Relevant bibliographies by topics / Ephemeral architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ephemeral architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Ephemeral architecture"

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Budi Santosa, Revianto, Josef Prijotomo, and Murni Rachmawati. "Considering Ephemeral Monuments: Towards a Greener Architectural Theory." Applied Mechanics and Materials 747 (March 2015): 192–97. http://dx.doi.org/10.4028/www.scientific.net/amm.747.192.

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The existence of buildings employing perishable material, however, is often marginalized partly because architecture is primarily understood as permanent structure built to last forever. This notion is heavily supported in Western architectural theory considering “permanence” (or “firmitas” in Vitruvian term) as one of the fundamental characteristics of architecture, especially monumental architecture which is intended to be “eternal”. To construct a permanent architecture, in general, requires greater amount of resources compared to the ephemeral. The marginalization of ephemeral architecture causes the depletion of resources due to the effort to make most of the buildings permanent since only those which withstand the ravage of time are deemed valuable as architecture This paper explores some meaningful pieces of architecture having values of monuments in Java yet they are constructed as ephemeral architecture requiring periodical renewal. The discussion on these ephemeral monuments will focus on the way perishable material is composed, the way renewal actions are conducted and the meaning of the monuments for their people are enhanced by these actions. In the conclusion, some criticism towards mainstream architectural theory is addressed by including ephemerality in the notion of [monumental] architecture so that we may proceed towards greener architectural theory in which the ephemeral has respectable roles.
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García Ramírez, William. "Fenómenos de lo efímero. Otras arquitecturas efímeras en Colombia." Arquitecturas del Sur 38, no. 57 (January 31, 2020): 56–73. http://dx.doi.org/10.22320/07196466.2020.38.057.03.

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Wesołowski, Piotr Marek. "Urban acupuncture – ephemeral arrangements of space." BUILDER 284, no. 3 (February 24, 2021): 44–47. http://dx.doi.org/10.5604/01.3001.0014.7421.

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Development of modern cities, technological progress, reising pace of life, fast-changing fashion and increasing needs of society make the offered urban solutions lose their relevance relatively shortly after their introduction forcing to search for new concepts. In response to those changes, multifunctional, mobile spatial forms are proposed, often with direct possibility of makeing changes. They have been called 'injections' of new ideas and qualities and fall within the definition of 'urban acupuncture'. Usually, the short lifetime of such objects determines cheap, easy to apply solutions. These are ephemeral forms: temporary, short-lived, corresponding to the needs of a specific place at a specific moment. Temporary actions are a form of provocation, it forces you to look at a known place from a different perspective. These types of interventions are aimed to improve or suggesting of the necessity to improve the quality of existing public space, architecture and its health. Text is based on analysis of documents: available scientific studies, documented examples of architectural and artistic solutions, as well as comments and observations relating to these realizations. Submitting this topic to theoretical reflection is aimed to draw attention to selected issues linking architecture with art in the context of 'city acupuncture', understood as spatial realizations and intervention projects in 'sick' areas of architecture. The text discusses the characteristics of temporary architecture and art in public spaces in the context of revitalization activities.
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Coar, Lancelot. "The Lasting Meaning in Ephemeral Architecture." Design Principles and Practices: An International Journal—Annual Review 5, no. 6 (2011): 667–78. http://dx.doi.org/10.18848/1833-1874/cgp/v05i06/38252.

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Tagliabue, Benedetta. "Barcelona Reset: Circuit of Ephemeral Architecture." Architectural Design 85, no. 3 (April 10, 2015): 64–71. http://dx.doi.org/10.1002/ad.1902.

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Petrova, Miroslava. "Design for Ephemerality – Idiosyncrasy and Challenges." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 259–72. http://dx.doi.org/10.18844/prosoc.v4i11.2882.

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Lying at the intersection between architecture, art and design, ephemeral spaces are intentionally developed to exist only for a short period of time, to be destroyed or cease to exist at a given moment. The specific nature of temporary environments requires a different design approach in regard to concept development, choice of materials, constructive solutions, visual perception and spatial experience.The aim of the research is to explore the potential of ephemeral spaces for redefining the architectural boundaries and their heuristic significance for the future development of the design field. Following this objective, the factors for the proliferation of these spaces are studied and a typology in terms of their contextual ephemerality is developed. The research method is based on the structural and semiotic analysis of purposefully selected archetypal examples through which the key characteristics distinguishing ephemeral spaces from permanent ones are discovered. In conclusion, implications on how to teach design students to deal with the inherent dialectics in ephemeral spaces and how to design for ephemerality are discussed. Keywords: Ephemeral spaces, spatial experience, design education.
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Fowler, Michael. "The Ephemeral Architecture of Stockhausen’s Pole für 2." Organised Sound 15, no. 03 (October 25, 2010): 185–97. http://dx.doi.org/10.1017/s1355771810000269.

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Karabašević, Anđela. "Atmospheric dimensions of architecture." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 179–92. http://dx.doi.org/10.5937/saj1602179k.

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This paper proposes four methodological tools for investigating architectural atmospheres: objective experience, holistic measure, computational simulation and atmospheric visualization. These tools have emerged from a broader PhD research agenda based on the hypothesis that ephemeral effects of light, heat, sound, odor, carried on or in the air, present a scientific basis for precise construction of atmospheres in architecture. By describing my own atmospheric methodology over a series of individual case studies, I will argue that architectural atmospheres can be scientifically investigated and precisely constructed, and that atmospheric approach to architectural research and design offers new invaluable knowledge about the invisible aerial behaviors that determine basic human experience of space.
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Redford, Scott. "Portable Palaces: On the Circulation of Objects and Ideas about Architecture in Medieval Anatolia and Mesopotamia." Medieval Encounters 18, no. 4-5 (2012): 382–412. http://dx.doi.org/10.1163/15700674-12342117.

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Abstract This essay examines two categories of portable objects: ceramics and ephemeral architecture (such as tents, palanquins, litters) for clues to the transmission of ideas about palatial architecture and the creation of a shared taste for a certain kind of palatial form and decoration between Christian and Muslim states whose artistic production is usually considered separately. The time period investigated is the twelfth to fourteenth centuries, and the geographical area investigated spans Constantinople, Anatolia and northern Mesopotamia. Without denying the importance of traveling craftsmen as vectors for artistic exchange, this essay argues that portable objects and portable or ephemeral architecture helped create the taste and demand for a supranational palatial architecture.
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Felgendreher, Daniel. "Soft, Sexy, Fantastic. Inflating public space." Journal of Public Space, Vol. 3 n. 2 | 2018 | FULL ISSUE (August 31, 2018): 41–74. http://dx.doi.org/10.32891/jps.v3i2.1109.

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Plastique Fantastique has been operating as a platform for temporary architecture at the interface between art, architecture and urban practice since its founding 1999 in Berlin. Influenced by the unique cultural and spatial conditions that made Berlin a laboratory for testing new ways of acting in public space at the time, the studio has specialised in creating immersive, pneumatic installations made of plastic film as mutant, low energy architectures for ephemeral activities. With their temporary urban interventions they intend to involve citizens in creative processes provoking them to activate, and enjoy public space.
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Dissertations / Theses on the topic "Ephemeral architecture"

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Anderson, Charles Nicholas, and charles anderson@rmit edu au. "Ephemeral Architectures: towards a process architecture." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091104.143239.

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This PhD responds to a two fold problem with the philosophy of design and the practice of design. The philosophical problem is stated as the discrepancy between a dominant philosophical framework that orders the world according to eternal essences and the actual conditions of the world in which we exist: the conditions of becoming and of flux. Commencing with a critique of the western metaphysical tradition of statics this research project proposes that we need to find a way of describing an evolutionary model of practice, and by so doing to provide a revitalised narration of process. Consequently, the PhD explores the meanings of process through a critical examination of an ensemble of projects created by the author. Within this framework, a number of questions are posed in order to explore the proposition of a process practice. These questions are: What is process? How does one think process? Indeed, how do we get to grasp change? What are the consequences of process thinking on the practices of design, their fields of operation, and their productions? And, how can the thematising of process contribute to the design of the constructed environment, as well as reconfigure the practices of design? This thematising of process is argued to involve a necessary address to the constitutive and interrelated characteristics of process: space/time, movement, change, form and matter. Such an address is also seen to problematise the status of the object, the paradigms of representation, the modes of creation, the economies of exchange, and the structures of community, and to offer a modality of practice which would re-imagine the forms of social exchange to offer an ethical alternative to the tyranny of supply and demand, and thereby reconfigure the potential for dwelling. Making an overview of the discourses and practices engaging with theories of becoming, this thesis argues that almost all of these re-inscribe statics and that consequently the practice of design seems to drag behind our understanding of the world. Through a meditation on dis/appearance, in which the dynamics of being and becoming and the restless ambiguity of the gap are examined, the work establishes a process vocabulary, and makes clear through a material practice, the domains of process thinking, its inclinations, and the kinds of operations and procedures that flourish there. Foregrounding the fertile character of process practice, the PhD then proceeds to introduce notions of the movement-form, the duration-form, the transformational-form, the geometry of encounter, and to argue for physical form as an in-movement poise. Advocating new modes of approach and of attentiveness, and demonstrating new generative methods, this PhD argues that process thinking is not simply an operational stance, but an ethical position that identifies a field of care, and that consequently the design practices be expanded by taking seriously the relationship between process thinking and place making. Thus, this thesis concludes by advocating a mode of place making which, rather than reproduce planned environments as systems of control, configures place as the discursive contested place of encounter and exchange.
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Clifford, Kenith Jeramie. "Capturing the Ephemeral." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/52587.

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This thesis is an investigation into the construction of ephemeral phenomena through material means and at multiple scales. Studies utilized abstract methods that are not immediately relatable to the scale of occupable architecture but at the same time convey inhabitability. These investigations informed the design of an art gallery for Virginia Polytechnic Institute and State University and the town of Blacksburg, Virginia.
Master of Architecture
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Matteson, Caroline L. J. "Capturing the Ephemeral." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5392.

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Music, it has been shown, has the potential to both create social cohesion and encourage conflict resolution (Koelsch, Offermanns, & Franzke, 2010). In a city with deep roots in slavery, music may be more powerful than language or the toppling of monuments to help create a cultural identity that every demographic can fit. Not only can music improve mood in an individual, but musical contagion affects large groups at once. Creating a space to equalize access to and share the experience of music—both making and appreciation—would give the city an opportunity for reconciliation and community bonding. While a universal quality of humanity, music is unfortunately not equally accessible to all races and ages. Children in low socioeconomic schools and aging adults are two populations that are less likely to engage in musical opportunities due to prohibitive costs, lack of resources, diminished support, reduced funding, insufficient skills for participating in organized groups, and no access to spaces for playing (Deisler, 2011; Hallam, Creech, Varvarigou, & McQueen, 2012). A public music library could remove many of the prohibitive factors for marginalized populations outlined in prior research. To ensure that these populations are being served, a team of community members who lead a bi-weekly music-workshops for musicians of any age or level will be interviewed. Literature reviews of acoustics and spatial organization will help to inform design choices and practical considerations. Researching methods to reduce attrition in musical settings as well as projects that have successfully encouraged community engagement will be important aspects for design development. Determining and analyzing case studies via research and site visits will reveal tested solutions and offer feedback for how to improve upon existing examples. Touring the New York Public Library for the Performing Arts would be useful, and an application for funding will be submitted for traveling to New York. In an independent study class, design details specific to music libraries are being investigated with the assistance of an internationally recognized library design firm, which in turn is applying this research into current projects utilizing similar acoustical and storage needs. To ensure that these populations are being served, a team of community members who lead a bi-weekly music-workshops for musicians of any age or level will be interviewed. Literature reviews of acoustics and spatial organization will help to inform design choices and practical considerations. Researching methods to reduce attrition in musical settings as well as projects that have successfully encouraged community engagement will be important aspects for design development. Determining and analyzing case studies via research and site visits will reveal tested solutions and offer feedback for how to improve upon existing examples. Touring the New York Public Library for the Performing Arts would be useful, and an application for funding will be submitted for traveling to New York. In an independent study class, design details specific to music libraries are being investigated with the assistance of an internationally recognized library design firm, which in turn is applying this research into current projects utilizing similar acoustical and storage needs. The research methods outlined will support the design of a public music library for the immediate community. To address the imbalance in musical engagement, the space will accommodate renting instruments, checking-out scores, listening to audio recordings, and collaborating with other musicians. There will be practice studios available for use by individuals and ensembles, stacks, a café and lounge space to encourage leisure, and a community concert hall for performances. Music is a shared human experience, and access to learning and creating music should be accessible to all.
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Auer, Michele (Michele Laura) 1973. "Tempus fugit : music and the ephemeral in architecture." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/63217.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.
Includes bibliographical references (p. 115).
I am interested in the relationship between solidity and transparency, between permanence and ephemerality, in the context of the modern city. This thesis is an exploration of transience and of social and phenomenal exchange, using music, and, more generally, sound, as a vehicle. The project is an alternative music school and performance center located in Harlem, in New York . The functions of the institution include a community music school for neighborhood youth, a cabaret, a conservatory for adult students of music, a radio station with recording studio, and a library/museum . There are a total of up to five performance venues, depending on the configuration of the facilities . The project aspires to changeability not merely to accommodate different performance scenarios but also to create a volume of space that is porous and alive, a landscape that is accessible to all urban bodies.
Michele Auer.
M.Arch.
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Rivera, José A. (José Alejandro). "Charting the ephemeral : sound installation as embodied, synsonic mapping." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111270.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2017.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis. "June 2017."
Includes bibliographical references (pages 101-105).
This thesis examines the ways in which sound installations aesthetically provide spatial encounters with a location, emphasizing ephemerality, multiplicity, and relationality. Informed by experimental sound practices, spatial studies, and theories in critical cartography, current conceptions of the sound map are challenged. Though the origins of the sound map date back to the 1970s soundscape movement, modern sound maps are online repositories of location recordings that are geo-referenced and navigated with the use of a digitized, aerial map. A critical analysis of sound maps argues for a more embodied, sociocultural, and dynamic spatio-sonic experience. Through lenses of sound, space, and cartography, this thesis interrogates such topics as: attentive listening, the notion of "sound art", location recording and phonography, acoustic ecology, the soundscape, resonance, the relationship between inscription, vibration, and transmission, site-specificity, map making and map use, bioregionalism, meteorology and the history of weather maps, radar, spaces of representation, proxemics, architecture, and embodiment. Through these different interrogations, the sound installation is understood as an aural cartographic process that suggests a multi-layered way of knowing about a location through sound. The organized, spatio-sonic encounter is an embodied synsonic mapping in practice -- a constant, fleeting, and relational process that engages the shifting circumstances of the world.
by José A. Rivera.
S.M. in Art, Culture and Technology
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Karandinou, Anastasia. "No-matter : theories and practices of the ephemeral in architecture." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/9507.

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The architectural theorist and practitioner Bernard Tschumi asserts that enquiring and working at the limits of a discipline expands our knowledge and experience. Within this thesis I examine the limits of architecture as they relate to the non-material and the nonvisible elements of space. As Mark Wigley observes in his essay on atmosphere, architects, at different times, have sought to understand, capture and control the otherwise ungraspable aspects of space. The elusive nature of such ephemeral architectural aspects and elements makes them hard to manage and map. Their examination provides a challenging exercise within architectural research. Atmosphere is such an elusive element; as Zizek would call it, it is that which remains always as a backdrop to daily life. It seems to vanish when subjected to conscious scrutiny. Non-visual sensations such as sounds, smell, textures, temperature, clearly constitute invisible elements that are notoriously difficult to represent. As a further example, event, the way in which a space is or could be deployed or inhabited over time, provides another unpredictable and ambiguous design consideration. Spaces relate to performance. The performance of a place constitutes its nature, character, function and meaning. However, the complexity, changeability, and potentiality of spatial performance render it as something abstract and non-representable. As Steven Connor, and Jonathan Hill, amongst other theorists, observe, new media, electromagnetic fields, and digital gadgets, also constitute invisible elements of space. They create invisible fields, territories, links and boundaries, affecting everyday spaces and relationships. So a typology of the elusive and ephemeral characteristics of space would include: non-conventional materials, elements changing over time, electromagnetic fields, electronic equipment, nonvisually representable sensations, situations, processes and events. Attending closely to these themes reveals some key questions. Why do these themes appear (or re-appear) now, at this particular moment in history? How are they related to contemporary thought, practice, and to current shifts in society, culture and technological development? New technology, new means of representation, and emerging design media change both the way in which we inhabit space, and also the way in which we understand and represent it. Digital media allow us to record and represent time and duration. Hence, events and situations occurring over time can be documented and studied. Subsequently, new media can also function as a new tool to think about space, and for designing accordingly. As Marshall McLuhan claimed in the 1960s, the emergence of new digital media has caused a ‘shift in the sensorium’ and has readdressed the significance and role of experiencing and sensing other than through the visual sense. In this thesis I discuss in turn a series of limits and the qualities of the spaces that they reveal. Each chapter title is based on a binary and a theme that indicates its transgression: (a) the visual versus the non-visible – the sensuous (chapter 2), (b) the discourse about the formal versus the material – the performative (chapter 3), (c) the physical versus the digital – the hybrid (chapter 4). In order to examine these themes and explore the design potential they entail, I review relevant literature in parallel with the conduct of a series of design experiments. The experimental processes deployed are of three kinds: (1) mapping and documentation of sensory situations, (2) design experiments that challenge the issues discussed and (3) real-scale interventions that test some of the design ideas at a 1:1 scale and in an actual place. The latter includes a major installation at the 2009 Venice Biennale on the theme of Athens by Sound initiated and designed by a team involving the author.
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Culp, Cheyenne. "Contextualizing the Use of Palimpsest to Reconstruct an Ephemeral Past." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1584015555835149.

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Zofkova, Magdalena. "Evolutionary dynamics in ephemeral pools : inferences from genetic architecture of large branchiopods." University of Western Australia. School of Animal Biology, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0048.

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[Truncated abstract] I have evaluated the effects of different types of ephemeral pools on the evolutionary dynamics of two large branchiopods in Australia, the clam shrimp Lynceus and the fairy shrimp Branchinella longirostris. Both shrimps are passive dispersers, relying on their sexually produced resting eggs for continuity of populations in time and space, although their actual dispersal ability remains speculative. The two currently recognised species of the genus Lynceus (L. tatei and L. macleyanus) are widespread across Australia, and they occupy a wide range of ephemeral fresh water habitats, while the fairy shrimp Branchinella longirostris is endemic to rock pools on granite outcrops in south-western Australia. Samples of populations were collected from a total of 96 ephemeral pools at 80 locations in New South Wales, Northern Territory, Queensland, South Australia and Western Australia . . . This highlighted the contrast between the two species and their microhabitats, and implied that these microhabitats offered different opportunities for dispersal. These were identified as frequent disturbances of the clam shrimp’s egg-banks due to ‘wash-out’ effects during heavy rains and animal and human vectors attracted by the water stored in the deep pools. My comparative study shows that the difference in evolutionary dynamics observed between the two species was a consequence of their environmental interactions rather than of the microhabitats themselves. Similar to patterns detected in other passive dispersers with disjunct population distribution, evolutionary dynamics in Lynceus and B. longirostris seem to be a result of complex interactions among gene flow, population histories and ecology of their habitat. The results contribute to the emerging evidence that branchiopod crustaceans are poor dispersers and highlight the importance of local context in determining evolutionary processes within species.
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Zofkova, Magdalena. "Evolutionary dynamics in ephemeral pools : inferences from genetic architecture of large branchiopods /." Connect to this title, 2006. http://theses.library.uwa.edu.au/adt-WU2007.0048.

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Talma, Mark R. "The Identity of Temporal Space: Spatial Manifestation of Carnival." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337717398.

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Books on the topic "Ephemeral architecture"

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Roulet, Sophie. Toyo Ito: Architecture of the ephemeral. Paris: Editions du Moniteur, 1991.

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Germany), Kunstraum Kreuzberg/Bethanien (Berlin, ed. Open monument: Research into ephemeral, commemorative architecture and modernist patrimony. Berlin: Revolver, 2013.

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Baixa, Atelier de Arquitectura (Lisbon, Portugal), ed. Missão Portugal 2007: Uma casa efémera : instalações permanentes para a presidência Portuguesa da União Europeia no Pavilhão Atlântico, em Lisboa = Missão Portugal 2007 - an ephemeral home. [Ratingen]: CAPA-Edition, 2008.

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1452-1519, Leonardo da Vinci, Santa Maria delle Grazie (Church : Milan, Italy), and Biblioteca ambrosiana, eds. L'architettura, le feste e gli apparati: Disegni di Leonardo dal Codice atlantico = Architecture, festivities, and ephemeral displays : drawings by Leonardo from the Codex Atlanticus. Novara: De Agostini, 2010.

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Thurlbourne, Chris. The ephemeral of real: An architectural novelette. Aarhus: Arkitektskolens Forlag, 2002.

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Society, New-York Historical, ed. A guide to print, photograph, architecture & ephemera collections: At the New-York Historical Society. New York City (170 Central Park W., New York 10024-5194): The Society, 1998.

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Robert, Kronenburg, ed. Ephemeral/portable architecture. London: Architectural Design, 1998.

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Ephemeral/Portable Architecture. John Wiley & Sons, 1998.

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Public Private Ephemeral Ceramics In Architecture. Ascer, 2008.

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Ephemeral Architecture: 1000 Ideas by 100 Architects. Prestel Verlag GmbH & Co KG., 2016.

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Book chapters on the topic "Ephemeral architecture"

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Chattopadhyay, Swati. "Ephemeral Architecture." In The Routledge Companion to Critical Approaches to Contemporary Architecture, 138–60. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315688947-12.

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Dedemadi, Spyridoula, and Spiros I. Papadimitriou. "Ephemeral Monuments." In Virtual Aesthetics in Architecture, 95–103. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003183105-15.

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Martín-Pastor, Andrés, Amanda Martín-Mariscal, and Alicia López-Martínez. "Rethinking Ephemeral Architecture. Advanced Geometry for Citizen-Managed Spaces." In Sustainable Development and Renovation in Architecture, Urbanism and Engineering, 301–10. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51442-0_25.

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Schinco, Massimo, and Sara Schinco. "The “Ephemeral Architectures” as an Example of Play and Re-invention in Shared Processes of Creative Knowledge." In Putting Tradition into Practice: Heritage, Place and Design, 1379–87. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_142.

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"EPHEMERAL ARCHITECTURE." In Holistic Housing, 156–67. DETAIL, 2012. http://dx.doi.org/10.11129/detail.9783955531461.156.

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Rossi, Gabriele, and Valentina Castagnolo. "Ephemeral Architecture and Painted Architecture." In Conservation, Restoration, and Analysis of Architectural and Archaeological Heritage, 151–77. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7555-9.ch007.

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The object of this study is a group of architectural perspectives painted on the domes and walls of noble palaces in Apulia, in particular that the baronial palace in Botrugno, the Broquier palace in Trani, and the Manes palace in Bisceglie. The perspectives belong to the “Quadratura” genre that developed in Italy and Europe in the Baroque period, but the architectural solutions represented are specific of the Apulian regional context, of Neapolitan derivation, rather than linked to the noble models of the Emilian and Roman master experiences. These architectural perspectives can be considered belonging to that “immaterial cultural heritage,” as defined by the UNESCO Convention for the Protection of the Intangible Cultural Heritage of 2003, if we consider the cultural significance of these painting representations—as previously mentioned—for their relationship with the 16th-17th century painting season of “Quadratura,” for the massive production of treatises on perspective, as well as for the Baroque experiences and for the tradition in the use of “Festa” ephemeral architectures.
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Frank, Martina. "From ephemeral to permanent architecture." In Architectures of Festival in Early Modern Europe, 119–37. Routledge, 2017. http://dx.doi.org/10.4324/9781315567808-7.

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"Constructing the ephemeral— innovation in the use of glass." In Innovation in Architecture, 138–51. Taylor & Francis, 2012. http://dx.doi.org/10.4324/9780203402429-15.

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"Vaporizing Architecture." In No Matter: Theories and Practices of the Ephemeral in Architecture, 1–16. Routledge, 2017. http://dx.doi.org/10.4324/9781315598390-1.

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"Structural analysis of the Curators’ Lab Arena – An impressive ephemeral timber structure." In Structures and Architecture, 795–801. CRC Press, 2013. http://dx.doi.org/10.1201/b15267-106.

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Conference papers on the topic "Ephemeral architecture"

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Crespo Claudio, Yazmín M., and Omayra Rivera Crespo. "WORKSHOP : Collective Architectures." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.16.

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A design-build workshop organized by Taller CreandoS in Encargos a collective founded by four female architecture professors; Yazmín M. Crespo, AndreaBauzá, Irvis González y Omayra Rivera, at La Perla, a community outside the northern historic city-wall of old San Juan, Puerto Rico. Together the professors share interests to revitalize deteriorated and abandon urban spaces with ephemeral interventions and participative workshops in an effort to redefine the conventional way of understanding the professional practice of architecture. The workshop invited students from the three architecture and design schools in Puerto Rico; Polytechnic University of Puerto Rico, University of Puerto Rico School of Architecture, Pontifical Catholic University of Puerto Rico and the school of Visual Arts in Old San Juan to work together with international architecture collectives Todo porla Praxis from Madrid, Spain; Arquitectura Expandida from Bogotá, Colombia; and FG Studio from New YorkCity in three design-build projects together with the community. The workshop included lectures by the three international architects’ collectives, a design charrette, community presentations, final review, a round table and construction of the interventions from August 31to September 7, 2013.
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Martín-Pastor, Andres, Alicia López-Martínez, and Helena Santos-Calvo. "DIGITAL FABRICATION AND EPHEMERAL ARCHITECTURE: TEACHING INNOVATION IN THE FINAL DEGREE PROJECT FOR THE CREATION OF NEW PROFESSIONAL OPPORTUNITIES." In International Conference on Education and New Learning Technologies. IATED, 2017. http://dx.doi.org/10.21125/edulearn.2017.1830.

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Maigret, Jen, and María Arquero de Alarcón. "Liquid Lines: Synthesizing Perception and Precision." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.41.

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For the designer, imagination travels in the line. Lines can redraw the present, defy conventions, recast new orders and shape the future. Lines establish territorial boundaries, communicate written language and construction intentions yet lines are also fluid. When experienced in the world, lines can be ephemeral and dynamic and inspire a methodological interplay between perception and precision. In this regard, lines are liquid. Conversely, when liquid is represented through the act of drawing lines, a similarly incomplete view is formed. It is within these gaps between time and matter or certainty and precision, that lines can reveal opportunities for design. By slipping into a mindset that crosses, tests, traces and inhabits lines, then the limits of what is “in” or “out” and “here” versus “there” melt away. Instead, this paper positions an attitude toward design that revels in contingency and speculates on the temporal and material qualities that make architecture a thriving component of the dynamic, built environment. To illustrate these ambitions, this paper revisits the lost disciplinary legacy of the term disegno and explores contemporary ideas emerging from the consideration of “atmosphere” in the formulation of architectural ideas. Three projects illustrate this proposition and draw “liquid lines” to produce conditions of “both and” by practicing expanded perception and dynamic precision.
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Dashti, Hussain. "Robotic Fabrication as Catalysts for Emergent Topologies and Traditions: Nomadic Small Pavilions and Permanent Mega Structures in Kuwait." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0015.

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This paper reviews tendencies and drives for future parametric computational design and robotic fabrication/construction automation. It sheds light on the local current impact of the computational paradigm and mass-customized robotic fabrication in Kuwait. This paper is intended to answer the following two questions: Is parametric design and robotic fabrication allowing for emergent architectural topologies? Is robotic fabrication a catalyst for legitimizing change in architectural traditions at a local level? This has been experimented on two building scales. One with more ephemeral or transient nomadic pavilions, designed by the author, intended to demand our momentary attention, offering essential opportunities for research, experimentation, heuristic testing and prototyping - public delight and exposure. Though impermanent, these can even go so far as to be catalysts for positive change displaying affirmative qualities of temporal architecture. On the other hand, the author shares parametric design and robotic fabrication practices/consultation on local permanent mega structures currently under construction. Such mega buildings act as proof that geometrically complex buildings do not stay in the realm of small experimental and heuristic research only, but incorporated in large-scale complex building, branding and placing countries on the global map. Robotic fabrication and construction gives rise to new paradigms such as "zero-tolerance" building with "file-to-factory" production allowing for Ruskinian tectonics blending structures with ornamental aesthetics, similar to gothic architecture. With the profusion of robotic fabrication and construction, the author claims that change in the physical built environment is eminent. A final inquiry will be raised as a future research topic pertaining to robotic in-situ "mobility-on-demand", Artificial Intelligence, "Machine Learning", "Big Data" and "evolutionary robotics" which raises the question of what will our future mass-customized cities look like and what type of physical infrastructure is needed to facilitate mobile robotic fabrication and construction.
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Akrida, Eleni C., Leszek Gasieniec, George B. Mertzios, and Paul G. Spirakis. "Ephemeral networks with random availability of links." In SPAA '14: 26th ACM Symposium on Parallelism in Algorithms and Architectures. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2612669.2612693.

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Fonseca, David, Mónica Sánchez-Sepúlveda, Alia Besné, Ernest Redondo, Héctor Zapata, Isidro Navarro, Jaume Pla, Juan Sánchez, and Clara Solà. "Combining BIM systems and Video-Games engines in Educational Ephemeral Urban and Architectural Proposals." In TEEM'20: Eighth International Conference on Technological Ecosystems for Enhancing Multiculturality. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3434780.3436544.

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