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Journal articles on the topic 'Entertainment programs'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Azwar, Azwar, Alifia Pradyanti, and Nisfa Siti Elfianti Hidayah. "ETIKA DALAM PROGRAM HIBURAN TELEVISI." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 1, no. 2 (August 30, 2018): 91–102. http://dx.doi.org/10.30871/deca.v1i2.792.

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Entertainment programs in the television are currently being criticized by the public. Not only criticism, even some entertainment programs on television received reprimands from the Indonesian Broadcasting Commission (Komisi Penyiaran Indonesia-KPI). This is due to many entertainment programs that use jokes that exceed the limits of reasonableness. Therefore, this study aims to describe how ethics in entertainment programs on television stations, as well as the effects that can be caused to the public on quality and ethical entertainment programs. In this case, research on the NET TV station was emphasized in the Waktu Indonesia Bercanda program. This research is important, considering that many entertainment programs are consumed by the public through television media. On NET TV itself, the entertainment program presented reaches 50% of all existing program. Waktu Indonesia Bercanda is a TV program that is categorized as an entertainment program in the form of a quiz show and dexterity in thinking. Waktu Indonesia Bercanda also performed the program casually and inserted with their typical jokes, but still ethical. Ethics here is not to criticize, to hurt the hearts and physicalities of others and things that have other negative meanings.

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Kim, Mi-Kyoung. "Psychological Changes of Undergraduate using Color Programs and Entertainment Programs." Journal of the Korea Contents Association 11, no. 6 (June 28, 2011): 155–66. http://dx.doi.org/10.5392/jkca.2011.11.6.155.

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3

Roscoe, Jane. "Real Entertainment: New Factual Hybrid Television." Media International Australia 100, no. 1 (August 2001): 9–20. http://dx.doi.org/10.1177/1329878x0110000104.

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Popular factual entertainment has changed the face of broadcasting in Australia. Where once dramas, long-running serials and current affairs programs filled prime-time scehdules, we now have docu-soaps such as Popstars, and reality gameshows like Big Brother. While some have expressed concern about this shift to light entertainment in factual programming, it can be argued that such programs have brought a new audience to non-fiction and revitalised debates concerning the real. This paper examines some of the current trends in popular factual entertainment programming, considers their innovations and explores why they are so compelling.

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Yoo, Jina H., and Yan Tian. "Effects of Entertainment (Mis) Education: Exposure to Entertainment Television Programs and Organ Donation Intention." Health Communication 26, no. 2 (February 28, 2011): 147–58. http://dx.doi.org/10.1080/10410236.2010.542572.

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Egoshkina, V. A. "THE SPECIFICITY OF MEDIA TEXTS OF ENTERTAINMENT RADIO PROGRAMS." Review of Omsk State Pedagogical University. Humanitarian research, no. 25 (2019): 63–66. http://dx.doi.org/10.36809/2309-9380-2019-25-63-66.

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Myung-Seok Kim. "Yun Dongju's images in TV documentaries and entertainment programs." DONAM OHMUNHAK 32, no. ll (December 2017): 171–206. http://dx.doi.org/10.17056/donam.2017.32..171.

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Yang, Euna. "Entertainment Humanities: A Status Shift of TV Humanities Programs." Korean Society for the Study of Lifelong Education 26, no. 2 (June 30, 2020): 207–47. http://dx.doi.org/10.52758/kjle.2020.26.2.207.

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Kang, Myunghyun, and Daesan Yun. "A Study on the Factors Associated with Program Performances Indexes for TV Entertainment Programs." Journal of Communication Science 21, no. 2 (June 30, 2021): 86–117. http://dx.doi.org/10.14696/jcs.2021.06.21.2.86.

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Brown, William J. "The use of entertainment television programs for promoting prosocial messages." Howard Journal of Communications 3, no. 3-4 (January 1992): 253–66. http://dx.doi.org/10.1080/10646179209359754.

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Park, Su-gyeong. "Determinants of Evaluation for TV Entertainment Programs with Product Placement." Journal of Communication Science 14, no. 4 (December 31, 2014): 53. http://dx.doi.org/10.14696/jcs.2014.12.14.4.53.

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Simamora, Santa Lorita. "REALITAS LITERASI MEDIA PADA IBU-IBU JAMAAH MAJELIS TAKLIM NURUL HIKMAH, DESA TANJUNG KARANG, CIGALONTANG, TASIKMALAYA, JAWA BARAT." Jurnal Da'wah: Risalah Merintis, Da'wah Melanjutkan 4, no. 01 (July 30, 2021): 19–31. http://dx.doi.org/10.38214/jurnaldawahstidnatsir.v4i01.92.

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Impressions program broadcast media were more varied, especially the entertainment program demanding society audience should have the ability to screen a wide range of entertainment programs such content. The reality is not so, is not proportional between variety program and the community's ability to filter information which may enter into her mind. This is especially seen in public audiences in rural areas. As stated by Nielsen Media Research that the majority of the audience in Indonesia is a community social economic status C and D, where their ability to seek more entertainment through a private television station. While their ability to sort out the entertainment program content can not be said to be feasible. The Research method used is descriptive qualitative research. Through this research, the researcher tries photographing reality lack the ability of mothers touched Majelis Taklim Nurul Hikmah, Tanjung Karang Village, Cigalontang, Tasikmalaya, West Java during the first month, which is the period of May 29 to June 26, 2018. Additionally depth interviews were conducted that research subjects 30 mothers touched Majelis Taklim Nurul Hikmah. The results of the research findings that the ability of mothers in sorting, filtering content impressions entertainment program is minimal, so with various limitations, the mothers can not provide assistance to the children or their grandchildren when watching television programs, especially the entertainment program.

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Norris, Claire E., and Andrew M. Colman. "EFFECTS OF ENTERTAINMENT AND ENJOYMENT OF TELEVISION PROGRAMS ON PERCEPTION AND MEMORY OF ADVERTISEMENTS." Social Behavior and Personality: an international journal 22, no. 4 (January 1, 1994): 365–76. http://dx.doi.org/10.2224/sbp.1994.22.4.365.

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This study focuses on the hypothesis that entertainment and enjoyment properties of television programs have effects on recall, recognition, and perception of accompanying advertisements similar to the effects of program involvement reported by Norris and Colman (1993). Ninety-nine subjects each watched one of three television programs accompanied by six unfamiliar advertisements and then responded to questionnaires designed to measure perceptions of the programs and advertisements and memory for the advertisements. Correlations between program ratings and memory for advertisements were consistently negative but nonsignificant, and program ratings showed no consistent relationship with perceptions of the advertisements. The results provide no evidence that program entertainment and enjoyment, in contrast to involvement, influence advertisement effectiveness, which suggests that observed context effects depend on the predictor variables investigated.

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Nietzel, Benno. "Culture, Entertainment and Listening Habits in The West German Discourse on Radio During the 1950s." German Politics and Society 32, no. 1 (March 1, 2014): 15–29. http://dx.doi.org/10.3167/gps.2014.320102.

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This article examines the intellectual discourse in West Germany on the role of entertainment in radio programs during the 1950s. Although accounting for most of the airtime and being an assigned mission of public broadcasters, many radio officials and experts continued to be suspicious of entertainment. Strongly adhering to the classical tradition of highbrow culture, these humanistic intellectuals had difficulties accepting entertainment as an integral component of broadcasting. The only discursive path for them to adopt entertainment as a legitimate concept was to discuss its specific contribution in the context of Bildung and Kultur. The article thus provides insight into how members of the cultural elites came-to-terms with the rise of popular culture during the 1950s.

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Kim, So-yeong. "Subtitles of TV Entertainment Programs Evaluated by the Level of Understanding." Eomunhak 145 (September 30, 2019): 121–50. http://dx.doi.org/10.37967/emh.2019.09.145.121.

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Araque-Padilla, Rafael, Victoria Villegas-Navas, and Maria-Jose Montero-Simo. "Non-Branded Food Placements in Children’s Entertainment Programs: A Content Analysis." Health Communication 34, no. 10 (March 14, 2019): 1222–29. http://dx.doi.org/10.1080/10410236.2019.1587690.

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Valkenburg, Patti M., and Sabine C. Janssen. "What Do Children Value in Entertainment Programs? A Cross-Cultural Investigation." Journal of Communication 49, no. 2 (June 1, 1999): 3–21. http://dx.doi.org/10.1111/j.1460-2466.1999.tb02790.x.

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Kitsa, Mariana, and Maria Kul. "CULTURAL AND ENTERTAINMENT PROGRAMS ON TELEVISION: PROBLEMS AND PROSPECTS OF FUNCTIONING." Bulletin of Lviv Polytechnic National University: journalism 1, no. 2 (2021): 17–23. http://dx.doi.org/10.23939/sjs2021.02.017.

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Today, cultural issues should be one of the most popular among the viewers of the Ukrainian channels, because such programs affect the level of their education and culture in general. Modern globalization has determined the specifics of socio-cultural dynamics, and media play an important role in this process, demonstrating a channel of translation of the values and content of mass culture, whose stereotypes are widely disseminated in the socio-cultural space. Media in modern society have a significant impact on the formation of value orientations. Cultural and entertainment programs occupy an important niche on television. Most young people prefer this genre. Therefore, to interest the audience in such a program, you should make great efforts to create an entertaining story. As entertainment TV shows become popular, each show must be individual and different from each other. As for the recommendations we would like to make to improve cultural and entertainment programs, this is first and foremost a question. Television speech is seen as an important factor in the emotional interaction of the three elements - image, sound and word. But the word plays the most important role in modern television, it is the main "tool" of a journalist's skill. The desire for purity of speech, its intelligibility - one of the basic professional principles of television journalists. As the analysis of the talk show shows, a skilled presenter is the key to the success of a TV show. The presenter is a person who is first of all aware and constantly enriches his knowledge in a professional way. This is a person who has professional skills, namely: mastery of intonation and timbre of the voice, the manner of gesturing in front of the camera and the work with the camera. A presenter is a creative person who works as a journalist, director, cameraman and editor. The presenter must be smart, not boring, talented and energetic. After all, such people are required by the viewer in a TV show. Hosts should develop thinking, interpret events and conduct broadcasts in a natural manner and intonation. The presenter, of course, is a representative of a certain social group, and his interaction can be considered as "representative communication", meaning the common interests, values, ideals and guidelines of this social group. He must present himself to the viewer as a partner in communication. The establishment of interpersonal contacts in the process of television communication is due to the audiovisual nature of television communication. The viewer receives a message from a specific person, the host of a television program, which is why such a message is personalized. Nowadays we can talk about the tendencies of increasing their influence on the formation of general public flavors and needs, as a result of which research and systematization of mechanisms of interaction of mass media and culture in the process of the emergence of modern values is an urgent problem.

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Kang, Seok, Soonhwan Lee, and Seungbum Lee. "Student Athletes’ Sports-Program Viewing: Motives and Preferences." International Journal of Sport Communication 3, no. 3 (September 2010): 355–70. http://dx.doi.org/10.1123/ijsc.3.3.355.

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The current study examined student athletes’ motives for viewing sports programs on television and their relationships with various viewing behaviors. Employing uses and gratifications theory and social differentiation theory, the study investigated whether student athletes’ motives for sports-program viewing would predict their preference of program selection and amount of viewing. An on-site survey of 225 Division I athletes from 3 Midwestern universities found that student athletes had entertainment, social-facilitation, and integration motives for sports-program viewing. Ritual use of sports programs (entertainment) was their primary motive, followed by instrumental use (social facilitation and integration). Results showed that student athletes’ main goal of watching sports programs on television was escape from their daily problems. Additional results showed that there was no gender difference in student athletes’ motives and sports-program preferences. Both male and female student athletes preferred male sports such as football and men’s college basketball.

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Kumar, Jitender, Ashish Gupta, and Sweta Dixit. "Netflix: SVoD entertainment of next gen." Emerald Emerging Markets Case Studies 10, no. 3 (September 15, 2020): 1–36. http://dx.doi.org/10.1108/eemcs-04-2020-0108.

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Learning outcomes The case study illustrated strategic, marketing, financial and operational challenges faced by Netflix in India's growing SVoD market. This case is appropriate in courses such as Strategic Management, Business Strategy, Marketing Management and International Marketing for postgraduate MBA students, other graduate-level management programs and undergraduate-level students. The case was developed to raise awareness among students, to understand the complex nature of the technology-driven industry, to survive in the highly competitive market, to set up a company that serves the huge Indian market. This case delves into the dynamics of marketing on the Indian market, characterized by unorganized players such as local cable television; torrent downloads and organized and established players, low digitalization rates, language barriers, low internet penetration, lack of infrastructure, price-sensitive consumers. Due to up-gradation in technology, internet penetration, an increase in smartphone users, and the market has undergone a notable amount of change, due to a lot on new entrants, competitions, substitutes. The case states various obstacles, for a multinational company while entering the market such as India and how they are required to strategize, mold their marketing mix, need to analyze en-cash their strength, overcome their weakness, take maximum advantage of opportunities and modify their strategies to face huge challenges. The specific learning outcome of the case will help students to understand the strategy that multinational companies can adopt to sustain, compete in emerging countries such as India and within that emerging market such as streaming videos on demand (SVoD). This case will help students to understand the importance of internal and external resources, which help multinational companies to make strategies based on these resources. The case study offers learners the opportunity to explore the strategy in a dynamic environment. This case also highlights the critical issues that should be addressed by multinational companies when entering into a foreign market. The case highlights the importance of analyzing the competitive environment in which it’s going to compete and sustain. It can be used to introduce Ansoff’s growth matrix, internal and external factor analysis and porter’s five forces in the delivery of course for both regular and executive programs. The case should be offered in the middle term periods of the course. Additionally, the case could be used in marketing courses to indicate the importance of scanning the business environment in marketing activities for any organization. The case illustrates the strategies that companies can undertake to expand the market, introduce new products, as per the requirement of business environment and concerns linked with innovating approaches to support the organization to satisfy a larger number of price-sensitive consumers from varied backgrounds. Case overview/synopsis Netflix has been optimistic about the potential growth of the Indian market. It will grow slowly and gradually and become profitable. The SVoD market in India has been price sensitive. There are no plans for cheaper prices. Netflix had a long way to go. The pricing model of Netflix was a hurdle in its growth, but the future of Netflix in India was bright. There have been numerous challenges in terms of government regulations, pricing structure and an increase in the number of competitive players on the market. Netflix believed that Indian audiences enjoyed “Bollywood” film productions but watched low-quality soap opera content on television. Television audiences were a massive untapped market for their brand of original, exclusively produced content. Can Netflix come up with a marketing and growth strategy, or else they might be looking to lose market share and revenue. Should a new product such as Amazon and MI fire stick be introduced in the existing market like their competitors? Should they enter the existing market with existing products, or should they seek a new market in India, such as the rural market, the Pyramid market, the Tier II market and the City III market? Should they diversify into a new market with new products? How Netflix should plan its market communication if it wants to launch a new product or if it wants to reposition its existing product. Netflix had to rethink its strategies and also needed to address these issues so that they could travel smoothly on Indian roads. High marketing budget and aggressive promotions helped Netflix India to make a profit in its first year. Complexity academic level Postgraduate MBA students, other graduate-level management programs and undergraduate-level students. Supplementary materials Teaching notes are available for educators only. Subject code CSS 11: Strategy.

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Wulandari, Anak Agung Ayu. "Taman Mini Indonesia Indah: Education or Entertainment?" Humaniora 4, no. 1 (April 30, 2013): 156. http://dx.doi.org/10.21512/humaniora.v4i1.3425.

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With combination of attractive appearance, taste, smell and sound, open air-museums can offer so many things to visitors; from educate to educate and entertain. Here, ‘edutainment’ concept starts to take place. The problem is there can be misconception between the creators and visitor’s perception. In this research, qualitative methodology, through interviews to get information form creator’s perspective and visitor survey to get information form the visitors’ perspectives were conducted with Taman Mini Indonesia Indah as the case study. The findings show that there is still misconception about education and entertainment perceptions in Taman Mini. Taman Mini has strong educational purposes, but because of ack of attractive educational programs, lack of information and interpretation and no encouragement to participate in the educational programmes, visitors considered their visits as recreational, rather than educational. In relation with postmodern phenomenon, Taman Mini can be considered as postmodern and adopting ‘edutainment’ concept, but this concept has became blur and vague, thus Taman Mini now only famous as a recreation venue.

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Киба, Михаил Павлович. "Issues of educational design of entertainment tourism zones in Sochi." Professors' Magazine. Recreation and Tourism Series 1 (February 25, 2021): 6–18. http://dx.doi.org/10.18572/2686-858x-2021-9-1-6-18.

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The aim of the article is to consider the specific features of the educational design of entertainment tourism zones to the conditions of the resort city of Sochi. This thematic focus of design allows you to highlight the uniqueness and specificity of the image of the city, which is formed on the basis of history. For Sochi such historical basis of life activity was the sphere of sanatorium treatment. Entertainment tourism refers to more modern elements of Sochi’s resort appeal. The method of research - an integrated approach to the formation of a holistic perception of the architectural environment of the spa town by means of training design-projecting. The results of the study - the formation of new thematic areas of entertainment tourism. The conclusion - recommendations for the development of architectural and artistic programs in such areas of entertainment tourism as: event, ethnographic themes and communication type.

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정윤희 and Son,Won-Jun. "A Study on Caption Types of TV Entertainment Programs - Focused on Favorite Programs According to Age Groups -." Journal of Korea Design Forum ll, no. 34 (February 2012): 267–76. http://dx.doi.org/10.21326/ksdt.2012..34.024.

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Chon, Bum Soo. "An Explorative Study of the Relationship between Types of Entertainment Programs and Viewing Behaviors of VOD Programs." Journal of Communication Science 15, no. 1 (March 31, 2015): 301. http://dx.doi.org/10.14696/jcs.2015.03.15.1.301.

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Lee, Seung-Hee, and Kyun-Soo Kim. "Influences of Entertainment Programs on the Formation of Public Opinion in Twitter." Journal of Digital Convergence 13, no. 4 (April 28, 2015): 329–40. http://dx.doi.org/10.14400/jdc.2015.13.4.329.

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Wang, Xie, and Yeon Shik Kim. "A Study on the History of Hallyu Entertainment Programs’ Development in China - Focusing on the Programs since 2000 -." Discourse and Policy in Social Science 10, no. 2 (October 31, 2017): 149–71. http://dx.doi.org/10.22417/dpss.2017.10.10.2.149.

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Hilt, Michael L. "Television News and Elderly Persons." Psychological Reports 71, no. 1 (August 1992): 123–26. http://dx.doi.org/10.2466/pr0.1992.71.1.123.

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Previous studies concerning elderly people have examined either use of all media by older adults or their depiction in television entertainment programs. What has been overlooked has been television news and its effects on elderly people. Careful research is needed to gauge this.

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Thom, Michael. "Do State Corporate Tax Incentives Create Jobs? Quasi-experimental Evidence from the Entertainment Industry." State and Local Government Review 51, no. 2 (June 2019): 92–103. http://dx.doi.org/10.1177/0160323x19877232.

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Policy makers allocate billions of dollars each year to tax incentives that increasingly favor creative industries. This study scrutinizes that approach by examining motion picture incentive programs used in over thirty states to encourage film and television production. It uses a quasi-experimental strategy to determine whether those programs have contributed to employment growth. Results mostly show no statistically significant effects. Results also indicate that domestic employment is unaffected by competing incentives offered outside the United States. These findings are robust to several alternative models and should lead policy makers to question the wisdom of targeted incentives conferred on creative industries.

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Орехов, А., A. Orehov, Л. Демченская, and L. Demchenskaya. "Sport in Foreign Schools: Leisure and Entertainment or a Social Problem?" Profession-Oriented School 7, no. 4 (September 24, 2019): 40–43. http://dx.doi.org/10.12737/article_5d678ad7379d11.17663839.

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The article focuses on the issue of physical activity of children and young people with special attention to students in foreign schools for which this problem has become urgent in recent decades. The authors consider the projects devoted to the development of new courses and their introduction into school educational programs as well as into teacher training abroad. These projects promote physical education and sports activity widely recognized as priority guidelines for future generation development. The paper includes the analysis of positive experience on the organization of physical culture lessons and extra-curricular sports activities in some European and Asian countries. The authors also discuss the work of international institutions on promoting schoolchildren’s physical activity in the context of international programs and projects. The research vector of the present study is directed towards the familiarization of Russian professionals with foreign investigations and practice in the fi eld of physical education and sport to enable possible comparison of their own experience with the experience existing in other countries according to chosen discourse. The article is based on authentic scientifi c materials from foreign sources, contains up-to-date statistics and presents research techniques which might broaden scientifi c and practical horizons of researchers and teachers in Russia.

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Oam To-aj, Wanchalee Noriya,. "Survey Project on Opinion and Attitude toward Narrating News Program of People in Northern Part of Thailand." Psychology and Education Journal 58, no. 1 (January 16, 2021): 3888–93. http://dx.doi.org/10.17762/pae.v58i1.1426.

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The purposes of this research were to study the behavior of watching news programs of people in the northern part of Thailand, attitude towards programming and content of narrating news programs, and compare the expectations and satisfaction of people in the northern part of Thailand towards watching a narrating news program. This research is quantitative research, with a comparative study of sports and entertainment news to watch news programs using questionnaires as a research tool. The research population consists of 1,600 people living in the north of Thailand with ages 15 and above. Data were analyzed using descriptive statistics and t-test (Independent Sample t-test and Pair sample t-test). The results revealed that most of the samples used to watch narrating news program on television, both on weekdays and holidays between 18.01 - 21.00 hrs which had the frequency of watching narrating news program every day. The narrating news program viewed because the language is easy to understand, and the reliability of the news programs is at a medium level. The results of the study also revealed that the sample group has an attitude towards program planning and contents of narrating news programs at a high level; the expectation was more significant than the satisfaction with the viewing of narrating news programs, which were the statistically significant difference at the 0.05. Entertainment and sports news have different attitudes towards programming and content of narrating news programs with statistically significant at the 0.05 level (P-value = 0.00), but the expectations and satisfaction are not different. While both types of news, sample groups were less satisfied with the narrating news programs than expected

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Perry, Stephen D., Stefan A. Jenzowsky, Joe Bob Hester, Cynthia M. King, and Huiuk Yi. "The Influence of Commercial Humor on Program Enjoyment and Evaluation." Journalism & Mass Communication Quarterly 74, no. 2 (June 1997): 388–99. http://dx.doi.org/10.1177/107769909707400210.

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The theory of excitation transfer has been used to explain why residual stimulation from a program can heighten response to commercials aired within the program. This research examines the reverse phenomenon with commercial humor levels affecting the program. Higher humor levels in otherwise identical commercials were shown to enhance viewer enjoyment of humorous television programs in a 2 × 2 × 2 experimental design. Programs were rated on a composite measure labeled “program entertainment value.”

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Kruglova, Ludmila A., and Yulia V. Nasonova. "Interactive Programs on the Russian Entertainment Radio Stations: Formation, Audience and Communication Channels." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 19, no. 1 (2019): 103–6. http://dx.doi.org/10.18500/1817-7115-2019-19-1-103-106.

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A, Ashraf, and Amin I. "Presentation of Women in Sexual Role Influence by Television and its Entertainment Programs." Journal of Physiology and Pharmacology Advances 6, no. 8 (2016): 905. http://dx.doi.org/10.5455/jppa.20160916044523.

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장영직 and 이현석. "The Expression Techniques of Cartoon Style in the Subtitles of TV Entertainment Programs." Journal of Digital Design 15, no. 3 (July 2015): 779–88. http://dx.doi.org/10.17280/jdd.2015.15.3.074.

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Hollander, Barry A. "Late-Night Learning: Do Entertainment Programs Increase Political Campaign Knowledge for Young Viewers?" Journal of Broadcasting & Electronic Media 49, no. 4 (December 1, 2005): 402–15. http://dx.doi.org/10.1207/s15506878jobem4904_3.

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Katherine A. McComas and James Shanahan, Jessica S. Butler. "Environmental Content in Prime-Time Network TV's Non-News Entertainment and Fictional Programs." Society & Natural Resources 14, no. 6 (July 2001): 533–42. http://dx.doi.org/10.1080/08941920119172.

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McComas, Katherine A., James Shanahan, and Jessica S. Butler. "Environmental Content in Prime-Time Network TV's Non-News Entertainment and Fictional Programs." Society and Natural Resources 14, no. 6 (July 1, 2001): 533–42. http://dx.doi.org/10.1080/08941920152120556.

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Bartsch, Anne, and Lukas Angerer. "Synergy effects of entertainment and information programs about organ donation on issue involvement and altruistic responses." Studies in Communication and Media 10, no. 1 (2021): 31–47. http://dx.doi.org/10.5771/2192-4007-2021-1-31.

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This study examines synergy effects of entertainment and information programs on the example of a television theme night about organ donation. Participants watched either a feature film about organ donation or an unrelated entertainment program. Subsequently, all participants watched an information program about organ donation. Those who had first seen the feature film reported higher levels of issue involvement (topic interest, subjective knowledge, and information seeking), and altruistic responses (positive attitudes and behavioral intentions concerning organ donation and willingness to get a donor card). Structural equation modeling revealed that the positive effects of the feature film on issue involvement and altruistic responses varied by the extent to which participants felt moved by the feature film and by their level of cognitive elaboration about the feature film and the documentary on organ donation.

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Khan, Huma, and Sajjad Ahmad Paracha. "Educational Programs on Children Television: A Content Analysis." Global Regional Review IV, no. IV (December 30, 2019): 388–97. http://dx.doi.org/10.31703/grr.2019(iv-iv).42.

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This research study is about childrens educational TV programs broadcasted by Top 10 International children entertainment TV channels. The researcher has adopted a content analysis method to analyze the number of educational TV programs broadcasted, their themes and genres. What kind of message these educational programs deliver, for which specific age group they were designed. The data was collected from educational television research organizations.TV has a vital place in childrens life. They consume a share of their leisure time in front of the television. This research study proved that watching educational programs in childhood improved their academic performance and it has a positive effect on their learning behavior, cognition, and socialization skill, emotional and intellectual development.

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Tjahyana, Andrew, and Priscilla Epifania. "HOTEL HIBURAN DI TEPI PANTAI." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 1, no. 1 (September 9, 2019): 675. http://dx.doi.org/10.24912/stupa.v1i1.3976.

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Pantai Indah Kapuk area is a residential area that has sufficient carrying capacity. Shopping centers, hospitals, offices, apartments, hotels, education, fitness centers, traditional to modern markets, and entertainment centers such as restaurants and cafes are facilities owned by Pantai Indah Kapuk. With the increasing popularity of the Pantai Indah Kapuk area, the number of visitors to both foreign tourists and local tourists has also increased. Departing from this potential, an entertainment hotel project was designed which is located in Pantai Indah Kapuk 2. With the location of the site that has a border with the sea, it is expected that a hotel facility that emphasizes an activity that has direct contact with nature can have a good impact towards tourists who expect to experience a new experience in entertainment facilities in the capital city of Indonesia. One of the excellent programs of the entertainment hotel facilities is the casino. With the construction of a legal casino facility that can be managed and monitored by the government, it is hoped that a new breakthrough in the tourism sector especially in the capital city of Indonesia can be achieved optimally.

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Ware, William, and Michel Dupagne. "Effects of U.S. Television Programs on Foreign Audiences: A Meta-Analysis." Journalism Quarterly 71, no. 4 (December 1994): 947–59. http://dx.doi.org/10.1177/107769909407100418.

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A number of studies have investigated the impact of U.S. television programs on foreign audiences. A meta-analysis of these studies reveals a small, but statistically significant, association between exposure to U.S. entertainment programs and attitudes, perceptions, and behaviors of foreign audiences. When taking study characteristics into consideration, only language of the questionnaire produced a significant difference in correlation size, with studies using English questionnaires displaying a larger effect. Also, contrary to the assumptions of a uniform effects model, the findings indicate that the magnitude of the relationship depends upon the type of dependent measure.

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Abdullah, Abdullah, and Nurdin Nurdin. "LENTERA QALBU SEBUAH PROGRAM DAKWAH RADAR TV PALU." Al-Mishbah: Jurnal Ilmu Dakwah dan Komunikasi 13, no. 2 (October 15, 2017): 277. http://dx.doi.org/10.24239/al-mishbah.vol13.iss2.89.

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This paper discusses the role of Radar TV Palu in spreading Islam. As a medium of da’wah (Islamic propagation), Radar TV is very concerned with the mission of Islamic da’wah so that programs of da’wah were made optimal to reach the audience especially those who are Muslims. To that end, Radar TV produces Lentera Qalbu as a program of da’wah, which becomes a medium for the Muslim community of Palu and its surrounding areas to study Islam. In addition, broadcasting programs of da’wah provides another alternative that can eliminate the saturation of the community due to flood of entertainment programs that tend to be contradictory to da’wah mission.

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Haqqu, Rizca. "Uji Uses and Gratifications dalam Intensitas Menonton Program Talk Show Melalui Televisi." CoverAge: Journal of Strategic Communication 10, no. 2 (March 29, 2020): 11–18. http://dx.doi.org/10.35814/coverage.v10i2.1378.

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A survey of media consumption in several cities throughout Indonesia shows that television use still dominates. The results of a survey conducted by the Indonesian Broadcasting Commission explained that television programs considered to have quality with a high standard value of 3.04 were talk show programs. The purpose of this study is to examine the use of media and its underlying relationships based on the standpoint of the uses and gratification theory. This research uses theories of uses and gratification. The theory of uses and gratification considers that mass media do not have the power to influence the audience, but the audience using mass media is certainly based on different needs. An explanatory quantitative approach is used in this study to explain a social phenomenon that can be measured. Correlation test results in this study explained that the entertainment satisfaction obtained by respondents did not come from the intensity of the respondents when watching talk show s through television media, but the high level of entertainment satisfaction obtained by respondents came from the magnitude of the desired information motive.

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Lee, Seo-Ra. "A Study on the Polyphony of TV entertainment programs: Focused on the 〈Miscellaneous Dictionary〉." Humanities Contents 57 (June 30, 2020): 9–43. http://dx.doi.org/10.18658/humancon.2020.06.9.

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Jung, Hyun Wook, and Sun Nam Kim. ""Q-analyses of Chinese Students’ Motivations Shown in Relation to Watching TV Entertainment Programs "." Journal of Korean Society for the Scientific Study of Subjectivity: Q Methodology and Theory 50 (March 30, 2020): 71–89. http://dx.doi.org/10.18346/kssss.50.4.

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Kinal, Jarosław. "Media Market as an Example of a Deregulated Market: Historical and Social Analysis of the Local Media." European Journal of Sustainable Development 8, no. 5 (October 1, 2019): 146. http://dx.doi.org/10.14207/ejsd.2019.v8n5p146.

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The media market consists of: media (media, ie television, radio and printed press, as well as new media in the domain), their recipcom and filter, and so-called. regulators, that is organizations and institutions that control media activities (note: Internet content is not a regulation format). The National Council of Radio Broadcasting and Television controls the content of television broadcasting and analyzing programs as well as receiving and receiving concessions. The Office of Electronic Communications assigns and controls the subject of technical possibilities of broadcasting radio and television programs. Citizens' organizations that oversee media activities. These include industry organizations, e.g. journalistic associations. The media are businesses. To the fact that in their activity they are guided not only by interest, openness or mission, but also by financial profit. There are three basic ways to fund the media. Public media owned by the public is financed from the subscription and advertising. The money from the subscription is spent on the so-called mission, advertising revenue - for other purposes (eg entertainment programs). Commercial media is financed from private capital and advertising. Social media (do not mistake them for social networking sites). Setting up and running a television or radio station for a very expensive investment. The media market 1 is available only to you. To, that the value of the collection program along with its popularity. Therefore, more people watched the video, the more you have to pay for advertising during this broadcast. To make as much money as possible, senders need to care about the attractiveness of the program. To do it in various ways, e.g. to decide to profile the program. Universal programs are suitable for various types of programs: entertainment, educational, information etc. Thematic programs such as: culture, sport or motorization.Keywords: media, labor market, local media, Poland, open market

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Karaneuski, K. "Analysis of Psychological Effects Arising From Prolonged Use of Internet Resources For Entertainment purposes." Bulletin of Science and Practice 6, no. 5 (May 15, 2020): 444–50. http://dx.doi.org/10.33619/2414-2948/54/59.

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Abstract. Excessive use of gaming programs for entertainment purposes is associated with the development of health disorders of users. The study was conducted using five diagnostic tests among students of the technical University. There is an inverse correlation between the indicators of willpowers and such a sign of computers addiction as staying in the virtual world for 40 or more hours a week for the purpose of entertainment (r =−0.375, p <0.05). In the group of people who use the virtual world for more than 40 hours a week, a direct relationship with the negative emotional reactions was established (r=0.317, p <0.05). An inverse correlation was found between the frequency of waking up with feelings of fears and anxiety and the indicators of self-assessment of working capacity (r= −0,315, p <0.05). Prolonged use of computers games and Internet resources for entertainment is accompanied by a transformation of the emotional and volitional sphere and a decrease in the level of self-esteem of Internet users.

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Cupchik, Gerald C. "The Role of Feeling in the Entertainment=Emotion Formula." Journal of Media Psychology 23, no. 1 (January 2011): 6–11. http://dx.doi.org/10.1027/1864-1105/a000025.

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This paper examines feelings and emotions in relation to entertainment experiences. Feelings reflect an appraisal of everyday events or media products that shape our experience of pleasure and interest which are complementary. Pleasure can result from the meaningful interpretation of a program or from positive associations that it evokes. Interest in a program can result from intellectual engagement and a search for meaning or simply to alleviate boredom. According to a reactive model of media involvement, a person selects stimuli which modulate feelings of pleasure or excitement. This affective covariation process is superficial in the sense that there is no need for deep processing in order to determine the value of the stimulus. Emotions are more closely tied to the self and the meaning of social situations. Emotion can be related to a reflective model of aesthetic involvement whereby a person interprets the work in terms of relevant aesthetic knowledge and personal life experiences. This search for underlying layers of meaning leads to deeper aesthetic engagement and emotional elaboration. The main point here is that processes related to the experience of feelings and emotions run concurrently. Feelings reflect more global responses to events involving characters and plots. Emotions are more firmly grounded in the search for meaning in depicted situations and implicate the lives of audiences who watch the programs.

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Rodríguez Pérez, María Pilar, and Miren Berasategi. "Infotainment in the campaign for the 2015 Spanish general election: An analysis of El Hormiguero from a gender perspective." Cuestiones de género: de la igualdad y la diferencia, no. 11 (June 29, 2016): 313. http://dx.doi.org/10.18002/cg.v0i11.3608.

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<p>Within the new landscape of political communications characterized by infotainment in prime time television programs, this article analyzes the presence of four political representatives in <em>El Hormiguero</em> to explore if their appearances reinforce gender stereotypes. The analysis of the television programs reveals a substantial progress in the elimination of gender stereotypes which the media traditionally convey and reproduce in political campaigns. The analysis reveals a practical elimination of gendered bias in the interviews; the sexist tone remains, however, in other spaces of the television program linked to humor and entertainment practices.</p>

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Лебедева, Ольга, Olga Lebedeva, Константин Лебедев, Konstantin Lebedev, Наталия Луканова, and Nataliya Lukanova. "Implementation of cultural and educational activity in tourism." Services in Russia and abroad 10, no. 4 (September 22, 2016): 71–82. http://dx.doi.org/10.12737/20184.

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It has been established that tourism in our country largely became a type of commercial activity, opportunities to visit other countries have been opened, up-market tourism has been developed, and new forms of leisure entertainment have emerged. System analysis of domestic and foreign scientific literature has shown that the cultural and educational potential of tourism is realized not enough in Russia. Development of appropriate structural and functional model of the implementation of cultural and educational tourism potential is possible through the integration of a number of theoretical and applied experience in the neighboring areas, namely in the history and theory of cultural and entertainment activities and organization of tourism activity. The assumption about the feasibility of functional integration of the two certain systems (cultural and educational, and commercial) is made in the article. This assumption actualizes the problem of determining the specifics of this integration, argues its theoretical basis and identifies functional mechanisms of serviceology. Within the framework of pilot study verification of the structural-functional model of tourism development in three aspects was carried out. The first and second aspects, organizational-managerial, and functional, are connected with decision through the entertainment programs, advertising and PR activities, and cultural and educational events. The third aspect, organizational and educational, consists in integration of cognitive-educational, entertainment and recreational leisure functions.

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Lin, Xiaoqing Diana. "Playing with history and tradition: television educational programs in contemporary China." Media, Culture & Society 42, no. 6 (November 8, 2019): 823–37. http://dx.doi.org/10.1177/0163443719876623.

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TV educational programs mushroomed in China in the 1990s and beyond. They combined education and entertainment, and for the first time in Communist Chinese history, used TV ratings to determine the continued existence of these programs. This article addresses the predominant focus on history and traditional learning in the lectures at the most famous of these programs, China Central Television’s Lecture Room (baijiajiangtan) since its inception in 2001. Borrowing Pierre Bourdieu’s concept of habitus, it studies how a confluence of state policies, TV station decisions, market imperatives, and educators who presided over the programs created, through storytelling, a modern, open yet culturally conservative world, to keep the audience oriented to modern ideas and practices while deterring excessive individualism or freedom, and a vibrant social milieu favorable to these ideas and practices through audience input via TV program ratings.

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