Relevant bibliographies by topics / Entrapment in the gothic

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Entrapment in the gothic'

Author: Grafiati
Published: 5 December 2024
Last updated: 19 July 2025

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Journal articles on the topic "Entrapment in the gothic"

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Haj'jari, Mohammad-Javad. "Gothic entrapment within textuality in Auster’s travels in the scriptorium." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 77 (March 5, 2025): 1–20. https://doi.org/10.5007/2175-8026.2024.e98774.

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“Gothic-postmodernism” builds upon the shared ontological inquiry into the nature of reality inherent in both the Gothic and postmodernism. By adapting most of the thematic and narrative elements of the Gothic to postmodernist fiction, this genre enables new interpretations of self-reflective literature, where the Gothic sublime manifests itself through textual erasure as Gothic-postmodernist horror. This article argues that Travels in the Scriptorium is Auster’s significant contribution to Gothic-postmodernism, given its self-reflexivity as postmodernist metafiction and its Gothic aspirations in merging Gothic conventions with postmodern techniques. In Auster’s exhaustive metafiction, postmodernism plays a pivotal role in the text’s sublimity and the resultant horror of textuality, which creates a profound sense of awe and fear. This is achieved through the text’s exploration of reality’s fragmented nature, the manipulation of narrative form, and the meta-awareness of its own fictionality. These elements collectively create a sense of awe and terror, challenging the representation of fictional truth through the very medium of language.
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Nikravesh, Negeen N. "Thomas Hardy and the Gothic: Restructuring the Gothic Prison in Far from the Madding Crowd (1874) and Tess of the d’Urbervilles (1891)." Victoriographies 13, no. 1 (2023): 60–78. http://dx.doi.org/10.3366/vic.2023.0479.

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This article explores Thomas Hardy’s engagement with the Gothic tradition, particularly in relation to the female monstrosity and imprisonment central to mid-Victorian Gothic realism. Focusing on Tess of the d’Urbervilles (1891) and Far from the Madding Crowd (1874), I demonstrate that Hardy purges the Gothic from the domestic space and disperses it into the natural world, restructuring the Gothic prison that haunts the tradition. By moving the Gothic into a less socially fraught place – the sublimity of nature rather than the psyche of the woman – Hardy also reconfigures Gothic female monstrosity. No longer a reflection of the repressed desires and passions of rebellious female characters, the monstrous in Hardy’s Wessex is linked instead to raging fires and destructive storms, presenting the Gothic as ever-present and occurring in the ‘open air’ of nature. Hardy neutralises the formerly imprisoning domestic space and introduces a new Gothic force as a source of anxiety: the burden of time. The focus on time and temporality in Tess of the d’Urbervilles reveals an increasing ambivalence towards modernity in Hardy’s later novels, as the suffering of the heroine through physical confinement is moved to entrapment by the ‘burden of time’ in the rapidly changing Victorian fin de siècle. As a result, the Gothic that enters Wessex takes on both a spatial and temporal quality – manifested in the natural world but linked to haunted pasts and haunting futures. Through a series of shifts in Far from the Madding Crowd and Tess of the d’Urbervilles – of Gothic repression removed from the female psyche and Gothic imprisonment unlinked from the domestic space – Hardy establishes a further linkage between the Gothic and time in the latter novel. As a result of this displacement of original Gothic tropes, Hardy’s work can be read as both radically feminist and deeply critical of modernity.
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Chittenden, Kelly. "EcoGothic Anxiety in Ambrose Bierce’s “The Eyes of the Panther” and Lauren Groff’s “The Midnight Zone”." Studies in the American Short Story 3, no. 1-2 (2022): 93–111. http://dx.doi.org/10.5325/studamershorstor.3.1-2.0093.

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ABSTRACT This paper employs EcoGothic theories and ecofeminist criticism to explore the similarities between Ambrose Bierce’s 1897 story “The Eyes of the Panther” and Lauren Groff’s 2016 story “The Midnight Zone.” Both stories place women in isolated wilderness spaces to probe the boundaries between nature and culture and to condemn human destruction of the nonhuman world. The stories also include Gothic tropes of entrapment and psychological trauma to expose restrictive cultural ideals that constrain women into passive roles. In Bierce’s and Groff’s respective stories, the female characters’ trauma-induced transformation into panther form allows them to challenge the interconnected subjugation of women and the nonhuman world. While each story undermines these destructive ideologies, only “The Midnight Zone” suggests a more positive alternative. The woman in Bierce’s story is killed by a hunter, but the narrator of Groff’s story survives and retains her panther-like qualities. Her survival suggests an ideology based not on the domination of nature and women but on the generative possibilities of challenging boundaries.
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SARACOGLU, Dr Semra. "A Comparative Analysis Of ‘The Snow Child’ By Angela Carter And ‘Yedi Cucesi Olmayan Bir Pamuk Prenses’(‘A Snow White Without Seven Dwarfs’) By Murathan Mungan." International Journal of Arts, Humanities & Social Science 03, no. 10 (2022): 37–42. http://dx.doi.org/10.56734/ijahss.v3n10a4.

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The aim of the present study is to make a comparative analysis of the transformation of the fairy tales in the stories of one English and one Turkish writer -Angela Carter and Murathan Mungan. The study restricts itself to one story by each writer: ‘The Snow Child’ by Angela Carter and ‘Yedi Cucesi Olmayan Bir Pamuk Prenses’ (‘A Snow White Without Seven Dwarfs’) by Murathan Mungan as the parodies of ‘The Snow White with Seven Dwarfs’. Both writers deconstruct the Grimm Tale to challenge the imposed patriarchal ideologies and gender roles, especially the women’s socially approved behaviour patterns in the patriarchal system and intentionally subvert them and their representations in their works using the same postmodern frame-breaking devices - parody, pastiche and intertextuality. Both aim to offer their readers insight on the archetypes and stereotypes of women and force them to confront the women’s entrapment within the male world regardless of geography. While undermining the familiar narrative, Carter prefers blurring the boundaries of the fairy tale genre with her use of fantasy, Gothic, pornography and folklore. She explores and problematizes the unquestionable topics such as female sexuality, violence against women. Mungan, on the other hand, inverts the perception and the representation of women rewarded for virtue and conformity to the patriarchal ideology. He critiques the negative sides of the present socio-cultural issues in a mocking way and promotes women to possess both feminine and masculine qualities and reclaim control over their social stance.
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Morska, Izabela. "Practising “Cruel Optimism”: Eight Months on Ghazzah Street by Hilary Mantel." Civitas. Studia z Filozofii Polityki 31 (February 16, 2023): 65–86. http://dx.doi.org/10.35757/civ.2022.31.03.

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The essay “Practising ‘cruel optimism’: Eight Months on Ghazzah Street by Hilary Mantel” delves into Mantel’s novel through the lens of Berlant’s concept of cruel optimism. Berlant’s construct, rooted in the pursuit of conventional notions of a fulfilling existence, highlights the protagonists’ endeavors in Saudi Arabia as a postcolonial adventure bound to end in disillusionment. Mantel’s portrayal of Frances Shore and her husband Andrew illuminates the tension between their aspirations for financial security and the disconcerting realities of cultural displacement and legal constraints under Sharia law. The city’s architecture mirrors Frances’s sense of unease, resembling oppressive structures associated with fascist regimes. The portrayal of Jeddah’s construction environment, echoing totalitarian aesthetic reminiscent of fascist regimes, serves as a compelling allegory for Frances’s sense of entrapment within a society where her agency is circumscribed by gendered and legal strictures. Casting Frances as a contemporary iteration of the Gothic heroine ensnared within her domicile, Mantel explores the disjuncture between the alleged benevolence of religious doctrine and the punitive nature of its legal apparatus. Frances’s interrogation of this dissonance not only underscores the pervasive nature of cruel optimism but also hints at the inherently paradoxical nature of faith systems that simultaneously offer solace and impose constraints. Through its fluid engagement with concepts of cruel optimism, urbanity, and gender dynamics, the essay invites readers to contemplate the multifaceted interplay between individual aspiration and systemic coercion within the affluent and autocratic socio-cultural landscape.
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Lasseter, Janice Milner, and George E. Haggerty. "Gothic Fiction/Gothic Form." South Atlantic Review 55, no. 4 (1990): 114. http://dx.doi.org/10.2307/3200455.

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Richter, David, George E. Haggerty, and Kenneth W. Graham. "Gothic Fiction/Gothic Form." Modern Language Review 86, no. 1 (1991): 174. http://dx.doi.org/10.2307/3732119.

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Beidler, Peter G., and George E. Haggerty. "Gothic Fiction/Gothic Form." American Literature 62, no. 1 (1990): 122. http://dx.doi.org/10.2307/2926798.

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Brown, Marshall. "Gothic Readers versus Gothic Writers." Eighteenth-Century Studies 35, no. 4 (2002): 615–22. http://dx.doi.org/10.1353/ecs.2002.0036.

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Martin, Sara. "Gothic Scholars Don’t Wear Black: Gothic Studies and Gothic Subcultures." Gothic Studies 4, no. 1 (2002): 28–43. http://dx.doi.org/10.7227/gs.4.1.3.

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Dissertations / Theses on the topic "Entrapment in the gothic"

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Olson, Karleah May. "A wreck of seabirds: Entrapment and isolation within the Australian coastal gothic landscape." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2851.

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This thesis explores the concepts of entrapment and isolation as they relate to the Australian Gothic literary mode and coastal landscapes. It does so through a creative work, a novel entitled A Wreck of Seabirds, and an accompanying exegesis, which examines these concepts alongside the shift of the Gothic to Australian landscapes and ultimately to coastal settings, and their representation in fiction. It examines ways in which elements and tropes of the Gothic are utilized in Australian Coastal fiction, particularly through depictions and metaphors of entrapment and isolation. A Wreck of Seabirds is an Australian Coastal Gothic novel set in a small Western Australian town. It tells the story of two young adults, Briony and Ren, meeting and connecting with each other over their experiences of grief and loss. Both have lost a sibling and are struggling with being in a place that holds so many ghosts for each of them. The novel structure employs a non-linear timeline to layer this narrative with two others which tell the stories of Briony and Ren’s lost siblings. It highlights the characters’ connections to the coastal landscape, and a particularly Gothic sense of isolation and entrapment within this space. This thesis employed a Practice-Led-Research, Research-Led-Practice methodology in order to allow the creative process and theoretical and literary analysis to inform each other, and produce a work of fiction inspired and driven by an understanding of the Gothic mode and its elements. The accompanying exegesis explores the themes of isolation and entrapment in relation to Australian Gothic and coastal fiction, and reflects on the practice of writing the novel, detailing the connection between the writing process and the literary analysis used. Many critics have traced the importance of landscape and the anxieties pertaining the vastness of the Australian landscape in particular through the shift of the Gothic to Australian Gothic fiction, and this thesis aims to narrow the focus of this to the importance of coastal landscapes and the way Coastal fiction naturally lends itself to the Gothic mode. This analysis focuses on Australian Coastal texts with Gothic elements, including Robyn Mundy’s Wildlight, Amanda Lohrey’s The Labyrinth, Tim Winton’s Breath, Favel Parrett’s Past the Shallows and Catherine Noske’s The Salt Madonna. These novels are discussed in regard to their use of the themes of entrapment and isolation, a connection to the coastal landscape, and how they employ other key elements of the Australian Gothic mode. The creative work and exegesis ultimately seek to identify how isolation and entrapment are displayed in Gothic literature and how these themes, as well as elements of the Gothic mode, transfer over to Australian Coastal fiction to produce a style of creative writing that represents both the Gothic and a distinctly coastal setting.
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Chanoine, Jean-Marc. "Entrapment in Florida." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1162.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Health and Public Affairs<br>Legal Studies
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Andrews, Elizabeth. "Devouring the Gothic : food and the Gothic body." Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/375.

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At the beginnings of the Gothic, in the eighteenth century, there was an anxiety or taboo surrounding consumption and appetite for the Gothic text itself and for the excessive and sensational themes that the Gothic discussed. The female body, becoming a commodity in society, was objectified within the texts and consumed by the villain (both metaphorically and literally) who represented the perils of gluttony and indulgence and the horrors of cannibalistic desire. The female was the object of consumption and thus was denied appetite and was depicted as starved and starving. This also communicated the taboo of female appetite, a taboo that persists and changes within the Gothic as the female assumes the status of subject and the power to devour; she moves from being ethereal to bestial in the nineteenth century. With her renewed hunger, she becomes the consumer, devouring the villain who would eat her alive. The two sections of this study discuss the extremes of appetite and the extremes of bodily representations: starvation and cannibalism.
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Wheatley, Helen. "Gothic television." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2837/.

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This thesis examines forms of Gothic fiction on television, and defines the ways in which television produces Gothic drama which is medium-specific (e.g. formally distinct from versions of the genre in other media). This work employs a textual analysis to explore Gothic television, and combines this with archival research and an examination of the changing climate of television production in a range of national and historical contexts. The thesis is organised into four case studies, each dealing with different national industries during different periods: British anthology drama of the 1960s and 70s (e.g. Mystery and Imagination (ABC/Thames, 1966-70), Ghost Story for Christmas (BBC1, 1971-78)); Danish art television in the mid-nineties (Riget (Danmarks Radio/Zentropa, 1994)); British adaptations of female Gothic literature, (e.g. Rebecca (BBC2, 1979), The Wyvern Mystery (BBC1/The Television Production Company, 2000); and big-budget, effects-laden series from North America in the 1990s (e.g. American Gothic, CBS/Renaissance, 1995-96), Millennium (20th Century Fox/10:13, 1996-1999). I argue that Gothic television plays on the genre's inherent fascination with the domestic/familial, to produce television drama with an overt consciousness of the contexts in which the programmes are being viewed, a consciousness which is locatable within the text itself; as such, the thesis defines the Gothic as a genre which is well suited to presentation on television. Furthermore, an examination is offered of the 'model' viewer as presented within the television text, enabling an understanding of the ways in which conceptions of television viewership are inscribed into television drama at the moment of production. I also interrogate the notion that television is an 'uncanny' medium by locating the precise sources of uncanniness with Gothic television, and delineate the ways in which innovations in television production have been showcased through the representation of the supernatural and the uncanny with Gothic Television.
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Smith, Karen. "Fish entrapment at inland power stations." Thesis, University of Nottingham, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389398.

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Shenton, Daniel Paul. "New enzyme entrapment stabilisation using polymers." Thesis, University of Strathclyde, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249012.

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Miller, Cynthia Jansen. "Entrapment series : a catalyst for response /." Online version of thesis, 1990. http://ritdml.rit.edu/handle/1850/11300.

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Bicakci, Syed Tugce. "Theorising Turkish Gothic : national identity, ideology and the Gothic." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/127791/.

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Despite increasing critical interest in Gothic in non-Western cultures, Turkish Gothic writing remains an undiscovered area of research within worldwide Gothic studies. My thesis fills this gap by bringing together Glennis Byron’s concept of ‘globalgothic’, historically informed understandings of the Gothic and Turkish national identity to theorise Turkish Gothic as a mode intimately linked to the ideological processes of Turkish identity construction. Central to this thesis is the understanding of Turkish national identity as a fragmented construct due to Turkey’s ambivalent relationship with the West over the centuries and its commonly referenced role as a bridge between the West and the East. Accordingly, the thesis begins by positioning Turkey in relation to its historical and cultural ties to the Western Gothic tradition. I reveal the origins of the multidirectional flows of globalgothic between Western and Turkish Gothic traditions, through the examination of selected works from British and American cultures depicting Turkish identity through a Gothic lens. Thereafter, taking particular times of political and social change in Turkey into account, I focus on novels and films from 1923 to 2017, with regards to their employment and transformation of Western Gothic tropes using discussions of Turkish national identity. I argue that Turkish Gothic manifests the nation’s anxieties concerning the in-betweenness of Turkish national identity and its ideological repercussions as being either Western and secular or Eastern and conservative. In doing so, the Gothic in Turkey interchangeably becomes a counternarrative for both ideologies, each demonising and undermining the other, and therefore representing the tension between two poles of the political spectrum in contemporary Turkey. As the definitions of Turkish national identity change according to the emerging political stresses in Turkey, Turkish Gothic will continue to haunt its audiences with the dark undersides of Turkishness.
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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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Drew, Lorna Ellen. "The mysteries of the gothic, psychoanalysis/feminism/the female gothic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq23880.pdf.

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Books on the topic "Entrapment in the gothic"

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Brant, Kylie. Entrapment. Silhouette Books, 2003.

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Copyright Paperback Collection (Library of Congress), ed. Entrapment. Dell, 1989.

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Mark, Hallett, and Millender Lewis H. 1937-, eds. Entrapment neuropathies. 2nd ed. Little, Brown, 1990.

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1930-, Dawson D. M., Hallett Mark, Wilbourn Asa J, Campbell William W, Terrono Andrew L, and Trepman Elly, eds. Entrapment neuropathies. 3rd ed. Lippincott Raven, 1999.

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Marcus, Paul. The entrapment defense. 2nd ed. Michie, 1995.

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Paul, Marcus. The entrapment defense. 4th ed. LexisNexis, 2009.

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Paul, Marcus. The entrapment defense. Michie Co., 1989.

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Paul, Marcus. The entrapment defense. 3rd ed. LexisNexis, 2002.

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Brockner, Joel, and Jeffrey Z. Rubin. Entrapment in Escalating Conflicts. Springer New York, 1985. http://dx.doi.org/10.1007/978-1-4612-5072-2.

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Lassiter, G. Daniel, ed. Interrogations, Confessions, and Entrapment. Springer US, 2004. http://dx.doi.org/10.1007/978-0-387-38598-3.

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Book chapters on the topic "Entrapment in the gothic"

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Page, Wesley G., and Patrick H. Freeborn. "Entrapment." In Encyclopedia of Wildfires and Wildland-Urban Interface (WUI) Fires. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-51727-8_183-1.

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Page, Wesley G., and Patrick H. Freeborn. "Entrapment." In Encyclopedia of Wildfires and Wildland-Urban Interface (WUI) Fires. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-52090-2_183.

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Miles, John G., David B. Richardson, and Anthony E. Scudellari. "Entrapment." In The Law Officer’s Pocket Manual, 2023 Edition. Routledge, 2022. http://dx.doi.org/10.4324/9781003372561-9.

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del Carmen, Rolando V., and Jeffery T. Walker. "Entrapment." In Briefs of Leading Cases in Law Enforcement, 11th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003531456-22.

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Miles, John G., David B. Richardson, and Anthony Scudellari. "Entrapment." In The Law Officer's Pocket Manual. Routledge, 2024. http://dx.doi.org/10.4324/9781032699165-9.

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Weik, Martin H. "entrapment." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6297.

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Robinson, Paul H., and Sarah M. Robinson. "Entrapment." In American Criminal Law. Routledge, 2022. http://dx.doi.org/10.4324/9781003258025-19.

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Miles, John G., David B. Richardson, Anthony E. Scudellari, and Robert E. Wilhelm. "Entrapment." In The Law Officer's Pocket Manual. Routledge, 2021. http://dx.doi.org/10.4324/9781003271567-9.

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del Carmen, Rolando V., and Jeffery T. Walker. "Entrapment." In Briefs of Leading Cases in Law Enforcement. Routledge, 2019. http://dx.doi.org/10.4324/9780429053139-22.

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Miles, John G., David B. Richardson, Anthony E. Scudellari, and Patrick J. Sobkowski. "Entrapment." In The Law Officer's Pocket Manual. Routledge, 2025. https://doi.org/10.4324/9781003614883-9.

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Conference papers on the topic "Entrapment in the gothic"

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Liu, Zonghong, Salim El Rouayheb, and Matthew Dwyer. "The Entrapment Problem in Random Walk Decentralized Learning." In 2024 IEEE International Symposium on Information Theory (ISIT). IEEE, 2024. http://dx.doi.org/10.1109/isit57864.2024.10619692.

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Choi, Mina, Fahad Zafar, Joel Wang, et al. "GOTHIC." In ACM SIGGRAPH 2013 Posters. ACM Press, 2013. http://dx.doi.org/10.1145/2503385.2503454.

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Bernstein, Mark, and Stacey Mason. "Gothic." In the 2nd workshop. ACM Press, 2012. http://dx.doi.org/10.1145/2310076.2310084.

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Mitchell, Bonnie. "Entrapment." In ACM SIGGRAPH 2004 Art gallery. ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185945.

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Shin, Jooyoung. "Entrapment." In Innovate to Elevate. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.15756.

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Jia, Ningxi, Zhuo Liu, and Yidan Yuan. "Analysis on the Leakage Behavior of Cable Facility Using Gothic and Gothic 3D Models." In 2024 31st International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2024. http://dx.doi.org/10.1115/icone31-130093.

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Abstract In this paper, the laminar leakage model in the leakage module of GOTHIC8.3 code is used to simulate the leakage behavior of Containment thermalAlhydraulic and aerosol Behavior in Light water rEactor (CABLE) test facility caused by penetration. First of all, the leakage rate factor is measured through the leakage rate test performed on the CABLE test facility under reference pressure and temperature. Then, a lumped parameter model and a distributed parameter model are established respectively for CABLE using GOTHIC8.3 code. Both models are modeled with the leakage module. Then, the leakage rate factor measured from the leakage rate test was used to analyze the leakage behavior in the GOTHIC8.3 distributed parameter model. Finally, two models are used to simulate the leakage rate test of CABLE facility, and the results are compared. Results indicate that the two models with the same leakage rate factor have the same total system leaking mass flow. Settings of different leakage surface affect the leaking mass flow position and the local leaking mass flow of cells in leakage surface, but the temperature and flow field distributions of containment vessel have little difference among the cases. With the advantages of the distributed parameter model, it can simulate the leakage behavior more accurately.
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Moran, Jacqueline. "Gothic Forests and Magic Flights: Examining the Gothic False Hero in Campbell's Hero's Journey." In Abstract Proceedings of DiGRA 2025: Games at the Crossroads. Digitial Games Research Association DiGRA, 2025. https://doi.org/10.26503/dl.v2025i3.2578.

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Downey, Marlan W. "Faulting and hydrocarbon entrapment." In SEG Technical Program Expanded Abstracts 1988. Society of Exploration Geophysicists, 1988. http://dx.doi.org/10.1190/1.1892377.

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Barnett, Ralph L. "Anti-Limb Entrapment Insert." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88135.

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Access to the suction pipe in a main drain can occur whenever the sump cover is unfastened, broken, or missing. An arm or leg can be placed, sucked, or propelled into the pipe where the limb can be trapped by various mechanisms including suction, wedging, and tissue swelling. Although their success rate is unimpressive, there are a number of mitigation strategies for limb entrapment that are based on reduced pressure differential. These strategies are thoroughly examined in this paper. None of these compare however to the classic notion of preventing entrapment in the first instance. Restricting the pipe opening to small apertures through the use of permanent cross-members eliminates the limb entrapment hazard. Unfortunately, the cross-member solution used, for example, in tubs and slop sinks introduces new hazards that were not present in the open pipe; hair entrapment, finger entrapment, and mechanical entrapment (e.g. swimwear). This paper introduces a pipe insert at the entrance to the pipe that uses permanent fins to provide anti-limb entrapment. The fins are designed with an iso-friction profile to shed hair that may be entrained into the pipe. The equation for the profile is obtained in polar coordinates. The geometry of the fins minimizes finger and mechanical entrapment. Scallops are included around the edge of the pipe that inhibits body entrapment which can restrain a child with a suction force of 50 to 100 lbf (222 to 445 N). The use of an anti-limb entrapment insert together with a retrofittable anti-evisceration ring will achieve the same entrapment protection with or without a sump cover.
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Fang, Song, Tao Wang, Yao Liu, Shangqing Zhao, and Zhuo Lu. "Entrapment for Wireless Eavesdroppers." In IEEE INFOCOM 2019 - IEEE Conference on Computer Communications. IEEE, 2019. http://dx.doi.org/10.1109/infocom.2019.8737394.

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Reports on the topic "Entrapment in the gothic"

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Lynch, Marshall, Tavis Phillips, Bryce Ring, et al. Grain Entrapment Rescue Simulator. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/tsm416-180814-16.

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Heal, Geoffrey, and Howard Kunreuther. Social Reinforcement: Cascades, Entrapment and Tipping. National Bureau of Economic Research, 2007. http://dx.doi.org/10.3386/w13579.

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Benson, Vivienne, and Lina Maria Martínez Quintero. Ending the Financial Entrapment of Street Vendors in Colombia. Institute of Development Studies and The Impact Initiative, 2020. http://dx.doi.org/10.35648/20.500.12413/11781/ii347.

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Jaroch, David, Eric McLamore, Wen Zhang, et al. Silica Entrapment of Biofilms in Membrane Bioreactors for Water Regeneration. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada585275.

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Abriola, Linda M., Avery H. Demond, and Robert Glass. The Migration and Entrapment of DNAPLs in Physically and Chemically Heterogeneous Porous Media. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/827039.

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ABRIOLA, Linda M., and Avery H. DEMOND. THE MIGRATION AND ENTRAPMENT OF DNAPLS IN PHYSICALLY AND CHEMICALLY HETEROGENEOUS POROUS MEDIA. Office of Scientific and Technical Information (OSTI), 2000. http://dx.doi.org/10.2172/827041.

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Clausen, Carol A., Vina W. Yang, Rachel A. Arango, Laura E. Hasburgh, Patricia K. Lebow, and Richard S. Reiner. Cellulose Nanocrystal Entrapment of Benzalkonium Chloride in Southern Pine: Biological, Chemical, and Physical Properties. U.S. Department of Agriculture, Forest Service, Forest Products Laboratory, 2015. http://dx.doi.org/10.2737/fpl-rp-680.

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Wicker, Louise, and Nissim Garti. Entrapment and controlled release of nutraceuticals from double emulsions stabilized by pectin-protein hybrids. United States Department of Agriculture, 2004. http://dx.doi.org/10.32747/2004.7695864.bard.

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Original Objectives Specific objectives are to: (1) modify charge and hydrophobicity of pectins to improve emulsion stabilizing properties (2) develop emulsions that can be sterically stabilized using modified pectins and/or pectin/protein hybrids (3) obtain submicronal inner emulsion droplets (10-50 nanometers) with small and monodispersed double emulsion (1-2 μm) droplets with long-term stability (possibly by emulsified microemulsions) and (4) trigger and control the release at will. Background Methodology for encapsulation and controlled release of selected addenda, e.g. drugs, vitamins, phytochemicals, flavors, is of major impact in the food industries. Stable double emulsions with desired solubilization and release properties of selected addenda are formed using charge modified pectin or pectin-protein hybrids. Major conclusions, solutions, achievements * We developed methodology to isolate PME isozymes and prepared modified pectins in sufficient quantity to characterize, form single and double emulsions and test stability. *Amino acid sequence of PME isozymes was estimated and will facilitate cloning of PME for commercial application * The contribution of total charge and distribution of charge of modified pectin was determined *Soluble complexes or modified pectins and whey isolates are formed * Stable W/O/W double emulsions were formed that did not cream, had small particle size * Inner phase of double emulsions are nano-sized and stable. These new structures were termed emulsified microemulsions (EME) * Release of bioactives were controlled between a few days to months depending on layering on droplets by hybrids * Commercial testing by Israeli company of stability and release of Vitamin C showed good chemical stability Implications Resolved the major stability limitation of W/O/W emulsions. Resolved the questions regarding citrus PMEs and tailored pilot scale modification of pectins.
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Abriola, Linda M., and Avery H. Demond. Migration and Entrapment of DNAPLs in Heterogeneous Systems: Impact of Waste and Porous Medium Composition. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/833721.

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Abriola, Linda M., and Avery H. Demond. Migration and Entrapment of DNAPLs in Heterogeneous Systems: Impact of Waste and Porous Medium Composition. Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/833722.

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