Relevant bibliographies by topics / Engraving work

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Engraving work'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Engraving work"

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Vydra, Anton. "Hand and Engraving: from Flocon’s Engravings to Bachelard’s Philosophizing." Studia Universitatis Babeș-Bolyai Philosophia 67, no. 1 (2022): 11–27. http://dx.doi.org/10.24193/subbphil.2022.1.01.

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"This text deals with the relationships between the phenomenalizations of hand and engraving art, especially against the background of Gaston Bachelard’s philosophical commentaries on the works of Albert Flocon. Special space is devoted to the interpretation of Flocon’s engraving of two hands in connection with Escher’s similar lithography. Another thematic field is the role of the tool and the hand equipped with the tool. However, the central axis of this thinking is the interconnection or intertwining of body and matter, the interactive relationship between human being and matter, between vi
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Rokita, Jan Gustaw. "Uwagi ikonograficzne na temat medali ślubnych Fryderyka Augusta Wettyna i Marii Józefy Habsburg z okazji Festiwalu Planet w Dreźnie (od 10 do 26 września 1719 roku)." Studia Europaea Gnesnensia 24, no. 24 (2022): 115–52. http://dx.doi.org/10.14746/seg.2022.24.7.

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In the course of preliminary research, the author managed to locate most of the engravings by artists associated with the Dresden court: Oluf Wif, Johann August Corvinus and Carl Heinrich Jacob Fehling, whose work drew thematically on the reverses of the medals which commemorated the Festivaof the Planets in Dresden. These finds are the main subject of interest in this paper. The compositional relationship between medallic art and engraving is, in most cases, indisputable. It should be noted, however, that the medallist, having to reproduce a much larger engraving on a medal disc, was compelle
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Pallarés-Aldeiturriaga, David, Pierre Claudel, Julien Granier, et al. "Femtosecond Laser Engraving of Deep Patterns in Steel and Sapphire." Micromachines 12, no. 7 (2021): 804. http://dx.doi.org/10.3390/mi12070804.

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Femtosecond laser engraving offers appealing advantages compared to regular laser engraving such as higher precision and versatility. In particular, the inscription of deep patterns exhibits an increasing interest in industry. In this work, an optimization protocol based on constraining overlap ratio and scan number is demonstrated. The proposed method allows changing overlap ratio while maintaining depth in the same range, which reduces the sampling number. This study WAS applied to stainless steel 316 L and sapphire for engravings deeper than 100 μm. Results exhibit overall depths higher tha
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Meyer, Veronique. "Nicolas Moillon (vers 1580-1619), peintre et marchand, graveur de paysages." L'IDEA 1, no. 2 (2024): 207–27. https://doi.org/10.69114/lidea/2024.179-266.

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Nicolas Moillon, a history painter, is not unknown, but his interest in landscape has not yet really attracted the scholars’ attention. After having highlighted some ignored or little-known features of his biography, this study examines his work as a landscapist, which is the current limit of five engravings. The importance he gave to this genre is also highlighted from his inventory after death. Through these engravings, this work describes the place held by landscape engraving in France during the years 1600-1615 and the difficulties encountered by artists in the use of etching and soft verm
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Meyer, Veronique. "Nicolas Moillon (vers 1580-1619), peintre et marchand, graveur de paysages." L'IDEA 1, no. 2 - Disegni (2024): 207–27. https://doi.org/10.69114/LIDEA/2024.179-266.

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Nicolas Moillon, a history painter, is not unknown, but his interest in landscape has not yet really attracted the scholars’ attention. After having highlighted some ignored or little-known features of his biography, this study examines his work as a landscapist, which is the current limit of five engravings. The importance he gave to this genre is also highlighted from his inventory after death. Through these engravings, this work describes the place held by landscape engraving in France during the years 1600-1615 and the difficulties encountered by artists in the use of etching and sof
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Walravens, Hartmut. "Copper-engraving in China: The First Chinese-European Co-Operative Project in the Field of Art." Art Libraries Journal 22, no. 1 (1997): 16–19. http://dx.doi.org/10.1017/s0307472200010269.

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While copper-printing can be traced back to the Yuan Dynasty in China, the art of copper-engraving was introduced by the Italian missionary, Matteo Ripa, in 1711. The first work to be printed with this new technique was Illustrations of 36 Vista ofthejehol Palace (1712). The Qianlong emperor wanted pictures of his military campaigns in Eastern Turkestan engraved on copper, and so he arranged for a series of sixteen engravings to be executed in Europe. Following the success of this initiative, pictures of his subsequent military exploits were engraved on copper by Chinese artists. Thus, while t
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Soung, In-geun. "Study on the Seal Engraving of Shinjae(信齋) Lee Yeong-ik(李令翊, 1740–1780)". Korean Society of Calligraphy 46 (31 березня 2025): 149–73. https://doi.org/10.19077/tsoc.2025.46.6.

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This study aims to highlight the seal engraving art of Sinjae(信齋), a scholar, calligrapher, and seal engraver of the 18th century, Yi Yeong-ik(李令翊, 1740–1780). Previous research has primarily discussed Yi Yeong-ik as a member of the Ganghwa School(江華學派), focusing on his scholarly and literary achievements, while his calligraphy has been evaluated in the context of his father, Won-gyo(圓嶠) Yi Gwang-sa(李匡師). However, research on his seal engraving has remained unexplored due to the lack of relevant documentary records and the scattered nature of his works, which has prevented comprehensive invest
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GEYİK, Nazlı Ece, and Musa BİLİK. "HATİCE SULTAN (NEŞETÂBÂD) SARAYI GRAVÜRÜ ÖRNEKLEMİNDE DEĞİŞEN İSTANBUL KÜLTÜRÜ." IEDSR Association 6, no. 12 (2021): 87–106. http://dx.doi.org/10.46872/pj.267.

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The fact that the Ottoman Empire was an exotic and mysterious Eastern country has been an important issue that has great meaning for Western orientalist engraving artists. The natural landscape, topographic image, mosques, palaces, daily life and the Bosphorus of Istanbul which is the capital of the Empire, were important elements that lived in the engravings of many painters. After going to Europe, many of these painters turned their paintings into an album with the technique of Engraving. These albums have survived to the present day as a historical document introducing the socio-cultural li
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Lebedeva, Tatiana V., Sergey I. Galanin, Olga A. Troshina, and Stepan N. Ershov. "RESEARCH OF ENGRAVING OF VARIOUS METALS AND ALLOYS, USED IN JEWELLERY PRODUCTION." Technologies & Quality 55, no. 1 (2022): 40–47. http://dx.doi.org/10.34216/2587-6147-2022-1-55-40-47.

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The paper investigates the possibilities of engraving various metals and alloys used in jewellery production. The engraving of the samples was carried out in a glossy technique using mechanised processing on an engraving pneumatic system. As a result of the conducted experiments, the relationship between the quality of the engraved surface and the hardness and plasticity of materials is demonstrated. Conclusions and recommendations on the choice of optimal materials for engraving and adaptation of equipment modes for performing engraving work on various metals and alloys are formulated. These
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V., Minh Do, Son Bui X., and Huong Nguyen V. "Modeling and Simulation on the Rotating Band Engraving Process of 23 mm Projectile." Advances in Military Technology 16, no. 2 (2021): 333–43. http://dx.doi.org/10.3849/aimt.01521.

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Dynamic engraving process of 23 mm projectile was studied using numerical simulation. A finite element model of projectile and barrel during the engraving process was constructed, and the deformation process of the driving band, the displacement parameters of the projectile, the force interaction between the projectile and the barrel were determined. To evaluate the simulation model, a semi-static experiment was carried out on an MTS-810 universal testing machine with a cross-head speed of 20 mm min−1. The simulation results show that the mechanism of the 23 mm projectile rotating band engravi
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Dissertations / Theses on the topic "Engraving work"

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Breneman, Karen. "Whistle while you work." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/261.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Art
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Міненко, Дем`ян Олександрович, Демьян Александрович Миненко, Demian Oleksandrovych Minenko та Я. Ю. Николаев. "Выбор режущего инструмента для гравировальных работ". Thesis, Изд-во СумГУ, 2010. http://essuir.sumdu.edu.ua/handle/123456789/5522.

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Slusher, Katherine. "Man Ray: The Graphic Work (1914-1976)." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/134133.

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This dissertation is a comprehensive analysis of the prints produced by Man Ray (1890-1976) over a period of sixty-two years. It is the first in-depth look at Man Ray within the context of 20th century printmaking traditions. The graphic work in this study includes over three hundred wood block prints, lithographs, screenprints, etchings, cliché verre prints, aquatints, dry points, pochoir prints, and photogravures. These prints appear in a variety of formats: individually, in illustrated books, in portfolios, and in group editions with other artists. The totality of these works offers an unex
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Silva, Eduardo Rosa da. "Um estudo sobre algumas edições do Tratado da gravura de Abraham Bosse." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21275.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-25T11:56:57Z No. of bitstreams: 1 Eduardo Rosa da Silva.pdf: 2428303 bytes, checksum: 68e4ef8be1e9d885b29ec5063afccdba (MD5)<br>Made available in DSpace on 2018-07-25T11:56:57Z (GMT). No. of bitstreams: 1 Eduardo Rosa da Silva.pdf: 2428303 bytes, checksum: 68e4ef8be1e9d885b29ec5063afccdba (MD5) Previous issue date: 2018-04-11<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Fundação São Paulo - FUNDASP<br>The objective of this research is to verify, among the traditions related to the treaties and manua
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Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit
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NIEN, CHIAO CHIEH, and 粘僑頡. "Wood Engraving Work On The Fuli Village Scene." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/54u4aa.

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碩士<br>國立臺東大學<br>美術產業碩士學位在職進修專班<br>97<br>This artistic work aims to examine the match between Fuli village’s agrarian landscape and the innate features of wood engraving. It was created with the tripartite intentions to portray the farmers’ inner psychologies, paying respect to them, and demonstrating concern for its natural environment. It seeks to lead the audience to contemplate the conditions of nature, cherish the earth that they share, and draw attention to the human and social issues in the agrarian communities. It is hoped that a greater number of artists will develop appreciation of th
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Books on the topic "Engraving work"

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Tate, Douglas. British gun engraving. Safari Press, 2000.

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Wilson, R. L. The Colt engraving book. Bannerman's, 2001.

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Andrews, Martin J. The life and work of Robert Gibbings /by Martin J. Andrews. Primrose Hill Press, 2003.

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Grier, O. M. Gravi͡u︡ra na stali iz Zlatousta =: Steel-engraving from Zlatoust. I͡U︡zhno-Uralʹskoe knizhnoe izd-vo, 1994.

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Hartliep, Neil. The basics of firearms engraving. Education and Training Division, National Rifle Association of America, 1985.

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Pinwell, George John. George John Pinwell, 1842-1875: A record of his life and work. Libra, 1987.

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Pinwell, George John. George John Pinwell, 1842-1875: A record of his life and work. Libra, 1987.

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Andrews, Martin J. The life and work of Robert Gibbings. Primrose Hill, 2003.

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Fraser, James H., Eleanor Friedl, and Donald R. Fleming. John DePol: A catalogue raisonné of his graphic work, 1935-1998. The Book Club of California, 2001.

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Houze, Herbert G. Colt factory engravers of the nineteenth century: Understanding their careers and identifying their work. Mowbray Publishers, 2012.

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Book chapters on the topic "Engraving work"

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Lo, Betty. "Decorative Techniques in Oriental Swords: Savoir Faire in Craftsmanship and Artistry." In Martial Culture and Historical Martial Arts in Europe and Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2037-0_8.

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AbstractOne important aspect in the study and appreciation of arms is the techniques and methods for their decoration. The wide range of materials and techniques used in the creation of swords and daggers were intended to add to the aesthetic qualities of functional items, either for everyday or ceremonial use. Throughout the ages, beautiful swords and daggers were worn by the elite and were presented to warriors and courtiers as gifts to symbolize victory, honor, virility, and to reinforce the bond of loyalty. They were also worn by men as jewelry of prestige and status. Techniques used by ar
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Page, Joanna. "5. Albums, Atlases, and their Afterlives." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.05.

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The first part of this chapter discusses art projects that intervene directly into the books and other materials created by travelling European naturalists of the later colonial period, whose conception of nature has so thoroughly shaped representations of Latin America’s landscapes. I explore projects by Rodrigo Arteaga (Chile), Antonio Bermúdez (Colombia), Claudia Coca (Peru), Tiago Sant’ana (Brazil), Oscar Santillán (Ecuador) and others that stage material interventions or performances in relation to the printed images, atlases, albums and catalogues that recorded the findings of scientific
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De Balzac, Honoré. "18. The adventure of a spider who finds in her web a beautiful fly that is too big for her." In Cousin Bette. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199553945.003.0019.

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The next day Mademoiselle Fischer enquired from the manufacturers to whom she took her work about the profession of sculptor. By dint of questioning she managed to find out about the studio of Florent and Chanor, a firm which specialized in casting and engraving rich...
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Kooistra, Lorraine Janzen. "Victorian Women Wood Engravers: The Case of Clemence Housman." In Women, Periodicals and Print Culture in Britain, 1830s-1900s. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474433907.003.0018.

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In this essay, Lorraine Janzen Kooistra explores the career of an important yet neglected artist whose work in the illustrated press deserves more concentrated attention. From 1885 to 1895, Clemence Housman (1861–1955) worked as an engraver for the Graphic (1869–1932), but by the mid-1890s there was little work in the trade since most papers were converting to systems of photomechanical reproduction. She then transitioned to fine-art wood engraving in the book trade, producing several exquisite titles in collaboration with her brother Laurence Housman, including The Were-Wolf (1896). She conti
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"Sewing classes in Berner Street, East London, 1868." In Routledge Historical Resources - 19th Century British Society. Routledge, 2023. http://dx.doi.org/10.4324/9780367030278-hobs126-1.

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St. John's Mission district sewing classes held at American Rice Mills, Berner Street, Commericial Road, East London. Women were paid twopence an hour or ninepence by Rev. J.M. Vaughan connections with the Central Executive Relief Committee at Mansion House. Only widows or women with husbands who are out of work were invited to the working party. The engraving first appeared in 'The Illustrated London News', 15th February 1868, page 156.
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"James E. Taylor: “Selling A Freedman To Pay His Fine” Engraving." In Milestone Visual Documents in American History. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306733.book-part-046.

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In connection with the publication of this illustration, developed from a sketch by James E. Taylor and published in the January 19, 1867, issue of Frank Leslie’s Illustrated Newspaper, the publisher included this statement, which summarizes what the reader of the newspaper was looking at: “Our artist sends us the following account of his sketch: ‘It is customary, when a white or Black man commits some petty crime or misdemeanor, to fine him; and if unable to pay, whatever the sum may be, the equivalent is required in labor. The culprit is taken to the County Court-House and sold to the highes
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Mee, Nicholas. "There’s Magic in the Air." In Celestial Tapestry. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198851950.003.0010.

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Carl Friedrich Gauss showed remarkable mathematical ability from a young age. As a child he found a formula for calculating the sum of sequences of consecutive numbers, a type of arithmetic progression. The formula is explained and used in the text. The mythological origins of the 3x3 magic square known to the Chinese as the Luo Shu are discussed. Larger magic squares were introduced to Europe through the book Shams al-Ma’arif, written by sufi mystic al-Buni. In this work, the magic squares were associated with astrology. This association was perpetuated by European writers such as Cornelius A
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Bartók, Peter. "Correcting Printed Editions of Béla Bartók’s Viola Concerto and Other Compositions." In Bartók Perspectives. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125627.003.0017.

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Abstract In 1985—nearly forty years after my father’s death—the bulk of his manuscripts were turned over to me, following termination of a trust set up by his will. Having access to these manuscripts enabled the comparison of published editions of his works with the manuscript sources. I had been aware of my father’s remark, made in a casual conversation, lamenting the many errors that remained in his published music. Among my father’s papers are printed copies of some of his compositions with the note “Corrected copy” on the outside cover. He had once explained to me the procedure by which pr
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Comstock, Anna Botsford. "California and Stanford University." In The Comstocks of Cornell-The Definitive Autobiography, edited by Karen Penders St Clair. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501716270.003.0009.

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This chapter examines how, on December 23, 1891, Anna Botsford and John Henry Comstock left Ithaca for Stanford University. Henry had very enthusiastic and fine students in all his classes. Meanwhile, Anna gave a lecture on wood engraving, as she had her work with her and plenty of illustrative material. It was her first university lecture and she was gratified at the interest in the art which she aroused. The Comstocks left Stanford at the end of the semester and returned to Cornell University in Ithaca. The chapter then looks at the publication of the Wilder Quarter Century Book in 1893, a m
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Parra Bañón, José Joaquín. "Francisco de Holanda: antigrafías, imágenes, verbos y arquitecturas dibujadas." In Arquitecturas verbales y otras antigrafías. Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-780-7/001.

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The Portuguese architect Francisco de Holanda drew and wrote with lines and letters his calligraphic books, more than half a dozen treatises and proposals for the transformation of reality, without having any of them printed: they were ignored by the typographic characters and the fortune of engraving. He called this unique work, in which it was not possible to distinguish between what was communicated literarily and what was expressed with images, antigraphy. His theories are known, but not his constructions. The whereabouts of the planimetries on which he drew his architectural projects are
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Conference papers on the topic "Engraving work"

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Haynes, Robert, Ghanashyam Joshi, and Natasha Bradley. "Constant Stress Amplitude Fatigue Crack Growth in Notch Pre-cracked Aluminum 7075-T6 Rivet Hole." In Vertical Flight Society 74th Annual Forum & Technology Display. The Vertical Flight Society, 2018. http://dx.doi.org/10.4050/f-0074-2018-12879.

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Constant stress amplitude fatigue tests were conducted on the notch pre-cracked Aluminum 7075-T6 rivet hole dog-bone coupons. Monitoring of visible surface crack length by special surface engraving using digital microscope images and by ultrasonic sensors signals was carried out to yield fatigue crack length measurements in relation to number of fatigue cycles applied. The experimental results provided fatigue crack length validation for the ultrasonic sensor measurements. Fracto-graphic examination of failed fatigue surfaces yielded further confirmation of notch pre-crack length and crack gro
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Rocaciuc, Victoria. "Leonid Beleaev – 100 years since the artist's birth." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.12.

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The work of the artist Leonid Beleaev (1921-1974) is a novel page in the history of fine arts in the Republic of Moldova. His merits in the field of monumental painting, easel and book graphics are indispensable. However, there are still some inaccuracies in various documentary sources about the artist’s work and biography. Thus, together with the analysis of the works created by the plastic artist Leonid Beleaev, a minor additional study was undertaken to clarify the data of his biography. In his best works, Leonid Beleaev, among the first in Moldovan book graphics, aimed to achieve the synth
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Glezer, E. N., M. Milosavljevic, L. Huang, et al. "3-D Optical Storage and Engraving Inside Transparent Materials†." In International Conference on Ultrafast Phenomena. Optica Publishing Group, 1996. http://dx.doi.org/10.1364/up.1996.fe.40.

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Three-dimensional optical data storage offers the potential for very large recording capacity and has the possibility of parallel read-out. In addition to research in volume holographic data storage, work has been done in point-like binary 3-D optical storage. Optical recording at a density of 1.6×1012 bits/cm3 has been demonstrated in a photopolymer using two-photon absorption [1]. The stored information consisted of less than 1% changes in the local index of refraction, and was read out serially with a differential interference contrast (DIC) laser microscope.
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NIKOLIDAKIS, E. "Surface topography investigation during nanosecond pulsed laser engraving of SAE304 stainless steel." In Material Forming. Materials Research Forum LLC, 2023. http://dx.doi.org/10.21741/9781644902479-184.

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Abstract. Laser engraving process is widely used for various industrial applications, such as the creation of small and complex geometries with ultra-high precision. As surface topography can affect the functionality of produced surfaces in various ways, it is required to carry out comprehensive experimental work in order to correlate the laser engraving process parameters with surface topography characteristics. In the current paper, the surface topography of SAE304 stainless steel specimens in respect to laser power, scanning speed and pulse repetition rate is studied through microscope obse
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Nikolenko, A. V. "The influence of Japanese engraving on the work of Russian printmakers of the early 20th century." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_438.

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n the history of the development of Russian book graphics the Japanese artistic tradition occupies a prominent place. At the end of the 19th and the beginning of the 20th century there was a noticeable interest in Japanese print graphics in Russian art, especially in ukiyo-e woodblock prints. The interaction with Japanese graphics contributed to the enrichment of artistic traditions, the expansion of stylistic possibilities and the search for new means of expression. It influenced the work of such masters as I.Ya. Bilibin, A.P. Ostroumova-Lebedeva and others.
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Amiri, Manouchehr, and Sorosh Amiri. "Increased Efficiency in Spontaneously Passing Kidney Stones Using a Novel Ureteral Double-J Stent." In ASME 2020 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/imece2020-24406.

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Abstract Kidney stones are stiff deposit minerals formed in the kidneys. In patients with kidney stones disease, double-J stents are used to increase the openness of the ureter in case of blockage by the kidney stones. The stent surfaces are normally smooth with symmetric friction along the longitudinal axis. In this work, we show that a modified double-J stent with asymmetric friction surface facilitates passage of stone fragments after extracorporeal shock wave lithotripsy or trans ureteral lithoclast. To examine the effect of asymmetric friction on the stone passing efficiency, finite eleme
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URSACHI, Rodica. "Trei piloni ai artei naționale: Igor Vieru, Ilie Bogdesco și Mihail Petric. 100 ani de la naștere." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p302-308.

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The article is focused on the creation of three plastic artists from the Republic of Moldova, who would have celebrated their centenary this year - Igor Vieru (1923-1988), Ilia Bogdesco (1923 2010), Mihail Petric (1923-2005). Their contribution is a significant one for national art, each one leaving a considerable mark in the field and genre they work in – graphics, thematic painting, landscape, etc. Several aspects and factors of the creative process of each individual artist are mentioned in the article. The thematic topics addressed are described, the components of the plastic language used
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Усова, М. Н., and Л. М. Виноградова. "DESIGNING A SOUVENIR IN GLASS: COPYING HISTORICAL SAMPLES." In Образ, знак и символ сувенира. Crossref, 2025. https://doi.org/10.54874/9785605245704.2024.10.13.

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В образовательной программе кафедры художественной керамики и стекла СПГХПА им. А. Л. Штиглица копийные задания тесно связаны с заданиями по проектированию сувенирной продукции. Это условие особенно касается тех случаев, когда темой сувенира является историческое и художественное наследие Санкт-Петербурга, история и традиции академии им. А. Л. Штиглица, а также жизнь кафедры. Цель статьи — выявить логику взаимодействия копийных заданий и заданий по проектированию сувениров, а также рассмотреть этапы работы. Разбор заданий осуществляется на примерах изучения следующих техник: обжиговая роспись
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Wescoat, Ethan, Joshua D. Bradford, Matthew Krugh, and Laine Mears. "Exploration in Using the Weibull Distribution for Characterizing Trends in Bearing Failure Operational Changes." In ASME 2022 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/imece2022-95441.

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Abstract Remaining Useful Life (RUL) is critical to optimizing part life and reducing maintenance costs in a predictive maintenance strategy. Current methods of remaining useful life predictions are significantly dependent on operating conditions and time as input features. However, these features do not fully encompass the variability of real-world operating conditions and notably as the bearing nears failure. This work provides an improved failure representation by exploring the underlying data distribution parameters of a bearing failure dataset generated using the Purposeful Failure Method
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Todorova, Dimitrina, and Nevena Pavlova. "Investigation on the printability of specialty papers for luxury labels." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p6.

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Specialty luxury label papers mainly are results from the search for all that stimulates our creativity and senses. They are from papers that awaken the desire to create, as a magnificent mix of texture and colours that elevates luxury packaging to the category of art and a brilliant collection that ultimately shows that luxury packaging really is. In order to achieve the desired complex effect on the customer with its combined impact through the texture, colour of the paper and graphic design for each manufacturer of luxury labels, it is undoubtedly essential to be familiar with the printabil
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Reports on the topic "Engraving work"

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L'Estampe en France: Thirty-Four Young Printmakers. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0006415.

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Forty-five limited edition prints (primarily etching and engraving, but also lithography, silkscreen, and computer-generated images, among others) by French printmakers under forty years of age. Through the Association Française d¿Action Artistique (AFAA) and L¿Association Les Ateliers, an association of Parisian printmaking workshops, the Center brought contemporary works by master printers whose work represents an extraordinary diversity of vision. The exhibition was organized in honor of Paris, France, site of the 40th Annual Meeting of the IDB Board of Governors in March, 1999, and later i
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Nikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008269.

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Presents the exhibition pays tribute to Japan and to more than a century of relations between Japan and Latin America. This paper presents selected art works "painting, drawing, engraving and installation" by 10 artists of Japanese descent from Argentina (Kasuya Sakai), Brazil (Tikashi Fukushima, Manabu Mabe, Tomie Ohtake, Yutaka Toyota and Kazuo Wakabayashi), Mexico (Luis Nishizawa) and Peru (Arturo Kubotta, Carlos Runcie Tanaka and Venancio Shinki).
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Highlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding works by artists from the Spanish, English, French, and Dutch Speaking Caribb. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0008217.

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This paper presents a selection of 39 important works (paintings, sculptures, drawings, engravings and photographs) by recognized Caribbean artists from Barbados, Jamaica, The Bahamas, Trinidad and Tobago, Haiti, Dominican Republic, Puerto Rico, and Suriname, and early Cuban masters such as Amelia Peláez, Juan José Sicre and Mario Carreño, in the collection of the OAS Art Museum of the Americas, on loan to the IDB Cultural Center for this exhibition.
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