Relevant bibliographies by topics / Engraving, Latin American

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Academic literature on the topic 'Engraving, Latin American'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Engraving, Latin American"

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González-Calle, Jorge Luis, César Augusto Sánchez Contreras, and Obdulia Monteserín Abella. "The Nature and Production of Urban Space in Latin America: A Historical Review of the Case of Ibagué (Colombia)." Land 12, no. 9 (2023): 1807. http://dx.doi.org/10.3390/land12091807.

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The production of urban space in Latin America turns out to be a social product resulting from a historical process in which natural space undergoes significant transformations. This paper analyses how the urban history of Ibagué (Colombia) is related to three historical processes crossed by nature, identifying common aspects with other Latin American cities: nature as a limit to urban growth (conquest and colony), nature as an artifice of urban space (modern city), and nature as a transition zone between the city and the countryside (metropolitan edge). Methodologically, the article is approa
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2

Manrique, Cesar. "Związki artystyczne i handlowe pomiędzy Flandrią i Meksykiem od XVI do XVIII w." Sztuka Ameryki Łacińskiej 1 (2011): 243–57. http://dx.doi.org/10.15804/sal201110.

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The presence and circulation of Southern Netherlands’ values is a fascinating subject with a lot of possibilities for the researchers: Graphic material – printed or manuscript – books, stamps and engravings, as well as paintings, tapestries, sculptures and textiles exported from Antwerp found their way to the New World or even further, via Seville – the gateway to America. Today many examples of Southern Netherland’s books and artistic objects can still be admired in Latin American and from Goa to Manila. The shifting character of exchange in Antwerp affected also its market in luxury goods; t
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van Groesen, Michiel. "The De Bry Collection of Voyages (1590-1634): Early America reconsidered." Journal of Early Modern History 12, no. 1 (2008): 1–24. http://dx.doi.org/10.1163/138537808x297135.

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AbstractThe De Bry collection of voyages, published in Frankfurt and Oppenheim between 1590 and 1634, has traditionally been regarded as dispensing a Protestant iconography of the New World. But for the analysis of the translated travel accounts in the collection, too long considered of secondary importance to the monumental copper engravings, a fundamentally different interpretation of the editors' objectives is in order. This article studies the Latin and German versions of the narratives, which offer a mosaic of variations disclosing a careful editorial strategy. While the German volumes we
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Isidoro, Martín, and Clelia Domoñi. "La barca en La huida a Egipto: segundo caso documentado en la pintura andina." Sztuka Ameryki Łacińskiej 3 (2013): 107–21. http://dx.doi.org/10.15804/sal201304.

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By discovering in the storage of the Prelature of the Juli’s Matriz Church, a second case of the presence of the boat on the Flight into Egypt in the Andean painting, it has been made a tour though several paintings of this theme broadly – present in that church –. They were analyzed with the methodology of “correspondences” of engravings as graphic sources and have been linked with Latin inscriptions. These Juli’s paintings have served to outline timelines and issues of style about collavina school. Collao’s Painting and sculpture were relevant in colonial South American art (especially the J
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Lesser, Gabriel. "Racial Violence and Visual Media in Vista del amanecer en el trópico." Latin American Literary Review 50, no. 100 (2023). http://dx.doi.org/10.26824/lalr.364.

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What is the relationship between visuality, racial violence, and political hegemony in Cuba? In Vista del amanecer en el trópico (1974), Guillermo Cabrera Infante tries to answer this question by focusing on visual media and its manipulation over half a millennium. My analysis of the novel as a parody of a Latin American álbum de vistas—a book with idealized etchings, engravings, maps, and/or photos of places and people—uncovers the connection of engravings and photography to Cuba’s racialized political projects. Vista del amanecer underscores continuities in racist ideologies and policies tha
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6

Thompson, Reynaldo, and Manuel Felguerez. "Computer Artist Manuel Felguerez: A Brief Interview on the Pioneering Origins of Geometry Painting." Rupkatha Journal on Interdisciplinary Studies in Humanities 14, no. 2 (2022). http://dx.doi.org/10.21659/rupkatha.v14n2.05.

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This interview cum memoir of Manuel Felguerez, by the author, describes the development of two projects in the words of the Mexican artist Manuel Felguerez himself. Felguerez speaks of his experience as a Latin American artist, his encounter with digital technology in the united states and the trajectory of art that his work takes during an intense and experimental period of creativity in the seventies. Felguerez’s explorations were embodied in two books, El espacio multiple (Paz 1988) and “The Aesthetic Machine” La máquina estética (Felguerez y Sasson 1983). The project involved the use of co
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7

González, Calle Jorge Luis, Contreras César Augusto Sánchez, and Abella Obdulia Monteserín. "The Nature and Production of Urban Space in Latin America: A Historical Review of the Case of Ibagué (Colombia)." Land 12, no. 9 (2025). https://doi.org/10.3390/land12091807.

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Abstract The production of urban space in Latin America turns out to be a social product resulting from a historical process in which natural space undergoes significant transformations. This paper analyses how the urban history of Ibagué (Colombia) is related to three historical processes crossed by nature, identifying common aspects with other Latin American cities: nature as a limit to urban growth (conquest and colony), nature as an artifice of urban space (modern city), and nature as a transition zone between the city and the countryside (metropolitan edge). Methodologically, the a
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Books on the topic "Engraving, Latin American"

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Salgueiro, Valéria. Paisagens de sonho e verdade: Rio de Janeiro, Buenos Aires e Cidade do México nos álbuns ilustrados de oito artistas viajantes = Paisajes de sueño y verdad : Río de Janeiro, Buenos Aires y Ciudad de México en los álbunes ilustrados de ocho artistas viajeros. Fraiha, 1998.

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2

Joachim, Dalfen, ed. Marci Aurelii Antonini ad seipsum libri XII. 2nd ed. Teubner, 1987.

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3

Farquharson, A. S. L. 1871-1942., ed. Meditations. Knopf, 1992.

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Pierre, Hadot, and Luna Concetta, eds. Écrits pour lui-même. Les Belles Lettres, 1998.

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1800-1879, Long George, and Marcus Aurelius, Emperor of Rome, 121-180., eds. The meditations. Dover Publications, 1997.

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1930-, Mooij-Valk Simone, ed. Persoonlijke notities. Ambo, 1994.

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Orozco, Olga. Engravings Torn from Insomnia: Poems (New American Translations, 15). BOA Editions, 2002.

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8

Orozco, Olga. Engravings Torn from Insomnia: Poems (Lannan Translations Selection, 2). BOA Editions, 2002.

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9

Meditations. Penguin Books, 2005.

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10

Meditations of Marcus Aurelius Antoninus: With the Manual of Epictetus, and a Summary of Christian Morality. Freely Tr. from the Original Greek. HardPress, 2020.

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Book chapters on the topic "Engraving, Latin American"

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Page, Joanna. "5. Albums, Atlases, and their Afterlives." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.05.

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The first part of this chapter discusses art projects that intervene directly into the books and other materials created by travelling European naturalists of the later colonial period, whose conception of nature has so thoroughly shaped representations of Latin America’s landscapes. I explore projects by Rodrigo Arteaga (Chile), Antonio Bermúdez (Colombia), Claudia Coca (Peru), Tiago Sant’ana (Brazil), Oscar Santillán (Ecuador) and others that stage material interventions or performances in relation to the printed images, atlases, albums and catalogues that recorded the findings of scientific
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2

Fedosov, Dennis G. "The Cuzco School: Cultural Context." In Beyond Borders: In Memory of Andrey Kofman. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2025. https://doi.org/10.22455/978-5-9208-0803-5-32-66.

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The Cuzco School as an artistic phenomenon stands out in the history of colonial painting in Latin America. It arose on the lands of the Inca Empire, which roughly coincided with the territory of the modern Andean countries. Some features of pre-Columbian art can be traced in the art of the Viceroyalty of Peru, such as the abundance of gold ornamentation on canvases, the static nature of the characters and the monumental nature of the images. The painting also embodies elements of the world that surrounded local artists: flora and fauna, traditional clothing, etc. Of great importance for the d
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Conference papers on the topic "Engraving, Latin American"

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Hölck, Daniel, Joaquim Barbé, Niklaus Ursus Wetter, and Jaime Frejlich. "Engraving Print Classification." In RIAO∕OPTILAS 2007: 6th Ibero-American Conference on Optics (RIAO); 9th Latin-American Meeting on Optics, Lasers and Applications (OPTILAS). AIP, 2008. http://dx.doi.org/10.1063/1.2926801.

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Hölck, Daniel, Joaquim Barbé, Niklaus Ursus Wetter, and Jaime Frejlich. "Improved Pseudo-colored Engraving Print Method." In RIAO∕OPTILAS 2007: 6th Ibero-American Conference on Optics (RIAO); 9th Latin-American Meeting on Optics, Lasers and Applications (OPTILAS). AIP, 2008. http://dx.doi.org/10.1063/1.2927014.

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Reports on the topic "Engraving, Latin American"

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Nikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008269.

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Presents the exhibition pays tribute to Japan and to more than a century of relations between Japan and Latin America. This paper presents selected art works "painting, drawing, engraving and installation" by 10 artists of Japanese descent from Argentina (Kasuya Sakai), Brazil (Tikashi Fukushima, Manabu Mabe, Tomie Ohtake, Yutaka Toyota and Kazuo Wakabayashi), Mexico (Luis Nishizawa) and Peru (Arturo Kubotta, Carlos Runcie Tanaka and Venancio Shinki).
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