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Dissertations / Theses on the topic 'English Satire'

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1

Garside, Damian John. "Satire and the satirist : a materialist reading of eighteenth-century satire." Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/18256.

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Bibliography: pages 480-513.<br>This thesis presents an attempt to engage materialist literary analysis in a serious reconsideration of eighteenth-century satire as satire. In the process I see myself as challenging received notions of how the satire of the period is to be contextualized, as well as the way in which the category 'satire' has been constituted. I do not think it is possible to provide any reading of any satire today without initiating a reappraisal of the very form itself. Here I am attempting to integrate an ancient practice with new methodologies. This would seem to demand a p
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2

Forsberg, Niclas. "Laughing Knives : Satire in the English Classroom." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-51279.

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The aim of this study is to promote the use of satirical content in the English classroom.This study provides an analysis of three interviews with English teachers in the upper secondary school. The analysis compares earlier research with the findings from the interviews. Interview answers show through real experiences that satirical content may help students become more engaged, not only in learning English but in other social and cultural issues as well. Teachers will have to fight their insecurities about satire in order to use satirical content to its fullest potential. However, it is conc
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3

Morton, Sheila A. "Satire's liminal space : the conservative function of eighteenth-century satiric drama /." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd384.pdf.

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4

McDayter, Mark Alan. "This evasive way of abuse, satiric voices in English verse satire, 1640-1700." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ28292.pdf.

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5

Henderson, Felicity 1973. "Erudite satire in seventeenth-century England." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.

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6

Ashworth-King, Erin L. Barbour Reid. "The ethics of satire in early modern English literature." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2593.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Oct. 5, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English and Comparative Literature; Department/School: English and Comparative Literature.
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7

Thumm, Sarah Reynard. "Swift's Vexed Satire of Hobbes and Lucretius." W&M ScholarWorks, 1997. https://scholarworks.wm.edu/etd/1539626122.

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8

Wells, andrew Philip. "The Measure of Satire in Pope and West." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625895.

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9

Parsons, Ben. "Wounds, words, worlds : injury in Middle English satire, c.1250-1534." Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487612.

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The thesis explores the role of violence and wounding in English satire before the Refonnation. From the analysis of medieval commentary on Juvenal and Horace, and depictions of wounding in medieval culture, a new understanding of satiric aggression is derived. It is suggested that satire and mutilation are connected by their common sense of ambivalence. During the Middle Ages both were invested with two distinct functions: each could enforce a given system of standards and definitions, or be used to dissolve such a system. While this dualism makes disfigurement a natural emblem for satire, it
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10

Pound, Richard John. "Serial journalism and the transformation of English graphic satire, 1830-36." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408528.

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11

Stewart, Eleanor McArthur. "Commerce and finance in English graphic satire, ca. 1720 - ca. 1783." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413121.

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12

Wheeler, Angela J. "English verse satire from Donne to Dryden : imitation of classical models /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716182c.

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13

Jameson, June. "Sarah Fielding : satire and subversion in the eighteenth-century novel." Thesis, University of Sunderland, 2008. http://sure.sunderland.ac.uk/3682/.

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This study of Sarah Fielding (1710―68) is an original contribution to Fielding scholarship that has a dual purpose: to support those who are striving to re-introduce her to the modern literary landscape in an effort to restore her eighteenth-century literary standing, and to firmly establish Fielding as an early feminist writer. It is argued here that throughout her oeuvre Fielding challenged prevailing traditions that denied women a choice, particularly in education, employment and marriage. These themes are also considered in the political treatises of Mary Astell (1666―1731) and Mary Wollst
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14

Musgrave, David. "Figurations of the grotesque in Menippean satire." Thesis, University of Sydney, 1997. https://hdl.handle.net/2123/22725.

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Ignoring for the moment the fact that the very existence of the genre is a contentious issue, menippean satire is a form of writing with a history which extends back almost two and a half thousand years, at least to its legendary origin with Menippus of Gadara in the first half of the third century B.C. Menippus’ writings no longer survive, but some facts of his life are known, largely through the Lives of Eminent Philosophers of Diogenes Laertius. Menippus was a slave who became a pupil of the Cynic Metrocles, purchased his freedom and settled in Thebes where he satirized all formal schools o
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15

Bicak, Ivana. "Roman satiric modes in English verse satire, 1660-1740, with special reference to Swift's Horace and Pope's Juvenal." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/10736/.

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This thesis questions the traditional dichotomy between the satires of Horace and Juvenal, a binary satiric theory that has strongly influenced twentieth-century readings of Alexander Pope and Jonathan Swift. It is argued that the works of both Horace and Juvenal are too complex to be reduced to a single well-defined ‘type’ of satire. Hence, the popular labelling of Pope as a ‘Horatian’ satirist and Swift as a ‘Juvenalian’ satirist is shown to be as synthetic as the duality between Horace and Juvenal itself. Chapter 1 provides an overview of the Restoration theory of satire as a background for
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16

Benard, Clementine. "John Donne : de la satire à l'humour." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR076/document.

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Cette étude s'attache à démontrer comment les écrits satiriques du poète élisabéthain John Donne (1572-1631) lui permettent de développer une esthétique propre, qui ne se cantonne pas qu'au corpus satirique strict mais trouve également une résonance dans le reste de son œuvre. Traditionnellement considérée comme une tendance marginale dans sa poésie, la satire chez Donne s'exprime à travers d'autres textes, laissant ainsi transparaître un « esprit satirique ». Le jeu et la prise de distance du poète vis-à-vis des conventions littéraires, sociales et religieuses de son époque nous permettent de
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Van, Vuuren Sonja. "South African satire : a study of Zakes Mda's The Madonna of Excelsior." Thesis, Stellenbosch : University of Stellenbosch, 2004. http://hdl.handle.net/10019.1/16455.

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Thesis (MA)--University of Stellenbosch, 2004.<br>ENGLISH ABSTRACT: This thesis analyses Zakes Mda’s The Madonna of Excelsior from three different points of view, namely post-colonial, feminist and satirical. The latter constitutes the main interpretation of the novel and serves as a link with the other two discourses – the key argument being that satire is not a solipsistic form of art, and thus a satirical text should not be considered on its own, but should rather be interpreted in conjunction with other cultural discourses. This thesis is of the opinion that one needs all three of th
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18

Robbeson, Angela. ""A sense of wider fields and chances": Towards a literary history of English-Canadian satiric fictions of the nineteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0023/NQ36792.pdf.

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19

Walden, Zachary R. "An Explication of Satire in Mark Twain’s Letters from the Earth." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/146.

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This thesis discusses an explication of the key criticisms Mark Twain levies against modern day Christians, the Church, and God. While some scholarly sources are employed, the main comparison of Twain’s Letters from the Earth comes from the book he most often references in Letters: the Bible. This work also examines a few select points of his later life in the context of his writing.
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20

Kohlhepp, Adam John. ""Tis nature's law to change" : the Earl of Rochester in the hands of his readers /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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21

Coe, Jonathan. "Satire and sympathy : some consequences of intrusive narration in Tom Jones and other comic novels." Thesis, University of Warwick, 1986. http://wrap.warwick.ac.uk/55828/.

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This thesis aims to reinterpret Tom Jones by putting it into some previously untried comparative contexts. As well as using the traditional points of reference such as Lucian, Swift and Sterne, I compare Fielding's satire with Flaubert's; his narrative poetics with Dickens's and Beckett's; his strategy of intrusion with George Eliot's; and his literary politics with Brecht's. I start by assuming the ambivalence of Tom Jones, but rather than seeing this as a conscious ironic duality, I argue that it derives from literary, moral and political uncertainty. The intrusive narrator is seen as an ind
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22

Milthorpe, Naomi Elizabeth, and naomi milthorpe@anu edu au. "Systems of order: The satirical novels of Evelyn Waugh." The Australian National University. School of Humanities, 2009. http://thesis.anu.edu.au./public/adt-ANU20090630.150502.

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Systems of Order: The satirical novels of Evelyn Waugh is a study of Evelyn Waugh’s satire. It offers a contextual reading of eleven works by Waugh, presenting revisionist readings of familiar novels and according attention to previously neglected works. It aims to sketch out the main features of Waugh’s satire, including Waugh’s lexis and the use of certain key images and motifs. Comparative analysis of Waugh’s satirical novels with works by contemporary writers such as Clough Williams-Ellis, Wyndham Lewis, Stella Gibbons and T.S. Eliot brings into sharp relief the techniques and targets o
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23

Perry, Amber R. "Critiquing Academic Culture with Satire through Lady Lazarus, A Fictional Biography." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1700.

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In the tradition of academic satire, Lady Lazarus is the fictional biography of the daughter of American rock musicians. In her late teens she rises to fame as confessional poet, who, despite only publishing one collection of poems during her brief life, becomes an overnight sensation. Author Andrew Altschul is satirizing academia’s need to be a part of popular culture and in doing so, privileges the ability to use controversy and conventional beauty to sell books as opposed to creating quality art. By focusing on how the author uses Hans Robert Jauss’ horizons of expectations, unreliable narr
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24

Prescott, Gina Henderson. "Satirical Inquiry." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-08072007-133241/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from file title page. Mary Hocks, committee chair; Lynée Lewis Gaillet, Elizabeth Sanders Lopez, committee members. Electronic text (68 p.) : digital, PDF file. Description based on contents viewed Nov. 7, 2007. Includes bibliographical references (p. 66-68).
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25

Fahey, Kathleen Agnes. "Some shorter satirical poems in English from the thirteenth to the early sixteenth centuries." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:15454664-6d83-483e-93ac-025843416231.

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The aim of this thesis is to provide a thorough introduction to shorter satirical poetry in Middle English, and also to provide stimulus and material for further study in this somewhat neglected area of medieval English literature. The thesis presents 83 newly transcribed, edited and annotated shorter (approximately 200 ll. or less) poems, which have never before been collected. Strictly political poems, more properly the subject of a separate study, are not included, nor are the poems of Dunbar, Skelton, Henryson and Hoccleve, which are available in excellent editions. The poems are loosely g
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26

Suarez, Michael Felix. "The mock biblical : a study of English satire from the Popish Plot to the Pretender Crisis, 1648-1747." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309976.

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27

Bond, Nathaniel Peter. "Lessons in Immorality: Mishima's Masterpiece of Humor and Social Satire." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/988.

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From 1958 to 1959, Mishima Yukio published a series of satirical essays titled Lessons in Immorality, in the magazine Weekly Morningstar. Lessons in Immorality was made into a television series, a stage play, and a film. Famous in the West for writing serious novels, Mishima's work as a humor writer is largely unknown. In these essays Mishima writes in a very comic style, making liberal use of hyperbole, burlesque, and travesty, in order to parody and satirize contemporary Japanese morality. Mishima uses humor to create a world in which Mishima Yukio, iconoclastic author and pop-culture figure
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28

Goodman, Ralph. "The dialogics of satire : foci and faultlines in George Orwell's Animal Farm and Nineteen Eighty-Four." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51961.

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Dissertation (PhD)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: This thesis uses Mikhail Bakhtin's theory of dialogism, as well as postmodernism, to open up faultlines in satire, and to explore and challenge various perceptions and discourses surrounding and related to it. Both dialogism and postmodernism are used to suggest fresh approaches to satire, by repositioning it in relation to other discourses and reframing it as a complex dynamic, rather than a closed and inflexible system. Chapter 1 of the thesis opens with an historical survey of the beginnings and subsequent devel
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29

Thompson, Martha. "George Canning, Liberal Toryism, and Counterrevolutionary Satire in the Anti-Jacobin." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3714.

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One of the most defining moments in the histories of British satire and the public sphere took place in the late 1790s in an abandoned house in Piccadilly. Here George Canning and several fellow conservatives began writing and circulating their weekly newspaper the Anti-Jacobin. Although the periodical has been critically neglected, it is a valuable model for exploring how literary (partisan) politicians attempted to form a rational and critical public sphere through their satiric poetry. Founded by George Canning and edited by William Gifford, the Anti-Jacobin seems to reflect a reactionary c
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Morton, Sheila Ann. "Satire's Liminal Space: The Conservative Function of Eighteenth-Century Satiric Drama." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/122.

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The eighteenth century is famous for producing literary satire, primarily in verse (and later prose) form. However, during this period, a new dramatic form also arose of which satire was the controlling element. And like the writers of prose and verse satires, playwrights of dramatic satire claimed that their primary aim was the correction of moral faults and failings. Of course, they did not always succeed in this aim. History has shown a few, however, to have had a significant impact on the ideas and lives of their audiences. This thesis is an attempt to demonstrate how these satiric dramas
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31

Sobiech, Michael James. "A Mock Rhetoric: The Use of Satire in First-Year Composition." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/45.

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32

Whitely, Sullivan Jane. "Love Languages and Other Stories." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1304.

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Love Languages and Other Stories is a collection of three short stories all pertaining, in someway, to love (or lack thereof). "This is What a Feminist Look Like," "Sink," and "Love Languages" are the three stories that make up this Scripps senior thesis.
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33

Hamilton, William John. ""The irrevocable ties of love and law" : rhetorics of desire in Eliza Haywood's contributions to eighteenth-century satire /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3201680.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 173-182). Also available for download via the World Wide Web; free to University of Oregon users.
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34

Friedman, Amy Lynn. "Menippean satire or counter-realism? : questions of genre in contemporary Indian fiction in English by Menen, Desani, Rushdie, and Sealy." Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504777.

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The focus of my argument is that much of the counter-realist elements in postcolonial writing can be better u'nderstood in the more traditional terms of Menippean satire. I explore this premise in works by a cohort of four South East Asian authors of satire who have never previously been examined in concert as such: Aubrey Menen, G.V. Desani, Salman Rushdie, and I. Allan Sealy. My investigations have uncovered connections of influence and resonance which make an assiduous case for considering their work as Menippean satire, running counter to extant critical discussions of experimentalism in p
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35

Stephenson, Lois Bea. "Ethos in "Gulliver's Travels"." CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/863.

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36

Pelling, Richard Alexander. "Identity in the early works of John Marston, 1575-1634." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:d4e24f67-17e2-4da3-9969-9bc446ab93fe.

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Among Marston's earliest works are two books of verse satires (Certaine Satyres and The Scourge of Villanie, both 1598) and three plays (Antonio and Mellida, Antonio's Revenge and What You Will, all between 1600-1602) in which he explored the composition of human identity. From the initial premiss that the self is socially constructed and tends always to be dependent on the social and material contexts in which it exists, he developed a conception of existential struggle, in which the individual self either succumbs to the influence of its environment, or else achieves an authentic autonomy by
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Van, der Colff Margaretha Aletta Adams Douglas. "Douglas Adams : analysing the absurd." Pretoria : [s.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-08212008-183816.

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Madden, Mary C. "Virginia Woolf and the persistent question of class : the protean nature of class and self." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001571.

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39

Tripp, Clancy B. "Contemporary Bluestockings: Exploring the Critical and Creative Intersection of Feminism, Literature, and Media." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1078.

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This thesis uses literature, film, satire, poetry, and news rhetoric to explore the evolving face of gender in today’s society. It is framed by interviews with two women who are residents of the senior living community Pilgrim Place. Each interview brings up themes and feminist concerns that are explored in the essay that follows it. In putting together this work I interviewed the two Pilgrim Place women, Teresa and Anne Marie, and discussed with them their concerns about contemporary feminism and feminist activism differences between our generations. These concerns are distilled into a series
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40

Raby, Jon Nathan. "Swift and Stewart: The Societal Background and Influence of Satirists in Turbulent Times." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/444.

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In this paper, I consider the success of Jonathan Swift’s The Drapier’s Letters and Jon Stewart’s The Daily Show in changing the political climate of the world around them. By analyzing the political background of America in the 2000s and the Irish reaction to William Woods’ patent in the 1720s, I prove the influence of Stewart and Swift’s satire. I then analyze the specific tactics each employs in order to achieve an audience and influence change, concluding by comparing the similar tactics that each use, including persona, irony, and humor as a veil of serious intent.
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Spates, William H. "Imagining corrupt consumption : the genesis and evolution of the pox metaphor in sixteenth-century England (1494-1606)." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14657.

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This thesis attempts to examine the birth and development of the pox metaphor in sixteenth-century English literature. In researching this literary history of a disease---of syphilis' life as an early modem metaphor---I have attempted to contextualize the pox metaphor's development within the social and economic constructs that led to the early modern conflation of excessive consumption with poxy corruption. This conflation freed the metaphor from the confines of discussion on disease and allowed early modern authors the freedom to apply pockifed tropes to describe various social ills and abus
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42

Maidment, Christopher. "Satura und Satyroi : die englische Renaissance-Satire im Widerstreit zweier Etymologien : Studien zur Aufdeckung einer Gattungskontamination am Beispiel der elisabethanisch-jakobäischen satirischen Literatur /." [S.l.] : [s.n.], 1993. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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43

Balster, Lori Maria Tarkany. "Cassie Dates Melvin: Or, How Two People Struggle to Save Their Town Despite a Few Small Obstacles Such as Killer Philodendrons (an Excerpt from Book Two in a Series)." University of Dayton / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1280259112.

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Bucknell, Clare. "Poetic genre and economic thought in the long eighteenth century : three case studies." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:71e97b4d-c009-487c-8efb-fdb71eefa080.

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During the eighteenth century, the dominant rhetorical and explanatory power of civic humanism was gradually challenged by the rise of a new organising language in political economy. Political economic thought permitted radically different descriptions of what laudable private and public behaviour might be: it proposed that self-interest was often more beneficial to society at large than public-mindedness; that luxury had its uses and might not be a threat to liberty and political integrity; that landownership was no particular guarantee of virtue or disinterest; and that there was nothing inh
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45

Hodson, Katrin C. "The Plight of the Englishman: The Hazards of Colonization Addressed in Jonathan Swift’s Gulliver’s Travels." Wittenberg University Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617896210333106.

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46

Moore, Lindsay Emory. "The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822784/.

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In this project, I examine the impact of early literary criticism, early literary history, and the history of knowledge on the perception of the laureateship as it was formulated at specific moments in the eighteenth century. Instead of accepting the assessments of Pope and Johnson, I reconstruct the contemporary impact of laureate writings and the writing that fashioned the view of the laureates we have inherited. I use an array of primary documents (from letters and journal entries to poems and non-fiction prose) to analyze the way the laureateship as a literary identity was constructed in s
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47

Allen, John David. "Restrained with the Civil Sword: Spenser's "Maye" Eclogue and Donne's "Third Satyre" in the Context of the English Reformation." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539625741.

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48

Manco, Clara. "« In Earnest or Jest » : rire, pouvoir et politique dans les Comédies de la Restauration (1660-1688)." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL048.pdf.

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Quel rôle joue le rire dans l'économie symbolique du pouvoir ? Comment reflète-t-il, et dans quelle mesure contribue-t-il en retour à structurer les imaginaires politiques contemporains ? Le moment historique situé entre la Restauration et le changement dynastique de la Glorieuse Révolution constitue un épisode privilégié de l'histoire du théâtre anglais pour aborder ces questions. Après les tourments de la guerre civile et le hiatus des années Cromwell, la scène entretient des liens institutionnels plus étroits que jamais avec le pouvoir de la Couronne. Parallèlement, une opposition émerge et
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Hans, Julia Boissoneau. "The transparent mask: American women's satire 1900-1933." 2011. https://scholarworks.umass.edu/dissertations/AAI3465006.

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An interdisciplinary study of women satirists of the Progressive and Jazz eras, the dissertation investigates the ways in which early modernist writers use the satiric mode either as an elitist mask or as a site of resistance, confronts the theoretical limitations that have marginalized women satirists in the academic arena, and points to the destabilizing, democratic potential inherent in satiric discourse. In the first chapter, I introduce the concept of signifying caricature, an exaggerated characterization that carries with it broad social, political, and cultural critique. Edith Wharton u
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Uściński, Przemysław. "The Creative Role of Parody in Eighteenth-Century English Literature (Alexander Pope, John Gay, Henry Fielding, Laurence Sterne)." Doctoral thesis, 2015. https://depotuw.ceon.pl/handle/item/1226.

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Moja praca doktorska pt. “The Creative Role of Parody in Eighteenth-Century English Literature (Alexander Pope, John Gay, Henry Fielding, Laurence Sterne)” skupia się na omówieniu doniosłej, twórczej roli parodii w literaturze angielskiej osiemnastego wieku i w tym celu poddaje analizie twórczość czterech autorów żyjących i tworzących w epoce Oświecenia: Alexandra Pope’a, Johna Gaya, Henry Fieldinga i Laurence’a Sterne’a. Praca porusza zagadnienia teoretyczne oraz historycznoliterackie związane z pojęciem parodii, starając się usystematyzować, ale też czasem sproblematyzować, szereg istotnych
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