Relevant bibliographies by topics / English Wood Engraving Society

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Academic literature on the topic 'English Wood Engraving Society'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "English Wood Engraving Society"

1

Moore, P. G. "Eric Fitch Daglish (1892–1966): naturalist, illustrator, author and editor." Archives of Natural History 38, no. 2 (2011): 229–41. http://dx.doi.org/10.3366/anh.2011.0031.

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Eric Fitch Daglish (1892–1966) was a naturalist by inclination, a free-lance author and editor in business and, by practice, a wood-engraver of high repute. Taught wood-engraving skills by Paul Nash, he was a close friend also of other famous engravers (John Nash, Eric Gill) within the Society of Wood Engravers. He applied these skills to illustrating his own books for popular audiences on topics ranging from flowers to birds, beasts and the English countryside. Fluent in German, he translated books from that language to supplement his income in the years succeeding the First World War. He is
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2

Bluemel, Kristin. "Rural Modernity and the Wood Engraving Revival in Interwar England." Modernist Cultures 9, no. 2 (2014): 233–59. http://dx.doi.org/10.3366/mod.2014.0085.

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‘Rural Modernity and the Wood Engraving Revival in Interwar England’ brings analysis of a specific kind of visual-verbal text, wood-engraved books about the English countryside, and the means of these texts' production, to bear upon debates over rural modernity -what is it, where is it, who owns it-in order to more thoroughly engage literary and arts scholars in debates over the meaning of modernity for rural England and rural England for modernity. Framed by analysis of the work of social historians and cultural critics of rural England and ‘Englishness’, it takes as its supporting case studi
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3

Levchenko, Illia. "The engraving of John Droeshout ‘King James I of England and VI of Scotland with Truth and Time, Memory and History’ (1651): an interpretation." Text and Image: Essential Problems in Art History, no. 2 (2020): 52–71. http://dx.doi.org/10.17721/2519-4801.2020.2.03.

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This essay aimed at iconological analysis of an engraving by John Droeshout. During the study, the author applied classical methods of art history: iconological and iconographical, method of formal stylistic analysis of Heinrich Wölfflin, culture-historical method of Jacob Burkhardt. The engraving dates back to 1651 – by that time the King has been already dead. Thus, it allows to explore the commemorative and representative practices of his successors. Droeshout's engraving and poetic commentary testify that the language of visual arts was perceived as optional and ancillary; one that helps t
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4

Hewes, Lauren B. "Brandt, William H. Interpretive Wood-Engraving: The Story of the Society of American Wood-Engraven. New Castle, DE: Oak Knoll Press, 2009. 165 pp. Illus. Cloth, $85.00 (isbn 978-1-58456-272-2)." Papers of the Bibliographical Society of America 104, no. 4 (2010): 539–40. http://dx.doi.org/10.1086/680976.

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Ring, Richard J. "William H. Brandt. Interpretive Wood-Engraving: The Story of the Society of American Wood-Engravers. New Castle, Del.: Oak Knoll Press, 2009. 204p. alk. paper, $85 hardback (ISBN 9781584562672). LC2009-031744." College & Research Libraries 71, no. 3 (2010): 290–91. http://dx.doi.org/10.5860/0710290.

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Mohammed, Diyar. "Feminist Criticism in Virginia Woolf’s To the Lighthouse and Ibrahim Ahmed’s Janî Gel." Arab World English Journal For Translation and Literary Studies 5, no. 4 (2021): 140–52. http://dx.doi.org/10.24093/awejtls/vol5no4.10.

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This paper investigates the concepts of Feminism and Feminist Criticisms to identify their features in two novels; Virginia Woolf’s To the Lighthouse and Ibrahim Ahmed’s Janî Gel. The theoretical and historical backgrounds of Feminism and the other Feminist Criticisms are presented according to their importance. The paper then introduces the two novels by presenting their plot summary. This paper tries to answer how two prominent writers, one British and one Kurdish, discuss women issues. The author wants to investigate whether both writers’ cultural upbringing and social background affect the
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Thorlakson, Tannis, Joann F. de Zegher, and Eric F. Lambin. "Companies’ contribution to sustainability through global supply chains." Proceedings of the National Academy of Sciences 115, no. 9 (2018): 2072–77. http://dx.doi.org/10.1073/pnas.1716695115.

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Global supply chains play a critical role in many of the most pressing environmental stresses and social struggles identified by the United Nations’ Sustainable Development Goals (SDGs). Responding to calls from the global community, companies are adopting a variety of voluntary practices to improve the environmental and/or social management of their suppliers’ activities. We develop a global survey of 449 publicly listed companies in the food, textile, and wood-products sectors with annual reports in English to provide insight into how the private sector contributes to advancing the SDGs via
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Dewi, Sartika, Andi Muhammad Irfan Taufan Asfar, Andi Muhamad Iqbal Akbar Asfar, Andi Nurannisa, and Wiwi Damayanti. "Processing sawdust waste into innovative eco-substrate through upskilling Batulappa village women's group." Transformasi: Jurnal Pengabdian Masyarakat 20, no. 2 (2024): 303–18. https://doi.org/10.20414/transformasi.v20i2.10869.

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[Bahasa]: Limbah serbuk gergaji dari hasil pengolahan kayu di Desa Batulappa menimbulkan dampak negatif bagi lingkungan, terutama pencemaran udara akibat pengelolaan yang tidak optimal. Program pengabdian masyarakat ini bertujuan untuk mengatasi permasalahan limbah serbuk gergaji tersebut dengan memberdayakan Kelompok Perempuan Desa Batulappa melalui berupa Upskilling mitra dalam pengolahan limbah serbuk gergaji menjadi Eco-Substrate Innovative. Mitra dalam program ini adalah 15 anggota Kelompok Perempuan Desa Batulappa yang tergabung dalam divisi SDM dan Pengelolaan Lingkungan Hidup. Metode y
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Sivanandan, SRUTHI. "Traversing Boundaries: An Analysis of the Unremitting Psychic Unity in The Waste Land." BL College Journal 5, no. 2 (2023): 138–45. http://dx.doi.org/10.62106/blc2023v5i2e14.

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Known as ‘Pope of Russel Square’ in the history of English literature from the 20th century, T. S. Eliot’s, literary ingenuity augmented the modernist writings. ‘The Waste Land’ is one such eventuality that, retrospectively from the publication, permuted worldwide, giving boundless definitions and ceaseless critical appraisals. Contriving the idiom of modern poetry, his career as a part never went over the hill since it was chiselled out of the emotional and intellectual retaliation to a gest which was his life itself. The close-grained, fragmented study of his works, has seemingly been immens
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Ambarish, Ghosh, Manoj Verghese Dr., and J. H. Vyas Dr. "THE PERFORMANCE ANALYSIS OF TALENT MANAGEMENT AND EMPLOYEE TALENT RETENTION OF PHARMACEUTICAL SELLING PROFESSIONALS – A STUDY ON INDIAN PHARMACEUTICAL INDUSTRY." Manager - The British Journal of Administrative Management 57, no. 145 (2021): 255–59. https://doi.org/10.5281/zenodo.5993643.

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<strong>ABSTRACT</strong> In this whole research the author highlighted the performance of talent management and retain employee talent and to reduce employee attrition rate, and how to get the desired sales of the company by coming up with strategies like motivation, succession planning and employee development policies in an effective and efficient way. In today&rsquo;s world human resource-related practices such as proper training, right recruitment and selection, employee development, and employee selling skills plays a very significant role in the development of any organization. The tool
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Books on the topic "English Wood Engraving Society"

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Engravers, Society of Wood. A cross section: The Society of Wood Engravers in 1988. Fleece, 1988.

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2

Brett, Simon. Engravers: A handbook for the nineties : compiled for the Society of Wood Engravers and with an intoduction. Silent Books, 1987.

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3

Press, Fleece, and Fine Book Bindery (Firm), eds. Spitsticks & multiples: The Society of Wood Engravers 1920-46 and the English Wood Engraving Society. Fleece Press, 2022.

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4

Engravers, Society of Wood. Surplus pages from A cross section: The Society of Wood Engravers in 1987 [i.e. 1988] : eight wood engravings and the prelimianry pages, with a sample of the patterned binding paper. Fleece Press, 1988.

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5

Sandford, Lettice. Wood engravings. David Chambers, 1985.

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6

Sandford, Lettice. Wood engravings. David Chambers, 1985.

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7

Pellew, Claughton. Claughton Pellew: Wood engravings : Ashmolean Museum, Eldon, Gallery, 16 September-22 November 1987. Ashmolean Museum, 1987.

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Pellew, Claughton. Claughton Pellew: Five wood engravings printed from the original blocks. Fleece Press, 1987.

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9

Pellew, Claughton. Claughton Pellew: Five wood engravings printed from the original blocks. Fleece, 1987.

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10

Chapman, Hilary. The wood engravings of Ethelbert White. Fleece Press, 1992.

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Book chapters on the topic "English Wood Engraving Society"

1

Sillars, Stuart. "Coda." In Picturing England between the Wars. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198828921.003.0017.

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The larger intersection between word and image, as a way of presenting English identity and especially the countryside, is demonstrated in the films of Humphrey Jennings and the engravings of F. L. Griggs, both suggesting an ideal under threat, first by change, then by coming war. Some government publications offer a final address to the idea of a lost Eden. Edwin Lutyens’ Thiepval memorial, a series of intersecting arches to contain over 70 000 names of the missing, balances the Cenotaph in using words to dominate idea and form. Elsewhere, words and images collapse into each other, as in H. G
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2

Franconi, Tyler, and Chris Gosden. "Long-Term Interactions between Society and Ecology." In English Landscapes and Identities. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198870623.003.0004.

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The clearance history of England is reviewed looking first at what can be reconstructed of the patterns of forest and clearance across the country. A broad distinction is seen between more forested landscapes in the north and west, with greater clearance in the south and east. The forests of the north may have seen managed grazing, rather than being wild wood. From the start of the Roman period, the north was cleared as well, creating greater similarity across the country as a whole. We also look at the history of soil erosion, which is linked to clearance. We end by comparing two river basins
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3

Parry, Graham. "Richard Verstegan." In The Trophies of Time. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198129622.003.0003.

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Abstract ‘Richard Verstegan, or as some call him, Richard Rowlands, a great reviver of our English antiquities, and a most admirable Critick in the Saxon and Gothick languages, ought with due ceremony to crave a place among these writers ... because he is litle remarked among authors. ‘1 So wrote Anthony Wood in his account of Oxford authors, and the obscurity of which he complained in the late seventeenth century has intensified since, so that Verstegan is today almost totally forgotten; yet in his time he was a most innovative antiquary, albeit an unexpected one. The book for which he deserv
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Sutton, John. "Place and Memory." In Geographies of Embodiment in Early Modern England. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852742.003.0005.

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Despite the new mobility of early modern English society, practices of personal and shared remembering were still anchored in experienced place. Even as technologies and strategies for dealing with past and future altered, memory was richly scaffolded by landscapes, artefacts, architecture, and institutions which themselves bore traces of individual and cultural intervention. This chapter discusses historical variation in two forms of remembering: explicit memories of specific past events, and embodied memories enacted in routine and habitual or skilful action. It is motivated by recent histor
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"Rufus M. Jones: “Essential Truths” 1990." In Milestone Documents of World Religions. Schlager Group Inc., 2011. https://doi.org/10.3735/9781935306191.book-part-082.

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“Essential Truths” written by Rufus M. Jones, is a statement of belief of the Religious Society of Friends from the early twentieth century. It is an excerpt from a larger document known as the Uniform Discipline, which was completed in 1900 by Jones and another American Friend, James E. Wood (1839–1925). A discipline is a document that outlines the organizational structure, standards, and beliefs of the Religious Society of Friends and acts a guide for the gathered community of faith. The earliest discipline was written in 1668 by George Fox and served as the basis for later disciplines in En
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6

Mackillop, Andrew. "‘As Hewers of Wood, and Drawers of Water’? Scotland as an Emigrant Nation, c. 1600 to c. 1800." In Global Migrations. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474410045.003.0003.

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This attempt to rethink how early modern Scottish emigration might be conceptualised began life as part of a conference which explored the theme of whether the movement overseas of its people worked to Scotland’s profit or to its loss. Leaving aside for a moment the entirely legitimate concern that such a complex human phenomenon cannot be so easily reduced to a simple dichotomy, there is little doubt that contemporaries understood the significance of the migrations which seemed such a recurrent feature of Scottish society between the 1603 and 1801 unions. If many commentators at the time wres
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Saylor, Eric. "The Music of 1902–1908." In Vaughan Williams. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190918569.003.0004.

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Vaughan Williams’s creative efforts were enriched, directly and tangentially, by his engagement with musical styles, traditions, and performance practices beyond the academic curriculum and concert-hall repertory of his training, including those of the Anglican church, the Purcell Society, and amateur choristers, though none had a greater long-term impact than English folk music. But while folk songs consumed much of his time and energy, they were not his sole focus in the early 1900s. Vocal music—including solo songs, duets, part songs, and a cantata (Willow-Wood)—accounted for seventeen of V
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Conference papers on the topic "English Wood Engraving Society"

1

Du, Jie, and Yu Bai. "Study on the Artistic Feature of Ten Beautiful Ladies in Fengxiang Wood-Engraving New Year Pictures*." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.030.

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