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Journal articles on the topic 'English prose literature – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Huisman, Rosemary. "The discipline of English Literature from the perspective of SFL register." Language, Context and Text 1, no. 1 (2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian un

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2

Mikhailova, Maria, and Sofya Kudritskaya. "Mire’s Interpretation of the Tragic and Paradoxical World of Oscar Wilde." Literatūra 63, no. 2 (2021): 70–87. http://dx.doi.org/10.15388/litera.2021.63.2.5.

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This article analyzes the reception of the figure of O. Wilde, the 19th-century English writer, and his works in the prose and criticism of Alexandra Mikhailovna Moiseeva (1874-1913), who entered the history of Russian literature of the Silver Age by the name of “Mire”. The study focuses mainly on her story Black Panther (1909), in which the author provides an original perspective on the tragic love episode in Wilde’s life. Attention is also paid to the thematic similarities between the works of Wilde and Mire in terms of genre, plot and literary image, as well as Mire’s interpretation of Wild

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3

Gadylshin, Timur Rifovich. "Features of R. Kipling’s Work in the Naturalist Prose of F. Norris." Litera, no. 10 (October 2022): 95–105. http://dx.doi.org/10.25136/2409-8698.2022.10.39055.

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The article focuses on estimating the influence of Rudyard Kipling’s figure on the works of his younger contemporary, the American Frank Norris. The author comes to the conclusion that the English writer fundamentally determined his literary follower’s development vector. Kipling who has become extremely popular among American readers raises Norris’s interest toward neo-romantic short story. The early stage of Norris’s work is noted by Kipling’s powerful influence and the article reveals common plot, compositional and stylistic elements in their works. The writers are united by artistic ideals

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4

Rowe, Emily. "Satire, What Is It Good For?" Explorations in Renaissance Culture 48, no. 1 (2022): 90–119. http://dx.doi.org/10.1163/23526963-04801005.

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Abstract Satire and war have a longstanding literal and metaphoric relationship. Satire has long been the medium to criticize war, while also being figured itself as literary ‘warfare.’ This essay examines the interplay between war and satire in two early modern English prose texts, Thomas Nashe’s The vnfortunate trauller (1594) and Thomas Dekker’s Worke for armorours (1609). Both writers contributed satirical works to literary ‘wars’ of the period, but this essay moves away from their literary feuds and argues that Nashe and Dekker’s prose employ sites of war as settings for social satire and

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Buranok, O. M., N. E. Erofeeva, I. B. Kazakova, and O. V. Sizova. "“THE SECRET HISTORY OF THE PRESENT INTRIGUES OF THE COURT OF CARAMANIA” BY E. HAYWOOD." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 79(1) (2021): 60–65. http://dx.doi.org/10.37313/2413-9645-2021-23-79(1)-60-65.

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The article examines the works of E. Haywood, as the author of novels, the publisher of three women's magazines that laid the groundwork for the culture of women's creativity in English literature of the XVIII century. Her name is called among the first authors of a women's novel, which is still interpreted from a gender perspective in modern science as a sociocultural phenomenon that represents the world through the eyes of women. Nevertheless, the authors of the article note the serious influence of men's literature on the work of the writer who was passionate about politics and social refor

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6

Lapidge, Michael. "The archetype ofBeowulf." Anglo-Saxon England 29 (January 2000): 5–41. http://dx.doi.org/10.1017/s0263675100002398.

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It is a cardinal tenet of classical textual criticism that medieval scribes were most prone to error when copying from an unfamiliar system of script. Accordingly a good deal of attention has been given by classical scholars to what happens to a text when it is copied from one system of script to another, and to the characteristic sorts of error which such copying involves. The great French textual critic, Alphonse Dain, even coined a Greek term,metacharakterismos(μεταχαρακτηρισμός), to describe the scribal process of copying, character by character, from one script to anodier. (The Latin equi

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7

Semerenko, Lubov I., and Oleksandr O. Pliushchai. "Pictorial as readable: ekphrasis in a literary work and reader’s p." Alfred Nobel University Journal of Philology 1, no. 23 (2022): 50–59. http://dx.doi.org/10.32342/2523-4463-2022-1-23-4.

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The interaction of arts which poets, writers, artists, scholars and philosophers have always paid considerable attention, has gained popularity recently and it has been given serious consideration in art history, literary and cultural studies, and aesthetics. Some researchers explain a growing interest in the phenomenon of increasing significance of visuality in modern culture. The aim of the article is to clarify the status quo in the study of ekphrasis in literary and cultural studies. To achieve the aim pursued, the following research methods have been used: cultural-aesthetic, comparative

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Parker, Sarah Jeanne S. "Vernacular Cosmologies: Models of the Universe in Old English Literature." Early Science and Medicine 26, no. 1 (2021): 55–76. http://dx.doi.org/10.1163/15733823-02610002.

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Abstract This article describes a tradition of early medieval cosmological thought in the prose and poetry of the Old English corpus. This Old English cosmology uses a small set of cosmological building blocks and a relatively limited vocabulary to describe and explore a variety of structural models of the Universe. In these texts – which include but are not limited to the Old English Prose Boethius, Ælfric’s De temporibus Anni, the Old English Phoenix, and The Order of the World – each structural model relies on a combination of terms for heaven, the firmament, and a cosmic-scale ocean and se

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9

Halmi, Nicholas. "The Nostalgic Imagination: History in English Criticism." Common Knowledge 27, no. 2 (2021): 318–20. http://dx.doi.org/10.1215/0961754x-8906285.

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10

Heale, Elizabeth, and James L. Harner. "English Renaissance Prose Fiction, 1550-1600: An Annotated Bibliography of Criticism (1976-1983)." Modern Language Review 83, no. 3 (1988): 664. http://dx.doi.org/10.2307/3731304.

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11

Maulizan ZA. "STRATEGIES IN TEACHING LITERATURE IN ENGLISH CLASSROOM." Visipena Journal 5, no. 1 (2014): 113–26. http://dx.doi.org/10.46244/visipena.v5i1.239.

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This essay discusses about some strategies in teaching literature in English classroom, focusing on teaching poems, prose, and plays. There are some strategies can be applied by the lecturer in teaching literature in English classroom. First of all, the lecturer should prepare the material presented to the students in the class. Secondly, lecturer can set some questions. Thirdly, always ask "why". Fourth, add fuel to the fire. Fifth, add history to the material. Sixth, involve every single student. Seventh, grade the thought, not the content. Eighth, give appropriate homework. Ninth, emphasize

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12

Costin, Iraida. "Creangă and Literary Criticism in Bessarabia." Intertext, no. 1(61) (December 2023): 83–90. http://dx.doi.org/10.54481/intertext.2023.1.09.

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The retrospective of criticism, i.e. a criticism of criticism, is necessary in order to record, identify, become aware of both its intellectual and methodological level and the state of our prose at different stages of evolution. The "misery and splendour" of literary criticism is tested, first of all, in and through the hermeneutical approach/examination/interpretation of Eminescu's or Creanga's work. In keeping with the custom of these types of work, we propose an attempt to synthesize the history of an investigative problem with a defective past sometimes, other times extraordinarily diffic

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13

Andreeva, Elena A. "Modern Traditionalist Prose in the Reception of The Magazine “October”." Philology 19, no. 9 (2020): 144–52. http://dx.doi.org/10.25205/1818-7919-2020-19-9-144-152.

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Purpose. This article highlights the main trends in the analysis and evaluation of village prose by critics of the journal October, which occupies one of the leading places in the series of journalism criticism of the liberal camp. The material for the study was articles published from 1980s to the present, which also allows us to consider the analysis of modern traditionalist prose by criticizing the October in the diachronic aspect. Results. The characteristic features of the liberal criticism are its non-ideological character, analyticity, universality and text centricity. In interpreting “

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Rido, Akhyar, Heri Kuswoyo, and Sandi Nuansa. "Questioning Strategies in English Literature Lectures in an Indonesian University." Lingua Cultura 14, no. 2 (2020): 241–53. http://dx.doi.org/10.21512/lc.v14i2.6834.

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The research aimed to investigate the questioning strategies used by lecturers in English literature lectures an Indonesian university and how they were manifested. Applying the qualitative approach and Rido, Ibrahim, and Nambiar’s conceptual framework in 2015, the research analyzed three lectures of English literature consisting of prose, literary criticism, and drama. Data were collected through 300 minutes of video-recordings. The findings reveal that the lecturers employ various types of questions such as display, referential, follow-up, and rhetorical questions. The lecturers manifest the

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15

Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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16

Klein, Lucas. "Inside the History of the World: Syntheses of Literary Form between Prose Poetry and China." PMLA/Publications of the Modern Language Association of America 138, no. 3 (2023): 666–81. http://dx.doi.org/10.1632/s0030812923000469.

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AbstractWhat is the international literary history behind Xi Chuan's Chinese prose poems, and what is the literary history behind translating them into English as prose poems? Did Hegel's belief that poetry can be “translated into other languages without essential detriment to its value” contribute to the birth of prose poetry, through a synthesis with poetic form? If so, what does this notion say about Hegel's idea that China lies “outside the World's History”? In the light of the historical association between China and prose poetry in the literary history of French (Judith Gautier, Victor S

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17

Baveystock, F. "The Cambridge History of American Literature, Volume 2: Prose Writing 1820-1865." English 45, no. 182 (1996): 157–63. http://dx.doi.org/10.1093/english/45.182.157.

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18

Jahantab, Zakira. "Poetic Structure and Arts of Prose in Modern Arabic Literature." Al Hikmah International Journal of Islamic Studies and Human Sciences 4, Special Issue (2021): 208–56. http://dx.doi.org/10.46722/hkmh.4.si.21i.

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Literature is a form of expression of human feelings and emotions, and it is one of the methods that a person uses to express thoughts and present his ideas with a space that he creates for himself from words, and literature is known in every language of the earth as the set of texts written by writers and poets around the world in the language, and the arts of literature differ in all languages; Some writers express his thoughts and feelings in poetry, and some express it in prose, and prose has types as well, and this diversity of art is based on the tools and on his own literary tendencies

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19

Roots, Ivan. "Review: Pamphlet Wars: Prose in the English Revolution." Literature & History 3, no. 1 (1994): 113–14. http://dx.doi.org/10.1177/030619739400300119.

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20

Ji, Lingjie. "From Guwen to Chinese Literature." Archiv orientální 91, no. 2 (2023): 327–54. http://dx.doi.org/10.47979/aror.j.91.2.327-354.

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This article examines the Sinologists’ conceptually mediated approach in their studies and translations of Chinese literature in the nineteenth century. Gems of Chinese Literature (1884), compiled and translated by Herbert Allen Giles (1845–1935), contains the English translation of 110 Chinese prose extracts and eight poems from fifty-nine Chinese authors. This article historicizes the genesis and construction of this translation anthology and argues that, though most likely derived from a Chinese guwen (classical prose) collection, it was designed to provide a more systematic view of Chinese

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21

Kisiel, Marian. "Notes about Czerniawski." Tematy i Konteksty specjalny 1(2020) (2020): 542–54. http://dx.doi.org/10.15584/tik.spec.eng.2020.30.

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The article constitutes a collection of notes related to the lesser known and rarely commented works by an émigré writer – Adam Czerniawski: his poems translated into English, short texts of literary criticism, short novels and his memoirs. Modern Polish prose is still frequently treated as a ciphertext, of interest only to a limited number of readers who revel in this labyrinth of thoughts. It may seem that at the end of the 20th century – a period so involved in the debate about the traditional understanding of literature – avant-garde variants of prose should be understandable for everyone

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22

Ross, Charles S. "Curious Prose and the History of English Interest in the Americas." Prose Studies 32, no. 2 (2010): 152–65. http://dx.doi.org/10.1080/01440357.2010.497292.

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23

Monterrey, Tomas. "Dramaturgy and the Plausible Wonder in Restoration Fiction, 1660–1670." Revista Alicantina de Estudios Ingleses, no. 38 (January 30, 2023): 113. http://dx.doi.org/10.14198/raei.2023.38.07.

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Mackenzie’s roman-à-clef Aretina (1660) seems to foresee or, indeed, to capture the reopening of theatres when, at the end of Book 1, a group of actors present a monster (and a show) “upon a stage, whereon the Commedians used to act,” and the narrator subsequently summarises the performance taking place on the palace’s neglected stage. Nevertheless, the reopening of theatres had little or no immediate influence on the new English prose fiction published in the 1660s. As far as prose fiction is concerned, scholarly criticism about the Restoration theatre–novel interface addresses the period aft

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24

Bartosiewicz-Nikolaev, Olga. "O nouă perspectivă asupra literaturii române din perioada postcomunistă. Mihai Iovănel, Istoria literaturii române contemporane: 1990–2020." Romanica Cracoviensia 22, no. 1 (2022): 121–28. http://dx.doi.org/10.4467/20843917rc.22.011.15643.

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New Perspective on Romanian Post-Communist Literature. Mihai Iovănel, History of Contemporary Romanian Literature: 1990–2020 The article addresses Mihai Iovănel’s 2021 History of Contemporary Romanian Literature: 1990–2020, the first history of Romanian literature that presents the development of Romanian post-communist prose and poetry. Iovănel’s book sparked a heated debate among literary critics, historians and writers, because it discusses and redefines prevalent concepts in Romanian literary theory and criticism, focusing on the extraliterary (political, social, economic) conditioning of

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Rido, Akhyar, Heri Kuswoyo, Ayu Sumarni Suryaningsih, Sandi Nuansa, Ramelia Ayu, and Rama Putra Arivia. "Repair Strategies in English Literature Lectures in a University in Indonesia." TEKNOSASTIK 19, no. 1 (2021): 14. http://dx.doi.org/10.33365/ts.v19i1.885.

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This study was an attempt to investigate types and functions of repair strategies used by lecturers in English literature lectures in a university in Indonesia. Rido’s conceptual framework of repair strategies (2018) was used. Qualitative method was applied while the data were collected through video recording of three English literature lectures, comprising prose, drama, and literary criticism. The findings showed that the lecturers repaired both the linguistic (grammatical and pronunciation errors) and content-related aspects of the students while they were giving oral responses and making p

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Annabil, Muhammad Naufal, and Tatik Mariyatut Tasnimah. "KRITIK SASTRA ARAB ERA UMAWY DAN ABBASY." `A Jamiy : Jurnal Bahasa dan Sastra Arab 10, no. 2 (2021): 245. http://dx.doi.org/10.31314/ajamiy.10.2.245-255.2021.

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This writing aims to examine the development of Umawy and Abbasy literary criticism. The method used in collecting data in this historical research is the literature method, the researcher looks for all the data related to this research and then records the data into a notebook. The method used in this research is descriptive qualitative method, this method uses interpretation through descriptive media. Meanwhile, the approach applied in this research is a historical approach, in which the researcher looks for history related to the development of literary criticism in Umawy and Abbasy The res

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27

Tripathi, Lata. "Austen’s Double-Edged Sword: Unveiling Irony and Interiority in Her Narratives." International Journal of English Literature and Social Sciences 9, no. 3 (2024): 016–23. http://dx.doi.org/10.22161/ijels.93.2.

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Jane Austen, often regarded as a “literary rebel” within the landscape of English literature, challenges conventions while embracing them in her novels. This paper delves into Austen's role as both a conformist and a revolutionary figure in the realm of literature. Beginning with an exploration of Austen's place within the English novel tradition, the paper examines her unique approach to storytelling, characterized by a focus on domestic satire and heroine-oriented narratives. Austen's commitment to social criticism, achieved through a realistic portrayal of everyday life, distinguishes her f

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Rido, Akhyar, Bagus Hary, and Heri Kuswoyo*. "‘Thank You Very Much’: Feedback Strategies in University English Literature Lecture Interaction." European Journal of Educational Research 12, no. 1 (2023): 29–40. http://dx.doi.org/10.12973/eu-jer.12.1.29.

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<p style="text-align: justify;">Learning literature is considered challenging for university students, especially in Indonesia, as they must perform assigned tasks and communicate with one another, in addition to receiving and transmitting comprehensible literature content knowledge from and to their lecturers. In many cases, students do not get sufficient feedback on what they are doing. The objective of this study was to investigate the use of feedback strategies by lecturers in English literature lectures in a higher learning institution in Indonesia. Using a qualitative approach, thi

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29

Kachkan, Volodymyr. "War documentary prose by Mykola Lepky." Presoznavstvo. Press Studies, no. 3 (2023): 127–42. http://dx.doi.org/10.37222/2786-7552-2023-3-7.

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The article examines the essayistic legacy of Mykola Lepkyi and his war-documentary prose. The research is based on accurate biographical information, substantiated by archival documents and familial testimonies found in private correspondence and published memoirs. Specifically, the work «Z voiennoho zapysnyka» is scrutinized, encompassing documentary evidence of events during the First World War and representing, in our estimation, a noteworthy augmentation to the memoirs of that epoch, particularly distinguished for its distinctive approach to the meticulous depiction of historical occurren

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Keiser, George R. "A Middle English Rosemary Treatise in Verse and Prose." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 18, no. 1 (2005): 9–18. http://dx.doi.org/10.3200/anqq.18.1.9-18.

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Keiser, George R. "A Middle English Rosemary Treatise in Verse and Prose." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 18, no. 3 (2005): 9–18. http://dx.doi.org/10.3200/anqq.18.3.9-18.

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32

Ibhawaegbele, Faith O., and J. N. Edokpayi. "Situational Variables in Chimamanda Adichie's and Chinua Achebe's." Matatu 40, no. 1 (2012): 191–208. http://dx.doi.org/10.1163/18757421-040001012.

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The use of the English language for literary creation has been the bane of Nigerian literature. Nigeria has a very complex linguistic system; as a result, its citizens communicate either in their indigenous languages or in English, depending on the situation in which they find themselves. The use of English in Nigerian literature in general and prose fiction in particular is influenced by both linguistic and extralinguistic factors. In their attempt to offer solutions to the problems of language in literary expression, Nigerian novelists adapt English to varying linguistic and socio-cultural c

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33

Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, w

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Bolshakova, Alla. "Philosophy and Russian Prose of the Twentieth Сentury: on the Question of Interpretation Criteria". Polylogos 8, № 1 (27) (2024): 0. http://dx.doi.org/10.18254/s258770110030503-5.

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The article is devoted to the dialectic of literature and philosophy, which have always been closely linked in the history of Russian thought. The current literary criticism, however, has largely lost the objectivity of evaluation criteria in this area. The author’s goal is to verify the philosophical foundations (traditionalism, conservatism and soil science) in the study of the creativity of the classics of the twentieth century. To do this, the objectives of the article include clarifying the terminological content of these concepts, polemics with interpretative distortions of literary crit

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Zakharova, Natal'ya Vladimirovna. "The theory of Chinese narrative prose in the early twentieth century." Litera, no. 12 (December 2023): 396–402. http://dx.doi.org/10.25136/2409-8698.2023.12.69355.

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The subject of the study is critical articles by Chinese writers and literary theorists of the early twentieth century. They are dedicated to ways of transforming traditional literature. The object of the study is the evolution of the views of Wang Guowei, Lu Xun, Hu Shi, Yu Dafu, who in the process of creating modern Chinese literature (Xiandai Wenxue) set tasks for the national intelligentsia. The article proves that the interpretation of the main constants of modern Chinese literature was based on the ideas of Western, primarily German and English literary criticism and aesthetics. The arti

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Nemoianu, Virgil, and Rene Wellek. "A History of Modern Criticism 1750-1950. Vol. 5: English Criticism, 1900-1950; Vol. 6: American Criticism, 1900-1950." MLN 101, no. 5 (1986): 1245. http://dx.doi.org/10.2307/2905719.

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JONES-KATZ, GREGORY. "“THE BRIDES OF DECONSTRUCTION AND CRITICISM” AND THE TRANSFORMATION OF FEMINISM IN THE NORTH AMERICAN ACADEMY." Modern Intellectual History 17, no. 2 (2018): 413–42. http://dx.doi.org/10.1017/s1479244318000318.

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“The Brides of Deconstruction and Criticism,” an informal group of feminist literary critics active at Yale University during the 1970s, were inspired by second-wave feminist curriculum, activities, and thought, as well as by the politics of the women's and gay liberation movements, in their effort to intervene into patterns of female effacement and marginalization. By the early 1980s, while helping direct deconstructive reading away from the self-subversiveness of French and English prose and poetry, the Brides made groundbreaking contributions to—and in several cases founded—fields of schola

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Mintsys, E. Ye. "VOCATIVE FUNCTIONS OF DIMINUTIVES IN ENGLISH PROSE LITERATURE FOR CHILDREN." Folium, no. 1 (2023): 56–62. http://dx.doi.org/10.32782/folium/2023.1.8.

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Jahantab, Zakira. "Poetic Structure and Arts of Prose in Modern Arabic Literature." AL-HIKMAH: INTERNATIONAL JOURNAL OF ISLAMIC STUDIES AND HUMAN SCIENCES 4 (June 28, 2021): 208–56. http://dx.doi.org/10.46722/hikmah.v4i.133.

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الأدب هو شكلٌ من أشكال التعبير عن مشاعر الإنسان وعواطفه، وهو أسلوبٌ من الأساليب التي يستخدمُها الإنسان لإفراغ هواجسِه وخواطره وعرض أفكاره بمساحة يخلقُها لنفسه من الحروف، ويُعرَفُ الأدب في كلِّ لغة من لغات الأرض بأنّه مجموعة النصوص التي كتبها الأدباء والشعراء حول العالم بهذه اللغة، وتختلف فنون الأدب في كلِّ اللغات؛ فمن الأدباء من يعبّر عن أفكاره ومشاعره شِعرًا، ومنهم من يعبّر عن ذلك نثرًا، وللنثر أنواعٌ أيضًا، وهذا التنوّع في هذه الفنون قائمٌ على الأدوات التي يمتلكها كلُّ كاتب، وعلى الميول الأدبيّة الخاصّة به، كما اتخذ الأدب في العصر الحديث في العالم العربي منحى جديدًا بدخول مجموعة من الفنون ال

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Overton, Bill. "Review: Authors and Authority: English and American Criticism 1750–1990." Literature & History 2, no. 1 (1993): 96–97. http://dx.doi.org/10.1177/030619739300200107.

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Allison, J. W. F. "HISTORY TO UNDERSTAND, AND HISTORY TO REFORM, ENGLISH PUBLIC LAW." Cambridge Law Journal 72, no. 3 (2013): 526–57. http://dx.doi.org/10.1017/s000819731300069x.

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AbstractThis article considers the contentious invocations of history that have become prominent in debates about English public law. It presents them as uses of history not simply to understand English public law but to reform it, through the reconstruction of historic authorities or reappraisal of historical sources. This article addresses the criticism they have attracted by distinguishing different kinds of orthodox and unorthodox reformist history. It advocates their transparent use and thoroughly deliberative history for reformist purposes in public law. It does so in three distinctive w

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Hansson, Heidi. "English Literary Studies in Sweden 1950-2019: Doctoral Research Projects and Disciplinary Renewal." Nordic Journal of English Studies 20, no. 2 (2021): 29–58. http://dx.doi.org/10.35360/njes.689.

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The focus of doctoral research is of great significance for the development of an academic discipline and the potential for innovation. A significant number of PhD graduates however expect to be employed as university teachers, and the correlation between competence needs as suggested by the undergraduate curriculum and PhD research appears to be weak. Based on library catalogue data and digital archives, this study investigates interrelations between the initial research orientation of individual scholars and the development of English as a university subject in Sweden. Dissertation topics 19

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Suo, Juan Juan, and Yan Cang Li. "Similarities between Wordsworth and Emerson in Romantic Literature." Advanced Materials Research 179-180 (January 2011): 368–73. http://dx.doi.org/10.4028/www.scientific.net/amr.179-180.368.

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In the history of English and American literature, Romantic Period is so important that cannot be ignored by people. A lot of good writers appeared and their famous works (especially in the field of poetry and prose) were produced. Though many differences between Great Britain and America exist, and the thoughts of writers between the two countries are so different, they have some common senses of Romanticism. This should not be forgotten. In order to point out this problem deeply, we have to pay an attention to the history background of the two countries, to the author’s biography and to the

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Shubhangi M. Hiwarkhedka and Dr. Anshu Sharma. "Patriarchal Dominance in English Literature." International Research Journal on Advanced Engineering and Management (IRJAEM) 2, no. 04 (2024): 1228–31. http://dx.doi.org/10.47392/irjaem.2024.0165.

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Patriarchal dominance has been a prevalent theme in English literature throughout its history. Many literary works reflect and critique the societal norms and power structures that have historically favored men over women. Patriarchal norms prescribe rigid gender roles and expectations for men and women, reinforcing stereotypes and inequalities. Women are often relegated to traditional roles as caregivers, homemakers, and subordinate members of the family, while men are expected to be the primary breadwinners and decision-makers. These gender roles perpetuate unequal power dynamics and limit w

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Hill, Christopher. "Review: Lines of Authority: Politics and English Literary Criticism, 1649–1689." Literature & History 5, no. 2 (1996): 79–80. http://dx.doi.org/10.1177/030619739600500211.

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CHEN, Zhongxiang. "Interpretation of the Women in the Biblical Literature." Review of Social Sciences 1, no. 6 (2016): 09. http://dx.doi.org/10.18533/rss.v1i6.36.

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<p>Bible as literature and Bible as religion are comparative. It is without doubt that Bible, as a religious doctrine, has played a great role in Judaism and Christianity. It is meanwhile a whole literature collection of history, law, ethics, poems, proverbs, biography and legends. As the source of western literature, Bible has significant influence on the English language and culture, English writing and modeling of characters in the subsequent time. Interpreting the female characters in the Bible would affirm the value of women, view the feminist criticism in an objective way and agree

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Vyshenskaya, Yuliya P. "Stylistic Use of the Grammatical Tense Category in the Middle English Prose." RUDN Journal of Language Studies, Semiotics and Semantics 13, no. 2 (2022): 416–32. http://dx.doi.org/10.22363/2313-2299-2022-13-2-416-432.

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The paper proposes some observation experience over exploring stylistic resources of the verbal category of tense in the texts of English belles-lettres presented by its prosaic segment dated by High Middle Ages period. Acquiring by the prosaic form of the belles-lettres text the independent status is the important step in the History of European Literature which chronologically coincides with the period of transferring from Middle Ages to Renaissance. After passing the formation period there appeared verbal coverings of one and the same contents different in stylistic, lexical and grammatical

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Dillon, John Noël. "CONJECTURES AND CRITICISM IN BOOK 1 OF THECODEX JUSTINIANUS." Classical Quarterly 65, no. 1 (2015): 321–43. http://dx.doi.org/10.1017/s0009838814000640.

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Since 2007, a team of American and British ancient historians has been preparing a new translation of theCodex Justinianus. The ‘Codex Project’ was launched by chief editor Bruce W. Frier; the goal of the project is to create the first reliable English translation of theCodex Justinianuson the basis of the standard edition by Paul Krüger. Since 1932, the notoriously unreliable translation by Scott has remained the only one in English. The new translation by the Codex Project should appear soon.

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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang

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Schaeffer, John D. "The Dialectic of Orality and Literacy: The Case of Book 4 of Augustine's De doctrina christiana." PMLA/Publications of the Modern Language Association of America 111, no. 5 (1996): 1133–45. http://dx.doi.org/10.2307/463155.

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Some critics cite book 4 of Augustine's De doctrina Christiana as a source of the anti-rhetorical style of Renaissance English prose. However, such critics do not recognize that book 4 offers instruction in extemporaneous oral performance. Nor do contemporary critics note Augustine's pervasive orality, though a substantial critical literature addresses this fact. The relation of orality to literacy was complex in late antiquity, particularly as illiterates converted to Christianity, a text-based religion. Augustine's prescriptions can be seen to illustrate the development of “innerness” among

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