Relevant bibliographies by topics / English romantic poets

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'English romantic poets'

Author: Grafiati
Published: 24 April 2022
Last updated: 18 May 2024

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Journal articles on the topic "English romantic poets"

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Sharma, Dr Lok Raj. "Exploring Birds as Glorified in the Romantic Poetry." Global Academic Journal of Linguistics and Literature 4, no. 2 (2022): 24–27. http://dx.doi.org/10.36348/gajll.2022.v04i02.001.

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English Romantic poetry contributes profound love and genuine reverence of the poets to nature. Birds constitute a part of nature, and love for nature is one of the perpetual features and themes of the Romantic poetry. This article, which aims at exploring birds how English Romantic poets glorify them in their poetry, comprises five poems of four celebrated English Romantic poets, namely Wordsworth, Coleridge, Shelley and Keats. This article concludes that the Romantic poets glorify birds as a blithe spirit, a light-winged fairy, an ethereal minstrel, a blithe new-comer, a wandering voice, a darling of the spring, Christian soul and so on.
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Rahman, Muhd Mustafizur. "An Overview of the Romantic Age, Romantic Poets and Romantic Poetry in English Literature: A Critical Analysis." Integrated Journal for Research in Arts and Humanities 3, no. 4 (2023): 43–54. http://dx.doi.org/10.55544/ijrah.3.4.6.

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This article aims at giving an overview on the whole romantic period. The start of the romantic period, the way it happened, the poets that helped to make this period shine, the background of the poets and the details of the romantic poetry that ruled this era – all of the aspects are described very elaborately in this article. The romantic age was established at the end of the eighteenth century and it lasted up to the 30’s of the nineteenth century. This romantic period replaced the neoclassical period where the classical poets like Alexander Pope made classical poetry famous among readers. Elements such as imagination, emotion, nature were used very passionately in the romantic poetry. There are more than four poets who wrote romantic poems in this period but only the life and poetry of the significant four poets are written in this article who was William Wordsworth, Samuel Coleridge, John Keats, P. B Shelley. Wordsworth and Coleridge were the very first influencers of the romantic period. Wordsworth portrayed nature very artistically with his imagination in his poems. He wrote poems to pleasure the feelings of the common people. His close friend, Coleridge was influenced by some early politic affairs, his master James bowers and poet William Bowles to write romantic poetry. His investigation of the human nature through his poems made his poems very relatable. John Keats came after Wordsworth and Coleridge in this era. He upheld beauty and imagination frequently in his writing and shared the importance of his created term ‘negative capability.’ P.B Shelley differed from the other romantic poets by giving some importance to logic. He cared about morality and good lessons in his poems. He also portrayed melancholy very beautifully with his pen. This article will guide people in knowing even the little things of the romantic era.
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Raj Sharma, Lok. "PREFERENTIAL TREATMENT OF NATURE IN ROMANTIC POETRY." International Journal of Advanced Research 10, no. 02 (2022): 87–90. http://dx.doi.org/10.21474/ijar01/14181.

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Love for nature is one of the perennial characteristics perceived in Romantic poetry. English Romantic poets employ nature as an influential theme in their poetry: however their treatment of nature does not sound to be similar. This article aims at differentiating English Romantic poets preferential treatment of nature succinctly by including ten poems of five noted English Romantic poets, namely Wordsworth, Coleridge, Byron, Shelley and Keats. This article concludes that nature for Wordsworth is a sort of God or Goddess for Coleridge it is an expression of the mystical power for Byron it is a reflection of mankind for Shelley it is a healing power and for Keats it is a source of sensuousness inflaming sensual pleasures.
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Hurtado, Rosa Eugenia Rivas. "The English Romantic Poets." International Area Review 1, no. 1 (1997): 190–201. http://dx.doi.org/10.1177/223386599700100112.

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The period dating from 1789 to about 1830 is the epoch of the Romanticism, who first exponens among others were Blake, Coleridge, Southey, Wordsworth and in a second generation Byron, Shelley, and Keats who all died at young age. Many values and interest of the Romantic period remained alive through the nineteen century with poets such as Yeats and Stevens. Imagination, Nature, the Self, and Eternity are among the elements that the period named “Romantic”. Indeed imagination and insight are in fact inseparable and form for all practical purposes a single faculty. “For Coleridge imagination is the primary instrument of all spiritual and creative activities.” At the ages of about 33 Wordsworth passed a crisis and this dealt to experience two different ideas about nature; the first one when he wrote Tintern Abbey in 1798, he distinguished the blessed of nature. Some years later, the other came when this all-absorbing wision was lost. Kubla Khan written by Coleridge after three hours in a profound sleep, during which time he had the most vivid confidence of the external senses. Rebellion specially ideas on favour of The French Revolution, political points of view idealist as Shelly had and never lost his enthusiasm for revolutionary politics.
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Yong, Ping. "The Imagination of Romantic Poetry under Different Regional and Cultural Backgrounds: Comparison and Analysis of Kubla Khan and Mount Skyland ascended in a Dream-A Song of Farewell." Communications in Humanities Research 3, no. 1 (2023): 340–47. http://dx.doi.org/10.54254/2753-7064/3/20220335.

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Romanticism is an important branch of the literary genre, and imagination is an important feature of it. From different historical backgrounds, Both British poets and Chinese have each profound insight into the imagination in their romantic poetry creations. Samuel Taylor Coleridge, as a pioneer of English Romantic poetry, his dream fragment Kublai Khan established an unshakable position in the poet's literary circle, while Li Bai was a well-known romantic poet in the prosperous Tang Dynasty. His representative work, Mount Skyland ascended in a Dream-A Song of Farewell, shocked the entire Chinese poetry circle as soon as it came out. This essay analyzes the poets' poetic thoughts on imagination by studying the different backgrounds of the two poets, the cultural traditions they contacted, and the philosophical thoughts they infected and meanwhile compares and analyzes the image characteristics of the two poets' representative works to explore the concrete expression of the poet's imagination in the poems. It is found that there are similarities and differences spatially and emotionally in terms of imagery. Moreover, the imagination in romantic poetry not only creates a series of illusory images and casts a phantom veil on the whole poem but also insinuates the poet's poetic thought and inner emotional appeal.
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Mahil Abd Allah, Mohamed Jabraddar. "The Value of Night in English Poetry of The Romantic Period (1757-1822)." International Journal of Applied Linguistics and English Literature 10, no. 1 (2021): 58. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.1p.58.

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This study has attempted to examine the value of night in English poetry of the Romantic period (1757–1822). It has aimed to establish how the writers of English poetry of the Romantic period highlight the value of night and images of nature involved in creating this value, while also realising the importance of night in life, according to the poems examined in this study. Three poems of the English poetry of the Romantic period (1757–1822), were used as data for the current study. The poems were analysed quantitatively – the occurrence of the expressions, words and phrases highlighting the value of night were recorded. Results showed that the poets highlight the value of night as an image of nature. Besides, the poets believe that night is a sign of beauty and tranquillity in human life.
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Soltan Beyad, Maryam, and Mahsa Vafa. "Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology." International Journal of Linguistics, Literature and Translation 3, no. 8 (2021): 08–18. http://dx.doi.org/10.32996/ijllt.2021.4.8.2.

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English Romantic literature of the late eighteenth and early nineteenth centuries often recounts an individual life journey which depicts physical and spiritual pilgrimage and traverses both the inner and outer world to liberate the self and reach a revelatory moment of unification where the division between human mind and the external world is reconciled. For the Romantic poets this reconciliatory state cannot be achieved through rational investigation but via the power of imagination. In this regard, there is striking resemblance between the mystical and philosophical thought of Sufism and the idealistic thought of the English Romantic poets as they both strive for a sense of unification with the Divine or the Ultimate reality, and they both rely on imagination and intuitive perception to apprehend reality. Applying an analytical-comparative approach with specific reference to Northrop Frye’s anagogic theory (1957) which emphasizes literary commonalities regardless of direct influence or cultural or theological distinctions, this study endeavors to depict that certain Romantic poets’ longing for the reconciliation of subject and object dualism via imagination and its sublime product, poetic language, echoes the mystic’s pursuit of transcendental states of consciousness and unification with the divinely infinite. Through analysis of the concept of self-dissolution (fana) in Islamic mysticism and Sufi literature, particularly the poems of Jalal ad-Din Mohammad Balkhi (1207-1273) known in the West as Rumi, the outcome of this study reveals that the Romantics’ yearning for a state of reconciliation, which is prevalent in the major works of the Romantic poets such as William Blake (1757-1827), William Wordsworth (1770-1850), Samuel Taylor Coleridge (1772-1834), Percy Bysshe Shelley (1792-1822), and John Keats (1795-1821), corresponds to the mystic’s pursuit of unity or the Sufi’s concept of self-annihilation or fana.
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Abuhammam, Emad A., Zaid M. Al-dabbagh, Abdullah M. Ibrahim, and Ismail S. Almazaidah. "The Portrayal of Spring in English and Arabic Poetry: A Comparative Stylistic Study of Selected Poems." Journal of Language Teaching and Research 15, no. 2 (2024): 355–63. http://dx.doi.org/10.17507/jltr.1502.04.

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This comparative study highlights many romantic affinities in some poems by modern and classic English and Arabic poets. These romantic poets represent spring similarly as a source of pleasure, peace, and comfort. They see spring as their place of sharing compassion, love, and happiness. The study is mainly based on the Parallelism theory of the American School of Comparative Literature which focuses on the parallel themes, linguistic devices, and images of different authors whose social, historical, traditional, and linguistic aspects are different (Bressler, 2011, p. 42). It also adopts the New Criticism’s methodology of analyzing poetic metaphors, symbols, structures, and similes. Their romantic compositions connect spring spiritually, aesthetically, and invisibly with these poets’ souls. They glorify and adopt spring and its influence on them as a symbol of pleasure and comfort.
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Amit, Mr. "Romanticism: Characteristics, Themes and Poets." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 66–74. http://dx.doi.org/10.24113/ijellh.v9i5.11034.

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This paper examines about Romanticism or Romantic era, themes and some famous writers, poets and poems of romantic era. Romanticism is one of the repetitive topics that are connected to either creative mind, vision, motivation, instinct, or independence.
 The subject frequently condemns the past, worries upon reasonableness, disconnection of the essayist and pays tribute to nature. Gone before by Enlightenment, Romanticism brought crisp verse as well as extraordinary books in English Literature. Begun from England and spread all through Europe including the United States, the Romantic development incorporates well known journalists, for example, William Wordsworth, Coleridge, Keats, Lord Byron, Shelley, Chatterton, and Hawthorne. ‘Romantic’ has been adjusted from the French word romaunt that implies a story of Chivalry. After two German scholars Schlegel siblings utilized this word for verse, it changed into a development like an epidemic and spread all through Europe.
 Romanticism in English writing started during the 1790s with the distribution of the Lyrical Ballads of William Wordsworth and Samuel Taylor Coleridge. Wordsworth's "Preface" to the subsequent version (1800) of Lyrical Ballads, in which he portrayed verse as the spontaneous overflow of powerful feelings", turned into the statement of the English Romantic development in verse.
 The first phase of the Romantic movement in Germany was set apart by advancements in both substance and artistic style and by a distraction with the mysterious, the intuitive and the heavenly. An abundance of abilities, including Friedrich Hölderlin, the early Johann Wolfgang von Goethe, Jean Paul, Novalis, Ludwig Tieck, A.W. what's more, Friedrich Schlegel, Wilhelm Heinrich Wackenroder, and Friedrich Schelling, have a place with this first phase.
 The second phase of Romanticism, involving the period from around 1805 to the 1830s, was set apart by a reviving of social patriotism and another regard for national roots, as bore witness to by the accumulation and impersonation of local old stories, people songs and verse, society move and music, and even recently disregarded medieval and Renaissance works. The resuscitated recorded appreciation was converted into creative composition by Sir Walter Scott, who is frequently considered to have imagined the verifiable novel. At about this equivalent time English Romantic verse had arrived at its peak in progress of John Keats, Lord Byron, and Percy Bysshe Shelley.
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Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This article is a reading of Devkota’s some of the poems from his collection Bhikhari from the perspective of humanism.
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Dissertations / Theses on the topic "English romantic poets"

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Karadas, Firat. "Imagination, Metaphor And Mythopoeia In The Poetry Of Three Major English Romantic Poets." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/3/12608579/index.pdf.

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This thesis studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. The thesis argues that a comprehensive understanding of metaphor and myth cannot be done in the works of these poets without seeing them as faces of the same coin, and taking into consideration the role of the creating subject and its imagination in their production. Relying on Kantian, Romantic, and modern Neo-Kantian ideas of imagination, metaphor and myth, the study tries to indicate that imagination is an inherently metaphorizing and mythologizing faculty because the act of perception is an act of giving form to natural phenomena and seeing similitude in dissimilitude, which are basically metaphorical and mythological acts. In its form-giving activity the imagination of the speaking subjects of the poems studied in this thesis sees objects of nature as spiritual, animate or divine beings and thus transforms them into the alien territory of myth. This thesis analyzes myth and metaphor mainly in two regards: first, myth and metaphor are handled as inborn aspects of imagination and perception, and the interaction between nature and imagination are presented as the origin of all mythology<br>second, to show how myth is something that is re-created time and again by poetic imagination, Romantic mythography and re-creation of precursor mythologies are analyzed. In both regards, poetic imagination appears as a formative power that constructs, defamiliarizes and re-creates via mythologization and metaphorization.
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Hussein, Ronak Hassan. "Nature and death in the poetry of al-Malā'ika, al-Shābbī and Shukrī, and certain English Romantic poets : a comparative study." Thesis, University of St Andrews, 1989. http://hdl.handle.net/10023/7138.

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The first part of this thesis, divided into two chapters, deals with the early background of European Romanticism; the reasons behind its appearance and problems of definition. There follows a discussion on the question of the originality of Arabic Romanticism, with ,a brief review of the roots and main literary groups of this movement in Arabic poetry. Part two examines the influence of English poetry and thought on three Arab Romantic poets: Nāzik Sādiq al-Malā'ika, Abū al-Qāsim al-Shābbī and Abd aI-Rahmān Shukrī. This is discussed parallel with the channels of this influence. The main focus of this research is however, to show the ways in which al-Malā'ika, al-Shābbī and Shukrī perceived and reflected nature and death in their poetry. Their attitudes towards certain phenomena in nature such as the countryside, night, the sea, childhood and moral and social lessons of nature are compared with certain attitudes of Wordsworth, Coleridge, Keats and Shelley. Themes such as life and death, fear of death, fatalism, immortality and death as a welcome experience are also the concern of this thesis, with a comparison of these themes in the poetry of the Arab and English Romantic poets. However, owing to the popularity of Keats and Shelley with the three Arab Romantic poets, this thesis concentrates on their poetry. This research has selected only certain phenomena and themes from nature--and death because of the dominance of these subjects in the poetry of al-Malā'ika, al-Shābbī and Shukrī. The translations of Arabic poetry in this thesis are intended to convey the general sense of the source texts, rather than to give a precise rendering of these texts into English.
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Meritt, Mark Dean. "Body-snatchers of literature : embodied genius and the problem of authority in romantic biographical sketches /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061958.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 251-257). Also available for download via the World Wide Web; free to University of Oregon users.
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Pacheco, Katie. "The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/937.

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The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem that centers on the concept of prajna, or wisdom, as a vital tool for cultivating the mind. Focusing on prajna, I argue that the Mariner’s didactic story traces his cognitive voyage from ignorance to enlightenment. By examining The Rime within the framework of Buddhism, readers will also be able to grasp the importance of cultivating the mind and transcending ignorance.
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Estevez, Cristina. "Creating identity : the role of George Gordon, Lord Byron, in realizing the Romantic poet." FIU Digital Commons, 2009. http://digitalcommons.fiu.edu/etd/3279.

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The Romantic Age in literature was a time of change and revision, especially in the world of heroes and the fictional worlds in which they lived and played. Many socalled "heroes" came into play at this time, but this was not enough for the Romantic poets, especially George Gordon, Lord Byron. The Byronic hero became the solution to the problem created by an unsatisfactory hero. In creating the Byronic hero, Byron changed literature, allowing poets and readers alike to participate actively in the processes of writing and reading. This work will examine Byron's development of his hero in Childe Harold's Pilgrimage and how other poets, such as Karel Hynek Macha in his Maj, used the Byronic hero as a model that would help them foster a revival of both literature and nationhood. This work explores why the Byronic hero was adopted and embraced by those in England and abroad.
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Pepper, Allison M. "Ishmael the dissolution of a romantic and the emergence of a poet /." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0711102-124143/unrestricted/PepperA072402.pdf.

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Drodge, Susan. "The feminist romantic, the revisionary rhetoric of Double negative, Naked poems, and Gyno-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25770.pdf.

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Stimpson, Shannon Melee. ""The River Duddon" and William Wordsworth's Evolving Poetics of Collection." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3541.

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Despite its impact in generating a more positive reception toward Wordsworth's work among his contemporaries, The River Duddon volume has received comparatively little critical attention in recent scholarship. On some level, this is unsurprising given the relative unpopularity of Wordsworth's later work among modern readers, but I believe that the relative shortage of critical scholarship on The River Duddon is due, at least in part, to a symptomatic failure to read the volume in its entirety. This essay takes up the challenge of following Wordsworth's directive to read The River Duddon volume as a unified whole. While I cannot account for every inclusion, I set out to explore how the idea of collection functions as the unifying force governing the volume's organizational and thematic structure. I argue that although the individual pieces that make up the collection are distinct from each other in their style, subject matter, and date of composition, together they constitute an exploration of the beauty of Wordsworth's native region and his interest in harmonizing aesthetic principles of variety and unity. When read as parts of a dialogical exchange rather than as self-contained units, the individual texts in The River Duddon collectively present an array of perspectives through which Wordsworth not only celebrates the rich diversity of the Lake District's local customs and landscapes, but also theorize a sophisticated poetics of collection which he hoped would help justify his poetic program and reinforce the literary and cultural weight of his future work.
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Arnold, Amanda Suzanne. "Shift." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/english_theses/26.

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The following is a collection of original poetry. The manuscript consists of an introduction explaining influences and style, and four chapters of poems categorized by subject matter: object/nature, writing/creativity, relationships, and family/figures. INDEX WORDS: Poetry, Poem
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Ngidi, Evangeline Bonisiwe. "The influence of selected English romantic poets in B.W. Vilakazi's poetry." Thesis, 2001. http://hdl.handle.net/10413/2818.

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B.W. Vilakazi is regarded by many literary critics as the best poet of his time, who had he lived longer, would have marked his living years the Vilakazi era. It is for this reason that I decided to embark on the study of his poetry, and that which influenced him, mainly the English Romantic Poets. In doing this research I also emphasised typical aspects of Romantic poets so as to clarify whether Vilakazi does fall under this category (Romantic category). In the introduction of Inkondlo kaZulu Gumede remarks thus on B.W. Vilakazi's poetry: "UVilakazi tstqungo sokwakha izosha lezi usithole esiblgisini. Usebenzisa isiZulu kanye nemizekeliso yaso namalutha, ekhombisa ithuba lokuqhuba isiZulu sibe nenkinga yaso yezincwadi noma izosha lezi zincikile esiNgisini. Ube nesibindi sokuzisukela aqambe lolu hlobo lwezibongo zesiZulu wangagudluka endleleni endala." (l935:vi) "Vilakazi gets his poetic inspiration from English. He uses Zulu images and superstitions to show that Zulu can have its own literature even though it is related to English. It is very brave of him to compose new genre in Zulu praises, without diverting from the original version by older poets." The scope of the study will be as follows: Chapter One is an introductory chapter which includes: the aim of the study; preamble, literature review, research methodology, biographical notes on Vilakazi, Vilakazi's literary works (novels, anthologies of poetry, articles in journals), Vilakazi's lexicographical work (the Dictionary), Vilakazi's influences (his own personal experiences, traditional poetry, traditional prose narrative, Biblical influences and mostly the English Romantic Poets). This chapter includes the definition of Poetry and the definition of a poet, definition of a Bard 'Imbongi', it also defines Romanticism (as a movement and as a concept); and it gives various critical views on RW. Vilakazi. Chapter Two deals with the influence of English Romantic Poets on Vilakazi, and looks at certain poems of Wordsworth, Keats and Shelley. Chapter Three deals with Vilakazi as a Romantic poet (certain Poems with Romantic aspects). Chapter Four is the Conclusion looking at the extent that the Romantic poets influenced Vilakazi's writing.<br>Thesis (M.A.)-University of Natal, Pietermaritzburg, 2001.
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Books on the topic "English romantic poets"

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Harold, Bloom, ed. English romantic poets. Chelsea House Publishers, 1986.

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Caroline, Franklin, ed. British romantic poets. Routledge/Thoemmes Press, 1998.

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Harold, Bloom. The romantic poets. Bloom's Literary Criticism, 2011.

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Andrew, Ashfield, ed. Romantic women poets. Manchester University Press, 1995.

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Sitterson, Joseph C. Romantic poems, poets, and narrators. Kent State University Press, 2000.

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Andrew, Ashfield, ed. Romantic women poets, 1770-1838. Manchester University Press, 1997.

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R, Greenfield John, ed. British romantic poets, 1789-1832. Gale Research, 1990.

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National Portrait Gallery (Great Britain), ed. The Romantic poets and their circle. National Portrait Gallery, 2005.

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The romantic poets and their circle. National Portrait Gallery, 2013.

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Woof, Robert. Byron, a dangerous romantic? Wordsworth Museum, 1989.

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Book chapters on the topic "English romantic poets"

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Bradshaw, Penny. "Women Romantic Poets." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch27.

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Dirschauer, Marlene. "Aqueous Affinities: Woolf, Bachelard and the English Romantic Poets." In Geocriticism and Spatial Literary Studies. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13421-0_2.

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St Clair, William. "4. Poets and Travellers." In Byron and Trinity. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0399.04.

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Chapter 4, ‘Poets and Travellers’ (1998), explores various aspects of Lord Byron’s literary and political engagements, beginning by focusing on his satirical work ‘English Bards and Scotch Reviewers.’ William St Clair details the poem’s tumultuous publication history, marked by its rejection by London publishers, discussing the complexities of forgeries and controversy surrounding the poem. The chapter then shifts to Byron’s involvement with the Elgin Marbles and his critical stance on Lord Elgin’s actions, seen in his poem ‘The Curse of Minerva’. The discussion extends to Byron’s influential work Childe Harold's Pilgrimage, controversial for attacking Lord Elgin and addressing the removal of the Elgin Marbles. Byron's influence on the Philhellenic movement and his use of romantic poetry conventions, coupled with explanatory notes, contribute to ongoing debates about Greece's historical and cultural significance.
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Guthardt, Lisa Katharina. "FARWELL DELIGHTFUL SPOT FARWELL." In Kultur und soziale Praxis. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462249-024.

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In her essay, Lisa Katharina Guthardt explores the relation between human beings and their environment on the basis of a poem by John Clare, an English Romantic poet. In 'Helpston Green', Clare seems to process the destruction of nature in his hometown and deals with questions of uncertainty, doubt and change. About 200 years later, we still have similar struggles and concerns. In times of catastrophes, climate change and the COVID-19 pandemic, Clare's poem can allow for new perspectives and enable critical thinking about our place in the world, about an understanding of nature and the shaping of our future.
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Scott, William, and Paul Vare. "The English Romantic poets." In Learning, Environment and Sustainable Development. Routledge, 2020. http://dx.doi.org/10.4324/9780429273704-13.

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O'neill, Michael. "Contemporary Northern Irish poets and Romantic poetry." In English Romanticism and the Celtic World. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511484131.013.

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Barfoot, C. C. "English Romantic Poets and the “Free-Floating Orient”." In Oriental Prospects. BRILL, 1998. http://dx.doi.org/10.1163/9789004484214_008.

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8

Leader, Zachary. "Keats, the Critics, and the Public." In Revision and Romantic Authorship. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198122647.003.0007.

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Abstract:
Abstract Though determined to be ‘among the English Poets’, a great and lasting writer worthy of ‘the Temple of Fame’ or ‘the laurel wreath on high suspended’,’ John Keats also needed immediate recognition, to be ‘successful and respected’ as well as great! In early 1818, soon after the publication of his first collection, Poems (1817), Keats determined to ‘overwhelm’ himself in poetry (‘Sleep and Poetry’, 1. 96);i hence in part the attraction of epic. ‘In Endymion’, he writes to Hessey, ‘I leaped headlong into the sea,’ a total immersion which was also ‘a test, a trial of my Powers of Imagination’.
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Thomson, Heidi. "Women poets of the Romantic period (Barbauld to Landon)." In The Cambridge History of English Poetry. Cambridge University Press, 2010. http://dx.doi.org/10.1017/chol9780521883061.032.

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10

Saglia, Diego. "Broken, Wild, Untold Tales: Byron’s Orientalist Poetry and Romantic-Period Narrative Verse." In Byron Among the English Poets. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108903790.013.

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