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Academic literature on the topic 'Enthroned goddess'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Enthroned goddess"

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Bykovskaya, Aleksandra Viktorovna. "The image of goddess on the throne in the Bosporan coroplast of the archaic and classical periods (VI – IV centuries BC): iconography and sacred meaning." Исторический журнал: научные исследования, no. 3 (March 2021): 36–57. http://dx.doi.org/10.7256/2454-0609.2021.3.35727.

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This article explores the peculiarities of application of compositional pattern of the enthroned goddess in the coroplast of the European part of Bosporus. A number of figurines of the East Crimean Historical and Cultural Museum-Reserve of such iconography is published for the first time, including the discarded coroplast products dating back to the IV century BC. The article reviews the emergence of iconography, its origins in the Neolithic cultures of Anatolia, and proliferation. The following sections are dedicated to the analysis of Bosporan terracotta of the enthroned goddess of the archa

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Skupniewicz, Patryk, and Katarzyna Maksymiuk. "The Warrior on Claps from Tillya Tepe." Vestnik of Saint Petersburg University. History 66, no. 2 (2021): 567–84. http://dx.doi.org/10.21638/11701/spbu02.2021.215.

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Among the objects excavated in 1978 at the site of Tillya Tepe (Northern Afghanistan) by the Soviet-Afghan archaeological expedition led by Victor I. Sarianidi, the twin golden clasps from Burial III attract special and instant attention of any military historian or a researcher of ancient arms and armour. The identity of the personage(-s) on the Tillya Tepe clasps has quite rarely been studied. Scholars are usually satisfied with a generic term a “warrior”. Kazim Abdullaev has identified the personage as Ares-Alexander. Jeannine Davis-Kimball has identified the personage as Enaree, the castra

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Bykovskaya, Aleksandra Viktorovna. "The image of enthroned goddess in coroplast of the Early Hellenistic Bosporus." Человек и культура, no. 3 (March 2021): 46–68. http://dx.doi.org/10.25136/2409-8744.2021.3.35728.

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The subject of this research is the analysis of the composition of Bosporan terracotta with the image of enthroned goddess of the Early Hellenistic period (the late IV century BC &ndash; the late II century BC). The research material involves the figurines from the collection of the East Crimean Historical and Cultural Museum-Reserve of this type of iconography. Terracotta from the prewar excavations of the museum, as well as a number of figurines from the excavations in Porfmy are being published for the first time. The goal of this work is to highlight and analyze the characteristic trai

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Woytek, Bernhard, and Daniela Williams. "The Rediscovery of a Lost Sestertius Type and the Dacian Embassy to the Roman Senate in AD 102." Numismatic Chronicle 172 (2012) (January 26, 2013): 47–62. https://doi.org/10.5281/zenodo.7963537.

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In 2002, excavations at the ancient Roman settlement of Ferento (90 km north of Rome) yielded the only known specimen of a spectacular sestertius type of Trajan, minted in AD 102: it depicts the emperor, standing to the right and presenting a kneeling Dacian to the city-goddess Roma (enthroned to the left). The scene refers to a Dacian embassy to the Roman senate after the First Dacian War, attested in Cassius Dio (68.9.7-10.1).

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Cveček, Sabina. "Enthrone, dethrone, rethrone? The multiple lives of matrilineal kinship in Aegean prehistory." Archaeological Dialogues 30, no. 2 (2023): 102–22. https://doi.org/10.1017/s1380203824000059.

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AbstractThe concept of a matricentric society, linked with female rule, has been enthroned in studies of Europe’s prehistory during the past two centuries. Nevertheless, in the 1960s and 1970s, feminist approaches dethroned the idea of the Mother Goddess as the key organizing principle of Aegean Neolithic societies. Recently, however, certain versions of gynecocracy, implying female rule, and/or of matrilineal kinship have been rethroned for studies in the Aegean Neolithic and Bronze Age. This article critically assesses how and why scholars have supported the existence of matrilineal kinship

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6

Rooijen, Gerrie van. "The Terracotta ‘Enthroned Goddess’ of Sicily." Les Carnets de l'ACoSt, no. 10 (June 1, 2013). http://dx.doi.org/10.4000/acost.751.

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Almasri, Eyad, and Mairna Mustafa. "NABATAEAN FERTILITY MYTH, PLACE, TIME, RITUALS AND ACTORS BASED ON ARCHAEOLOGICAL EVIDENCE." June 18, 2019. https://doi.org/10.5281/zenodo.3239051.

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This paper aims to shed light on the Nabataean fertility mythology, based on the sculptures found at Khirbet et-Tannur Temple, located in south of Jordan. The unearthed temple and statues are important as they offer us considerable information about Nabataean religion. This paper concentrates on two high-relief statues discovered at the temple, both appeared as a female and male couple, a depiction of enthroned Atargatis with two lions on either side guarding her, and the enthroned Baalshamin with two bulls. In addition to the fertility mythology and rituals, the study focused on Khirbet et-Ta

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Books on the topic "Enthroned goddess"

1

Macrì, Giuseppe Fausto. Sulle tracce di Persefone, due volte rapita. Laruffa editore, 2015.

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Book chapters on the topic "Enthroned goddess"

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Broughton, Laurel G. "Queen Mary and Medical Christendom." In Goddesses Who Rule. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195121308.003.0015.

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Abstract On June 9, 1311, the people of Siena closed their shops and made holiday. Moving from the workshop of Duccio di Buoninsegna through the streets of the city to the Cathedral of the Assumption, they celebrated the completion of the great altarpiece the Maesta, or Virgin in Majesty. Layered with gold and rich pigments, Duccio’s masterpiece portrayed Mary in regal splendor, enthroned with the infant Jesus on her lap and surrounded by saints and angels. The panels placed above the large central image depicted scenes from Mary’s last days, her death, assumption, and coronation.

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2

Simantoni-Bournias, Evangelia. "Enthroned Goddesses from the Sanctuary of Hyria on Naxos." In Figurines de terre cuite en Méditerranée grecque et romaine. Presses universitaires du Septentrion, 2015. http://dx.doi.org/10.4000/books.septentrion.59520.

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