Relevant bibliographies by topics / Ennis

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Ennis'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Ennis"

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Hopkins, Pandora, Reg Hall, and Tony Engle. "James Morrison and Tom Ennis." Ethnomusicology 29, no. 2 (1985): 352. http://dx.doi.org/10.2307/852151.

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Bersoff, Donald N. "Bruce J. Ennis: A remembrance." Law and Human Behavior 25, no. 6 (2001): 663–65. http://dx.doi.org/10.1023/a:1012762408892.

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Chen, Ang. "Remembering Cathy Ennis: The Mentor." Kinesiology Review 7, no. 3 (August 1, 2018): 268–70. http://dx.doi.org/10.1123/kr.2018-0024.

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Zerwes, Erika. "A trajetória esquecida da fotógrafa Margaret Michaelis: entrevista com Helen Ennis * The forgotten history of photographer Margaret Michaelis: interview with Helen Ennis." História e Cultura 5, no. 3 (December 14, 2016): 402. http://dx.doi.org/10.18223/hiscult.v5i3.1792.

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Esta entrevista com a australiana Helen Ennis, curadora e professora de história da arte na Australian National University, busca jogar luz sobre a vida e obra da fotógrafa Margaret Michaelis (1902-1985). Ennis foi a autora da única biografia existente até o momento sobre Michaelis, além de ter sido a responsável pela incorporação do arquivo da fotógrafa na National Gallery of Australia, e pela exposição “Margaret Michaelis: Love, loss and photography”, realizada naquela instituição em 2005. Ennis recuperou, depois de quase quarenta anos esquecida, a rica obra fotográfica e história de vida de Michaelis, austríaca de nascimento, que estudou fotografia em Berlim nos anos de 1920, mas que, por sua origem judaica e sua militância anarquista, fugiu primeiro para a Espanha, onde fotografou a Guerra Civil Espanhola pelo lado republicano, depois para Londres, e, finalmente, para a Austrália. Lá ela viveu sob vigilância política no pós Segunda Guerra, e no anonimato profissional e artístico até sua morte, em 1985.
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Clark, Jane E., and Bradley D. Hatfield. "Cathy Ennis, A Colleague and Friend." Kinesiology Review 7, no. 3 (August 1, 2018): 266. http://dx.doi.org/10.1123/kr.2018-0022.

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Hoaglund, John. "Ennis on the Concept of Critical Thinking." Inquiry: Critical Thinking Across the Disciplines 15, no. 2 (1995): 1–19. http://dx.doi.org/10.5840/inquiryctnews199515232.

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Rao, D. C. "A Conversation With Professor Newton Ennis Morton." Genetic Epidemiology 37, no. 2 (November 7, 2012): 131–35. http://dx.doi.org/10.1002/gepi.21695.

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Sean Patrick Lovett. "An Interview with Artist Breda Catherine Ennis." Logos: A Journal of Catholic Thought and Culture 12, no. 4 (2009): 97–114. http://dx.doi.org/10.1353/log.0.0047.

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Pose, Lucía. "Sobre: Enriqueta la criolla y La hija de Giacumina. Literatura popular, lenguas mixtas y naturalismo en dos folletos del 80, de Juan Antonio Ennis y Laura Sesnich (Ed.)." El Taco en la Brea 2, no. 8 (October 31, 2018): 177–79. http://dx.doi.org/10.14409/tb.v1i8.7767.

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Bassil, Nahla V., William M. Proebsting, Larry W. Moore, and David A. Lightfoot. "Propagation of Hazelnut Stem Cuttings Using Agrobacterium rhizogenes." HortScience 26, no. 8 (August 1991): 1058–60. http://dx.doi.org/10.21273/hortsci.26.8.1058.

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Hazelnut (Corylus avellana L.) softwood cuttings of the cultivars Ennis and Casina were propagated under mist during June and July 1987 and 1988. Rooting of stem cuttings was stimulated by both Agrobacterium and IBA treatment; however, IBA caused nearly complete bud abscission. Better rooting and bud retention were observed in `Casina' than in `Ennis' in 1988. Bud retention on Agrobacterium -inoculated cuttings improved as the cuttings approached the semi-hardwood stage. Six months after transplanting, Agrobacterium -inoculated hazelnut cuttings had an extensive root system, characteristic of hairy root. Although the mechanism remains unclear, strains of Agrobacterium rhizogenes are effective rooting agents in hazelnut and may cause less bud abscission than IBA. Chemical name used: 1 H -indole-3-butyric acid (IBA).
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Dissertations / Theses on the topic "Ennis"

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Hansson, Linus. "Satan i serier : En karaktärsanalys av djävulsportträtten i fyra moderna serietidningar." Thesis, Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-13740.

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Genom att undersöka Djävulens utseende och roll, har jag försökt beskriva hur Djävulen porträtteras i de serietidningar jag valt ut. Djävulen avbildas på en rad olika sätt i serietidningsform i vårt till stor del sekulariserade samhälle. Vissa av dessa avbildningar har religiösa föregångare, vissa har föregångare i annan litteratur och vissa är helt nya. De tyder på att man inte använder Djävulen alltför lättvindigt i serietidningar och att man ofta är medveten om de kulturella konnotationer han för med sig. Han är en karaktär som ofta framställs som en negativ karaktär, vilket inte är lustigt med tanke på hans roll inom religion och litteratur. Tack vare de förutfattade tankar som finns om honom är han lätt att använda för att skapa effekter inom serierna, antingen genom att spela på den negativa inställningen eller genom att ställa läsarens förväntningar på ända. Han framställs främst i tre större roller: som tragisk, skrämmande eller komisk. Det är inte ovanligt att flera av dessa roller används till samma karaktär. I de serier jag analyserat har han alltid ställts som en kontrast till seriens protagonist, även om han inte alltid är serietidningens antagonist. Djävulens utseende speglar hans roll i serierna på så sätt att han, när han ska vara skrämmande eller antagonist, har ett mer monstruöst utseende än vad han har när han har en tragisk roll. När han ska vara komisk har han ett utseende som kan ses som löjeväckande, men är inte mänsklig för den saken skull. En gemensam faktor är att samtliga djävlar hade någon form av skräckskapande element till sin karaktär. Sammanfattningsvis kan man säga att Djävulen framställs på minst sagt olika sätt i de olika serierna, vilket tyder på att det kan vara svårt att säga något klart generellt om hur denna karaktär porträtteras i serietidningsmediet.
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Salisbury, Derek. "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books." ScholarWorks @ UVM, 2013. http://scholarworks.uvm.edu/graddis/209.

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At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. The project consulted the major works of British comic scriptwriters, Alan Moore, Jamie Delano, Grant Morrison, Peter Milligan, Neil Gaiman, Warren Ellis, and Garth Ennis. These works include Watchmen, V for Vendetta, Shade: the Changing Man, Batman: Arkham Asylum, Animal Man, Sandman, Transmetropolitan, Preacher and several other important works. Following a chronological organization, the work tracks major changes taking place in the American comic book industry in the commercial, corporate, and creative sectors to show the processes through which the medium matured in this time period. This is accomplished by combining textual analysis of the comics with industry specific records and a focus on major cultural shifts in US society and culture
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Hartley, Vivian Alma. "Ennius and his predessors." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28058.

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The Annales of the Roman poet, Quintus Ennius, was not an isolated example of an historical epic. Other poets before Ennius' time had written epics of various types, and different sorts of poems that dealt with historical or national material, and some of these influenced Ennius. This study will consider Ennius' relationship to the Homeric epics, and show how he imitated them in form and style. The writings of other Greek poets who preceded Ennius will be examined to determine whether they might also have influenced the Roman poet. The works of the two Roman poets who wrote before Ennius will be looked at, and some observations made about other historical materials that may have been available for the poet to use in his work. Finally, the place of Quintus Ennius and his Annales in the historiography of Rome will be discussed. The Annales seems to have been unique in that it was an epic poem which encompassed the whole history of the Roman people from the earliest times right down to the period in which the poet lived. Other poets before Ennius had dealt with some aspects of their cities' backgrounds, including mythological and legendary material. Ennius was the first to combine ancient legends and more recent history into one coherent epic poem, his Annales.
Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
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Goldschmidt, Nora. "Shaggy crowns : Ennius' Annales and virgil's aeneid." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530032.

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Lochhead, Elizabeth Sarah. "Ennius’ Hedyphagetica: the case for convivial performance." Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5310.

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Hausmann, Christiane. "Zwischen Avantgarde und Kommerz die Kompositionen Ennio Morricones." Hofheim Wolke, 2008. http://d-nb.info/989861376/04.

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Ernst, Daniel [Verfasser], Ennes [Akademischer Betreuer] Sarradj, Ennes [Gutachter] Sarradj, and Jan [Gutachter] Delfs. "Akustischer Kohärenzverlust in offenen Windkanälen aufgrund der turbulenten Scherschicht / Daniel Ernst ; Gutachter: Ennes Sarradj, Jan Delfs ; Betreuer: Ennes Sarradj." Berlin : Technische Universität Berlin, 2020. http://d-nb.info/1208764527/34.

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Langhof, Carsten [Verfasser], and Ennes [Akademischer Betreuer] Sarradj. "Schalldämmung strukturierter Bleche / Carsten Langhof ; Betreuer: Ennes Sarradj." Cottbus : BTU Cottbus - Senftenberg, 2015. http://d-nb.info/1114283495/34.

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Le, Barbier de Blignières Olivier. "La quête de la Ratio Entis : un itinéraire thomasien." Paris 4, 2003. http://www.theses.fr/2003PA040046.

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Pour appréhender le contenu intelligible de l'être (ratio entis), on propose une approche tripartite inspirée de Thomas d'Aquin et d'un scientifique et théologien, Guérard des Lauriers. La découverte en science et en art met à jour un aspect particulier de la connaissance. Le pneumatisme (sens de la question, génie) fonde l'aspect rationnel (discours) et l'aspect intellectif (intuition), et s'explique par la nature de l'esprit utilisant, pour comprendre le monde, l'harmonie de sa propre vie. Ce tact de l'esthétique intelligible anticipe le résultat que la raison confirmera. La phase rationnelle, ouverte par le choc de l'existant, montre que l'analogie est fondée. Les étants sont divers essentiellement, mais se ressemblent proportionnellement et leur structure interne se hiérarchise autour de la substance. La phase intellective met en jeu l'abstraction (saisie du contenu intelligible) et le jugement (affirmation de l'existence). Grâce au pneumatisme, l'être est saisi comme contenu intelligible immanent au jugement par lequel l'esprit affirme que l'être n'est aucune des natures : il est séparable de l'étant en vertu du mode selon lequel il lui est immanent. La phase sapientielle part du fait que la ratio entis, tirée de l'observation, fait question. Multiplicité et changement étonnent car l'esprit saisit, avec la nature de l'être, l'exigence d'identité. La causalité renvoie des étants à un Etant qui est son être : l'étant, par l'être, montre Dieu. Tout étant participe selon l'être à l'Etant par soi : Dieu montre l'être dans l'étant (essence, acte d'être, suppôt)
In order to comprehend the intelligible content of being (ratio entis), we suggest a threefold approach, inspired by Thomas Aquinas and a scientist and theologian, Guérard des Lauriers. Discovery, in science and art as well, reveals a peculiar aspect of knowledge. Pneumatism (sense of question, genius) founds both the rational aspect (discursive thinking) and the intellective aspect (intuition), and can be explained by the nature of the mind which uses, in order to understand the world, the harmony of its own life. This tact of intelligible aesthetics anticipates the result that reason will confirm. The rational phase, opened by the shock of a thing's existence, shows that the analogy is well-founded. Beings are essentially varied, but proportionally alike, and their internal structure is arranged in order around substance. The intellective phase involves abstraction (comprehension of the intelligible content) and judgement (assertion of existence). Thanks to pneumatism, esse is comprehended as an intelligible content, immanent in the judgement by which the mind asserts that esse is none of the natures : it is separable from being, according to the mode by which it is immanent in it. The sapiential phase starts with the fact that the ratio entis, drawn from observation, poses problems. Multiplicity and change are surprising because mind comprehends, together with the nature of being, the necessity for identity. Causality leads from beings to one Being that is its own esse : being, by esse, shows God. According to esse, every being shares in the Being per se : God shows esse in being (essence, existence, subject)
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Mancini, Orlando Marcos Martins. "O pensamento musical no cinema = o exemplo de Ennio Morricone." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284956.

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Orientador: Claudiney Rodrigues de Carrasco
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-18T00:42:25Z (GMT). No. of bitstreams: 1 Mancini_OrlandoMarcosMartins_D.pdf: 6805808 bytes, checksum: 7a89e4b87eec71308f7438073bada8d8 (MD5) Previous issue date: 2011
Resumo: O pensamento musical no cinema exemplificado pela "música aplicada" de Ennio Morricone originou-se em julho de 1992, na ACCADEMIA MUSICALE CHIGIANA, Siena - Itália, onde Ennio Morricone e Sergio Miceli ministraram conjuntamente o Corso de Perfezionamento in Musica per Film. Sucintamente, o curso propôs a possibilidade de uma confluência entre dois pensamentos relacionados à música de cinema, duas abordagens: uma musicológica, histórica e teórica, voltada a apresentar instrumentos idôneos na análise das relações intercorrentes entre música e imagem (a parte de Sergio Miceli); a outra, profissional, artesanal, estritamente relativa a um pensamento e uma praxe compositiva desenvolvida dentro dos vínculos impostos pela própria produção e linguagem cinematográfica (a parte de Ennio Morricone). Mesmo que primariamente distintas, de modo geral, as abordagens percorreram assuntos que, insistentemente, orbitaram em torno de um mesmo problema: qual o contexto da música e do compositor de cinema na história contemporânea? Utilizando inserções musicais das trilhas sonoras das duas trilogias do diretor Sergio Leone e de alguns filmes representativos situados em momentos importantes da trajetória de Ennio Morricone como referência, este trabalho busca apresentar, situar, estender e aprofundar a proposta de confluência estabelecida na Chigiana, acrescida por tópicos importantes e significativos do instrumental teórico da área de música de cinema, principalmente o referenciado no campo acadêmico. O estudo alterna entre uma vertente mais geral, percorrendo panoramicamente momentos decisivos da vida e da obra de Ennio Morricone, com outra mais particularizada, aprofundando-se em momentos significativos, onde são estabelecidas instâncias reveladoras de seu pensamento musical aplicado no objeto audiovisual
Abstract: Musical Thought in Cinema exemplified by Ennio Morricone's "Applied Music" originated in July 1992 at Accademia Musicale Chigiana, in Siena - Italy, where Ennio Morricone and Sergio Miceli ministered, together, the Corso di Perfezionamento in Musica per Film. Succinctly, the course raised the possibility of a confluence between two approaches related to film music: a musicological, historical and theoretical view aimed to present suitable instruments for the analysis of the reciprocal relations between music and image (Sergio Miceli's focus), and a professional, compositional perspective developed within the constraints imposed by its creation and cinematic language (advocated by Ennio Morricone). Even though primarily distinct, in general, both approaches seem to converge to the same problem: what is the context of film music and composer in history? Using fragments of Sergio Leone's two trilogies and other representative film scores in the career of Ennio Morricone as reference, this study aims to present, situate, expand and deepen the proposed confluence, established originally at Chigiana, by considering various well-known theoretical lenses. This work will alternate between a panoramic overview of decisive moments in Ennio Morricone's life and work and an in depth analysis of key extracts which reveal his applied musical thought in the relationship between the audiovisual object and the soundtrack
Doutorado
Doutor em Música
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Books on the topic "Ennis"

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Service, Ireland Heritage. Ennis 1997. Dublin: Department of Arts, Heritage, Gaeltacht and the Islands, Heritage Service, 1997.

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Weir, Hugh W. L. Ennis 750 facts. Whitegate Co Clare: Ballinakella Press, 1990.

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Ennis in old photographs. Dublin: Gill & Macmillan, 2004.

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Spellissy, Sean. The merchants of Ennis. Blarney, Co.Cork: On Stream Publications for Ennis Chamber of Commerce, 1996.

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Spellissy, Seán. The merchants of Ennis. Cloghroe, Blarney, Co. Cork]: On Stream, 1996.

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Spellissy, Sean. A portrait of Ennis. (Ennis?): (Ennis 750 Committee?), 1990.

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Scheme, County Clare Reading &. Writing. An adapted history of Ennis. (Ennis): Co. Clare Reading & Writing Scheme, 1990.

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map, Ordnance Survey. Plan of Ennis town, 1894. Dublin): Phoenix Maps, 1989.

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Council, Ennis (Ireland) District. Corporation book of Ennis 1660-1810. Dublin: Irish Academic Press, 1990.

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O'Brien, Pius. The Sisters of Mercy of Ennis. [Ennis, Ireland]: Congregation of the Sisters of Mercy, 1992.

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Book chapters on the topic "Ennis"

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McQuillan, Helen. "Ennis Information Age Town: Virtuality Rooted in Reality." In Lecture Notes in Computer Science, 139–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45636-8_11.

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Lennartz, Klaus. "Ennius." In Non verba sed vim, 157–299. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-663-12259-3_11.

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Wild, Gerhard. "Flaiano, Ennio." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3592-1.

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Kuhlmann, Peter Alois. "Ennius, Quintus." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11282-1.

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Aretz, Susanne. "Ennius’ Iphigenia." In Die Opferung der Iphigeneia in Aulis, 231–88. Wiesbaden: Vieweg+Teubner Verlag, 1999. http://dx.doi.org/10.1007/978-3-663-12046-9_6.

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Turan, Tevfik. "Batur, Enis." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1292-1.

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Dal Maso, Gianni. "Ennio De Giorgi." In Vite matematiche, 205–16. Milano: Springer Milan, 2007. http://dx.doi.org/10.1007/978-88-470-0640-9_17.

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Schmalzriedt, Egidius. "Ennius, Quintus: Annales." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11283-1.

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Maso, Gianni Dal. "Ennio De Giorgi." In Mathematical Lives, 147–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13606-1_21.

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Suerbaum, Werner. "Ennius als Dramatiker." In Orchestra, 346–62. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-663-12276-0_29.

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Conference papers on the topic "Ennis"

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Pleguezuelos, Encarnacion, Ignasi Labastida, Santiago Vallmitjana, and Arturo Carnicer. "Generalization of the Jared-Ennis method to complex transmittance objects for the generation of synthetic discriminant function filters." In Optical Science and Technology, SPIE's 48th Annual Meeting, edited by Bahram Javidi and Demetri Psaltis. SPIE, 2003. http://dx.doi.org/10.1117/12.503705.

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Rainho, Conceiçao, Maria Joao Monteiro, Alice Mártires, Zita Castelo-Branco, and Rita Payan-Carreira. "Peer review and critical thinking in nursing students." In HEAd'16 - International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/head16.2016.2847.

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Different models are available to help engage and motivate students as well as to model professional thinking and action (Irby, 1994). Their effect increases when regularly used, particularly when supplemented with feedback. Among them, the Paul-Elder´s Elements of Thought, or the Ennis´s FRISCO guidelines may be used for develop clinical skills. The objective of this study is analyse the effect of educational intervention on critical thinking, in nursing students of the 2nd year, based on the peer review, using the Cornell test (Level X) before and after intervention. Of the 74 students who participated in the study, 75.7% were female with an average age of 20.8 years. The average scores of critical thinking before intervention was 21.3 and after was 28.5, the average was statistically significant different between the two time points (p <0.01).
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Wosinski, Lech, Bertrand Noharet, Annika L. Berthold, and Olivier Germain. "Optical implementation and comparison of composite filters displayed on BPOSLMs: optimal trade-off SDF filters, Jared-and-Ennis SDF filters, and quantized detour-phase encoded OTSDF filters." In Aerospace/Defense Sensing and Controls, edited by David P. Casasent and Tien-Hsin Chao. SPIE, 1996. http://dx.doi.org/10.1117/12.235638.

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Winter, Amos G., A. E. Hosoi, Alexander H. Slocum, and Robin L. H. Deits. "The Design and Testing of RoboClam: A Machine Used to Investigate and Optimize Razor Clam-Inspired Burrowing Mechanisms for Engineering Applications." In ASME 2009 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/detc2009-86808.

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Razor clams (Ensis directus) are one of nature’s most adept burrowing organisms, able to dig to 70cm at nearly 1cm/s using only 0.21J/cm. Ensis reduces burrowing drag by using motions of its shell to fluidize a thin layer of substrate around its body. Although these shell motions have an energetic cost, moving through fluidized rather than packed soil results in exponentially lower overall energy consumption. This paper describes the design and testing of RoboClam, a device that mimics Ensis digging methods to understand the limits of razor clam-inspired burrowing, how they scale for different environments and conditions, and how they can be transferred into engineering applications. Using a genetic optimization solver, we found that RoboClam’s most efficient digging motion mimicked Ensis shell kinematics and yielded a power law relationship between digging energy and depth of n = 1.17, very close to the ideal value of n = 1. Pushing through static soil has a theoretical energy-depth power law of n = 2, which means that Ensis-inspired burrowing motions can provide exponentially higher energy efficiency and nearly depth-independent drag resistance.
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"Kleinstädtische Eliten im Land ob der Enns: Freistadt – Wels – Enns im 15. Jahrhundert." In Visions of Community. Vienna: Austrian Academy of Sciences Press, 2018. http://dx.doi.org/10.1553/0x0031d670.

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Guerroudji-Meddah, Fatiha, and Hafida Belbachir. "ENVIS: A visual environment for GIS querying." In 2009 International Conference on Multimedia Computing and Systems (ICMCS). IEEE, 2009. http://dx.doi.org/10.1109/mmcs.2009.5256730.

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Bortoletto, Favio, Carlotta Bonoli, Maurizio D'Alessandro, Enrico Giro, Vincenzo De Caprio, Leonardo Corcione, Sebastiano Ligori, and Gianluca Morgante. "Euclid ENIS spectrograph focal-plane design." In SPIE Astronomical Telescopes + Instrumentation, edited by Jacobus M. Oschmann, Jr., Mark C. Clampin, and Howard A. MacEwen. SPIE, 2010. http://dx.doi.org/10.1117/12.856402.

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Winter, Amos G., Robin L. H. Deits, Daniel S. Dorsch, A. E. Hosoi, and Alexander H. Slocum. "Multi-Substrate Burrowing Performance and Constitutive Modeling of RoboClam: A Biomimetic Robot Based on Razor Clams." In ASME 2010 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/detc2010-29060.

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The Atlantic razor clam (Ensis directus) reduces burrowing drag by using motions of its shell to fluidize a thin layer of substrate around its body. We have developed RoboClam, a robot that digs using the same mechanisms as Ensis, to explore how localized fluidization burrowing can be extended to engineering applications. In this work we present burrowing performance results of RoboClam in two distinctly different substrates: ideally granular 1mm soda lime glass beads and cohesive ocean mudflat soil. Using a genetic algorithm to optimize RoboClam’s kinematics, the machine was able to burrow in both substrates with a power law relationship between digging energy and depth of n = 1.17. Pushing through static soil has a theoretical energy-depth power law of n = 2, which means that Ensis-inspired burrowing motions can provide exponentially higher energy efficiency. We propose a theoretical constitutive model that describes how a fluidized region should form around a contracting body in virtually any type of saturated soil. The model predicts fluidization to be a relatively local effect, extending only two to three characteristic lengths away from the body, depending on friction angle and coefficient of lateral earth pressure, two commonly measured soil parameters.
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Silva Filho, Edson Mata da, Waslon Terllizzie Araújo Lopes, and Francisco Madeiro. "Associação da técnica ENNS ao algoritmo LBG." In 11. Congresso Brasileiro de Inteligência Computacional. SBIC, 2016. http://dx.doi.org/10.21528/cbic2013-264.

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Chupa, M. A., R. J. Moorhead, J. A. Mogill, J. F. Shriver, D. W. Irby, and P. M. Flynn. "EnVis/Hum: high-resolution ocean model visualization and display." In Oceans 2003. Celebrating the Past ... Teaming Toward the Future (IEEE Cat. No.03CH37492). IEEE, 2003. http://dx.doi.org/10.1109/oceans.2003.178478.

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Reports on the topic "Ennis"

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Emilsson, G. R. A controlled source audiomagnetotelluric investigation of the Ennis Hot Springs Geothermal Area, Ennis, Montana: Final report: Part 2. Office of Scientific and Technical Information (OSTI), June 1988. http://dx.doi.org/10.2172/6962296.

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Semmens, D. Three dimensional gravity modeling techniques with application to the Ennis Geothermal Area: Final report: Part 1. Office of Scientific and Technical Information (OSTI), December 1987. http://dx.doi.org/10.2172/6962302.

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Moorhead, Robert, and Sam Russ. EnVis and Hector - Tools for Ocean Model Visualization. Fort Belvoir, VA: Defense Technical Information Center, September 1997. http://dx.doi.org/10.21236/ada628046.

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Geologic map of the Ennis Lake quadrangle, Madison County, Montana. US Geological Survey, 1993. http://dx.doi.org/10.3133/gq1729.

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Geologic map of the Ennis 30' x 60' quadrangle, Madison and Gallatin Counties, Montana, and Park County, Wyoming. US Geological Survey, 2000. http://dx.doi.org/10.3133/i2690.

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