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Academic literature on the topic 'English Poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "English Poets"

1

Brewbaker, James. "POETRY: English Journal - November 2005." English Journal 95, no. 2 (2005): 125–29. http://dx.doi.org/10.58680/ej20054358.

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2

Meenu. "Contribution of Indian English Poets towards Indian Freedom Movement." Research Review Journal of Social Science 3, no. 02 (2023): 38–41. http://dx.doi.org/10.31305/rrjss.2023.v03.n02.006.

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The idea of independence has always captivated the minds of the poets. Poets all around the world have always supported the cause of freedom of different countries. They have even served in wars for the same purpose. English Romantic poets were inspired by the French Revolution. There were war poets who served in the world wars and filled the hearts of people with patriotism. Some fought for the liberation of Greece and Spain. India had also been colonized by the Britishers for over a century. Freedom for India was brought about by the supreme sacrifice of many brave souls. The contribution of poets was no less as they ignited the souls of the people through their fierce words. Many poets have dedicated poems to their mother land which in turn reminded people of their glorious past. Prominent pre-independence poet Henry Derozio pines for the country to return to its pristine glory. Poets like Toru Dutt have written on Indian themes. Sarojini Naidu, through her poems, has shown her hatred for all forms of tyranny and shows the wish of rejuvenation of her motherland. This paper is a humble attempt to show the contribution of different Indian English poets towards the Indian freedom struggle.
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3

Venn, Edward. "SERENADES AND ELEGIES: THE RECENT MUSIC OF HUGH WOOD — PART II." Tempo 59, no. 233 (2005): 26–37. http://dx.doi.org/10.1017/s0040298205000215.

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Geoffrey Hill's latest book of poems, Scenes from Comus, borrows its title from Wood's op. 6, and is dedicated to the composer for his seventieth birthday. The two men have been friends for many years and are exact contemporaries: for the poet's seventieth birthday, Wood wrote a vocal-instrumental setting of Hill's Tenebrae. This interchange between poet and musician highlights Wood's abiding concern with poets and poetry, and particularly English verse of the 20th century. He has described this repertoire as ‘a treasure-house, and our poets continue to produce good lyric poetry to this day: it's a waste of being English not to draw on these riches; and the composer has a particular duty to the poets of his own time’. More recently, Jeremy Thurlow has drawn attention to Wood's ‘idiomatic and refined response to English verse: his songs for voice and piano form a considerable part of his oeuvre and must be considered the most distinctive and substantial contribution to British song-writing since Britten and Tippet’.
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4

Sharma, Dr Lok Raj. "Exploring Birds as Glorified in the Romantic Poetry." Global Academic Journal of Linguistics and Literature 4, no. 2 (2022): 24–27. http://dx.doi.org/10.36348/gajll.2022.v04i02.001.

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English Romantic poetry contributes profound love and genuine reverence of the poets to nature. Birds constitute a part of nature, and love for nature is one of the perpetual features and themes of the Romantic poetry. This article, which aims at exploring birds how English Romantic poets glorify them in their poetry, comprises five poems of four celebrated English Romantic poets, namely Wordsworth, Coleridge, Shelley and Keats. This article concludes that the Romantic poets glorify birds as a blithe spirit, a light-winged fairy, an ethereal minstrel, a blithe new-comer, a wandering voice, a darling of the spring, Christian soul and so on.
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5

Ramayya, Nisha. "Poetry in Expanded Translation: Audre Lorde, Theresa Hak Kyung Cha, Harryette Mullen, Don Mee Choi." English: Journal of the English Association 69, no. 267 (2020): 310–30. http://dx.doi.org/10.1093/english/efaa031.

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Abstract In this article, I discuss the politics and poetics of translation in the work of Audre Lorde, Theresa Hak Kyung Cha, Harryette Mullen, and Don Mee Choi, considering each poet's ideas about translation and translation practices, suggesting approaches to reading and thinking about their work in relation to translation and in relation to each other. I ask the following questions: in the selected poets' work, what are the relationships between the movement of people, the removal of dead bodies, and translation practices? How do the poets move between languages and literary forms, and what are the politics and poetics of their movements with regards to migration, dispossession, and death, as well as resistance, refusal, and rebirth? I select these poets because of the ways in which they confront relationships between the history of the English language and literature, imperialism and colonialism, racialisation and racism, gendered experiences and narratives, and their own poetic practices. These histories and experiences do not exist in isolation, nor do the poets attempt to circumscribe their approaches to language, representation, translation, and form from their lived experiences and everyday practices of survival and resistance. The selected poets’ work ranges in form, tone, and argument, but I argue that their refusal to circumscribe politics and poetics pertains to their subject positions and lived experiences as racialised and post/colonial women, and that this refusal is demonstrated in their diverse understandings of translation and translation practices.
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6

Yong, Ping. "The Imagination of Romantic Poetry under Different Regional and Cultural Backgrounds: Comparison and Analysis of Kubla Khan and Mount Skyland ascended in a Dream-A Song of Farewell." Communications in Humanities Research 3, no. 1 (2023): 340–47. http://dx.doi.org/10.54254/2753-7064/3/20220335.

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Romanticism is an important branch of the literary genre, and imagination is an important feature of it. From different historical backgrounds, Both British poets and Chinese have each profound insight into the imagination in their romantic poetry creations. Samuel Taylor Coleridge, as a pioneer of English Romantic poetry, his dream fragment Kublai Khan established an unshakable position in the poet's literary circle, while Li Bai was a well-known romantic poet in the prosperous Tang Dynasty. His representative work, Mount Skyland ascended in a Dream-A Song of Farewell, shocked the entire Chinese poetry circle as soon as it came out. This essay analyzes the poets' poetic thoughts on imagination by studying the different backgrounds of the two poets, the cultural traditions they contacted, and the philosophical thoughts they infected and meanwhile compares and analyzes the image characteristics of the two poets' representative works to explore the concrete expression of the poet's imagination in the poems. It is found that there are similarities and differences spatially and emotionally in terms of imagery. Moreover, the imagination in romantic poetry not only creates a series of illusory images and casts a phantom veil on the whole poem but also insinuates the poet's poetic thought and inner emotional appeal.
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7

Saha, Dr Santanu. "“The Rule of Father”: A Study of Father-Daughter Relationship in Select Poems of Indian Poetry in English." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 244–49. http://dx.doi.org/10.22161/ijels.74.36.

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Indian Poetry in English by women writers has been giving birth to several issues related to feminism. These poets are trying to express their long-suppressed voice through these issues. However, in most cases they are posting their fight against patriarchy. Patriarchy, as a male dominated social system, always seems hostile to the liberation of women by suppressing their identity. Modern women poets are successful in disturbing this traditional mindset. My paper will try to focus on another perspective of this issue where ‘father’ is supposed to be the agent of patriarchal domination. I’ve tried to analyze some poems by Indian women poets in English who have incorporated ‘father’ as a character in their poems in order to expose male domination. And it is not surprising to notice that several women poets are linked by the same issue as they are a part of same social system.
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8

Raj Sharma, Lok. "PREFERENTIAL TREATMENT OF NATURE IN ROMANTIC POETRY." International Journal of Advanced Research 10, no. 02 (2022): 87–90. http://dx.doi.org/10.21474/ijar01/14181.

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Love for nature is one of the perennial characteristics perceived in Romantic poetry. English Romantic poets employ nature as an influential theme in their poetry: however their treatment of nature does not sound to be similar. This article aims at differentiating English Romantic poets preferential treatment of nature succinctly by including ten poems of five noted English Romantic poets, namely Wordsworth, Coleridge, Byron, Shelley and Keats. This article concludes that nature for Wordsworth is a sort of God or Goddess for Coleridge it is an expression of the mystical power for Byron it is a reflection of mankind for Shelley it is a healing power and for Keats it is a source of sensuousness inflaming sensual pleasures.
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9

Chernaik, Warren, Gerald Hammond, and Lawrence Venuti. "Fleeting Things: English Poets and Poems, 1616-1660." Yearbook of English Studies 23 (1993): 343. http://dx.doi.org/10.2307/3508017.

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10

Lerner, Laurence, Gerald Hammond, and Sukanta Chaudhuri. "Fleeting Things: English Poets and Poems, 1616-1660." Comparative Literature 45, no. 1 (1993): 74. http://dx.doi.org/10.2307/1771311.

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