Dissertations / Theses on the topic 'English Sermons'

Contemporary American novels over the last forty years have developed a unique orientation toward religious and spiritual rhetoric that can best be understood within the multidisciplinary concept of the postsecular. In the morally-tinged discourse of their characters, several esteemed American novelists (John Updike, Toni Morrison, Louise Erdrich, and Cormac McCarthy) since 1970 have used sermons or sermon-like artifacts to convey postsecular attitudes and motivations. These postsecular sermons express systems of belief that are hybrid, exploratory, and confessional in nature. Through rhetorical analysis of sermons in four contemporary American novels, this dissertation explores the performance of postsecularity in literature and defines the contribution of those tendancies to the field of literary and rhetorical studies.

Based on author's Thesis (Ph. D.) Michigan State University, 1991.
A collection of 60 homilies from the anonymous Middle English translation of Robert de Gretham's Anglo-Norman Miroir, or Les évangiles des domnées. Includes bibliographical references (p. [555]-558) and index. Also issued in print.

This dissertation examines narratives of decline as part of the late medieval discourse of complaint and social criticism, focusing on vernacular orthodox and Wycliffite preaching, and on Piers Plowman. I argue that these texts sought to ‘place’ their readers and listeners within a narrative, where the past was characterised by the build up of sin, and where future recuperation depended on a will to reform in the present. I draw on the work of Paul Ricoeur to account for the interaction between textual narrative and human experience, and so to describe the way narratives of decline were offered to readers and congregations as a way to understand their own lives. Preachers and poets identified narratives of decline with one another, creating a ‘horizon of expectations’ about the ultimate consequences of sin and social decay, and with other narratives where decline led to reform, creating a ‘horizon of expectations’ about the possibilities for renewal. Narratives of decline formed part of the authoritative critical rhetoric of orthodox preaching, but were also appropriated by ‘unlicensed’ speakers like the poet of Piers Plowman, and by the heretical preachers of the Wycliffite movement. These texts, or group of texts, which, in turn, form the topics of my three main chapters, understood decline in different ways, and proposed very different kinds of reform in response to it. In orthodox preaching, narratives of decline most often served to promote a new engagement with the Church, commonly through the custom and practice of penance. Yet for Piers Plowman, and, in different ways, for the Wycliffite preachers, the Church itself was involved in narratives of decline. These writers redeploy the rhetoric of decline in more radical ways, challenging the ‘horizon of expectations’ they inherit from orthodox preaching.

The reigns of the five Tudor monarchs were the context of vast changes in the nature of religion and government in England. This study explores the way in which these changes were reflected in sermons preached before the princes. Five preachers have been selected, one from each reign. All the sermons were delivered before the reigning monarch in English, and were printed and published shortly afterwards. The Introduction gives a general overview of the thesis. The subject matter of Chapter 1 is concerned with the funeral oration at the obsequies of Henry VII. Bishop John Fisher focuses his attention on the death of Henry, his contrition for his sins, and his reliance on God, through Holy Church, for the assurance of forgiveness. Chapter II examines a Good Friday sermon preached at Greenwich Palace before Henry VIII and Queen Anne Boleyn in 1536 by the King's confessor, John Longland. Longland promotes the beliefs and practises of Holy Church notwithstanding Henry's rejection of papal authority. In Chapter III, Hugh Latimer, the 'Prophet to the English,' preached a series of sermons before Edward VI in the Preaching Place at Whitehall during Lent 1549. Latimer's aim is to show Edward the path to true kingship and to promote justice in the realm. The sermons of Thomas Watson, Dean of Lincoln, before Queen Mary at Greenwich in Lent 1554 are the subject of Chapter IV. Watson supported the Queen in her efforts to return England to the true faith. Chapter V analyses the sermon John Whitgift, Dean of Lincoln, preached before Elizabeth I at Greenwich in Lent 1574. Whitgift refuted Catholic beliefs but reserved his greatest attacks for the radical Protestants.

Current scholarship on the devotional practices of late medieval England has emphasized two representations of Christ. The first, considered the dominant trend, is that of the suffering Christ; the second, a minor, but important trend particularly for female audiences, is the maternal Christ. Both are revealing of the nature of late medieval Christo-centric devotion. This project contributes to the understanding of late medieval Christocentric devotion in England during the fourteenth and fifteenth centuries by examining the representation of Christ in a martial role, as presented to clerical and lay audiences through the medium of popular sermons. It is a new contribution to the scholarship of late medieval devotion in its demonstration of a multifaceted Christ; the martial Christ echoes, but in many ways also contrasts, the images of the suffering and maternal Christ, in order to provide its audience with a more complex rendering of the human Christ, one which may have been more accessible to a lay populace seeking to form a relationship with him. This project also contributes to the growing field of sermon studies, intended to be comprehensive in nature. It uses a different approach to sermon studies, in that the entire corpus of nearly 4,500 sermons was reviewed. This was done in order to provide the most complete picture of the martial Christ. As a result, this project examines Christ in various martial roles, as well as his modelling of knighthood for kings, knights, preachers, and the laity. These representations were utilised by preachers to instruct their audiences in devotional practice, specifically forms of affective meditation; it was used as a didactic tool to teach the laity the complex doctrines of redemption and atonement; and finally, it was employed as a means to demonstrate the importance of right living in order to fulfill what Christ had promised on the cross, that is eternal salvation.

Thesis (DTh)--Stellenbosch University, 2002
ENGLISH ABSTRACT: The presence of God in preaching is one of the most important Reformed homiletical themes. However, contemporary homiletics and preaching ministry do not pay due attention to this theme. More specifically speaking, contemporary Korean preaching also asks for a more comprehensive homiletical foundation for the homiletically appropriate witness of the divine presence in preaching. Based upon Dingeman's practical theological methodology, this study thus aims to describe and examine the practical realities of the witness of the divine presence in contemporary Korean preaching, and to make further some comprehensive normative and strategic suggestions on this homiletical theme. In chapter 1, in order to prepare to analyze and explain the practical reality of the witness of the divine presence in Korean preaching, we constructed an appropriate sermon analysis frame that consists of the following three components: analysis norms (God, the preacher, the Scriptures, and the audience), analysis targets (the five representative Korean preachers and their sermons - Yune-Sun Park, Yong-Gi Cho, Sun-Hee Kwak, Han-Hum Oak, and Dong-Won Lee), and analysis variables (the religio-sociological background of the Korean corporate personality in relation to the four indigenous Korean religions - Shamanism, Taoism, Buddhism, and Neo-Confucianism). Based upon this analytical frame, from chapter two till six, this study analyzed in detail five sermons of representative Korean preachers with the guidance of the analytical questions: Yune-Sun Park (ch. 2), Yong-Gi Cho (ch. 3), Sun-Hee Kwak (ch. 4), Han-Hum Oak (ch. 5), and Dong-Won Lee (ch. 6), and observed several homiletical aspects of the witness of the divine presence in contemporary Korean preaching. Through this detailed analysis of the five representative Korean preachers' sermons, we noted the fact that God-images implemented by the preacher cannot help being confined by the specific pastoral interests or theological emphasis that the preacher has in mind, as raised from the existential experience of the preacher, the theological emphasis, or pastoral context. However, without an appropriate consideration of the four components of preaching, the witness of the divine presence cannot achieve the desirable sermonic results. With this homiletical necessity in mind, we discussed the normative foundation of the witness of the divine presence in relation to the four components of preaching: God (ch. 8), the Scriptures (ch. 9), the preacher (ch. 10), and the audience (ch. 11). After establishing a normative understanding of how each component is to be involved in the witness of the divine presence, we have also made several strategic suggestions in relation to Korean preaching. In chapter 8, based upon the pneumatological dimension of preaching, we confirmed that the witness of the divine presence should be rendered in a linguistic and ecclesial frame, and suggested that God-images should be used based upon Christian narrative that brings about a linguistic and ecclesial collision between the identity narrative of the Christian community and the individual's narrative in preaching. In chapter 9, in connection with the question of how the voice of the Bible can be involved in the witness of the divine presence, we discussed the sacramental character of the Bible to mediate the divine presence to the Christian reader, and suggested that the reading of the Bible should make the transformative encounter with God happen to the reader. In chapter 10, we examined the question of how the voice of the preacher can be harmoniously involved in the witness of the divine presence, and paid attention to the three factors which the preacher is aware of in preaching: God (spirituality), the audience (integrity), and self (subjectivity and conviction). In chapter 11, we tackled the question of how the audience can be involved in the witness of the divine presence. Here we firstly defined the audience in relation to the other three components of preaching: in relation to God (theological, pneumatological, and eschatological being), to the Bible (hermeneutical being), and the preacher (communicative being). In addition to these definitions, we also defined the audience according to the reception axis of the Word: as an individual being (human heart and paradigmatic imagination), ecclesial and communal being (the divine presence through the pastoral ministry), and as one who is engaged in the world (socio-political responsibility to reflect the divine presence to the world). Based upon these definitions, we further suggested an appropriate communicative strategy for the witness of the divine presence, which consists of the image of God who is present in suffering, the communicative frame of the poor in spirit, and the four linguistic dimensions of confessional, evocative, hermeneutic, and imaginative witness. Through these normative and strategic suggestions, we confirmed and suggested that the witness of the divine presence should involve comprehensively all four components of preaching: God, the Scripture, the preacher, and the audience so as to sound like a sermonic symphony in which all four voices harmoniously take part in the witness of the divine presence, while retaining their own homiletical value.
AFRIKAANSE OPSOMMING: Die teenwoordigheid van God in die prediking is 'n belangrike Refonnatoriese tema. Hedendaagse homiletiek skenk egter nie genoeg aandag daaraan nie. Veral eietydse Koreaanse prediking kort 'n meer omvangryke homiletiese basis vir hierdie aangeleentheid. Hierdie studie is gebaseer op Dingeman se praktiese teologiese metodologie en dit beoog om die praktiese realiteite van die prediking van die goddelike teenwoordigheid in Koreaanse prediking te ondersoek en te beskryf en om verdere omvattende nonnatiewe en strategiese voorstelle ten opsigte van hierdie homiletiese tema te maak. In hoofstuk 1 ontwerp ons 'n toepaslike raamwerk vir preekanalise wat bestaan uit die volgende drie komponente: nonne vir analise (God, die prediker, die Skrif en die gehoor); teikens vir analise (vyf verteenwoordigende Koreaanse predikers en hulle preke - Yune-Sun Park, Yong-Gi Cho, Sun-Hee Kwak, Han-Hum Oak en Dong-Won Lee); en die analitiese veranderlikes (die godsdienstig-sosiologiese agtergrond van die Koreaanse samelewing met betrekking tot die vier inheemse Koreaanse godsdienste (Shamanisme, Taoisme, Buddhisme en Neo-Confucianisme). Gebaseer op hierdie analitiese raamwerk, analiseer hierdie studie vanaf Hoofstuk 2 tot 6 in besonderhede vyf preke van verteenwoordigende predikers na gelang van bepaalde analitiese vrae: Yune-Sun Park (Hf. 2), Yong-Gi Cho (Hf. 3), Sun-Hee Kwak (Hf. 4), Han-Hum Oak (Hf. 5) en Dong-Won Lee (Hf. 6), en let ons op sekere homiletiese aspekte van die getuienis van die goddelike teenwoordigheid in Koreaanse prediking. Deur middel van hierdie gedetaileerde analise merk ons dat die voorstellings van God soos getuig deur hierdie predikers beinvloed word deur spesifieke pastorale belange en teologiese beklemtoninge van die prediker self of deur die pastorale konteks. In die daaropvolgende hoofstukke bespreek ons die nonnatiewe onderbou vir die getuienis van die goddelike teenwoordigheid: God (Hf. 8), die Skrif (Hf. 9), die prediker (Hf. 10), en die gehoor (Hf. 11). Nadat die rol van elkeen van hierdie komponente bespreek is, maak ons strategiese voorstelle i.v.m Koreaanse prediking. In Hf. 8, gebaseer op die pneumatologiese dimensie van prediking, bevestig ons dat die getuienis van die goddelike teenwoordigheid plaasvind in 'n linguistiese en ekklesiologiese raamwerk, en suggereer ons dat voorstellings van God voortspruit uit die Christelike narratief. In Hf. 9 bespreek ons hoe die stem van die Bybel betrokke kan wees in die getuienis van die goddelike teenwoordigheid, Ons wys veral op die sakramentele karakter van die Bybel as bemiddelaar tussen die goddelike teenwoordigheid en die Christelike leser. In Hf. 10 gaan ons in op die vraag hoe die stem van die prediker betrokke kan wees in die getuienis van die goddelike teenwoordigheid en gee ons aandag aan drie aspekte waarvan die prediker bewus moet wees: die relasie tot God (spiritualiteit), die gehoor (integriteit), en die self (subjektiwiteit en oortuiging). In Hf. 11 bespreek ons die vraag hoe die gehoor (gemeente) betrokke kan wees in die getuienis van die goddelike aanwesigheid. Eers beskou ons die gehoor in sy betrokkenheid by die ander drie komponente: sy verhouding tot God (teologiese, pneumatologiese en eskatologiese wese), tot die Bybel (hermeneutiese komponent) en tot die prediker (kommunikatiewe komponent). Ter aanvulling van hierdie beskouinge definieer ons die gehoor as die ontvanger van die Woord, en weI as: 'n individuele wese (mens like hart en paradigmatiese verbeelding), kerklike en gemeentelike wese (die goddelike teenwoordigheid d.m.v. die pastorale bediening), en as mense wat betrokke is by die wereld (wat sosio-politieke verantwoordelikheid het om die goddelike teenwoordigheid in die wereld weer te gee). Gebaseer op hierdie definisies het ons 'n toepaslike kommunikatiewe strategie vir die getuienis van die goddelike teenwoordigheid voorgestel, bestaande uit 'n voorstelling van God wat teenwoordig is by lyding, die kommunikatiewe raamwerk van die armes in gees, en die vier linguistiese dimensies van die belydende, evokatiewe, hermeneutiese en verbeeldingryke getuienis. Met hierdie normatiewe en strategiese voorstelle bevestig ons dat die getuienis van die goddelike teenwoordigheid al vier die komponente van prediking behoort in te sluit: God, die Skrif, die prediker en die gehoor, ten einde 'n homiletiese simfonie te orkestreer.

La thèse présente l'étude et l'édition critique du manuscrit Bodley 806, contenant un cycle complet de sermons dominicaux de la fin du quatorzième-début du quinzième siècle. Sont d'abord présentés les contextes historique et idéologique de l'époque, partie à laquelle s'ensuit une présentation de la nature même de l'édition, ainsi que l'argumentation de la position prise par le scribe du manuscrit Bodley 806 telle qu'elle transparaît à travers le texte qu'il compile. La quatrième partie de l'étude qui accompagne l'édition critique détaille les caractéristiques physiques, l'histoire du manuscrit, ainsi que sa structure et sa langue. Le cinquième chapitre présente les éléments qui étayent les thèses selon lesquelles le texte contenu dans le manuscrit a été compilé par une seule et même personne et que ce dernier en a influencé d'autres (sans qu'il soit pour autant leur source directe). La dernière partie de l'étude est consacrée aux conclusions générales et aux principes éditoriaux appliqués à l'édition. A la partie introductive succède l'édition du texte, où chaque sermon est accompagné de son apparat critique et ses notes explicatives. En annexe de cette édition se trouvent également un glossaire et trois indexes : l'un de citations bibliques, un autre de citations non-bibliques et le dernier de noms propres
The thesis presents a study and a critical edition of manuscript Bodley 806 which contains a complete cycle of Sunday sermons from the late fourteenth-early fifteenth century. The study begins by laying out the historical and ideological scenes of the time in order to focus, in the second chapter, on the nature of the edition and the peculiarities it presents, along with the position of the compiler (such as it can be deduced from the text he is compiling). The fourth part of the study presents a complete physical description of the manuscript, its history as well as its structure and language, while the fifth focuses on those elements supporting the theory according to which the manuscript was compiled by a single person and that its text has influenced other texts from other manuscripts (although Bodley 806 is not their ultimate source). The last part of the study presents the general conclusions drawn after the establishment and study of the text, as well as the editorial procedures and principles applied to the text. After the study follows the critical edition of the text contained in manuscript Bodley 806 along with its critical apparatus and explanatory notes after each sermon, as well as a glossary and three indices: one of biblical quotations, one of non-biblical ones and one of proper names

In this dissertation, I examine the various ways in which medieval authors used the term "lollard" to mean something other than "Wycliffite." In the case of William Langland's Piers Plowman, I trace the usage of the lollard-trope through the C-text and link it to Langland's dependence on the Parable of the Wheat and the Tares. Regarding Chaucer's Parson's Tale, I establish the orthodoxy of the tale's speaker by comparing his tale to contemporaneous texts of varying orthodoxy, and I link the Parson's being referred to as a "lollard" to the eschatological message of his tale. In the chapter on The Book of Margery Kempe, I examine that the overemphasis on Margery's potential Wycliffism causes everyone in The Book to overlook her heretical views on universal salvation. Finally, in comparing some of John Lydgate's minor poems with the macaronic sermons of Oxford, MS Bodley 649, I establish the orthodox character of late-medieval English anti-Wycliffism that these disparate works share. In all, this dissertation points up the eschatological character of the lollard-trope and looks at the various ends to which medieval authors deployed it.

The tumultuous events that erupted in Scotland and England c.1637 – 1650 sparked tremendous interest in John Cotton. As a result he turned to two Biblical books, Canticles and Revelation, to determine whether those events that transpired across the Atlantic Ocean were of apocalyptic significance. Cotton’s exegetical findings concluded that prophetic fulfilment was indeed unfolding and more importantly that the glorious millennium foretold in Scripture was imminent. As the leading polemicist of New England’s Congregational way, Cotton infused his defence of this controversial church polity with apocalyptic importance. However, he did not make the case for the exclusive role of the colonies in the grand scheme of eschatological reformation but New England’s support for reform in his native country, England. This dissertation continues the revision of scholarship that moulded Perry Miller’s Errand into the Wilderness thesis into an exclusive selfconsciousness of divine intentions for the New England colonies by arguing for England’s prominence in Cotton’s eschatological vision. In the process, Cotton’s ecclesiology will be presented in an eschatological context. Moreover, this thesis demonstrates that Cotton understood New England’s experiment with non-separating congregational ecclesiology as contributing to English reformation. Chapter One examines the only pre-migration source that concentrated on prophetic themes, Cotton’s sermons on Canticles, which were preached sometime during the 1620s. Cotton presented an optimistic outlook on the church’s future based on the recognition of a godly remnant he believed existed in his own parish of St. Botolph’s as well as others scattered throughout England. Cotton recognized that a lingering presence of popery threatened England’s covenantal standing with God and that the faithful remnant upheld the nation’s covenantal commitment to Biblical purity and obedience. Chapter Two re-examines the events surrounding Cotton’s expulsion from England. A careful assessment demonstrates that Cotton’s only desire was to remain in England at any cost, particularly in fear of being cast a separatist. However, Cotton became convinced of the legitimacy of exile to New England through the belief that from America Cotton could continue in active service to the English church. Though Cotton did not reject England’s role in apocalyptic fulfilment, Cotton came to see Congregationalism as the primary agency through which Antichrist would be defeated and the millennial church ushered into history. This is clearly seen when Cotton returned to preach from Canticles a second time in the 1640s with the added accent on soteriology and piety. Chapter Three argues that Cotton used Scotland’s resistance against Charles I and prelacy to exhort England towards adopting Congregationalism. Cotton praised the Scottish Covenanters for their resistance against prelacy, which Cotton identified as the image of the beast from Revelation, in the Bishops’ Wars and the National Covenant. Through those events, Cotton demonstrated that God’s apocalyptic strategy for the Antichrist’s demise had resumed. However, Cotton also took the opportunity to demonstrate that the Kirk’s Presbyterianism resembled prelacy’s hierarchical and national structure and exhorted England to adopt New England’s Congregationalism. Chapter Four demonstrates that Cotton was overwhelmed with optimism in the early 1650s based upon the signs of apocalyptic providences in the purging of Parliament, Charles I’s execution and England’s victory over Scotland at Dunbar in September 1650. To Cotton, Cromwell’s victory at Dunbar was the indisputable sign that divine providence stood in favour of Congregationalism over Presbyterianism and that God’s presence endured with England.

Jane Austen’s novels remain an essential component of the literary canon, but her first published novel, Sense and Sensibility, is frequently neglected. However, in Sense and Sensibility is the genesis of Austen’s technique through which her major characters cultivate and reveal a strong inner life, demonstrated through the character of Elinor Dashwood. This technique is a characteristic she incorporates in each of her succeeding novels. Her approach to literature centers on the interiority of her characters and their ability to change, but it her first novel Austen takes a unique approach. Following the structure of an eighteenth-century sermon, Austen creates a sermon for lay people that centers on the cultivation of a strong interior life.

This edition comprises twenty-three Middle English Temporale sermons which are contained in two early fifteenth century manuscripts, Lambeth Palace 392 (Lb) and Cambridge University Library Additional 5338 (Ad). The collection runs from 1 Advent to Easter, but is not fully represented in either manuscript; only ten of the sermons (3 Advent to 5 Sunday after the octave of the Epiphany) are shared by Ad and Lb. These ten sermons are presented en face in the edition, and each manuscript has been edited separately. The choice of en face presentation was determined by the comparative brevity of the overlapping portion and by the distinctive character of both manuscripts. The AdLb series draws material from the Set I sermons of the English Wycliffite sermon-cycle; the borrowings are largely limited to the translation of the gospel pericopes which preface most of the AdLb sermons, but one sermon, that for the octave of the Epiphany, takes over almost entirely the complete wycliffite sermon for the corresponding occasion. The Notes record in detail that AdLb is a derivative compilation. But the Lollard interest of the series goes beyond these borrowings. While the collection is basically orthodox, the compiler has also added; tendentious material, or changed the emphasis of the source, to create a hybrid of quite orthodox sentiments and popular Lollard belief. This combination appears to be characteristic of early fifteenth century sermon and devotional texts. The handling of the source, which for most of the sermons is the Latin Sunday gospel collection of Nicholas de Aquevilla OFK, is reviewed extensively in the Notes and reveals the extent of the preacher's proto-Lollard interventions. The Introduction describes Lb and Ad, and discusses their inter-relation. An anslysis of the language of both manuscripts reveals an anterior Norfolk copy of the series, which is at several removes from the original. I give a brief account of the preacher's ideology, which is also explored in detail in the Notes, and suggest some ways of approaching the sermons within a literary context. I survey the relationship between three sermons in Adlb and three in the fifteenth century collection witnessed in MS Harley 2247 (H) and MS Royal 18 B XXV (R) which also draw on the sermons of Nicholas de Aquevilla. Part II contains the Notes to the sermons, Which include the relevant text of the Latin source. There is a Select Glossary and a Bibliography.

Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.

Medieval rhetoric, as a field and as a subject, has largely been under-developed and under-emphasized within medieval and rhetorical studies for several reasons: the disconnect between Germanic, Anglo-Saxon society and the Greco-Roman tradition that defined rhetoric as an art; the problems associated with translating the Old and Middle English vernacular in light of rhetorical and, thereby, Greco-Latin precepts; and the complexities of the medieval period itself with the lack of surviving manuscripts, often indistinct and inconsistent political and legal structure, and widespread interspersion and interpolation of Christian doctrine. However, it was Christianity and its governance of medieval culture that preserved classical rhetoric within the medieval period through reliance upon a classic epideictic platform, which, in turn, became the foundation for early medieval rhetoric. The role of epideictic rhetoric itself is often undervalued within the rhetorical tradition because it appears too basic or less essential than the judicial or deliberative branches for in-depth study and analysis. Closer inspection of this branch reveals that epideictic rhetoric contains fundamental elements of human communication with the focus upon praise and blame and upon appropriate thought and behavior. In analyzing the medieval world’s heritage and knowledge of the Greco-Roman tradition, epideictic rhetoric’s role within the writings and lives of Greek and Roman philosophers, and the popular Christian writings of the medieval period – such as Alfred’s translation of Boethius’ Consolation of Philosophy, Alfred’s translation of Gregory the Great’s Pastoral Care, Ælfric’s Lives of Saints, Ælfric’s Catholic Homilies, Wulfstan’s Sermo Lupi ad Anglos, and the anonymously written Vercelli and Blickling homiles – an early medieval rhetoric begins to be revealed. This Old English rhetoric rests upon a blended epideictic structure based largely upon the encomium and vituperation formats of the ancient progymnasmata, with some additions from the chreia and commonplace exercises, to form a unique rhetoric of the soul that aimed to convert words into moral thought and action within the lives of every individual. Unlike its classical predecessors, medieval rhetoric did not argue, refute, or prove; it did not rely solely on either praise or blame; and it did not cultivate words merely for intellectual, educative, or political purposes. Instead, early medieval rhetoric placed the power of words in the hands of all humanity, inspiring every individual to greater discernment of character and reality, greater spirituality, greater morality, and greater pragmatism in daily life.

The Conduct of Life, also known as the Poema Morale, is a verse-sermon that has been largely ignored by literary histories, and despite the longevity of its textual tradition its various texts have never been the subject of extended study. This dissertation brings together the seven manuscript versions of the text, which date from the end of the twelfth to the end of the thirteenth centuries, and re-examines them individually and as a cohort exhibiting variance. It therefore offers a revealing indicator of how continuity and change actually operated through the interaction between preceding tradition and scribes and audiences. This is achieved through a three-fold analysis of the verse sermon which highlights the fluidity of the manuscript culture during this period and the willingness of scribes to adapt texts to suit new purposes, to create differences due to dialect and comprehension, or copy variants from a now lost exemplar. First, an edition of the text, based on the version found in Cambridge, Trinity College MS B. 14. 52, folios 2r-9v , explores, through the accompanying notes, the themes, style and phraseology which not only reflect the influence of earlier English literary and hortatory texts but also represent a living tradition which found popularity within diverse writing and social environments. Secondly, a diplomatic edition of each text is presented, preceded by an introduction to the text, grammar and dialect, with full codicological and palaeographic notes. Finally, a parallel text edition bears witness to the copying and reshaping of the text throughout its history. It is accompanied by extensive linguistic notes which highlight the adaptation and textual variance between each version of the Conduct of Life. Each new variant has not only been read in relation to the other versions of the same work but also in relation to the manuscript context it newly occupies as a result of its transmission. Each copy reshapes the material within an established structure of rhythm and metre and, therefore, the dissertation concludes that the sermon is recreated as a series of individual texts, which might be individually analysed, because each is different, particularly within their specific physical and historical moments. This fluidity or mouvance suggests for the Conduct of Life and, for that matter, the texts that preceded it in the historical narrative of the twelfth century that there is no authentic text; that the instability of the manuscript 'tradition' moves from manuscript to manuscript.

This study examines English eschatological homilies of the later twelfth century and their adaptation of both Anglo-Saxon traditions and sources introduced after the Norman Conquest. Later and non-homiletic texts are also discussed when these give clues to the continued prevalence of Anglo-Saxon and twelfth-century eschatological traditions in the later Middle Ages. Chapter 1 introduces the eschatology of the Anglo-Saxon homilists, describes English homily manuscripts written ca. 1150–1200, summarizes scholarly opinions on these texts, and details the author’s approach to the texts’ eschatological ideas. Chapter 2 examines the ‘Visit to the Tomb’ motif, which deeply influenced Anglo-Saxon depictions of individual mortality. Two early Middle English texts––Lambeth III and a treatise on the vices and virtues––contain versions of the motif that indicate a familiarity with the earlier homilies, though they also adapt the ‘Visit to the Tomb’ in new ways. The Old English texts in British Library, Cotton Vespasian D. xiv are the focus of Chapter 3. These include a description of the coming of Antichrist, the first English text of the ‘Fifteen Signs before Doomsday,’ and a typological interpretation of the Babylonian captivity. These pieces draw on both the Old English homilists and works unknown in England until ca. 1100, suggesting that twelfth-century English homilists did not sense any tension in combining ideas from pre- and post-Conquest traditions. Chapter 4 describes the Middle English reflexes of two Doomsday motifs common in the Old English homilies––the ‘Three Hosts of Doomsday’ and the ‘Four Angels of Judgment.’ The persistence of such motifs in later medieval England raises the possibility of a significant influence of Old English works on Middle English homiletic eschatology. The Conclusions section addresses this issue in further detail and suggests avenues of future research, while restating the importance of the twelfth-century homilies for the study of medieval English religious literature.

This dissertation examines the manner in which Benjamin Keach used metaphors in his published sermons. The first chapter provides a thorough introduction to the dissertation, including the research objective, methodology, and source materials. Chapter 2 concerns Keach's role as a preacher. In particular, the chapter assesses the formative influences upon Keach's preaching, including the political and religious environment of England in the mid-seventeenth century. Keach's preaching in rural Buckinghamshire as well as his pastoral ministry in London are explored. Chapter 3 contains a survey of Keach's published sermons. These messages are organized into three primary groups: pastoral, doctrinal, and parabolic. Each sermon or collection of sermons is examined for general themes and textual basis. Chapter 4 considers Keach's own understanding of metaphors in general, which is necessary in order to demonstrate the ways in which Keach employed metaphors and perceived the relationship of metaphor to the task of preaching. Keach's Tropologia contains substantial material pertinent to this investigation. Chapter 5 explores the various ways in which Keach interpreted specific metaphors, both metaphors from Scripture and those from his personal experiences. His interpretive method was informed heavily by a commitment to the authority of the Bible. Chapter 6 details the manner in which Keach specifically used metaphors, and his sermons provide many supporting examples. The use of established rhetorical criteria makes possible the task of locating, categorizing, and evaluating the material. Chapter 7 synthesizes the pertinent information from the previous chapters and draws specific conclusions from the research. These conclusions support the thesis of the study and bring the dissertation to an appropriate end. This work contends that Keach utilized metaphors in his sermons as a primary means to enable a greater understanding of the biblical text and to connect readily with the intellect and emotions of his audience.
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La thèse présente l'étude et l'édition critique du manuscrit Bodley 806, contenant un cycle complet de sermons dominicaux de la fin du quatorzième-début du quinzième siècle. Sont d'abord présentés les contextes historique et idéologique de l'époque, partie à laquelle s'ensuit une présentation de la nature même de l'édition, ainsi que l'argumentation de la position prise par le scribe du manuscrit Bodley 806 telle qu'elle transparaît à travers le texte qu'il compile. La quatrième partie de l'étude qui accompagne l'édition critique détaille les caractéristiques physiques, l'histoire du manuscrit, ainsi que sa structure et sa langue. Le cinquième chapitre présente les éléments qui étayent les thèses selon lesquelles le texte contenu dans le manuscrit a été compilé par une seule et même personne et que ce dernier en a influencé d'autres (sans qu'il soit pour autant leur source directe). La dernière partie de l'étude est consacrée aux conclusions générales et aux principes éditoriaux appliqués à l'édition. A la partie introductive succède l'édition du texte, où chaque sermon est accompagné de son apparat critique et ses notes explicatives. En annexe de cette édition se trouvent également un glossaire et trois indexes : l'un de citations bibliques, un autre de citations non-bibliques et le dernier de noms propres
The thesis presents a study and a critical edition of manuscript Bodley 806 which contains a complete cycle of Sunday sermons from the late fourteenth-early fifteenth century. The study begins by laying out the historical and ideological scenes of the time in order to focus, in the second chapter, on the nature of the edition and the peculiarities it presents, along with the position of the compiler (such as it can be deduced from the text he is compiling). The fourth part of the study presents a complete physical description of the manuscript, its history as well as its structure and language, while the fifth focuses on those elements supporting the theory according to which the manuscript was compiled by a single person and that its text has influenced other texts from other manuscripts (although Bodley 806 is not their ultimate source). The last part of the study presents the general conclusions drawn after the establishment and study of the text, as well as the editorial procedures and principles applied to the text. After the study follows the critical edition of the text contained in manuscript Bodley 806 along with its critical apparatus and explanatory notes after each sermon, as well as a glossary and three indices: one of biblical quotations, one of non-biblical ones and one of proper names

Abstract, Ancrene Wisse, "Guide for Anchoresses" A Czech Translation (2015) Klára Petříková Ancrene Wisse (Guide for Anchoresses) is a remarkable work of the Middle English literature dating back to the first half of the 13th century. Its author (presumably a Dominican) conceived it as "spiritual life guidelines" for three sisters of a noble origin who decided to renounce the world. Besides its didactic purpose, its character is meditative and contemplative. Riveting in its style, its rich metaphors and heightened sensibility link it with the later tradition of the English mystical writers (Julian of Norwich), The work abounds in quotations, paraphrases of the continental monastic authors (St. Augustine, Bernard of Clairvaux). Surviving in seventeen manuscripts, it had been quoted till the Renaissance and its importance is further confirmed by a contemporaneous translation into Latin and French. Present translation aims to introduce this work to the Czech readers and to put it in its historical, social and literary context.

Les termes du traité de paix entre Charles VI et Henri V qui est ratifié par les deux souverains à Troyes en mai 1420 sont plutôt clairs et paraissent aisément applicables : l’unique héritier de Charles VI, le dauphin Charles, est déshérité; Henri V, par le mariage qui l’unit à la fille du roi de France, Catherine, devient le nouveau successeur légitime de Charles VI et, lorsque celui-ci mourra, règnera sur le France et l’Angleterre sans toutefois unir les deux royaumes; le traité scelle aussi l’alliance entre la Bourgogne, l’Angleterre et la moitié nord de la France dans la guerre contre le parti armagnac que dirigie le dauphin Charles et qui contrôle la moitie sud, le royaume de Bourges. Toutefois, lorsque la cérémonie de la cathédrale Saint-Pierre-et-Saint-Paul de Troyes se termine, la théorie du document se heurte à une réalité bien différente. Alors que le traité prévoit une adhésion totale de la moitié nord de la France à la paix et la disparition politique du parti armagnac du dauphin Charles, c’est tout le contraire qui se produit : des mouvements d’opposition ou de résistance au traité et à l’autorité qu’il confère à Henri V comme héritier et régent de France surgissent de toute part et le parti du dauphin, bien loin de disparaître, tient tête à la « coalition » anglo-franco-bourguignonne. À tout cela vient s’ajouter le décès prématuré, en août 1422, d’Henri V qui, lorsque Charles VI le suit dans la tombe en octobre de la même année, laisse les royaumes de France et d’Angleterre entre les mains d’un roi qui n’a pas encore un an. Tous ces faits semblent bien signifier l’échec de la paix et les responsables chargés de l’appliquer en sont tout à fait conscients. Il n’en demeure pas moins que la décennie qui suit la ratification du traité, malgré tout ce qui s’y oppose, est le théâtre d’une véritable tentative d’application de la paix de Troyes ou, du moins, des articles et des éléments de celui-ci que l’ont peut réellement mettre en pratique.
The terms of the peace ratified by Charles VI and Henry V in Troyes in May 1420 are pretty clear and seem easy to apply : the dauphin Charles, sole heir of king Charles VI, is disinheritaded; Henry V, by wedding the daughter of the king of France, Catherine, becomes the new legitimate heir of Charles VI and, when the latter is to die, will reign over France and England without, however, unifying the two kingdoms; the treaty of Troyes also seals the alliance between Burgundy, England and the northern half of France in the war against the armagnac party of the dauphin Charles which controls the southern part of France, the kingdom of Bourges. Yet, when the peace ceremony of the cathedral of Saint Peter and Saint Paul of Troyes is over, the theory of the treaty comes up against a completely different reality. While the treaty plans a total adherence to the peace from the northern half of France and the politic death of the armagnac party and of the dauphin Charles, what occurs is quite the opposite : aresistance movements to the treaty itself and to the authority that it gives to Henry V as heir and regent of France arise from everywhere and the dauphin’s party, far from disapearing, holds fast against the « coalition » formed by England, France and Burgundy. Last but not least comes the untimely death of Henry V in August 1422 wich, once Charles VI follows him in death in the following October, leaves the kingdoms of Fance and England in the hands of a less than one year hold baby-king. All those facts seem to imply a quick failure of the peace and the people in charge of applying it know it too well. Nevertheless, the ten years following the ratification of the treaty and despite every difficulties against it are the withnesses to a genuine attempt to properly apply the peace of Troyes or, at least, of some of its clauses and elements that really can be putted into practice.