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1
Willink, C. W. "Notes on the Parodos-Scene in Euripides' Heraclidae, 73–117." Classical Quarterly 41, no. 2 (December 1991): 525–29. http://dx.doi.org/10.1017/s0009838800004675.
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In response to Iolaus' cry for help, the chorus in Held, enter at a run (βοηδροµοντεс cf. 121), and the Parodos takes a form appropriate to that. Instead of choral song-and-dance, what follows, after an exceptionally brief non-strophic ‘entry’-passage, is an amoibaion first between the Chorus-leader and Iolaus, then between the Chorus-leader and the Herald, musical only as featuring some ‘half-chanted’ sequences in the Chorus-leader's utterances.
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Willink, C. W. "The Parodos of Euripides' Helen (164–90)." Classical Quarterly 40, no. 1 (May 1990): 77–99. http://dx.doi.org/10.1017/s0009838800026811.
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The friendly expatriate ladies of the chorus in Helen enter having heard loud lamentation issuing from the palace, while engaged, like the Φ⋯λα of the chorus in Hippolytus 125ff., in spreading laundered crimson textiles to dry in the sun. The central theme of ‘hearing cries’, with the verb ἒκλυον and nouns of utterance (185–6), is reminiscent also of Medea 131ff., where the opening words of the Parodos ἒκλυον Φων⋯ν, ἒκλυον δ⋯ βο⋯ν… allude to Medea's loud utterances ἒсωθεν in 96ff. (ἰώ…) and 111ff. (αἰαî…): here, as there, the Parodos exploits the familiar motif of βοηδρομ⋯α.
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Dinsmore, Steve C., and David L. Swanson. "Temporal patterns of tissue glycogen, glucose, and glycogen phosphorylase activity prior to hibernation in freeze-tolerant chorus frogs, Pseudacris triseriata." Canadian Journal of Zoology 86, no. 10 (October 2008): 1095–100. http://dx.doi.org/10.1139/z08-088.
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Freezing survival may differ among winters in chorus frogs ( Pseudacris triseriata (Wied-Neuwied, 1838)), and low freezing survival is associated with low hepatic glycogen stores. The pattern of prehibernation liver glycogen accumulation in chorus frogs is unknown. Frogs might accumulate hepatic glycogen stores until a threshold level sufficient for winter survival is attained, after which frogs enter hibernation (critical threshold hypothesis). According to this model, frogs active late in the season should only be those with low hepatic glycogen stores. Alternatively, hepatic glycogen levels might continue to increase throughout the fall as long as frogs remain active (continuous increase hypothesis). We tested these hypotheses by measuring liver and leg muscle glycogen, glucose, and glycogen phosphorylase activities in chorus frogs throughout the fall prehibernation period in southeastern South Dakota. Hepatic glycogen levels were significantly related to date and increased throughout the fall period, consistent with the continuous increase hypothesis. This suggests that hepatic glycogen levels do not serve as a cue for entrance into hibernation. Liver phosphorylase activity did not vary significantly with progression of the fall season and activity was lower than in winter, suggesting that the winter increment of phosphorylase activity requires some stimulus during hibernation (e.g., low temperatures).
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Marini, Kristen L. D., Matthew W. Reudink, Stefanie E. LaZerte, and Ken A. Otter. "Urban mountain chickadees (Poecile gambeli) begin vocalizing earlier, and have greater dawn chorus output than rural males." Behaviour 154, no. 12 (2017): 1197–214. http://dx.doi.org/10.1163/1568539x-00003464.
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Vocal output during the dawn chorus is often an honest indicator of male quality, where males with greater access to food and in better condition produce more vocalizations. We compare the vocal output among male mountain chickadees living along an urbanization gradient to assess how urbanization affects male signalling. Chickadees forage in the canopy, and because urban habitats are associated with lower canopy volume, we predicted that urban habitats may offer lower food and thus lead to reduced song output. Contrary to our predictions, males in more urbanized habitats had greater vocal output. We suggest that despite decreased canopy cover, urban birds may have greater access to food in both the breeding and pre-breeding seasons due to differences in both supplementary resources and vegetation composition of urban vs rural landscapes in our area. Living in urban habitats may allow males to enter the breeding season in better condition.
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McLister, James D. "The metabolic cost of amplexus in the grey tree frog (Hyla versicolor): assessing the energetics of male mating success." Canadian Journal of Zoology 81, no. 3 (March 1, 2003): 388–94. http://dx.doi.org/10.1139/z03-013.
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The metabolic cost of amplexus was calculated for 37 pairs of grey tree frogs, Hyla versicolor, by measuring the rate of O2 consumption of each amplexed pair and the combined resting rates of O2 consumption of the two individuals of each pair, and calculating the difference. The mean cost of amplexus was 1.20 mL O2·h1 for each pair. The cost of amplexus was correlated with the mass of the males but not the mass of the females, and amplexus with artificial males did not have a significant effect on female metabolic rate. Therefore, the cost of amplexus appears to be incurred entirely by the male. Reproductively successful males spend less time calling per evening than reproductively unsuccessful males, leaving the chorus early to enter into amplexus. The mass-specific cost of amplexus (0.158 mL O2·g1·h1) is approximately 1/10 the mass-specific cost of call production (1.620 mL O2·g1·h1), and net energy consumption per evening is less for reproductively successful male H. versicolor than it is for reproductively unsuccessful males. The probability of future reproductive success is enhanced if reproductive success is energetically less expensive than reproductive failure.
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Nussbaum, Martha. "Compassion: The Basic Social Emotion." Social Philosophy and Policy 13, no. 1 (1996): 27–58. http://dx.doi.org/10.1017/s0265052500001515.
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Philoctetes was a good man and a good soldier. When he was on his way to Troy to fight alongside the Greeks, he had a terrible misfortune. By sheer accident he trespassed in a sacred precinct on the island of Lemnos. As punishment he was bitten on the foot by the serpent who guarded the shrine. His foot began to ooze with foul-smelling pus, and the pain made him cry out curses that spoiled the other soldiers' religious observances. They therefore left him alone on the island, a lame man with no resources but his bow and arrows, no friends but the animals who were also his food.Ten years later, according to Sophocles' version of the story, they come to bring him back: for they have learned that they cannot win the war without him. The leaders of the expedition think of Philoctetes as a tool of their purposes; they plan to trick him into returning, with no empathy for his plight. The Chorus of soldiers, however, has a different response. Even before they see the man, they imagine vividly what it is like to be him– and they enter a protest against the callousness of the commanders:For my part, I pity him– thinking of how, with no living soul to care for him, seeing no friendly face, wretched, always alone, he suffers with a fierce affliction, and has no resources to meet his daily needs. How in the world does the poor man survive?
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Battaglin, W., and J. Fairchild. "Potential toxicity of pesticides measured in midwestern streams to aquatic organisms." Water Science and Technology 45, no. 9 (May 1, 2002): 95–103. http://dx.doi.org/10.2166/wst.2002.0213.
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Society is becoming increasingly aware of the value of healthy aquatic ecosystems as well as the effects that man’s activities have on those ecosystems. In recent years, many urban and industrial sources of contamination have been reduced or eliminated. The agricultural community also has worked towards reducing off-site movement of agricultural chemicals, but their use in farming is still growing. A small fraction, estimated at <1 to 2% of the pesticides applied to crops are lost from fields and enter nearby streams during rainfall events. In many cases aquatic organisms are exposed to mixtures of chemicals, which may lead to greater non-target risk than that predicted based on traditional risk assessments for single chemicals. We evaluated the potential toxicity of environmental mixtures of 5 classes of pesticides using concentrations from water samples collected from ∼50 sites on midwestern streams during late spring or early summer runoff events in 1989 and 1998. Toxicity index values are calculated as the concentration of the compound in the sample divided by the EC50 or LC50 of an aquatic organism. These index values are summed within a pesticide class and for all classes to determine additive pesticide class and total pesticide toxicity indices. Toxicity index values greater than 1.0 indicate probable toxicity of a class of pesticides measured in a water sample to aquatic organisms. Results indicate that some samples had probable toxicity to duckweed and green algae, but few are suspected of having significant toxicity to bluegill sunfish or chorus frogs.
8
Faraone, Christopher A. "Salvation and female heroics in the parodos of Aristophanes' Lysistrata." Journal of Hellenic Studies 117 (November 1997): 38–59. http://dx.doi.org/10.2307/632549.
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The separate entrances of the male and female semi-choruses in Aristophanes' Lysistrata are marked by an unusual bit of stagecraft whose importance to a general theme of the play the salvation of Athens–has never been fully appreciated. The old men enter the stage at v. 254 each carrying a pair of olive-wood logs, a vine torch and a small pot of live embers. Having heard that Lysistrata and her comrades have taken control of the Acropolis, they come intent on burning down the gates of the citadel and removing the women, whom they liken to the Spartan general Cleomenes who occupied the citadel in 510. The men pile their logs before the closed gate, ignite their torches in the hot coals and then try to set fire to the logs (vv. 307-11). But after a few minutes of hilarious bumbling their plans are foiled for good by the sudden appearance of a semi-chorus of old women who rush in with water-jars on their shoulders or in their hands; these women threaten the men and then finally–with an invocation of the river-god Achelous douse them and their fire (vv. 381-82), thus effectively ending the threat of incineration. In the past, this entire choral routine has been explained in one of two ways: either it is a standard bit of slapstick humour with no importance whatsoever to the development of the comic plot, or it is part of an elaborate sexual pun of Freudian proportions in which the closed entranceway to the Acropolis assaulted by men symbolically prefigures the battle of the sexes that is about to ensue. Of course given the wonderful richness and polyvalence of Aristophanic comedy, it is extremely difficult to deny either of these interpretations. I shall argue here, however, that the staging of the parodos also reflects a very popular type of Greek salvation myth, known to the Athenians from the tragic stage, from the visual arts and from rituals associated with local mystery cults. In light of these parallels drawn from the theatrical and religious life of the city, I shall argue that when the audience saw the women rush onto the stage with their hydriai, they would have undoubtedly seen them in a very positive light as saviours of the city–precisely the role they claim for themselves later in the play.
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Albuquerque, Joel Miranda Bravo de, and Paulo De Tarso Salles. "Set theory versus Neo-Riemannian Theory: Two interdependent approaches in the analysis of choros # 4 and # 7 of Villa-Lobos." Revista da Tulha 1, no. 1 (November 24, 2015): 104. http://dx.doi.org/10.11606/issn.2447-7117.rt.2015.107693.
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Este trabalho propõe um paralelo simultâneo entre dois parâmetros distintos de análise musical os quais em o nosso estudo se mostraram interdependentes e necessários na construção de um arcabouço teórico suficiente para compreender de forma satisfatória o perfil estético composicional aplicado por Villa-Lobos no manuseio de classes de alturas em trechos de duas obras da década de 1920 aqui acolhidas: Choros nº4 e Choros nº7.
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Raij, David, Daniel Gopher, and Ruth Kimchi. "Perceptual and Motor Determinants of Efficient Data Entry." Proceedings of the Human Factors Society Annual Meeting 31, no. 7 (September 1987): 820–24. http://dx.doi.org/10.1177/154193128703100730.
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Two scales were constructed to separately evaluate the perceptual and motor difficulty of the finger chords employed to enter letters in a newly designed chord keyboard, developed to provide an efficient alternative to the existing QWERTY keyboard. The index of motor difficulty evaluated the biomechanical problems associated with the execution of the 31 possible chord combinations of five-fingers. The perceptual index scaled the difficulty of identifying the spatial pattern created by each of the 31 chords. A regression equation that was based on the two indexes accounted for about 60% of the variance of actual typing on the chord keyboard. Perceptual and motor determinants appear to be equally potent and mostly independent in their influence on efficient data entry performance.
11
Smart, Mary Ann. "The silencing of Lucia." Cambridge Opera Journal 4, no. 2 (July 1992): 119–41. http://dx.doi.org/10.1017/s0954586700003694.
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In Act III of Donizetti's Lucia di Lammermoor, the chaplain Raimondo appears at the wedding celebrations to tell the assembled guests that Lucia has murdered her husband Arturo. While the chorus expresses shock, Lucia enters, dishevelled and deranged; the crowd turns towards her, murmuring ‘Par dalla tomba uscita!’ This image of a figure emerging from the grave, certainly apt by nineteenth-century poetic standards, also suggests itself as a contemporary metaphor: a shift in critical reception. Traditionally, a noisy chorus of operatic critics has regarded Lucia with a mixture of fascination and horror, emphasising the sepulchral aspects of her madness. Recently, however, a rather surprising resurrection has been effected through the notion, popular among some feminist critics, that Lucia's mental decline could be interpreted as positive, even liberatory. This view has been expressed most flamboyantly by Catherine Clément, for whom madness is one of the few ways an operatic heroine can escape the near-inevitable plot process of seduction and death. Her effusions on Lucia's mad scene illustrate this position vividly: ‘Lucia dances with her desires: listen how joyful, airy and peaceful it is. Who says anything about unhappiness? Madwomen's voices sing the most perfect happiness’
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Larivée, Annie. "Du vin pour le Collège de veille? Mise en lumière d'un lien occulté entre le Choeur de Dionysos et le νυκτερινος συλλογος dans les Lois de Platon." Phronesis 48, no. 1 (2003): 29–53. http://dx.doi.org/10.1163/156852803321219770.
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AbstractCe texte cherche à montrer que plusieurs allusions textuelles indiquent l'existence d'un lien significatif entre le Choeur de Dionysos et le νυκτερινος συλλογος dans les Lois de Platon. Cette hypothèse inédite se trouve confirmée par un examen attentif des diverses correspondances entre les deux instances, examen qui permet en outre de préciser la nature de leur lien. Il semble d'abord que le Choeur de Dionysos ait pour rôle d'apporter un complément pédagogique de «musique appliquée» à l'élite politique et scientifique de la cité. Plus important encore, le Choeur Dionysien paraît être l'organe idéologique privilégié par lequel les gouvernants du Collège de veille peuvent donner une forme persuasive à leur science et exercer une influence civique puissante sur l'ensemble de la population.
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Calderón Segura, William. "Participación de la población en el proceso de control social de la gestión municipal en un distrito de la región Cajamarca." EDUCARE ET COMUNICARE: Revista de investigación de la Facultad de Humanidades 4, no. 1 (July 12, 2018): 15–24. http://dx.doi.org/10.35383/educare.v1i6.88.
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El presente artículo presenta el nivel de participación de la población en el proceso de control social de la gestión municipal en la localidad de Choros, distrito de Choros, provincia de Cutervo, región Cajamarca, 2014. La investigación se ciñe al área urbana, con criterio de discriminación población adulta comprendida entre los 18 y 64 años de edad, se tuvo en cuenta la tendencia de crecimiento anual proyectado por el INEI para la provincia de Cutervo (1.6% anual), constituyéndose en un total de 230 pobladores con una muestra de 73 habitantes. El recojo de información se realiza por encuesta validada en juicio de expertos y la confiabilidad por alfa de Cronbach. Luego se aplica la estadística descriptiva por índice de frecuencias. Se concluye un bajo nivel de participación en el proceso de control social de la gestión municipal 2014 por parte de los pobladores de la localidad estudiada, debido a malas experiencias de gestiones municipales pasadas que los desmotivan.
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Krivopalova, Veronica, and Olga Kharlamova. ""PIECES FOR KIDS" ("PIECES POUR ENFANTS") by E. DENISOV." Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, no. 10 (2020): 49–79. http://dx.doi.org/10.17223/26188929/10/7.
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The article discusses the specifics of children's music on the example of the collection "Pieces for Kids" by Edison Denisov. The authors use the example of the analysis of the musical language of this collection to define the specifics of music for kids of the second half of the twentieth century in general and some features of the author's style of Denisov in particular. Despite the traditional nature of the chosen means of musical expression, based on the basic principles of tonal organization (functionality, connection between harmony and form creation, etc.), the pieces sound very fresh and modern. This explains the fact that the pieces in the collection are difficult to enter into the pedagogical repertoire. At the same time, the composer expands the tonality by means of various types of major-minor (of the same name, parallel, one-point), and also uses the means of chromatic tonality. Updating the musical language is associated with updating the chord. Denisov uses not only chords of the third structure, but also fourth, second chords and accords. The modal structure of the pieces is also diverse. Along with major and minor, the collection contains examples of using a natural diatonic modes.
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Pineau, Laure. "Musset et la voix du choeur : entre héritage antique et modernité romantique." Littératures 61, no. 1 (2009): 59–74. http://dx.doi.org/10.3406/litts.2009.2100.
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Le Corre, Élisabeth. "« Et nous voilà comme le choeur antique » : les avatars du choeur dans le théâtre de Jean Anouilh." Études littéraires 41, no. 1 (October 5, 2010): 115–27. http://dx.doi.org/10.7202/044574ar.
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Le théâtre de Jean Anouilh accorde une place essentielle au choeur antique en même temps qu’il le transforme et le remet en question. Le choeur est parfois méconnaissable : s’il apparaît sous son nom d’origine dans les réécritures de tragédies grecques (Antigone, Tu étais si gentil quand tu étais petit et Oedipe ou le roi boiteux), il est remplacé par un personnage familier de l’univers d’Anouilh dans les pièces ancrées dans un cadre plus contemporain : Lucien (Roméo et Jeannette), Tonton (Ne réveillez pas Madame) et l’orchestre (Tu étais si gentil quand tu étais petit) sont ses lointains héritiers. Le dramaturge prend également ses distances par rapport à son modèle antique par le moyen de la parodie : certains de ses personnages singent grotesquement le choeur plus qu’ils ne le remplacent. Enfin, Anouilh fait évoluer la fonction du choeur : spectateur et commentateur privilégié de l’affrontement entre les héros et les dieux, celui-ci devient aussi le porte-parole de l’auteur et de ses idées sur la tragédie. Il occupe ainsi un rôle déterminant dans le fonctionnement de la pièce.
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Moreira Júnior, Nilton Antônio, and Fausto Borém. "Traços do ragtime no choro Segura ele de Pixinguinha: composição, performance e iconografia após a viagem a Paris em 1922." Per Musi, no. 23 (June 2011): 93–102. http://dx.doi.org/10.1590/s1517-75992011000100011.
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Estudo analítico e comparativo sobre os choros Segura ele e Um a zero de Pixinguinha que, na histórica viagem do grupo de choro Oito Batutas a Paris em 1922, conviveu com músicos de jazz norte-americanos. Observam-se características do ragtime em Segura ele a partir das gravações no CD Pixinguinha 100 anos, o qual inclui performances do compositor no saxofone e na flauta. Uma comparação entre elementos formais, harmônicos, rítmicos, motívicos, de instrumentação e iconográficos mostra que o choro de Pixinguinha foi influenciado em vários níveis pelo gênero popular norte-americano.
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Escate, Luis Reyes. "No somos cholas y llevamos polleras." Revista de Antropologia da UFSCar 9, no. 2 (December 1, 2017): 63–72. http://dx.doi.org/10.52426/rau.v9i2.199.
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El objetivo principal de este trabajo es, partiendo de un diálogo simétrico entre la discursividad académica y Tocañera, plantear algunas hipótesis sobre las gradientes ontológicas de racialidad y mestizaje. Es por ello que se analizarán tres aspectos relacionados a estos flujos discursivos: 1) La racialidad/etnicidad como elemento ontológico, 2)El rompimiento con la visión hilomórfica de la raza, y 3) la rizomaticidad del mestizaje. Estos análisis partirán de un único evento etnográfico disparador, para después entablar diálo- gos con conceptos y visiones desarrolladas en el campo de la antropología. Asimismo, a través de estos flujos analíticos, se buscará reflexionar sobre los procesos de construcción de identidades Tocañeras, los cuales rebaten la concepción “occidental” de procesos de mestizaje identitario.
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Bonin, Gustavo Cardoso. "Traços da enunciação musical tensiva no Choros nº 6 de Villa-Lobos." Revista Música 19, no. 2 (December 19, 2019): 210–30. http://dx.doi.org/10.11606/rm.v19i2.163572.
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Villa-Lobos construiu um estilo característico que ganha cada vez mais extensão e densidade analítica, dentro e fora do país. A construção do estilo de um compositor depende da recorrência dos modos com que ele organiza diversos elementos musicais e sonoros a fim de construir um “modo de escuta” próprio. Com base na abordagem tensiva da semiótica francesa, desenvolvida por Claude Zilberberg, procuraremos apresentar como a tensão entre os aspectos sensíveis e inteligíveis da percepção musical caracterizam a presença enunciativa de Villa-Lobos na peça orquestral Choros nº 6. Essa abordagem nos ajuda a descrever como o autor organiza as sonoridades na percepção tanto da i) espacialidade como da ii) temporalidadeprojetada pela obra.
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Alcalde, Verónica, and Carola Flores. "Variabilidad morfológica de anzuelos en concha de Choromytilus chorus (8500-4500 cal aP), costa sur del Desierto de Atacama, Taltal, Chile." Latin American Antiquity 31, no. 4 (August 20, 2020): 664–82. http://dx.doi.org/10.1017/laq.2020.29.
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A través de la morfometría geométrica, este estudio explora la influencia del contexto cronológico y de procedencia en la variabilidad morfológica de 75 anzuelos de concha de Choromytilus chorus provenientes de siete sitios arqueológicos de la comuna de Taltal, en la costa sur del Desierto de Atacama, Chile. Los resultados muestran diferencias significativas en las formas de los anzuelos provenientes de distintos sitios y períodos. El rasgo que explica el mayor porcentaje de variación morfológica es el largo de una de las puntas, seguido por la abertura del anzuelo. Se identifican tres momentos clave en la evolución morfológica de estos artefactos. Entre 8500 y 7500 cal aP aparecen los primeros anzuelos, predominantemente sin vástago y de abertura amplia pero variable. De 7500 cal aP en adelante, la tecnología prolifera y se diversifica: los anzuelos sin vástago y con abertura amplia siguen predominando, pero formas con vástago y abertura media también están presentes en el kit de pesca. Finalmente, entre 5500 y 4500 cal aP el número de anzuelos disminuye, desaparecen las formas circulares y se mantienen las formas con vástago, pero con abertura más estrecha. El caso de estudio de Taltal contribuye a enriquecer el conocimiento sobre la tecnología del anzuelo en concha a lo largo del Pacífico.
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Margarucci, Ivanna. "Cocinando la revolución en la ciudad de La Paz, 1927-1946." Archivos de historia del movimiento obrero y la izquierda, no. 7 (September 1, 2015): 79–99. http://dx.doi.org/10.46688/ahmoi.n7.136.
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En el presente artículo nos proponemos abordar la experiencia de la Federación Obrera Femenina (FOF) de La Paz, Bolivia, entre 1927 y 1946. Analizaremos la forma en que las “cholas” comerciantes y cocineras, definidas y “oprimidas” por la clase, la etnia y el género, articularon su lucha en esos tres frentes con el marco político e ideológico provisto por el anarquismo.
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Dodds, Sherril. "The Choreographic Interface: Dancing Facial Expression in Hip-Hop and Neo-Burlesque Striptease." Dance Research Journal 46, no. 2 (August 2014): 39–56. http://dx.doi.org/10.1017/s0149767714000278.
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Although the face possesses potent social and symbolic meaning, the “dancing face” is rarely addressed in dance scholarship. In spite of its neglect, the face participates choreographically in the realization of aesthetic codes and embodied conventions that pertain to different dance styles and genres. I therefore turn to Gilles Deleuze and Felix Guattari's (1987) theory of “faciality” to understand the semiotic coding of the face in relation to the Busby Berkeley chorus girl. Although their work offers an important critique of universalist theorizations of facial expression, I argue that “facial choreography” offers scope to dismantle the legibility of the face that is produced through the overcoded “abstract machine of faciality.” To do so, I introduce the concept of a “choreographic interface” to explore how facial expression enters into a choreographic relationship with other faces and bodily territories. With this in mind, I explore two dancing bodies that engage the face in ways that complicate existing modalities of facial expression. I analyze a hip-hop battle and a neo-burlesque striptease number to show how the mobility and ambiguity of facial choreography opens a dialogic space through which meaning is generated and social and political critique take place.
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Kałowski, Julian. "Podział na chóry w polskich żeńskich instytutach zakonnych." Prawo Kanoniczne 34, no. 1-2 (June 5, 1991): 87–101. http://dx.doi.org/10.21697/pk.1991.34.1-2.06.
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Dans l’article l’Auteur expose une des nombreuses institutions, qui actuellement appartient à un passé révolu, c.à.d. la division en choeurs ou en classes des instituts religieux féminins polonais. On démontre que dès les débuts de son existence, l’institution analysée était soumise à des transformations de tout genre. En se basant sur les directives de l’ancien Droit canon en ce qui concerne les instituts religieux, on expose les différences qu’il y avait entre les diverses classes de soeurs; elles con — cernaient principalement le domaine des devoirs à remplir et des droits qui leur revenaient. L’Auteur attirant l’attention sur la pratique du Saint-Siège et sur divers actes juridiques démontre avec preuves à l’appui que la plus haute autorité de l’Église, surtout à partir des années trente de notre siècle, a toujours charché à supprimer la division en classes qui existait dans les instituts religieux féminins; ce qui fut fait après le concile de Vatican II. L’article souligne un fait très important, à savoir que la division en choeurs n’était imposée par aucune autorité ecclésiastique, mais cette institution pouvait être introduite soit par les fondateurs (fondatrices), soit par d’autres organismes législatifs des différents instituts religieux. La dernière partie de l’article contient la liste des instituts religieux féminins érigés en Pologne, dont les membres n’étaient pas divisés en classes ou en choeurs.
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Soares, Marcio. "Platão contra um certo platonismo: a crítica da hipótese das Ideias no "Parmênides"." Voluntas: Revista Internacional de Filosofia 11, no. 1 (April 15, 2020): 70. http://dx.doi.org/10.5902/2179378643312.
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Apresento nesse texto uma leitura da primeira parte (127a-135c) do diálogo Parmênides. Meu objetivo é demonstrar a possibilidade de que as críticas objetadas pelo velho Parmênides à hipótese platônica das Ideias, exposta e defendida pelo jovem Sócrates, não são letais à mesma hipótese, uma vez que estão assentadas em dois pressupostos que a ela são alheios e desnecessários. Primeiro, a pressuposição de Parmênides de que a “distinção” (diéiresai) entre Ideias e coisas delas participantes seja equivalente a total “separação” (chorís) entre ambas (Prm. 130b). Segundo, o fato de que o Eleata, na construção de seus argumentos, trata das Ideias como se fossem coisas materiais, isto é, tais como as coisas que são objetos de nossa percepção sensível. Pretendo mostrar de que forma esses dois pressupostos sustentam as dificuldades teóricas decorrentes das perguntas dirigidas por Parmênides a Sócrates, as quais esse último não consegue responder. Ao final, minha sugestão é de que Platão tenha posto na boca do velho Eleata uma interpretação errônea de sua própria hipótese das Ideias. Nesse sentido, nosso Filósofo, no diálogo Parmênides, estaria combatendo um certo platonismo.
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Hamma, Amine. "A documented case of iris and chorio-retinal coloboma." Batna Journal of Medical Sciences (BJMS) 3, no. 2 (December 31, 2016): 115–17. http://dx.doi.org/10.48087/bjmscr.2016.3213.
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Le colobome est une malformation congénitale se traduisant par un défect au niveau d’une ou plusieurs des structures oculaires, il est dû à un défaut de fermeture de la fente colobomique survenant généralement entre la 5ème et la 7ème semaine de la vie embryonnaire. Nous rapportons le cas d’un enfant âgé de 6 ans, adressé en ophtalmologie pour un examen du fond d’oeil devant des signes faisant suspecter une méningite et dont l’examen ophtalmologique objective une acuité visuelle conservée au niveau des deux yeux. Les examens à la lampe à fente et du fond d’oeil retrouvent à droite, un colobome irien et chorio-rétinien nasal-inférieur épargnant la papille, tandis que l’oeil gauche est sans particularités. Un examen somatique complet a été réalisé afin d’éliminer d’autres malformations associées, ce dernier est revenu normal. Même si cette pathologie peut paraitre tout à fait anodine, une surveillance ophtalmologique régulière s’impose afin de dépister tout éventuel décollement rétinien qui est la principale complication décrite. Nous soulignons également l’intérêt de rechercher une atteinte multisystémique qui peut compromettre sérieusement le pronostic vital.
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Gigengack, Roy. "La banda y sus choros. Un grupo de niños de la calle hilando historias de edad, género y liderazgo." Salud Mental 37, no. 4 (January 1, 2014): 329. http://dx.doi.org/10.17711/sm.0185-3325.2014.038.
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Este artículo narra la historia de los chavos de Bucareli, un grupo de niños de la calle de la Ciudad de México, quienes también eran conocidos como “la banda del metro Juárez”. Documentar su vida cotidiana por un periodo de tres años me ha permitido formular tres puntos de análisis relacionados con la diferenciación interna del poder, puntos también válidos para otras 15 bandas de niños de la calle de la Ciudad de México. Primero, es importante poner en una perspectiva de edad las dinámicas sociales de liderazgo y género que se dan al interior de la banda y entre las diferentes bandas. Segundo, los principios que estructuran la vida en las calles, como el liderazgo, el género y la edad, tienen un carácter inherentemente evanescente como consecuencia de la interacción de limitaciones internas y externas a la banda. Tercero, la falta de vivienda genera un mundo de paradojas y contradicciones. La diferenciación de poder entre personas que carecen relativamente de poder es una contradicción; y las dinámicas de liderazgo, género y edad demuestran las paradojas de las relaciones internas de la banda. Dichas paradojas pueden ser particularmente alienantes en las relaciones entre los niños de calle y los adultos que fungen como padres o madres sustitutos. Este análisis etnográfico de la “enloquecedora falta de una vivienda” es relevante para la salud mental. Las historias narradas por los “gamines” en torno al liderazgo, el género y la edad esconden su fragilidad, porque en ellas los niños de la calle se atribuyen un poder del cual carecen en realidad. Más que meramente síntomas de locura o una personalidad manipuladora, estas historias testifican la creatividad y la resiliencia de estos jóvenes. El poder ilusorio de sus “choros” les facilita vivir con aparente armonía en las condiciones en que viven.
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Phí, Ylăng Nguyễn. "Lysistrata d’après Aristophane, texte de Michel Tremblay : étude comparée de l’adaptation et de l’original." Voix et images 22, no. 1 (August 29, 2006): 95–103. http://dx.doi.org/10.7202/201282ar.
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Résumé Cet article analyse les changements que fait subir Michel Tremblay à la comédie antique Lysistrata d'Aristophane, en l'adaptant, en 1968, pour le public québécois. Tout en restant fidèle aux grandes lignes de la pièce, il prend en effet des libertés. Sur le plan formel, il apporte des modifications aux choeurs et épure la pièce de son langage grivois. Sur le plan du contenu, il lui donne un caractère plus sombre que l'original et, en présentant une vision homosexuelle, il apporte un point de vue pessimiste des relations entre les sexes.
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Lopes, Mário Sève Wanderley. "A retórica musical e o choro." Música Popular em Revista 6, no. 1 (August 29, 2019): 56–91. http://dx.doi.org/10.20396/muspop.v6i1.13149.
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Este artigo tem a intenção de apontar caminhos para a análise do choro, a partir de um referencial teórico da retórica musical (CANO, 2011; BARTEL, 1997; RATNER, 1980). O texto associa alguns conceitos da retórica musical com procedimentos usados na música que surgiu no Brasil no século XIX a partir das danças que chegaram da Europa. São apresentadas as supostas origens e significados do termo choro (TINHORÃO, 1991; ARAGÃO, 2013; CAZES, 2010). São descritos os contextos do surgimento da retórica, da música poética e do desenvolvimento do sistema retórico-musical, a partir de pesquisas musicológicas em tratados barrocos (REBOUL, 2004; CANO, 2011; BUELOW, 1980). São expostas aplicações da chamada “teoria das tópicas” fora do âmbito da música barroca — incluindo-se aí o classicismo europeu (RATNER, 1980), diferentes estilos musicais brasileiros (PIEDADE, 2007) e o choro, especialmente. Por fim, são relacionados alguns conceitos e usos de figuras retóricas para propor um paralelo possível entre exemplos musicais extraídos de obras barrocas e de peças do repertorio de choros.
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Tomei, C. E., M. E. Castelán, and E. M. Ciotti. "Persistencia de Setaria sphacelata, Medicago sativa, Chorís gayana, Trifolium repens y Festuca arundinacea en el Chaco Subhúmedo." Agrotecnia, no. 2 (February 5, 1996): 7. http://dx.doi.org/10.30972/agr.02497.
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En este trabajo se evalúa la persistencia bajo pastoreo de <i>Setaría sphacelata, Medícago satíva, Chorís gayana, Trífoium repens y Festuca arundínacea</i> en el Chaco Subhúmedo. Se estudiaron cuatro potreros sembrados con esas especies puras o en consociación, para ello se hicieron censos de la vegetación cada 5 m sobre transectas de 50 m. Los censos iniciales se efectuaron a los 60 días de la siembra, los finales en Junio de 1995. A la fecha de este último censo las pasturas tenían entre 7 y 18 años. En las evaluaciones se estimaron valores de cobertura y presencia, con la cobertura total de plantas forrajeras se definió la condición del pastizal. Los resultados indican que <i>S. sphacelata cv. Nandí, C. gayana y T. repens cv. Haifa</i>, tienen buena persistencia bajo pastoreo. <i>T. repens</i> presenta buena aptitud de resiembra espontánea, siendo capaz de introducirse por resiembra natural en pasturas establecidas donde no se lo ha sembrado.
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Martínez Quijano, Natalia. "Cholas y pishtacos : relatos de raza y sexo en los Andes, por Mary Weismantel." Revista de Antropología y Sociología: Virajes 22, no. 2 (July 1, 2020): 291–95. http://dx.doi.org/10.17151/rasv.2020.22.2.13.
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Con destreza, Mary Weismantel nos muestra su experticia y agudeza etnográfica en un libro que expone las continuas contradicciones de la vida andina a través de la indagación y análisis sobre las nociones de raza, sexo, clase y género. Elabora un tejido excepcional en el que recoge sus experiencias de campo a lo largo de los Andes entre 1982-1987, suma las narraciones de otros etnógrafos del Perú, Bolivia y Ecuador, acude a teorizaciones amplias de las ciencias sociales y explora la literatura, fotografía y escultura regionales para presentarnos dos personajes conocidos en la cotidianidad de los Andes: la chola y el pishtaco. A todas luces, un relato sensible y descriptivo que ofrece una visión innovadora a la antropología y etnografía andinas.
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Muñoz Murillo, José Patricio, and María Yolanda Campozano Cedeño. "Factibilidad de una planta embotelladora de bebidas con sabor a naranja (Citrus sinensis)." Pro Sciences 2, no. 6 (January 31, 2018): 14. http://dx.doi.org/10.29018/issn.2588-1000vol2iss6.2018pp14-18.
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En este estudio de factibilidad se estableció la viabilidad de una planta embotelladora de bebida con sabor a naranja (Citrus sinensis) en la ciudad de Chone. El estudio de mercado se dirigió a la población económicamente activa con un rango de edad entre 15 a 64 años de edad de las ciudades de Portoviejo y Manta donde el nivel de aceptación del producto es de 78,65%, con una demanda total de 1.682.685,65 kg de jugo envasado anual; mediante el estudio técnico se estableció la capacidad utilizada en función la materia prima en 504.806,00, considerando que se utilizaran tecnologías que maximicen los rendimientos de la bebida con sabor a naranja Chofrut. La inversión del proyecto asciende a USD 339.351,81, estableciendo un valor actual neto (VAN) de USD 62.807,67, una tasa interna de retorno (TIR) de 28,85.
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Francisco, Maria Cristina. "Speaking and Listening in Racial Relations." Clinical Journal of the International Institute for Bioenergetic Analysis 31, no. 1 (May 2021): 9–21. http://dx.doi.org/10.30820/0743-4804-2021-31-9.
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Racial issues are increasingly visible in current times and it is essential to speak and listen to the body in relationships, in the face of the suffering caused by racism. Racism causes suffering and can kill. There are many ways to kill and die. The breath and throat are affected by choking or muting the voice, the vehicle of expression and autonomy of thought. Racism is in the air and all bodily senses recognize it. It enters the throat and chokes. It touches the skin and freezes. Racist ideology enters and roots the body and the mind. It registers internal memories that will communicate in gestures and attitudes in the white body and in the black body. In society, the white body will present itself as a place of privilege. Listening attentively to the analyst in race relations involves listening to oneself, being involved in the context, and recognizing the relationship of these socially marked bodies that solidify inequality. Listening is the art of caring, as it leads to transformations toward the rescue of free movements of the breath, the body and the mind.
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Smaldone, Mariana. "Un legado beauvoiriano: el trabajo doméstico en la perspectiva del feminismo materialista de Christine Delphy." La Manzana de la Discordia 9, no. 1 (March 31, 2016): 7. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v9i1.1611.
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Resumen: En la década del 70, Christine Delphypresenta la perspectiva del feminismo materialistafocalizándose en el trabajo doméstico no remunerado.El análisis de Delphy pone de manifiesto el legadodel pensamiento de Beauvoir, puesto que retoma lascríticas al marxismo clásico, en tanto que dicha teoríano explicita las condiciones de opresión y de explotaciónde las mujeres. Estos temas y su tratamiento desde elfeminismo materialista los situamos en algunos estudioslatinoamericanos. Nos referimos a la ocupación en el“servicio”” y las tareas domésticas, y a la segregaciónque se produce entre las mujeres. Por último, ampliamosel marco de la recepción del pensamiento de Beauvoir,en particular la cuestión de las mujeres trabajadoras, apartir del análisis de Marcela Nari.Palabras clave: Delphy, Beauvoir, feminismo, trabajodoméstico no remuneradoOne of Beauvoir’s Legacies: Domestic Work inthe Perspective of Christine Delphy’s MaterialistFeminismAbstract: In the 70’s Christine Delphy introduces aperspective of materialist feminism focusing on unpaidhousekeeping work. Delphy’s analysis shows the legacyof Beauvoir’s thought, since it takes up her critiques ofclassical marxism inasmuch as it doesn´t specify clearlythe oppression and exploitation of women. We locatethese issues and their treatment in some Latin-Americanstudies. We refer to the activity of “domestic help” andhousehold chores and the segregation which occursamong women. Finally, we expand the range of thereception of Beauvoir thinking, particularly the issuesof working women from the viewpoint of Marcela Nari’sanalysis.Key Words: Delphy, Beauvoir, feminism, unpaidhousekeeping
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Gurung, Saraj. "Experience of Domestic Violence Among Pregnant Women." Journal of Chitwan Medical College 3, no. 1 (August 22, 2013): 51–55. http://dx.doi.org/10.3126/jcmc.v3i1.8467.
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Pregnancy is seen as a time of joy and anticipation but sadly for some women it is a time when they suffer violence and abuse. Pregnancy can cause to stress in any type of relationship, and it’s a common cause of domestic violence. The emotional abuse and violence may begin or get worse during pregnancy. One third participants had experienced emotional and physical violence in present pregnancy. Participants experienced emotional violence such as: verbally abused, threatened to leave spousal house, threatened for remarriage, and restricted to enter the kitchen and their belongings were thrown out etc. Participants experienced punched, pushed on the floor/walls, slapped, kicked, beaten everywhere in the body, hit by fire wood and hair pulled. The causes were inter caste marriage, sub fertility, not working properly at home, dowry related and personal habits of alcoholism/ gambling of the husband etc. The consequences of domestic violence exhibited by the pregnant women felt pain and agony, feeling helpless, wanted to terminate pregnancy, wanted to break the marital relationship, feeling to suicide, backache, and high blood pressure. Experience of emotional violence is more prevalent than physical violence. Main causes of domestic violence are inter caste marriage, sub fertility, demanding of money and valuable things (dowry), drinking and gambling habit of husband and not working properly at home. Husbands and mother in-laws are the main perpetrators. Participants responded to domestic violence differently, by keeping silence, crying, and keeping busy in household chores and sharing/reporting to women groups. Journal of Chitwan Medical College 2013; 3(1): 51-55 DOI: http://dx.doi.org/10.3126/jcmc.v3i1.8467
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Gaiha, Shivani Mathur, and Katja Gillander Gådin. "‘No time for health:’ exploring couples’ health promotion in Indian slums." Health Promotion International 35, no. 1 (December 24, 2018): 70–81. http://dx.doi.org/10.1093/heapro/day101.
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Summary Joint involvement of couples is an effective strategy to increase contraceptive use and improve reproductive health of women. However, engaging couples to understand how their gender attitudes affect their personal and family health is an idea in search of practice. This mixed-methods study explores opportunities and barriers to couples' participation in health promotion in three slums of Delhi. For each couple, surveys and semi-structured interviews were conducted with husbands and wives individually to contrast self and spousal work, time, interest in health, sources of information related to health and depth of knowledge (n = 62). Urban poverty forces men to work long hours and women to enter part-time work in the informal sector. Paid work induces lack of availability at home, lack of interest in health information and in performing household chores and a self-perception of being healthy among men. These factors inhibit men's' participation in community-based health promotion activities. Women's unpaid work in the household remains unnoticed. Women were expected to be interested in and to make time to attend community-based health-related activities. Men recalled significantly less sources of health information than their spouse. Men and their wives showed similar depth of health-related knowledge, likely due to their spousal communication, with women acting as gatekeepers. Health promotion planners must recognize time constraints, reliance on informal interpersonal communication as a source of health information and the need to portray positive masculinities that address asymmetric gender relations. Innovative, continuous and collaborative approaches may support couples to proactively care about health in low-resource settings.
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Pablo-Martí, Federico, Antonio García-Tabuenca, and José Luis Crespo-Espert. "Do gender-related differences exist in Spanish entrepreneurial activities?" International Journal of Gender and Entrepreneurship 6, no. 2 (June 3, 2014): 200–214. http://dx.doi.org/10.1108/ijge-01-2014-0005.
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Purpose – Academic research has endeavoured to understand women's behaviours in entrepreneurial activity, identifying the differences when compared to men. The main topics analysed show similar findings in relation to characteristics and motivations, leadership style, strategic choice, obstacles and results. This paper delves further into these differences by examining the personal characteristics of entrepreneurs, the motivation to enter the activity and the performance of their enterprises. The paper aims to discuss these issues. Design/methodology/approach – The authors study Spanish entrepreneurial activity using a survey carried out in 2009 of 608 randomly selected entrepreneurs. The main methods used are descriptive analyses and logistic estimations. Findings – There were two groups of entrepreneurial women with different profiles and results: the first group comprises a variety of sectors reflecting the economy's average; and the second mainly operates in those sectors traditionally considered as female. Male and female reasons for success and survival are found to be substantially the same, but personal characteristics and motivations were found to be different. Among the differences found, it is worth highlighting the amount of time devoted by entrepreneurial women to household chores, the higher proportion of women in the staff they employ, and their commitment to product and service innovation. Social implications – The findings point to some ideas in terms of policies regarding entrepreneurial activity and gender. The women's greater commitment to innovation in goods and services suggests new approaches in policies aimed at promoting the entry of women in entrepreneurial activity. Originality/value – The main findings of the paper are consistent with relevant existing literatures, but the results offer new insights that contribute to improving the knowledge of the dynamics of entrepreneurial women.
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Siqueira, José Jorge. "Modelos de desenvolvimento, economia política e a questão do negro no Brasil. Entre choros e risos (Models of development, Political Economy and the Negro Question in Brazil. Between cries and laughter)." Cadernos de História 17, no. 26 (June 28, 2016): 160. http://dx.doi.org/10.5752/p.2237-8871.2016v17n26p160.
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<p>Este artigo faz uma reflexão sobre as relações possíveis entre os modelos de desenvolvimento, a economia política como pensada no Brasil e a questão do negro neste país. Ocupa lugar central nas análises o conceito de “subdesenvolvimento” face à exclusão social das grandes massas populacionais da nação, atravessando tal exclusão as questões relacionadas à discriminação e ao preconceito racial.</p><p> </p><p><strong>Abstract</strong></p><p>It is a reflection on the possible links between the models of development, political economy as thought in Brazil and the Negro question in this country. Occupies a central place in the analysis the concepto of “underdevelopment” face social exclusion of large population groups, through such exclusion issues related to discrimination and racial prejudice.</p><p><strong>Keywords</strong>: Models of development. Political economy in Brazil. Negro question.</p><p> </p>
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Vieira, Andrea Mara. "Acordes e dissonâncias do letramento científico proposto pelo PISA 2015." Estudos em Avaliação Educacional 28, no. 68 (August 31, 2017): 478. http://dx.doi.org/10.18222/eae.v28i68.4410.
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<p>A nossa proposta é investigar a existência ou não de sintonia entre o conceito acadêmico de letramento científico e aquele previsto nos documentos do Programme for International Student Assessment (PISA) e nas normas educacionais. A despeito de toda complexidade e polissemia conceitual existente em torno do conceito de alfabetização/letramento científico, desenvolvemos uma análise teórico-comparativa desse conceito na forma como é concebido pelos especialistas, em comparação com o conceito de letramento científico previsto na base avaliativa do PISA 2015, considerando também a previsão normatizada pelas políticas públicas educacionais. Ao final, identificamos menos acordes e, por variados motivos, mais dissonâncias, que podem servir como contributo para uma reflexão sobre a validade e relevância do PISA enquanto instrumento de avaliação, bem como sobre o tipo de aprendizagem a ser assegurada pelo nosso sistema educacional.</p><p><strong>Palavras-chave:</strong> Letramento Científico; Pisa; Políticas Públicas; Avaliação em Larga Escala.</p><p> </p><p><strong>Acordes y disonancias del letramento científico propuesto por el PISA 2015</strong></p><p>Nuestra propuesta es investigar la existencia o no de sintonía entre el concepto académico de letramento científico y el previsto en los documentos del Programme for International Student Assessment (PISA) y en las normas educacionales. A pesar de toda la complejidad y polisemia conceptual existentes en torno al concepto de alfabetización/letramento científico, desarrollamos un análisis teórico-comparativo de dicho concepto en la forma como es concebido por los especialistas, en comparación con el concepto de letramento científico previsto en la base evaluativa del PISA 2015, considerando también la previsión normalizada por las políticas públicas educacionales. Al final, identificamos menos acordes y, por variados motivos, más disonancias, que pueden servir como contribución para una reflexión sobre la validad y relevancia del PISA como instrumento de evaluación, así como sobre el tipo de aprendizaje que nuestro sistema educacional debe asegurar.</p><p><strong>Palabras-clave:</strong> Letramento Científico; Pisa; Políticas Públicas; Evaluación en Gran Escala.</p><p> </p><p><strong>Chords and dissonances of scientific literacy proposed by PISA 2015</strong></p><p>Our proposal is to investigate the harmony or lack of it between the academic concept of scientific literacy and the one stated in the documents of the Program for International Student Assessment (PISA) and in educational standards. Despite all complexity and conceptual polysemy around the concept of literacy/scientific literacy, we developed a theoretical comparative analysis of this concept as designed by experts, comparing it to the concept of scientific literacy laid down on the assessment basis of the PISA 2015, considering also the projection standardized by public educational policies. Finally, we identified less chords, and, for various reasons, more dissonance, that can serve as a contribution to discuss the validity and relevance of PISA as an assessment tool, as well as on the type of learning to be ensured by our educational system.</p><p><strong>Keywords:</strong> Scientific Literacy; Pisa; Public Policies; Large-Scale Assessment.</p>
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Yanko, Yu V. "Performing interpretation of the opera in the spectacles of the Opera Studio of the Kharkiv National I. P. Kotlyarevsky University of Arts in the late 20th – the early 21st century." Aspects of Historical Musicology 14, no. 14 (September 15, 2018): 92–107. http://dx.doi.org/10.34064/khnum2-14.07.
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Problem statement. Musical director’s activity of an opera performance is a complex phenomenon and largely unexplored, in particular, the theoretical aspects of the conductor’s interpretation of the opera have not received a sufficient development in domestic musicology yet. In the theoretical aspect not only the role of the conductor-director, but also co-directors of an opera performance – a director, a choirmaster and others who in cooperation create an artistic image of an opera spectacle is insufficiently investigated. The necessity of exploration of practical issues of the opera’s interpretation for further theoretical generalizations, awareness of specifics of the various performing interpretations determines the relevance of the topic of the offered article. The recent researches and publications by O. Menkov, P. Lando, G. Tkachenko and V. Makarenko emphasize the need of creation of the theory of collective performing, in particular, of the opera works, as well as the conductor’s role as a head of staging process. Admitting all the above, we insist also the necessity of developing a shared position by the all co-creators of the performance (a conductor, a stage director, a choirmaster, a ballet master, a painter and others). The purpose of the study – to reveal the specifics of the creation of the performing interpretation in student’s opera theater on the example of the work of opera studio of the Kharkiv National University of Arts named after I. P. Kotlyarevsky. The methodology of the research includes the interpretive analysis, chosen for understanding and explanation the specifics of the opera performance, as well as retrospective historical observations over the working process in Opera Studio of Kharkiv University of Art on the cusp of the 20th and 21st centuries with followed by generalization. Results. As the research material, the creative activity of the opera studio’s team under the leadership of the People’s Artist of Ukraine, professor of Solo Singing and Opera Training Department of Kharkiv National University of Arts was chosen. During the period since 1989 year to present time about 30 operas were staged in Opera Studio under the leadership of the Maestro. Co-organization persons of the opera studio’s performances were the stage directors I. Ryvina, O. Kolomiytsev, A. Kaloyan, the choirmasters – Honored Arts Workers of Ukraine professor N. Byelik-Zolotaryova (in performances 1989–2008, from 2013 and to present day) and associate professor I. Verbitska (during the period from 2009 to 2012), which also was executed the functions of the conductor of performances of student’s opera theater. The concertmasters headed by professor L. Kucher carried out studying the musical material of operas by students. According to our explorations, the principles of selection of operas for production in the Opera Studio became: art value of the chosen sample; presence of performance stuff among undergraduates of Department of the Solo Singing to create the main and secondary characters; vocal possibilities of young performers (because the opera studio is the student’s opera theater); the material base for creation of sceneries, tailoring the costumes etc.; demand of the chosen sample in opera theaters. For identification of the specifics of production process in student’s opera theater two representative samples were chosen: the production versions of the operas “The love for three oranges” by S. Prokofiev (18.12.1989, the stage director I. Ryvina, the choirmaster N. Byelik-Zolotaryova, the painter T. Medvid) and “Dido and Aeneas” by H. Purcell (19.11.2001, the stage director O. Kolomiytsev, the head of the opera’s staging I. Ryvina, the choirmaster N. Byelik-Zolotaryova, the painter K. Kolesnichenko), under maestro A. V. Kalabukhin’s conducting. The choice of these opera samples by Kharkiv University Opera Studio brightly demonstrates the essence of its repertoire policy, which is concluded in selection for staging the operas of different styles and directions. The performing conception of the opera “The love for three oranges” was built, on the one hand, on the understanding of this musically-scenic opus as the embodiment of the forms of “conditional theater”, on the other hand – as solution to the problem about essence of art, the theatricalized answer to the question, which it should be. The staging of the first English opera “Dido and Aeneas” by H. Purcell was directed on comprehension and acquisition by students of Baroque stylistics in an opera genre. Conclusions. As features of the staging process in the opera studio, it should be noted, at first, the synthesis of creative and pedagogical orientation in the activities of the producers of performances. So, in the student opera the conductor on rehearsals not only builds the structure of the opera whole, seeking an ensemble between performers-soloists, chorus and orchestra, but also is at work with students upon the technique of sound articulation (breathing, diction, phrasing), upon the emotional and meaning content of music. The rehearsals of young singers with stage directors also have a clear pedagogical orientation, presupposing detailed explanations of both the general line of development of the image and the specific situational details of the behavior of the character in different stages of the opera. An integral part of the artistic and pedagogical process, when creating the performance of the opera studio, the work of professional collectives is: choir and orchestra, which helps the student to enter the atmosphere of a real opera art. In the above successful performances of the Opera Studio of Kharkiv National University of Arts, the choir sound (choirmaster N. Byelik-Zolotaryova) featured a magnificent ensemble, a variety of dynamics, expressiveness of the word, intelligent emotionality, spirituality. Under the direction of A. Kalabukhin and I. Verbitska, the orchestra supported young performers by naturally way, and in solo instrumental episodes it showed the timbre saturation and completeness of expression of a musical thought. In the process of ground work on the performance, one should pay attention to certain organizational moments on which its success depends, namely, the drawing up of a clear schedule of rehearsals depending on the employment of students at lectures and the availability of the own premises for orchestral and stage rehearsals and performances. Given the sufficiently limited number of such rehearsals before the premiere, as well as the pedagogic orientation of student opera performance, it is extremely important to coordinate the actions of all the co-directors of the performances. A conductor, a director, a choirmaster, a painter, a costume designer and others have to adhere to the general artistic idea of the work, which clarified by the way of preliminary joint discussion.
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González Moreno, María José. "Las circunstancias que afecta al reparto del consumo doméstico en España desde una perspectiva de género." RAUDEM. Revista de Estudios de las Mujeres 3 (May 23, 2017): 283. http://dx.doi.org/10.25115/raudem.v3i0.632.
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Resumen: El objetivo de esta investigación es interpretar las diferencias que afectan a los hombres y mujeres encargados de la compra doméstica, entendiendo que son las propias circunstancias socio-demográficas, socio-laborales, los modelos de reparto de roles y las sensaciones subjetivas del consumo (satisfacción y felicidad) las que influyen de forma distinta para ambos sexos. Los resultados muestran que el consumo doméstico es una responsabilidad desigualitaria entre hombres y mujeres, pero más compartida que otras labores domésticas. Este mal reparto se justifica en base a estereotipos de familia tradicional. Se constata, a través de la comparativa de dos análisis de regresión lineal para hombres y mujeres, que las circunstancias que afectan a que la mujer realice las compras son más numerosas que en el caso masculino. Circumstances that affect domestic consumption in Spain from a gender perspective Abstract: This work aims at analysing the differences affecting men and women in charge of the shopping, taking into account that socio-demographic and socio-laboral circunstances, the roles and the subjective appreciation of consumption (satisfaction and happiness) affect both sexes in different ways. The results show that domestic consumption is not the same for men and women, but it is more shared than other domestics chores. This non-equal distribution of responsibilities regarding domestic consumption is grounded on traditional family stereotypes. By comparing two lineal regression analyses, one for men and the other for women, we prove that the circumstances pushing women to do the shopping are more numerous that those pushing men to do so.
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Silva, Rafaelle Amado da, Verônica Macario de Oliveira, and Suzanne Érica Nóbrega Correia. "Impactos da participação de mulheres em iniciativas de economia solidária no Cariri Paraibano." RACE - Revista de Administração, Contabilidade e Economia 17, no. 3 (December 14, 2018): 851–66. http://dx.doi.org/10.18593/race.v17i3.16527.
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Resumo: Neste artigo objetivou-se identificar as possibilidades, desafios e transformações sociais no processo de emancipação feminina em empreendimentos solidários assistidos pelo projeto Mulheres Rurais: Autonomia e Empoderamento no Cariri Paraibano, na Cidade de Sumé, PB. Foi realizado um estudo de caso de natureza descritiva. Os resultados demonstram que a participação de mulheres em empreendimentos de Economia Solidária (ES) promove melhorias em suas vidas, integração com outras mulheres dentro de uma mesma realidade, melhores condições de trabalho e realização pessoal. Isso se relaciona a um processo de transformação social na medida em que auxilia no resgate de sua autoestima, impacta na busca por igualdade entre os gêneros e gera sua emancipação social. Porém, as integrantes das iniciativas investigadas enfrentam desafios relacionados à gestão do empreendimento, à infraestrutura inadequada, ao pouco retorno financeiro e à conciliação entre os afazeres domésticos e as atividades do grupo.Palavras-chave: Economia Solidária. Emancipação feminina. Empreendimentos solidários. Inclusão social. Transformações sociais.Impacts of women’s participation in Solidarity Economy initiatives in the Cariri Parairano Abstract: This article aims to identify the impacts of Solidarity Economy (SE) in reference of possibilities, challenges and social transformations that stem from initiatives of in the process of female emancipation in solidarity projects assisted by the project Rural Women: Autonomy and Empowerment not Cariri Paraibano in the City of Sumé, PB. A descriptive case study was carried out. The results demonstrate that the participation of women in SE projects promotes: improvements in their lives, better working conditions and personal fulfillment. This is related to a process of social transformation insofar as it contributes to recover their self-esteem, impacts on the search for equality between genders and generates social emancipation. However, as members of SE initiatives, they face challenges that are related to enterprise management, inadequate infrastructure, little financial return, and reconciliation between household chores and group activities.Keywords: Solidary Economy. Female emancipation. Social transformations. Enterprises solidary. Social inclusion.
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Rocha, Anneliese Schonhorst, and Jorge Luiz De Souza. "OBSERVAÇÃO DAS ATIVIDADES DE VIDA DIÁRIA ATRAVÉS DE VÍDEO." Movimento (ESEFID/UFRGS) 5, no. 11 (October 19, 2007): 16–22. http://dx.doi.org/10.22456/1982-8918.2480.
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As posturas corporais assumidas para a execução das atividades devida diária e nas tarefas laborais como sentar, pegar, carregar e trocar objetos de lugar, entre outras, muitas vezes são responsáveis pelos excessos provocados sobre determinadas articulações e grupos musculares, especialmente quando executadas de forma inadequada desrespeitando os princípios biomecânicos.1 Para verificar de forma efetiva a postura corporal adotada em diferentes situações do cotidiano, elaborou-se e validou-se um instrumento de avaliação através de vídeo, baseado no teste original de postura dinâmica, criado Basler, Beisenherz-Hahn, Frank, Griss, Herda, Keller, (1993) e adaptado por Souza (1 995), o qual permite o julgamento de diferentes movimentos e posições corporais, através de critérios previamente estabelecidos. Para se obter a validação do instrumento foi realizada uma filmagem de dez indivíduos, que foi analisada por dois profissionais da área de postura corporal. Os resultados do tratamento estatístico demonstraram alto índice (Cronbach Alpha) para consistência interna para todos os critérios analisados e uma alta correlação (Spearman) entre os avaliadores, tornando o instrumento fidedigno. The body postures intending to execute daily and labor chores such as sitting, grabbing, holding and moving objects, among others, are often responsible by the strain upon certain articulations and muscles, especially when done in a wrong way, not respecting the biomechanical principies.2 In order to efficiently check the body posture adopted under various everyday situations, an instrument of evaluation through video was designed and valided, based on the original test of dynamic posture, by Basler, Beisenherz-Hahn, Frank, Griss, Herda, Keller (1 993) adapted by Souza (1995), which allows us to judge the different movements and body postures under previously settled criteria. To obtain the validation of the instrument ten subjects were filmed, being later analyzed by three professional in dynamic body posture. The results of the statistical treatment showed a high index (Cronbach Alpha) of inner consistence for ali the analyzed criteria and a high correlation (Spearman) among the raters making this a reliable instrument.
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Farina, Diego Lock. "Notas sobre (ou acordes para) o Noturno do Chile, a tormenta ruidosa de Roberto Bolaño." Scriptorium 4, no. 2 (January 25, 2019): 122. http://dx.doi.org/10.15448/2526-8848.2018.2.32539.
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Noturno do Chile, de Roberto Bolaño, funciona como uma autêntica máquina literária de denúncia, de afinada ironia e instigante trabalho estético. Tendo como narrador em primeira pessoa um padre extremamente envolvido com a ditadura de Pinochet, a obra opera uma tormenta ruidosa na forma que faz os signos estremecerem, ao passo que contra-assina a voz do próprio narrador que cria. O presente ensaio busca analisar as sutilezas formais que Bolaño desenvolve no controverso combate interno entre as memórias do narrador e a matéria narrada historicamente contextualizada, visando ainda entender como a noção de dom de ouvir, composta por Walter Benjamin e rearticulada por Jacques Derrida, é pertinente para uma leitura crítica do livro, que, por sua vez, invoca debates acerca do problema da alteridade, da afecção, da responsabilidade e, por fim, da ética ante a crueldade e a possibilidade da produção de uma poética da escuta na contemporaneidade. *** Notes about (or chords for) By night in Chile, the noisy storm of Roberto Bolaño ***By night in Chile, by Roberto Bolaño, works as an authentic literary machine of denunciation, of intoned irony and instigating aesthetic labor. Having a priest extremely involved with Pinochet’s dictatorship as a first-person narrator, the text operates a noisy storm in the form that makes the signs shake, while countersigns the voice of the narrator himself who creates. The present essay seeks to analyze the formal subtleties that Bolaño develops in the controversial internal struggle between the narrator’s memories and the historically contextualized narrative matter, in order to understand how the notion of the gift for listening, composed by Walter Benjamin and rearticulated by Jacques Derrida, is pertinent for a critical reading of the book, which, in turn, invokes debates about the problem of alterity, affection, responsibility, and finally, ethics in the face of cruelty and the possibility of producing a poetics of listening in contemporary times.Keywords: By night in Chile; gift for listening; poetics of listening; Roberto Bolaño; alterity.
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Kauffer, Edith. "Género, desarrollo y políticas públicas: La doble discrepancia de las aristas del poder." Regions and Cohesion 6, no. 2 (June 1, 2016): 13–24. http://dx.doi.org/10.3167/reco.2016.060203.
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[Full article is in Spanish]English: Presently, international development organizations have adopted gender perspectives in all policy spheres as a transversal approach as a result of a process that has transited through different foci since the 1950s. Nonetheless, different studies have highlighted the fact that implementation is limited beyond the recurring discourses of governments, non-governmental organizations and funding agencies. We can speak of a discrepancy between rhetoric and practice around gender in development policies, a subject that lies on the edges of power. Furthermore, there is another discrepancy between policy analysis and a gender perspective, where we find little research that achieves a theoretical articulation between two traditions that somehow seem irreconcilable. This article aims to initiate a reflection on that which it identifies as a double discrepancy between gender and policies focused on the edges of power: the failure to integrate gender in development policies and the difficult theoretical articulation of gender within policy. Faced with this double discrepancy, the article proposes some points of convergence around an inclusion of power relations both as a goal of development policies and a policy analysis.Spanish: En la actualidad, las instituciones internacionales de desarrollo han adoptado la perspectiva de género en las políticas públicas en todos los ámbitos a través de la noción de transversalización y como resultado de un proceso que transitó por diversos enfoques desde los años 1950. Sin embargo, diversos estudios han puesto en evidencia que su concreción es poco real más allá del discurso recurrente de gobiernos, organizaciones no gubernamentales y agencias de financiamiento. Podemos hablar de 34 Regions & Cohesion • Summer 2016 una discrepancia entre el discurso y la práctica del género en las políticas de desarrollo cuya problemática radica en las aristas del poder. Además, existe otra discrepancia entre el análisis de políticas públicas y la perspectiva de género, donde encontramos pocos trabajos que logran una articulación teórica entre dos tradiciones que parecen en cierto modos irreconciliables. Este artículo pretende iniciar una refl exión acerca de lo que se propone identifi car como un doble discrepancia entre género y políticas públicas centrada en las aristas del poder: el fracaso de la inserción del género en las políticas de desarrollo y la difícil articulación teórica entre género y políticas públicas. Ante esta doble discrepancia, propone algunos puntos de convergencia en torno a una inclusión de las relaciones de poder a la vez como objetivo de las políticas de desarrollo y en el análisis de las políticas públicas.French: Les institutions internationales ont adopté à l’heure actuelle la perspective de genre dans tous les domaines des politiques publiques via la notion de transversalisation du genre qui est le résultat d’un processus qui a transité par diverses approches depuis les années 1950. Cependant, diverses études ont mis en évidence que sa concrétisation n’est guère réelle au-delà des discours récurrents des gouvernements, des organisations non gouvernementales et des agences de financement. Nous pouvons dès lors parler d’une divergence entre le discours et la pratique du genre dans les politiques de développement dont le choeur du problème réside dans les barbelés du pouvoir. De plus, il existe une autre divergence entre l’analyse des politiques publiques et la perspective de genre dans la mesure où nous trouvons peu de travaux qui proposent une articulation théorique entre deux traditions apparemment irréconciliables. Cet article prétend ouvrir une réfl exion sur cett e double divergence entre genre et politiques publiques centrée sur les barbelés du pouvoir et qui s’exprime par l’échec de l’insertion du genre dans les politiques de développement et par l’articulation diffi cile entre genre et politiques publiques. Face à cett e double divergence, la contribution propose quelques points de convergence autour d’une inclusion des relations de pouvoir en tant qu’objectifs des politiques de développement et dans l’analyse des politiques publiques.
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Desroches, Jean-François, Frederick W. Schueler, Isabelle Picard, and Louis-Philippe Gagnon. "A Herpetological Survey of the James Bay Area of Québec and Ontario." Canadian Field-Naturalist 124, no. 4 (October 1, 2010): 299. http://dx.doi.org/10.22621/cfn.v124i4.1101.
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In May-June 2002, as part of a survey of a variety of taxa in the James Bay region of Ontario and Québec, we surveyed the poorly documented herpetofauna of this region. In Ontario we visited sites near Moosonee that FWS had previously surveyed in 1971-1972, and continued ongoing herpetological monitoring around Cochrane. In Québec we surveyed the inland James Bay Road, and roads to four settlements along the coast. American Toad (Anaxyrus americanus), Spring Peeper (Pseudacris crucifer), and Wood Frog (Lithobates sylvaticus) were widespread and abundant throughout. Blue-spotted Salamander (Ambystoma laterale) and Garter Snake (Thamnophis sirtalis) were widespread and common in Québec and at the study site near Cochrane. We obtained the first taped calls and voucher specimen of the Boreal Chorus Frog (Pseudacris maculata) from Québec, and failed to find it at the settlement and airport of Moosonee where it had been present in 1972. A significant range extension was for the Two-lined Salamander (Eurycea bislineata), which we found 200 km north of its previously known range in northwestern Québec. Despite extensive searches, the species was not found north of 52°05'N. The Mink Frog (Lithobates septentrionalis) was widespread and relatively common in Québec, but was sought but not found in Ontario. The Leopard Frog (Lithobates pipiens) was only found at two Québec sites, including one where it was reported in 1974, but it has not been found at any of the Ontario sites where it was found in the 1970's. We present some suggestions for the further study of the herpetofauna of the area, and review evidence for contacts between eastern and western lineages of widespread species.En mai et juin 2002, dans le cadre d'un inventaire faunique dans la région de la baie James, en Ontario et au Québec, nous avons inventorié la faune herpétologique, laquelle est très peu documentée dans cette région. En Ontario nous avons visité des sites près de Moosonee, que l'un de nous (FWS) avait inventorié en 1971-1972, puis nous sommes allés aux environs de Cochrane. Au Québec l'inventaire s'est majoritairement fait le long de la route de la baie James et des routes d'accès aux villages. Le Crapaud d'Amérique (Anaxyrus americanus), la Rainette crucifère (Pseudacris crucifer) et la Grenouille des bois (Lithobates sylvaticus) sont répandus et communs sur toute l'aire d'étude. La Salamandre à points bleus (Ambystoma laterale) et la Couleuvre rayée (Thamnophis sirtalis) sont répandues et communes au Québec et près de Cochrane. Nous avons réalisé les premiers enregistrements de chants et collecté le premier spécimen de Rainette faux-grillon boréale (Pseudacris maculata) pour le Québec, et n'avons pu la retrouver à Moosonee et à son aéroport, où l'espèce avait été recensée en 1972. La seule extension d'aire significative a été faite pour la Salamandre à deux lignes (Eurycea bislineata), trouvée à 200 km au nord de son aire de répartition connue dans le nord-ouest du Québec. Malgré des recherches intensives, elle n'a pas été vue plus au nord que 52°05'N. La Grenouille du Nord (Lithobates septentrionalis), est répandue et relativement commune au Québec mais n'a pu être trouvée en Ontario. La Grenouille léopard (Lithobates pipiens) a seulement été recensée à deux endroits au Québec, incluant un site où l'espèce avait été trouvée en 1974, mais n'a pu être trouvée en Ontario dans les sites où on la retrouvait dans les années '70. Nous présentons quelques suggestions de futures études sur l'herpétofaune de cette région, et discutons des liens entre les formes de l'ouest et celles de l'est pour les espèces répandues.
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Ruijgh, C. J. "LE SPECTACLE DES LETTRES, COMÉDIE DE CALLIAS." Mnemosyne 54, no. 3 (2001): 261–339. http://dx.doi.org/10.1163/15685250150512022.
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AbstractSOMMAIRE: § 1. Les trois fragments en trimètres iambiques.-§ 2. La parodos.-§ 3. Les noms de lettres dans le Spectacle.-§ 4. Le Marcianus A représente l'abrégé en 15 livres du texte en 30 livres d'Athénée.-§ 5. L'épitomé du texte déjà abrégé; les procédés de l'Epitomator et du Breviator.- § 6. Le problème de la date du Spectacle et de l'attribution au poète comique Callias.-§ 7. La structure métrique et prosodique des trimètres du Spectacle: structure du trimètre tragique.-§ 8. Le Spectacle a la forme d'une tragédie; date: environ 435.-§ 9. Le contenu du Spectacle.-§ 10. La mention du Spectacle au livre VII (275f11-276a6).-§ 11. La version abrégée de ce texte dans l'Épitomé.-§ 12-13. La mention du Spectacle au début de la digression sur les devinettes au livre X (448b3-c3).-§ 14. Le passage sur le prologue du Spectacle (453c3-d4).-§ 15. Observations sur 453c3-9.- § 16. Observations sur 453d1-4 = Fragment I.-§ 17. Le passage sur le choeur du Spectacle (453d5-f1).-§ 18. La reconstruction de la parodos.- § 19. Observations sur 453d5-e3.-§ 20. Observations sur 453e3-6 et e11-f1.-§ 21. L'emploi de mélodies divérentes pour la strophe et l'antistrophe correspondante dans les tragédies antérieures à 431 av. J.-C., dans les comédies, dans la grande lyrique chorale et dans la lyrique monodique.-§ 22. Excursus sur les rapports entre les mélodies du chant traditionnel et les contours mélodiques du langage parlé.-§ 23. Les mélodies de la tragédie ancienne, de la lyrique chorale et de la lyrique monodique.- § 24. Les innovations radicales du dithyrambe 'moderne' adoptées par Euripide.-§ 25. Le passage de Denys d'Halicarnasse sur la subordination des paroles à la mélodie et au rythme musicaux.-§ 26. Observations sur 453e6-10. L'élision en fin de vers.-§ 27. Le passage sur l'emploi syllabique des lettres vocaliques à elles seules (453f1-454a1).-§ 28. Observations sur 453f1-5.-§ 29. Observations sur 453f6-454a1 = Fragment II.-§ 30. Le passage sur la mention des formes des lettres pour indiquer un mot (454a2-9).-§ 31. Observations sur 454a2-9 (454a5-9 = Fragment III).- § 32. Le texte de 453c2-454a9 dans l'Épitomé.-§ 33-34. Les imitations du Spectacle (454a10-455b7).-§ 35. Conclusion.
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Pokrzywa, Magdalena. "Feminisation of Poverty - Social Assistance Female Clients in Poland = Feminización de la pobreza - clientes femeninas de asistencia social en Polonia." FEMERIS: Revista Multidisciplinar de Estudios de Género 3, no. 1 (February 5, 2018): 81. http://dx.doi.org/10.20318/femeris.2018.4075.
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Abstract. Feminization of poverty is referred to as the most characteristic feature of contemporary poverty. This term applies to a greater share of women in the population at risk of poverty and the consequences of poverty for women, the difference between the poverty of women and men as well as a deeper poverty of households where a woman is the main breadwinner. Feminization of poverty in Poland can be seen in various areas of social life. On the macro scale, it is related to the situation of women in the labour market (lower employment rate, higher long-term unemployment rate, difficulties in finding employment and reintegration into the labour market) and to the area of income (lower wages and retirement benefits). On the other hand, the feminisation of poverty and social exclusion in the microscale of the family and household is related to the unequal distribution of household chores and duties on the basis of gender. Additionally, what seems to be important here is the question of money management and controlling household expenses. Women are more likely than men to be at risk of poverty because they are more frequently faced with social problems such as domestic violence, partner alcoholism, loneliness and due to their disproportionately low participation in public and political life. The paper was based on empirical research which had a qualitative (90 individual in-depth interviews with social workers) and quantitative nature (500 Computer Assisted Telephone Interviews with social workers from all of Poland).Keywords: poverty, feminization of poverty, social assistance, social workers, gender.Resumen. La feminización de la pobreza se conoce como el rasgo más característico de la pobreza contemporánea. Este término se aplica a una mayor proporción de mujeres en la población en riesgo de pobreza y las consecuencias de la pobreza para las mujeres, la diferencia entre la pobreza de mujeres y hombres, así como una pobreza más profunda en los hogares donde la mujer es el sustento de la familia. La feminización de la pobreza en Polonia se puede apreciar en varias áreas de la vida social. En la escala macro, se relaciona con la situación de las mujeres en el mercado laboral (menor tasa de empleo, mayor desempleo de larga duración, dificultades para encontrar empleo y reintegración en el mercado laboral) y en el área de ingresos (los salarios y pensiones más bajos). Por otro lado, la feminización de la pobreza y la exclusión social en la microescala de la familia y el hogar se relaciona con la distribución desigual de los deberes y las tareas domésticas en función del género. Además, lo que parece ser importante aquí es la cuestión de la gestión del dinero y el control de los gastos del hogar. Las mujeres tienen más probabilidades que los hombres, de estar en riesgo de pobreza, porque se enfrentan con mayor frecuencia a los problemas sociales como la violencia doméstica, el alcoholismo asociado, la soledad y la participación desproporcionada en la vida pública y política. El artículo se basó en una investigación empírica que tuvo una naturaleza cualitativa (90 entrevistas individuales en profundidad con trabajadores sociales) y cuantitativa (500 entrevistas telefónicas asistidas por ordenador con trabajadores sociales de toda Polonia).Palabras clave: pobreza, feminización de la pobreza, asistencia social, trabajadores sociales, género.
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Mohamad, Mohd Suhaimi. "MENGUPAYAKAN PENJAGAAN TIDAK FORMAL MERENTAS GENDER: EMPOWERING INFORMAL CARE GIVERS ACROSS GENDER." HUMANISMA : Journal of Gender Studies 2, no. 2 (January 2, 2019): 146. http://dx.doi.org/10.30983/jh.v2i2.772.
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<div class="WordSection1"><p><em>In many traditional societies, women play an important role as informal caregiver. They take care of small children, family members who are disabled, old and frail. They perform their role within the private family sphere without much complaints. However when many women enter labour force outside their family many of them can no longer become family care giver. The seperation between nuclear familes and extended families due to rural urban migration makes older women like mothers and mothers in-law can no longer available to provide help. As an alternative, many urban families opt for domestic help to look after their young children, disabled family members and the elderly. Domestic helpers continue their domestic chores as instructed by the lady of the house an at the same time perform caregiving role. The important issue related to having domestic maid to perform care giving role especially in Muslim family is regarding physical contact. Most of the activities in caregiving roles involves physical contact especially during cleaning patients body, changing their clothes, prepare their bed, feeding them, holding their hands and body for therapy. However Islamic paractice do not allow physical contact like touching between two people who are not close family relations or mahram. Since most of domestic maid who also perform the role as caregiver are women, therefore the issue of empowering men to become caregiver is very important because the needs of male caregivers to care for male patients is increasing. Based onwhat is stated in the Quran and hadith and related documents, this paper will outline the need for informal care in families and communities that need to be addressed, particularly those who are Syariah-compliant. Cases from research in the relevant field will be presented to highlight the issues why men should be encourage to consider role as informal caregivers.</em><em></em></p><p>Dalam banyak masyarakat tradisional, perempuan memainkan peran penting sebagai pengasuh informal. Mereka merawat anak-anak kecil, anggota keluarga yang cacat, tua dan lemah. Mereka melakukan peran mereka dalam ruang keluarga pribadi tanpa banyak keluhan. Namun ketika banyak perempuan memasuki angkatan kerja di luar keluarga mereka, banyak dari mereka tidak bisa lagi menjadi pemberi perawatan keluarga. Pemisahan antara keluarga inti nuklir dan keluarga besar karena migrasi perkotaan pedesaan membuat perempuan yang lebih tua seperti ibu dan ibu mertua tidak lagi dapat menyediakan bantuan. Sebagai alternatif, banyak keluarga perkotaan memilih bantuan rumah tangga untuk menjaga anak-anak mereka, anggota keluarga yang cacat dan orang tua. Pembantu rumah tangga melanjutkan pekerjaan rumah tangga mereka seperti yang diperintahkan oleh nyonya rumah dan pada saat yang sama melakukan peran pengasuhan. Masalah penting terkait dengan memiliki pembantu rumah tangga untuk melakukan peran memberi perawatan terutama dalam keluarga Muslim adalah tentang kontak fisik. Sebagian besar kegiatan dalam peran pengasuhan melibatkan kontak fisik terutama selama membersihkan tubuh pasien, mengganti pakaian, menyiapkan tempat tidur, memberi makan, memegang tangan dan tubuh untuk terapi. Namun paraktek Islam tidak mengizinkan kontak fisik seperti menyentuh antara dua orang yang tidak memiliki hubungan keluarga atau mahram. Karena sebagian besar pembantu rumah tangga yang juga berperan sebagai pengasuh adalah perempuan, maka masalah pemberdayaan laki-laki untuk menjadi pengasuh sangat penting karena kebutuhan pengasuh laki-laki untuk merawat pasien laki-laki semakin meningkat. Berdasarkan apa yang dinyatakan dalam Al-Quran dan hadits dan dokumen terkait, makalah ini akan menguraikan kebutuhan untuk perawatan informal dalam keluarga dan masyarakat yang perlu ditangani, terutama mereka yang mematuhi Syariah. Kasus-kasus dari penelitian di bidang yang relevan akan disajikan untuk menyoroti masalah mengapa laki-laki harus didorong untuk mempertimbangkan peran sebagai pengasuh informal.</p></div><p align="left"> <strong><em>Keywords:</em></strong><em> gender, informal care giver, care giving, family.</em></p>
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Bezerra, Elaine, Roseli De Fátima Corteletti, and Iara Maria de Araújo. "RELAÇÕES DE TRABALHO E DESIGUALDADES DE GÊNERO NA INDÚSTRIA TÊXTIL E DE CONFECÇÕES DO NORDESTE." Caderno CRH 33 (December 22, 2020): 020030. http://dx.doi.org/10.9771/ccrh.v33i0.38029.
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<p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">O objetivo deste artigo é analisar duas realidades de trabalho marcadas pela flexibilidade e precariedade, e com presença de uma força de trabalho intensiva de mulheres, na Região Nordeste do Brasil. A primeira, envolve mulheres que atuam como costureiras externas em facções domiciliares do Polo de Confecções do Agreste Pernambucano. Na segunda, temos o protagonismo feminino interno à produção têxtil no município de Jardim de Piranhas-RN. A divisão sexual do trabalho apresenta uma centralidade em ambas as experiências, seja reforçando os lugares clássicos que homens e mulheres ocupam na produção e na reprodução, seja apresentando questões novas. Foram realizadas visitas e entrevistas nos dois contextos produtivos, o que permitiu um contato com as experiências de trabalho das mulheres. No primeiro caso, o trabalho domiciliar significa a busca por autonomia e liberdade, no qual temos também a entrada dos homens na atividade de costura. No segundo, as mulheres tornam-se proprietárias de teares e a presença dos homens ainda é pequena. No entanto, esses fatores não repercutiram positivamente nas desigualdades de gênero, uma vez que as tarefas domésticas permanecem inalteradas e, mesmo com as longas jornadas de trabalho, elas não percebem as condições desiguais.</p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify"> </p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">WORK RELATIONS AND GENDER INEQUALITIES IN THE NORTHEAST TEXTILE AND CLOTHING INDUSTRY</p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">The aim of this article is to analyze two realities of work, marked by flexibility and precariousness and with an intensive workforce of women in the northeastern region of Brazil. The first involves women seamstresses in household factions of the Confections Pole of the Agreste of Pernambuco State. In the second, we have the female protagonism within the textile production in the municipality of Jardim de Piranhas-RN.The sexual division of labor is central to both experiences, either by reinforcing the classic places that men and women occupy in production and reproduction, or by presenting new issues.Visits and interviews were carried out in the two productive contexts, which allowed contact with the labor experiences of women. In the first case, home work means the search for autonomy and freedom, where we also have the entry of men in sewing. In the second, women become owners of looms and the presence of men is still small. However, these factors did not have a positive impact on gender inequalities, since domestic chores remain unchanged and even with long working hours, women workers do not perceive themselves as people generated in an oppressive and dominant society and in unequal conditions at work.</p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">Keywords: Textile and clothing industry. Female work. Gender inequalities. Informality. Precarious work.</p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify"> </p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">RELATIONS DE TRAVAIL ET INÉGALITÉS DE GENRE DANS L’INDUSTRIE NORD-EST DU TEXTILE ET DES VÊTEMENTS</p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">L’objectif de cet article est d’analyser deux réalités du travail, marquées par la flexibilité et la précarité et avec une main-d’œuvre intensive de femmes dans la région nord-est du Brésil. Le premier concerne les femmes couturières des factions ménagères du Pôle Confections d’Agreste de l’état de Pernambuco. Dans le second, nous avons le protagonisme féminin au sein de la production textile dans la municipalité de Jardim de Piranhas-RN. La division sexuelle du travail est au cœur des deux expériences, soit en renforçant les places classiques qu’occupent les hommes et les femmes dans la production et la reproduction, soit en présentant de nouvelles problématiques .Des visites et des entretiens ont été réalisés dans les deux contextes productifs, ce qui a permis un contact avec les expériences de travail des femmes. Dans le premier cas, le travail à domicile signifie la recherche d’autonomie et de liberté, où l’on a aussi l’entrée des hommes dans la couture. Dans le second, les femmes deviennent propriétaires de métiers à tisser et la présence des hommes est encore faible. Cependant, ces facteurs n’ont pas eu d’impact positif sur les inégalités entre les sexes, car les tâches domestiques restent inchangées et même avec de longues heures de travail, femmes qui travaillent ne se perçoivent pas comme des personnes générées dans une société oppressive et dominante et dans des conditions de travail inégales.</p><p style="margin-bottom: 0.35cm; line-height: 100%;" align="justify">Mots-clés: Industrie textile et habillement. Travail féminin. Inégalités entre les sexes. Informalité. Travail précaire.</p>
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MÉAUX, Danièle. "Between Glimpsing and Observing." Viatica, HS1 (November 15, 2017). http://dx.doi.org/10.52497/viatica806.
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This article questions Nicolas Bouvier’s photography during his travels and the way in which images created during this time suggest travel as a state of being. Taking pictures as a means of notetaking, Bouvier records his perceptions and findings through the medium of photography. Within photographic motifs referring to the experience of travel (roads, the taking of close-up details, the lack of concern for technique), the sense of movement can be seen, as well as the subjectivity of the writer-traveller.