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Books on the topic 'Engravers, French'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Grivel, Marianne. Le commerce de l'estampe a Paris au XVIIe sie cle. Gene ve: Droz, 1986.

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2

author, Calamatta Luigi 1802-1869, ed. Luigi Calamatta: Memorie autobiografiche : documenti inediti del Fondo George Sand (B.H.V.P.). Roma: Palombi editori, 2011.

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3

(Gilbert), Boillot G., ed. Le graveur et le petit renard: Lettres d'un artiste du livre à ses amis éditeurs (1939-1948). Paris: L'Harmattan, 2013.

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4

(France), BIBLIOTHEQUE NATIONALE. Inventaire du fonds français: Graveurs du XVIIe siècle. Paris: Bibliothèque nationale, 1993.

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5

Maxime, Préaud, ed. Inventaire du fonds français: Graveurs du XVIIe siècle. Paris: Bibliothèque nationale, 1999.

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6

Vesvrotte, Sylvie Martin-de. Dictionnaire des graveurs-d́iteurs et marchands d'estampes á Lyon aux XVIIe et XVIIIe si°cles et catalogue des pi°eces éditées. Lyon: Presses universitaires de Lyon, 2002.

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7

1868-1948, Suarès André, and Fondation Louis Jou, eds. Correspondance: 1917-1948. Les Baux-de-Provence]: Fondation Louis Jou, 2010.

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8

Renouvier, J. Histoire de l'art pendant la Révolution 1789-1804: Suivie d'une étude sur J.-B. Greuze. Genève: Slatkine Reprints, 1996.

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9

Chevereau, Anne. Alexandre Manceau: Le dernier amour de George Sand. Saint-Cyr-sur-Loire: Pirot, 2002.

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10

Le dernier amour de George Sand. Paris: Grasset, 2010.

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11

Paris, France Bibliothèque Nationale. La gravure française à la Renaissance à la Bibliothèque nationale de France. Los Angeles: Grunwald Center for the Graphic Arts, 1994.

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12

La main du jardinier, l'œil du graveur: Le Nôtre et les jardins disparus de son temps : gravures du Musée de l'Ile-de-France. Sceaux: Musée de l'Ile-de-France, 2000.

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13

Royet, Véronique. Georges Louis Le Rouge: Les jardins anglo-chinois. Paris: Bibliothèque Nationale, 2004.

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14

Daumier, Honoré. Honoré Daumier: Du rire aux armes. Saint-Denis: Musée d'art et d'histoire, 2008.

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15

Sylvie, Gonzalez, Goux Laurence, Lobstein Dominique, and Saint-Denis (France). Musée municipal d'art et d'histoire., eds. Honoré Daumier: Du rire aux armes. Saint-Denis: Musée d'art et d'histoire, 2008.

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16

Daumier, Honoré. Honoré Daumier: Du rire aux armes. Saint-Denis: Musée d'art et d'histoire, 2008.

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17

Stewart, Philip. Engraven desire: Eros, image & text in the French eighteenth century. Durham: Duke University Press, 1992.

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18

Stewart, Philip. Engraven desire: Eros, image & text in the French eighteenth century. Durham, N.C: Duke University Press, 1992.

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19

Mazet, Mireille. A. Colotte: Sculpteur sur verre et sur cristal. Paris: Editions de l'Amateur, 1994.

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20

Andrew, Wright. Court-hand restored, or, The student's assistant in reading old deeds, charters, records etc.: Neatly engraved on twenty-three copper plates, describing the old law hands, with their contractions and abbreviations. 9th ed. Clark, N.J: Lawbook Exchange, 2005.

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21

La Gravure française à la renaissance: À la Bibliothèque nationale de France. Los Angeles: Grunwald Center for the Graphic Arts, University of California, Los Angeles, 1994.

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22

Last Love of George Sand: A Literary Biography. Skyhorse Publishing Company, Incorporated, 2015.

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23

Dupont-Logié, Cécile, Directeur du Musée de l'Ile-de-France te du Domaine de Sceaux. préf., Pasqua Charles préf, and préf, eds. La main du jardinier, l'oeil du graveur: Le Nôtre et les jardins disparus de son temps : gravures du Musée de l'Ile-de-France : exposition, Sceaux, Château de Sceaux, 17 juin-18 septembre 2000. Sceaux: Musée de l'Ile-de-France, 2000.

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24

The Last Love of George Sand. Arcade Publishing, 2013.

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25

Artists, Young. Young Artists: The Sculptor, the Engraver, the Musician, the Engraver, the Painter. from the French. HardPress, 2020.

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26

Lilti, Antoine. The Politics of Popularity. Translated by Benjamin S. Bernard and David Moak. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190674793.003.0003.

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Abstract:
This chapter will explain how celebrity, which appeared in the eighteenth century as a new characteristic of cultural life became, during the French Revolution, a key mechanism of political life as well. It will start by outlining the specific features of celebrity, which is based on the curiosity of contemporaries about individuals and on sentimental empathy, and is distinguished from traditional forms of renown such as glory and reputation. It will then discuss how traditional forms of power were transformed, at the end of the eighteenth century, both by the new figure of the “public” and by changing means of communication (especially the periodical press and engraved portraits). Finally, the article will examine the highly ambivalent relationship that the French Revolutionaries negotiated with the new demand for “popularity”—that is, the affective attachment to an actor that introduces the mechanisms of celebrity into the heart of political action.
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27

Woodside, Joan. French influence on American furniture as seen through the engraved designs of Pierre de la Mésangère's Collection des meubles et objects de gout, published from 1802 to 1835. 1987.

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28

Collectio sculptarum: Intermediate catalogue consisting of a fine collection of engravings, in fancy, classical and historical subjects, comprising many hundred engraved portraits, French and English, including a scarce collection of Franklin portraits, early Canadian and American views, fine old Bible illustrations, etc., etc., : on sale ... by John Britnell, 298 Yonge Street, Toronto, Canada. [Toronto?: s.n., 1994.

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