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Relevant bibliographies by topics / Ephemeral architecture

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Journal articles

Academic literature on the topic 'Ephemeral architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 June 2025

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Journal articles on the topic "Ephemeral architecture"

1

Budi Santosa, Revianto, Josef Prijotomo, and Murni Rachmawati. "Considering Ephemeral Monuments: Towards a Greener Architectural Theory." Applied Mechanics and Materials 747 (March 2015): 192–97. http://dx.doi.org/10.4028/www.scientific.net/amm.747.192.

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The existence of buildings employing perishable material, however, is often marginalized partly because architecture is primarily understood as permanent structure built to last forever. This notion is heavily supported in Western architectural theory considering “permanence” (or “firmitas” in Vitruvian term) as one of the fundamental characteristics of architecture, especially monumental architecture which is intended to be “eternal”. To construct a permanent architecture, in general, requires greater amount of resources compared to the ephemeral. The marginalization of ephemeral architecture causes the depletion of resources due to the effort to make most of the buildings permanent since only those which withstand the ravage of time are deemed valuable as architecture This paper explores some meaningful pieces of architecture having values of monuments in Java yet they are constructed as ephemeral architecture requiring periodical renewal. The discussion on these ephemeral monuments will focus on the way perishable material is composed, the way renewal actions are conducted and the meaning of the monuments for their people are enhanced by these actions. In the conclusion, some criticism towards mainstream architectural theory is addressed by including ephemerality in the notion of [monumental] architecture so that we may proceed towards greener architectural theory in which the ephemeral has respectable roles.

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2

García Ramírez, William. "Fenómenos de lo efímero. Otras arquitecturas efímeras en Colombia." Arquitecturas del Sur 38, no. 57 (2020): 56–73. http://dx.doi.org/10.22320/07196466.2020.38.057.03.

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3

Wesołowski, Piotr Marek. "Urban acupuncture – ephemeral arrangements of space." BUILDER 284, no. 3 (2021): 44–47. http://dx.doi.org/10.5604/01.3001.0014.7421.

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Development of modern cities, technological progress, reising pace of life, fast-changing fashion and increasing needs of society make the offered urban solutions lose their relevance relatively shortly after their introduction forcing to search for new concepts. In response to those changes, multifunctional, mobile spatial forms are proposed, often with direct possibility of makeing changes. They have been called 'injections' of new ideas and qualities and fall within the definition of 'urban acupuncture'. Usually, the short lifetime of such objects determines cheap, easy to apply solutions. These are ephemeral forms: temporary, short-lived, corresponding to the needs of a specific place at a specific moment. Temporary actions are a form of provocation, it forces you to look at a known place from a different perspective. These types of interventions are aimed to improve or suggesting of the necessity to improve the quality of existing public space, architecture and its health. Text is based on analysis of documents: available scientific studies, documented examples of architectural and artistic solutions, as well as comments and observations relating to these realizations. Submitting this topic to theoretical reflection is aimed to draw attention to selected issues linking architecture with art in the context of 'city acupuncture', understood as spatial realizations and intervention projects in 'sick' areas of architecture. The text discusses the characteristics of temporary architecture and art in public spaces in the context of revitalization activities.

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4

Coar, Lancelot. "The Lasting Meaning in Ephemeral Architecture." Design Principles and Practices: An International Journal—Annual Review 5, no. 6 (2011): 667–78. http://dx.doi.org/10.18848/1833-1874/cgp/v05i06/38252.

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5

Tagliabue, Benedetta. "Barcelona Reset: Circuit of Ephemeral Architecture." Architectural Design 85, no. 3 (2015): 64–71. http://dx.doi.org/10.1002/ad.1902.

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6

Petrova, Miroslava. "Design for Ephemerality – Idiosyncrasy and Challenges." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 259–72. http://dx.doi.org/10.18844/prosoc.v4i11.2882.

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Lying at the intersection between architecture, art and design, ephemeral spaces are intentionally developed to exist only for a short period of time, to be destroyed or cease to exist at a given moment. The specific nature of temporary environments requires a different design approach in regard to concept development, choice of materials, constructive solutions, visual perception and spatial experience.The aim of the research is to explore the potential of ephemeral spaces for redefining the architectural boundaries and their heuristic significance for the future development of the design field. Following this objective, the factors for the proliferation of these spaces are studied and a typology in terms of their contextual ephemerality is developed. The research method is based on the structural and semiotic analysis of purposefully selected archetypal examples through which the key characteristics distinguishing ephemeral spaces from permanent ones are discovered. In conclusion, implications on how to teach design students to deal with the inherent dialectics in ephemeral spaces and how to design for ephemerality are discussed. Keywords: Ephemeral spaces, spatial experience, design education.

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7

Fowler, Michael. "The Ephemeral Architecture of Stockhausen’s Pole für 2." Organised Sound 15, no. 03 (2010): 185–97. http://dx.doi.org/10.1017/s1355771810000269.

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8

Karabašević, Anđela. "Atmospheric dimensions of architecture." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 179–92. http://dx.doi.org/10.5937/saj1602179k.

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This paper proposes four methodological tools for investigating architectural atmospheres: objective experience, holistic measure, computational simulation and atmospheric visualization. These tools have emerged from a broader PhD research agenda based on the hypothesis that ephemeral effects of light, heat, sound, odor, carried on or in the air, present a scientific basis for precise construction of atmospheres in architecture. By describing my own atmospheric methodology over a series of individual case studies, I will argue that architectural atmospheres can be scientifically investigated and precisely constructed, and that atmospheric approach to architectural research and design offers new invaluable knowledge about the invisible aerial behaviors that determine basic human experience of space.

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9

Redford, Scott. "Portable Palaces: On the Circulation of Objects and Ideas about Architecture in Medieval Anatolia and Mesopotamia." Medieval Encounters 18, no. 4-5 (2012): 382–412. http://dx.doi.org/10.1163/15700674-12342117.

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Abstract This essay examines two categories of portable objects: ceramics and ephemeral architecture (such as tents, palanquins, litters) for clues to the transmission of ideas about palatial architecture and the creation of a shared taste for a certain kind of palatial form and decoration between Christian and Muslim states whose artistic production is usually considered separately. The time period investigated is the twelfth to fourteenth centuries, and the geographical area investigated spans Constantinople, Anatolia and northern Mesopotamia. Without denying the importance of traveling craftsmen as vectors for artistic exchange, this essay argues that portable objects and portable or ephemeral architecture helped create the taste and demand for a supranational palatial architecture.

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10

Felgendreher, Daniel. "Soft, Sexy, Fantastic. Inflating public space." Journal of Public Space, Vol. 3 n. 2 | 2018 | FULL ISSUE (August 31, 2018): 41–74. http://dx.doi.org/10.32891/jps.v3i2.1109.

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Plastique Fantastique has been operating as a platform for temporary architecture at the interface between art, architecture and urban practice since its founding 1999 in Berlin. Influenced by the unique cultural and spatial conditions that made Berlin a laboratory for testing new ways of acting in public space at the time, the studio has specialised in creating immersive, pneumatic installations made of plastic film as mutant, low energy architectures for ephemeral activities. With their temporary urban interventions they intend to involve citizens in creative processes provoking them to activate, and enjoy public space.

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