrative, the methodology employed in the paper combin

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Thormann, Janet. "The Jewish Other in Old English Narrative Poetry." Partial Answers: Journal of Literature and the History of Ideas 2, no. 1 (2004): 1–19. http://dx.doi.org/10.1353/pan.0.0081.

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Huisman, Rosemary. "Facing the Eternal Desert: Sociotemporal Values in Old English Poetry." KronoScope 17, no. 2 (2017): 231–53. http://dx.doi.org/10.1163/15685241-12341385.

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Abstract Time is a singular noun, but includes a multiplicity of temporalities, including what J. T. Fraser has termed sociotemporality. In this paper, I discuss facing the urgency of time in a narrative dominated by sociotemporality, that of the Old English poem Beowulf, and suggest how criticism of the narrative structure of Beowulf has derived from a monovalent understanding of narrative time. Moreover, in recognizing sociotemporality as dominant in the organization of the poem, the modern reader can gain greater access to what was valued in the social context of its response to “the urgenc

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Du Plooy, H. J. G. "Narratology and the study of lyric poetry." Literator 31, no. 3 (2010): 1–16. http://dx.doi.org/10.4102/lit.v31i3.55.

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This article provides a brief discussion of the theoretical and historical underpinnings of the study of narrativity in lyric poetry. As part of the justification of studying narrative aspects of lyric poetry, reference is made to contemporary paradigms in postclassical narratology of which transgeneric narratology is one. The project titled, “Verse and narrative: narrative structures and techniques in lyric poetry”, from which the articles in this issue emanated, is described briefly by presenting the objectives of the research and by discussing the theoretical and historical implications of

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Mueller, Alex. "Thorlac Turville-Petre. Description and Narrative in Middle English Alliterative Poetry." Review of English Studies 70, no. 296 (2019): 754–56. http://dx.doi.org/10.1093/res/hgz034.

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Barney, Stephen A. "Thorlac Turville-Petre, Description and Narrative in Middle English Alliterative Poetry." Yearbook of Langland Studies 33 (January 2019): 274–77. http://dx.doi.org/10.1484/j.yls.5.119178.

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Qiu, Yang. "The "Blooming" of English Poetry in the Middle School Classroom---Take “When You are Old” as an Example." Region - Educational Research and Reviews 3, no. 2 (2021): 48. http://dx.doi.org/10.32629/rerr.v3i2.339.

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The poetry teaching in this class aims at cultivating the students’ core literacy in the English subject, training students’ language ability, learning ability, cultural character, and thinking quality as the end point, adopts the "target step by step" teaching model and the narrative research method. Students made perception, recitation, appreciation, imitation and comparison of “When You are Old”. The teaching results found that English poetry has a certain significance and value for the cultivation of English core literacy.

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Goering, Nelson. "The Fall of Arthur and The Legend of Sigurd and Gudrún : A Metrical Review of Three Modern English Alliterative Poems." Journal of Inklings Studies 5, no. 2 (2015): 3–56. http://dx.doi.org/10.3366/ink.2015.5.2.2.

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J.R.R. Tolkien produced a considerable body of poetry in which he used the traditional alliterative metre of Old Norse and Old English to write modern English verse. This paper reviews three of his longer narrative poems, published in The Legend of Sigurd and Gudrún and The Fall of Arthur, examining Tolkien’s alliterative technique in comparison to medieval poetry and to the metrical theories of Eduard Sievers. In particular, the two poems in The Legend of Sigurd and Gudrún, which are adapted from Old Norse material, show a number of metrical and poetic features reminiscent of Tolkien’s source

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Kuchar, Gary, and Marshall Grossman. "The Story of All Things: Writing the Self in English Renaissance Narrative Poetry." Sixteenth Century Journal 30, no. 4 (1999): 1093. http://dx.doi.org/10.2307/2544646.

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Braden, G. "The Story of All Things: Writing the Self in English Renaissance Narrative Poetry." Modern Language Quarterly 60, no. 3 (1999): 409–12. http://dx.doi.org/10.1215/00267929-60-3-409.

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McDonald, Roderick. "Dissonant Neighbours: Narrative Progress in Early Welsh and English Poetry by David Callander." Parergon 38, no. 1 (2021): 199–201. http://dx.doi.org/10.1353/pgn.2021.0021.

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Khan, Almas. "Poetic Justice: Slavery, Law, and the (Anti-)Elegiac Form in M. NourbeSe Philip’sZong!" Cambridge Journal of Postcolonial Literary Inquiry 2, no. 1 (2014): 5–32. http://dx.doi.org/10.1017/pli.2014.22.

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James Walvin has called theZongcase stemming from a 1781 incident in which the crew of an English slave ship willfully “destroyed” more than one-third of the “cargo” (i.e., slaves) aboard the vessel “[t]he most grotesquely bizarre of all slave cases heard in an English court.” While the judges locked themselves within the discourse of maritime law in evaluating the case’s merits, M. NourbeSe Philip unlocks the legal language inZong!(2008), which limits itself to the words included in the official narrative but contrastingly uses experimental poetry to suggest a poignant counter-narrative. My a

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Wise, Dennis Wilson. "Poul Anderson and the American Alliterative Revival." Extrapolation: Volume 62, Issue 2 62, no. 2 (2021): 157–80. http://dx.doi.org/10.3828/extr.2021.9.

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Although Poul Anderson is best known for his prose, he dabbled in poetry all his life, and his historical interests led him to become a major—if unacknowledged— contributor to the twentieth-century alliterative revival. This revival, most often associated with British poets such as W. H. Auden, J. R. R. Tolkien, and C. S. Lewis, attempted to adapt medieval Germanic alliterative meter into modern English. Yet Anderson, a firmly libertarian Enlightenment-style writer, imbued his alliterative poetry with a rationalistic spirit that implicitly accepted (with appropriate qualifications) a narrative

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Klimek, Sonja. "Functions of figurativity for the narrative in lyric poetry – with a study of English and German poetic epitaphs from the 17th century." Language and Literature: International Journal of Stylistics 22, no. 3 (2013): 219–31. http://dx.doi.org/10.1177/0963947013489239.

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Lyric poetry is a genre where discourse types such as description, argumentation, contemplation and narrative can occur together, though in varying combinations. During the last two decades, research has been devoted to the question of how to describe and to study such use of narrativity in lyric poetry. As Hühn (2007) puts it, ‘poetry can profitably be analysed on the basis of narratological categories’. However, this article argues that such a narratological analysis can never replace the traditional lyric analysis. The aim of this article is to combine the means of classical lyric analysis

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Gallagher, Lowell. "The Story of All Things: Writing the Self in English Renaissance Narrative Poetry. Marshall Grossman." Modern Philology 99, no. 3 (2002): 402–7. http://dx.doi.org/10.1086/493085.

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CASADO DA ROCHA, ANTONIO. "Narrative Autonomy." Cambridge Quarterly of Healthcare Ethics 23, no. 2 (2014): 200–208. http://dx.doi.org/10.1017/s096318011300073x.

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This section welcomes submissions addressing literature as a means to explore ethical issues arising in healthcare. “Literature” will be understood broadly, including fiction and creative nonfiction, illness narratives, drama, and poetry; film studies might be considered if the films are adaptations from a literary work. Topics include in-depth analysis of literary works as well as theoretical contributions, discussions, and commentary about narrative approaches to disease and medicine, the way literature shapes the relationship between patients and healthcare professionals, the role of specul

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Parks, Ward. "The traditional narrator and the ‘I heard’ formulas in Old English poetry." Anglo-Saxon England 16 (December 1987): 45–66. http://dx.doi.org/10.1017/s0263675100003859.

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In the process of literary interpretation no critic can afford to overlook the rôle of the poetic narrator. While poetic and narrative statements (as it is commonly argued) designate their meaning largely in accordance with the conventions of language and literary discourse, linguistic criteria alone cannot determine the attitude of the speaker towards what he says; and this attitude constitutes a crucial element in the meaning of the statement as a speech act or utterance. Indeed, as users of language, all of us habitually include considerations of speaker intentions in our standard operation

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Mark Heberle. "The Story of All Things: Writing the Self in English Renaissance Narrative Poetry (review)." Biography 22, no. 4 (1999): 611–14. http://dx.doi.org/10.1353/bio.2010.0131.

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Semaan, Gaby. "The Hunt In Arabic Poetry: From Heroic to Lyric to Metapoetic." American Journal of Islamic Social Sciences 35, no. 3 (2018): 76–79. http://dx.doi.org/10.35632/ajiss.v35i3.483.

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In his book, The Hunt in Arabic Poetry: from Heroic to Lyric to Metapoet- ic, Jaroslav Stetkevych traces the evolution of Arabic hunt poetry from its origins as an integral part of the heroic ode (qaṣῑda) to becoming a genre by itself (ṭardiyya) during the Islamic era, and then evolving into a meta- poetic self-conscious expression of poets in our modern time. The book is a collection of a revised book chapter and a number of revised articles that Stetkevych published between 1996 and 2013 discussing Arabic hunt poet- ry at different periods spanning from the pre-Islamic age, known in Arabic a

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Loveridge, Mark. "Matthew Prior’s Alma: Affecting the Metaphysics." English: Journal of the English Association 68, no. 262 (2019): 235–61. http://dx.doi.org/10.1093/english/efz026.

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Abstract This essay provides the first full descriptive and analytical account since 1946 of Matthew Prior’s poem Alma: or The Progress of the Mind (1719), which Alexander Pope described as a ‘master-piece’. Connections are developed between Prior’s use of effervescent figures of speech and narrative tricks, and uses of figurative metaphysical language in Isaac Newton’s Opticks, the Principia Mathematica, and the ‘Leibniz–Clarke’ controversy of 1715–1716. It emerges that the poem’s main subject is figurative language and the arguments it serves. Alma is a very unusual critique of aspects of Ne

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Schoonover, Kimberly L., Daniel Hall-Flavin, Kevin Whitford, Mark Lussier, Alison Essary, and Maria I. Lapid. "Impact of Poetry on Empathy and Professional Burnout of Health-Care Workers: A Systematic Review." Journal of Palliative Care 35, no. 2 (2019): 127–32. http://dx.doi.org/10.1177/0825859719865545.

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Background: Narrative medicine (NM) interventions have positively influenced empathy and burnout to varying degrees in health-care workers. We systematically reviewed the impact of poetry, a form of NM, on empathy and professional burnout. Methods: A comprehensive search of Ovid MEDLINE(R) and Epub Ahead of Print, In-Process & Other Non-Indexed Citations, and Daily, Ovid EMBASE, Ovid PsycINFO, Ovid Cochrane Central Register of Controlled Trials, Ovid Cochrane Database of Systematic Reviews, and Scopus, from inception to September 25, 2018, for articles published in English, was conducted u

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Weiskott, Eric. "Description and Narrative in Middle English Alliterative Poetry. Thorlac Turville-Petre. Liverpool: Liverpool University Press, 2018. Pp. x+221." Modern Philology 117, no. 1 (2019): E26—E28. http://dx.doi.org/10.1086/704077.

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Meihuizen, Nicholas. "Contemporization and Characterization in Christopher Logue's Homer." Translation and Literature 28, no. 2-3 (2019): 217–47. http://dx.doi.org/10.3366/tal.2019.0386.

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In comparing extracts from Christopher Logue's War Music with other modern English versions of the Iliad, this article considers his use of contemporary details including elements from popular culture and present-day technology, and contemporary techniques such as cinematic slow motion. The comparisons reveal a poetry in which Homer is reinscribed into modern consciousness: larger-than-life goddesses and heroes become possible, and practices such as animal sacrifice are made meaningful. Even in his creative manipulations, Logue's characters are consistent, and the narrative coherent. Close att

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Escobedo de Tapia, Carmen, and Ángela Mena González. "The poetics of the river in Indian literature in English." Journal of English Studies 14 (December 16, 2016): 111. http://dx.doi.org/10.18172/jes.3281.

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Water is a natural element that has been universally and religiously recognized as a purifying natural symbol. In India this element acquires special significance from a literary perspective, from poetry to narrative. In a current world that appears to be devoid of spiritual values, where technological modernity is an integral part of our daily experience, it seems necessary to rediscover and recover old sacred values that acquire significant meaning as explained under the eye of an eco-spiritual approach to several examples taken from the corpus of Indian writing in English. In the midst of a

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Hayman, Emily. "English Modernism in German: Herberth and Marlys Herlitschka, Translators of Virginia Woolf." Translation and Literature 21, no. 3 (2012): 383–401. http://dx.doi.org/10.3366/tal.2012.0089.

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The Austrian-born translators Herberth and Marlys Herlitschka exercised considerable influence over the reception of British modernist literature in German-speaking nations. From the 1920s to the 1960s they undertook translations of challenging modernist works, including the poetry of Yeats and the novels of Lawrence and Woolf. This article surveys their lives and work, with a focus on their post-war rendering of Woolf's final novel, Between the Acts. Here the Herlitschkas' translational choices reveal a desire for reconciliation and effect a softening of the political jaggedness of Woolf's Bl

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Archer, Harriet. "‘The earth … shall eat us all’: Exemplary History, Post-Humanism, and the Legend of King Ferrex in Elizabethan Poetry and Drama." English: Journal of the English Association 68, no. 261 (2019): 162–83. http://dx.doi.org/10.1093/english/efz024.

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Abstract The legend of King Ferrex was employed by Thomas Norton and Thomas Sackville in their succession play, Gorboduc (first performed 1561), and by John Higgins in his Mirror for Magistrates (1574; 1587), to reflect on contemporary politics and offer topical warnings to Elizabeth I and her subjects based on legendary British history. However, as well as including a section specifically focused on environmental exploitation, Higgins imbues the earth with a destructive animism in his poem which stands apart as an anomaly in his collection of verse complaints and amongst wider treatments of t

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Espinosa-Dulanto, Miryam. "Finding Home in Memory: Stories of Immigration, Diaspora, and Dis/location." Ethnographic Edge 2, no. 1 (2018): 25. http://dx.doi.org/10.15663/tee.v2i1.31.

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I chose poetic performance narratives for writing up stories shared with me. I follow J. Brunner’s (2002) proposal that, literary narrative [poetry], “subverts familiar expectations while respecting, even vivifying reality [thus poetic] narrative ‘subjunctivizes’ a subjunctivized world, though it may not be comfortable, is provocative.” (51). The poetic performance narratives create a provocative reading to seduce the reader into the “uncomfortable” Other’s world. As R. Rosaldo understands, the highest task of writing, “is not to represent the event […] but to be the event itself” (2014:102).

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Bueno-Alonso, Jorge L. "“Eorlas arhwate eard begeatan”." Babel. Revue internationale de la traduction / International Journal of Translation 57, no. 1 (2011): 58–75. http://dx.doi.org/10.1075/babel.57.1.04alo.

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The poetic insert known as <i>The Battle of Brunanburh</i> (<i>Anglo-Saxon Chronicle</i> 937) constitutes by no means one of the most interesting texts for the building of the Old English heroic geography. Its author, as Marsden states (2005: 86), “builds a sense of national destiny, using style, diction and imagery of heroic poetry”. There are many interesting issues to deal with when you want to revise how the elements Marsden quotes are used in the construction of a poem that uses history as a narrative device to build the inner story of the poem experimenting with t

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Yandell, Stephen. "Dissonant Neighbours: Narrative Progress in Early Welsh and English Poetry. David Callander. Cardiff: University of Wales Press, 2019. Pp. xii+258." Modern Philology 117, no. 4 (2020): E225—E227. http://dx.doi.org/10.1086/708244.

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Cranfield, Steven, and Claudio Tedesco. "Reformulating the problem of translatability." Translation and Translanguaging in Multilingual Contexts 3, no. 3 (2017): 304–22. http://dx.doi.org/10.1075/ttmc.3.3.03cra.

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Abstract Forms of collaboration are particularly prevalent in translation of literature, especially of poetry, where the synergy of different perspectives of co-participants may be among the essential ingredients for creative success. In this study, we explore the dynamics of a collaborative translation into English of the contemporary Spanish poet Francisco Brines, addressing how certain key questions of translational practice, including the translation of gender values, can be fruitfully problematised and resolved in a theoretically grounded collaborative approach. In elucidating these dynam

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Nwankwo, Ifeoma, and Monika Ardelt. "INTEREST GROUP SESSION—REMINISCENCE, LIFE STORY AND NARRATIVE: RESEARCH AND PRACTICE: WISDOM OF THE ELDERS: ART, MEDICINE, NARRATIVES, AND POETRY." Innovation in Aging 3, Supplement_1 (2019): S568—S569. http://dx.doi.org/10.1093/geroni/igz038.2102.

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Abstract The Wisdom of the Elders (WOE) is a series of autobiography production workshops conducted since 2012 through a collaboration among community, university, and municipal partners. Beginning in Murfreesboro, TN it has since been replicated in New Orleans, LA. The Wisdom of the Elders project has many elements, including life history interviews, creative writing workshops, and creative expressions that allowed elders to share their wisdom with younger generations. Our focus was to understand how personal characteristics and historical/environmental events interact to influence healthy ag

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Whitworth, Charles. "Review: Book: Recent Work in Late Medieval and Early Tudor Poetry: A Survey in Two Parts, Skelton: The Critical Heritage, the Complete English Poems, the Poems of Robert Henryson, Selections from Hoccleve, Medieval to Renaissance in English Poetry, English Medieval Narrative in the Thirteenth and Fourteenth Centuries." Cahiers Élisabéthains: A Journal of English Renaissance Studies 32, no. 1 (1987): 119–23. http://dx.doi.org/10.1177/018476788703200130.

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Nicholls, Peter. "Sexuality and Structure: Tensions in Early Expressionist Drama." New Theatre Quarterly 7, no. 26 (1991): 160–70. http://dx.doi.org/10.1017/s0266464x00005431.

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In the first of two essays, Peter Nicholls explores connections between ideas of an ‘absolute’ or non-representational theatre and the forms of narrative and discursivity which have traditionally invested dramatic forms. In one of the earliest Expressionist plays – Oskar Kokoschka's Murder, Hope of Women – the tension between these ideas is powerfully in evidence. Nicholls shows how Kokoschka's formal experimentalism is grounded in contemporary polemics about gender and sexuality, tracing the ways in which theatrical innovation seeks to evade the Oedipal constraints of plot and narrative. That

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Gintsburg, Sarali, Luis Galván Moreno, and Ruth Finnegan. "Voice in a narrative: A trialogue with Ruth Finnegan." Frontiers of Narrative Studies 7, no. 1 (2021): 1–20. http://dx.doi.org/10.1515/fns-2021-0001.

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Abstract Ruth Finnegan FBA OBE (1933, Derry, Northern Ireland) took a DPhil in Anthropology at Oxford, then joined the Open University of which she is now an Emeritus Professor. Her publications include Oral Literature in Africa (1970), Oral Poetry (1977), The Hidden Musicians: Music-Making in an English Town (1989), and Why Do We Quote? The Culture and History of Quotation (2011). Ruth Finnegan was interviewed by Sarali Gintsburg (ICS, University of Navarra) and Luis Galván Moreno (University of Navarra) on the occasion of an online lecture delivered at the Institute for Culture and Society a

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Hussein, Khalid Shakir. "The potentialities of corpus-based techniques for analyzing literature." Journal of Literature, Language & Culture (COES&RJ-JLLC) 1, no. 2 (2020): 28. http://dx.doi.org/10.25255/2378.3591.2020.1.2.28.43.

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This paper presents an attempt to explore the analytical potential of five corpus-based techniques: concordances, frequency lists, keyword lists, collocate lists, and dispersion plots. The basic question addressed is related to the contribution that these techniques make to gain more objective and insightful knowledge of the way literary meanings are encoded and of the way the literary language is organized. Three sizable English novels (Joyc's Ulysses, Woolf's The Waves, and Faulkner's As I Lay Dying) are laid to corpus linguistic analysis. It is only by virtue of corpus-based techniques that

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Zhou, Min. "Towards a poetics of immersion in lyric translation." Target. International Journal of Translation Studies 30, no. 3 (2018): 388–414. http://dx.doi.org/10.1075/target.17129.zho.

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Abstract This study, with reference to a variety of English translations of Chinese ci poetry (詞), sets out to demonstrate a mental state of ‘aesthetic illusion’, in which the translator-as-reader gets immersed into (an) imaginary world(s) triggered by the original poems and imaginatively experiences the world(s) “in analogous ways to real-life experience” (Wolf 2013a, 11–12). It argues that the translator-as-reader’s imaginary experience of the world(s) ‘from within’ activates a variety of manifestations and implementations of narrativity, and affects the interplay between the lyric and narra

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Hartman, Megan E. "The Form and Style of Gnomic Hypermetrics." Studia Metrica et Poetica 1, no. 1 (2014): 68–99. http://dx.doi.org/10.12697/smp.2013.1.1.05.

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Gnomic poems have often been noted for their unusual metrical style. One aspect of their style that stands out is the hypermetric usage, both because these poems contain a notably high incidence of hypermetric verses and because the verses are frequently categorized as irregular. This paper analyses hypermetric composition in Maxims I, Maxims II, and Solomon and Saturn in detail to illustrate the major stylistic features of gnomic composition. It demonstrates that, contrary to the conclusions of some previous scholars, the hypermetric verses basically follow the form for hypermetric compositio

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Cornelius, Ian. "Thorlac Turville-Petre. 2018. Description and Narrative in Middle English Alliterative Poetry. Exeter Medieval Texts and Studies. Liverpool: Liverpool University Press, viii + 222 pp., £ 85.00." Anglia 137, no. 3 (2019): 488–95. http://dx.doi.org/10.1515/ang-2019-0043.

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Ali, Salah Salim. "Hysteron-proteron: A Polyfunctional Rhetorical Device – with Reference to Arabic-English Translation." Meta 52, no. 3 (2007): 401–11. http://dx.doi.org/10.7202/016727ar.

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Abstract Hysteron-proteron is one of the rhetorical devices present in all literary works and in almost all literate cultures. Linguistically, it is considered a kind of inversion, topicalization or permutation that occurs on the sentence level and involves deviation in the syntagmatic progression of sentences as well as a semantic shift encompassing scope, focus and emphasis (Jakobson 1972: 78-80) besides fulfilling certain grammatical processes such as interrogation and passivization (Jack et al. 1989). Literarily, hysteron-proteron has a great aesthetic and poetic relevance as it is one of

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Penuel, Suzanne. "Every Man in His Humour and the Fathers of Ben." Ben Jonson Journal 23, no. 2 (2016): 212–30. http://dx.doi.org/10.3366/bjj.2016.0165.

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In Every Man in His Humour, Edward Kno'well fils clashes with Edward Kno'well père, who wants his son to occupy himself with something other than poetry. In the father-son pair's vexed relationship with each other and with literature, Every Man In figures Jonson as an author who knows himself to be a developed, powerful literary adult, but who won't accept that identity. His role as a literary child of the Romans, imitative and grateful, has propelled him into it. Every Man In's two versions, a 1598 Quarto set in Italy and a 1616 Folio version set in England, also indicate mixed feelings about

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Green, Jennifer. "Unveiling the storied lives of teachers through qualitative bricolage." Qualitative Research Journal 18, no. 4 (2018): 316–29. http://dx.doi.org/10.1108/qrj-d-17-00004.

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Purpose The purpose of this paper is to explore the storied lives of teacher leaders involved in the implementation of a dual language education program for elementary English learners with an emphasis on the role of reflexive methodology in bringing emergent themes to light. Design/methodology/approach The theory of qualitative bricolage informed the design of the study. Narrative inquiry with a heuristic lens allowed the researcher to explore the storied lives of teachers during an innovative change initiative. Findings Intergroup communication breakdowns between two diverse groups of teache

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McMullen, A. Joseph. "David Callander, Dissonant Neighbours: Narrative Progress in Early Welsh and English Poetry. Cardiff: University of Wales Press, 2019. Pp. x, 258; 6 tables. £45. ISBN: 978-1-7868-3398-3." Speculum 96, no. 1 (2021): 190–91. http://dx.doi.org/10.1086/711743.

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Ньюман Джон. "The Linguistics of Imaginary Narrative Spaces in Daphne du Maurier’s Rebecca." East European Journal of Psycholinguistics 5, no. 2 (2018): 42–61. http://dx.doi.org/10.29038/eejpl.2018.5.2.new.

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Daphne du Maurier’s 1938 novel Rebecca provides rich opportunities for the study of imaginary narrative spaces and the language associated with such spaces. The present study explores the linguistics of the imaginary narrative spaces in Rebecca, drawing upon three lines of linguistic research consistent with a Cognitive Linguistic approach: (i) an interest in understanding and appreciating ordinary readers’ actual responses (rather than merely relying upon “expert” readers’ responses), (ii) the construction of worlds or “spaces”, and (iii) the application of ideas from Cognitive Grammar. The s

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Anger, Suzy. "THE VICTORIAN MENTAL SCIENCES." Victorian Literature and Culture 46, no. 1 (2018): 275–87. http://dx.doi.org/10.1017/s1060150317000444.

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In a 1990 review of Jenny Bourne Taylor's In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psychology (1988), Lawrence Rothfield commented that the book explores what “until recently might have seemed a bizarrely specialized cultural context and an equally obscure literary phenomenon” (97). Rothfield argued that Taylor's study was representative of the recent move to new historicist methodologies, which made contexts and authors once considered to be historical footnotes important to scholarship. Prior to that shift, “[n]ineteenth-century English psych

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Barr, Helen. "Stories of the New Geography." Journal of Medieval Worlds 1, no. 1 (2019): 79–106. http://dx.doi.org/10.1525/jmw.2019.100005.

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The Refugee Tales project holds a distinctive place amongst 20th and 21st century responses to Chaucer’s Canterbury Tales. The project comprises collections of tales published in textual editions alongside a politically embodied campaign to call an end to the practice of indefinite detention of asylum seekers in the United Kingdom. The tales that are told take the form of an established writer giving voice to those that are caught up in this inhuman process. Some of the oral narratives come from refugees, some from care-workers and supporters, and some from from those caught up in the institut

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Giardina, Simona, and Antonio G. Spagnolo. "Storie di medici e malati nell’arte e nella letteratura: un approccio narrativo alla Storia della Medicina nelle Facoltà mediche / Stories of doctors and patients in art and literature: a narrative approach to the History of Medicine in the Medical Faculty." Medicina e Morale 66, no. 1 (2017): 11–30. http://dx.doi.org/10.4081/mem.2017.473.

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Negli ultimi trent’anni anche nell’ambito della Storia della medicina si è accentuato un approccio narrativo, soprattutto nei Paesi anglosassoni. L’attenzione viene centrata sull’essere umano, sulle relazioni interpersonali, sulla storia individuale piuttosto che su quella collettiva. Tale prospettiva si avvale del contributo privilegiato della scrittura (il romanzo, la poesia, il teatro, le favole, i diari, gli epistolari) e di quello evocativo dell’arte. In primo piano l’esperienza di vita di medici e malati, ma anche di familiari, colta attraverso il processo empatico che l’opera suscita ne

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Серегина, М. А. "The Sentimentalism of W. Godwin’s Early Novels." Вестник Рязанского государственного университета имени С.А. Есенина, no. 1(70) (March 17, 2021): 117–27. http://dx.doi.org/10.37724/rsu.2021.70.1.012.

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В статье рассматриваются ранние малоизученные романы английского писателя, журналиста и философа Уильяма Годвина «Деймон и Делия», «Имоджен» и «Итальянские письма». Цель данного исследования — выделение их сентиментальной основы, осознание ее эстетической значимости в художественной структуре произведений. Анализ ранних романов позволяет выделить в них характерные для сентиментализма особенности: преобладание естественного чувства над разумом, мотивы любования природой, возвышенным и прекрасным, восхищение искусством и сентиментальной поэзией, определившие характер героев и специфику сюжетно-м

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Dover, K. J. "Some Types of Abnormal Word-Order in Attic Comedy." Classical Quarterly 35, no. 2 (1985): 324–43. http://dx.doi.org/10.1017/s0009838800040209.

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On the analogy of the colloquial register in some modern languages, where narrative and argument may be punctuated by oaths and exclamations (sometimes obscene or blasphemous) in order to maintain a high affective level and compel the hearer's attention, it is reasonable to postulate that Attic conversation also was punctuated by oaths, that this ingredient in comic language was drawn from life, and that the comparative frequency of ║ (|) M M (M) Δ in comedy is sufficiently explained thereby. There are obvious affinities between some passages of comedy, relaxed conversation in Plato and Xenoph

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Waszkiel, Halina. "The Puppet Theatre in Poland." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 164–79. http://dx.doi.org/10.34064/khnum1-51.09.

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Background, problems and innovations of the study. The modern Puppet Theater in Poland is a phenomenon that is very difficult for definition and it opposes its own identification itself. Problems here start at the stage of fundamental definitions already. In English, the case is simpler: “doll” means a doll, a toy, and “puppet” is a theatrical puppet, as well as in French functions “poup&#233;e” and “marionette” respectively. In Polish, one word serves both semantic concepts, and it is the reason that most identify the theater of puppets with theater for children, that is a big mistake. Wa

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Nuyts-Giornal, Josée, Jean-Louis Claret, Paul Franssen, et al. "Book Reviews: Renaissance Realism: Narrative Images in Literature and Art, Mythe et littérature, Shakespeare et ses contemporains, French Journal of English Studies Anglophonia, Four Hundred Years of Shakespeare in Europe, Shakespeare and the Force of Modern Performance, Rescripting Shakespeare, the Text, the Director, and Modern Productions, Staged Properties in Early Modern English Drama, Shakespeare, Marlowe and the Politics of France, Shakespeare and Theatrical Patronage in Early Modern England, Shakespeare as Literary Dramatist, Autour du Songe d'une nuit d'été de William Shakespeare, The Antichrist's Lewd Hat, Protestants, Papists and Players in Post-Reformation England, The Politics of Court Scandal in Early Modern England: News Culture and the Overbury Affair, 1603–1660, The Poetry of Mildmay Fane, Second Earl of Westmorland, Le Paradis perdu, édition bilingue par Armand Himy." Cahiers Élisabéthains: A Journal of English Renaissance Studies 64, no. 1 (2003): 101–28. http://dx.doi.org/10.7227/ce.64.1.9.

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