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1

Luigi, Peco, ed. I Bordiga: Benedetto e Gaudenzio Bordiga, incisori e incisori-cartografi. Valsesia, 1998.

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2

Lorioli, Vittorio. Medaglisti e incisori italiani. Litostampa istituto grafico, 1995.

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3

Lorioli, Vittorio. Medaglisti e incisori italiani. Litostampa istituto grafico, 1993.

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4

Giannoccolo, Laura. Samuele Jesi (1788-1853): Incisore. [publisher not identified], 2007.

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5

Giannoccolo, Laura. Samuele Jesi (1788-1853), incisore. Area Stampa Group, 2007.

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6

Lamboy, Stephen. Giancarlo & Stefano Pedretti: Maestri incisori = master engravers. Blue Book Publications, 2010.

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7

1965-, Lamboy Stephen, Fjestad, S. P. (Steven P.), and Sundseth Dag 1947-, eds. Firmo Fracassi: Maestro incisore = master engraver. Blue Book Publications, 2008.

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8

Lorioli, Vittorio. Medaglisti e incisori italiani: Dal Rinascimento a oggi. Cooperativa grafica bergamasca, 2004.

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9

Lorioli, Vittorio. Medaglisti e incisori italiani: Dal Rinascimento a oggi. Cooperativa grafica bergamasca, 2004.

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10

Silvia, Cuppini, and Ancona (Italy). Assessorato ai beni e attività culturali., eds. Dalla traccia al segno: Incisori del Novecento dalle Marche. De Luca, 1994.

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11

Spagnol, Claudio. Antonio Nani (1803-1870): "il più laudato incisore dei veneti dogi" : la fortuna di un artista. Il prato, 2016.

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12

1790-1857, Rossini Luigi, M.a.x. museo (Chiasso, Switzerland), and Istituto nazionale per la grafica (Italy), eds. Luigi Rossini, 1790-1857, incisore: Il viaggio segreto = Luigi Rossini, 1790-1857, engraver : the secret journey. Silvana editoriale, 2014.

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13

Engraved on Steel: History of Picture Production Using Steel Plates. Taylor & Francis Group, 2018.

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14

Engraved on steel: The history of picture production using steel plates. Ashgate, 1998.

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15

Engraved on Steel: History of Picture Production Using Steel Plates. Taylor & Francis Group, 2018.

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16

Engraved on Steel: History of Picture Production Using Steel Plates. Taylor & Francis Group, 2018.

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17

Notizie intorno agli incisori siciliani (Ms. XV.H.16). Regione siciliana, Assessorato dei beni culturali e ambientali e della pubblica istruzione, Dipartimento dei beni culturali, ambientali e dell'educazione permanente, 2008.

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18

Barrat, Mychael. Intaglio Printmaking. A&C Black Publishers Limited, 2008. http://dx.doi.org/10.5040/9781789942736.

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Intaglio is the general name used to describe all printmaking processes where the artist incises or engraves the surface of a plate either directly with tools or indirectly with chemicals in order to pull a print from it. Although the techniques that come under this category are labelled traditional they are also among the most popular and widely used techniques in contemporary printmaking. The direct methods include techniques such as drypoint, engraving and mezzotint and the indirect methods include etching and aquatint. In this book Mychael Barratt introduces the reader to both the direct a
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19

Cremonesi, Renata Grifoni, Anna Maria Tosatti, and Francesco M. P. Carrera. arte Rupestre Nella Penisola e Nelle Isole Italiane : Rapporti Tra Rocce Incise e Dipinte, Simboli, Aree Montane e Viabilità : Rock Art in the Italian Peninsula and Islands: Issues about the Relation Between Engraved and Painted Rocks, Symbols, Mountain Areas and Paths. Archaeopress, 2021.

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20

arte Rupestre Nella Penisola e Nelle Isole Italiane : Rapporti Tra Rocce Incise e Dipinte, Simboli, Aree Montane e Viabilità : Rock Art in the Italian Peninsula and Islands: Issues about the Relation Between Engraved and Painted Rocks, Symbols, Mountain Areas and Paths. Archaeopress, 2021.

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