Relevant bibliographies by topics / Ensor, James (1860-1949)

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Academic literature on the topic 'Ensor, James (1860-1949)'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Ensor, James (1860-1949)"

1

De Heusch, Luc. "Je suis fou, je suis sot, je suis méchant. Autoportrait de James Ensor (1860-1949). Synopsis du film de Luc de Heusch." Bulletin de la Classe des Beaux-Arts 1, no. 1 (1990): 47–50. http://dx.doi.org/10.3406/barb.1990.20008.

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Dissertations / Theses on the topic "Ensor, James (1860-1949)"

1

Dwyer, Bryce. "James Ensor: Northern European Art and the Carnivalesque." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1216.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Art History
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2

Goldman, Noémie. "Un Monde pour les XX: Octave Maus et le groupe des XX :analyse d'un cercle artistique dans une perspective sociale, économique et politique." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209691.

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Notre thèse se concentre sur la question des mécanismes de restructuration du système du monde de l’art à Bruxelles à la fin du XIXe siècle. Nous cherchons à démontrer comment une nouvelle scène artistique construite autour du cercle des XX à Bruxelles, dont l’épanouissement sera pris en charge par l’animateur d’art Octave Maus, produit un art qui est influencé par les enjeux sociaux et politiques portés par un milieu défini de manière sociale, culturelle et générationnelle.<p>Nous avons ainsi voulu replacer le groupe des XX dans son contexte économique, politique et social. La diversification
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Books on the topic "Ensor, James (1860-1949)"

1

María, López Fernández, Fuentes Santos Mónica, and Fundación Mapfre. Instituto de Cultura., eds. James Ensor: Grabador (1860-1949). Fundación Mapfre, Instituto de Cultura, 2007.

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Herwig, Todts, and Tōkyō-to Teien Bijutsukan, eds. Jēmuzu Ansōru: James Ensor, 1860-1949. Aputo Intānashonaru, 2005.

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3

Carol, Brown, Canning Susan M, and Barbican Art Gallery, eds. James Ensor, 1860-1949: Theatre of masks. Barbican Art Gallery, 1997.

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Carol, Brown, Canning Susan Marie, and Barbican Art Gallery, eds. James Ensor, 1860-1949: Theatre of masks. Barbican Art Gallery, 1997.

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5

Gisèle, Ollinger-Zinque, and Musées royaux des beaux-arts de Belgique., eds. Ensor. Blondé Artprinting International, 1999.

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6

Germany), MARTa Herford (Herford, and Herforder Kunstverein, eds. James Ensor. MARTa Herford, 2004.

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7

Ensor, James. James Ensor. Museo d'arte moderna della città di Lugano, 1999.

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8

Ingrid, Pfeiffer, Hollein Max, Bown-Taevernier Sabine, and Schirn Kunsthalle Frankfurt, eds. James Ensor. Hatje Cantz, 2005.

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9

1860-1949, Ensor James, ed. James Ensor: Christ's entry into Brussels in 1889. J. Paul Getty Museum, 2002.

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10

Berman, Patricia G. James Ensor: Christ's entry into Brussels in 1889. J. Paul Getty Museum, 2002.

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