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Journal articles on the topic 'Ephemeral architecture'

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1

Budi Santosa, Revianto, Josef Prijotomo, and Murni Rachmawati. "Considering Ephemeral Monuments: Towards a Greener Architectural Theory." Applied Mechanics and Materials 747 (March 2015): 192–97. http://dx.doi.org/10.4028/www.scientific.net/amm.747.192.

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The existence of buildings employing perishable material, however, is often marginalized partly because architecture is primarily understood as permanent structure built to last forever. This notion is heavily supported in Western architectural theory considering “permanence” (or “firmitas” in Vitruvian term) as one of the fundamental characteristics of architecture, especially monumental architecture which is intended to be “eternal”. To construct a permanent architecture, in general, requires greater amount of resources compared to the ephemeral. The marginalization of ephemeral architecture
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Liotta, Salvator-John, and Fabienne Louyot. "PiR#03 - Ephemeral Architecture." Practices In Research, no. 3 (July 14, 2022): 93–125. https://doi.org/10.5281/zenodo.6973539.

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Vicens Hualde, Ignacio, José Antonio Ramos Abengózar, and Jaime Ramos Alderete. "Ephemeral Religious Architecture—The Visits of the Pope to Madrid." Religions 16, no. 4 (2025): 500. https://doi.org/10.3390/rel16040500.

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On the occasion of mass religious events, liturgical ceremonies leave the temple and occupy public space. That is the case of the visits of the Pope or World Youth Days. How does architecture approach the ephemeral construction of this space? What architectural strategies can be used? In the city, the roles are inverted, and the exterior public space becomes an interior delimited by streets and facades that contain the assembly of faithful. How can this urban transformation be “designed”? This article presents several architectural strategies materialized in a series of ephemeral religious arc
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Wesołowski, Piotr Marek. "Urban acupuncture – ephemeral arrangements of space." BUILDER 284, no. 3 (2021): 44–47. http://dx.doi.org/10.5604/01.3001.0014.7421.

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Development of modern cities, technological progress, reising pace of life, fast-changing fashion and increasing needs of society make the offered urban solutions lose their relevance relatively shortly after their introduction forcing to search for new concepts. In response to those changes, multifunctional, mobile spatial forms are proposed, often with direct possibility of makeing changes. They have been called 'injections' of new ideas and qualities and fall within the definition of 'urban acupuncture'. Usually, the short lifetime of such objects determines cheap, easy to apply solutions.
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Coar, Lancelot. "The Lasting Meaning in Ephemeral Architecture." Design Principles and Practices: An International Journal—Annual Review 5, no. 6 (2011): 667–78. http://dx.doi.org/10.18848/1833-1874/cgp/v05i06/38252.

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Tagliabue, Benedetta. "Barcelona Reset: Circuit of Ephemeral Architecture." Architectural Design 85, no. 3 (2015): 64–71. http://dx.doi.org/10.1002/ad.1902.

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García Ramírez, William. "Fenómenos de lo efímero. Otras arquitecturas efímeras en Colombia." Arquitecturas del Sur 38, no. 57 (2020): 56–73. http://dx.doi.org/10.22320/07196466.2020.38.057.03.

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Lüley, Marek. "Ephemeral occupancies: Non-linear approach to adaptable architecture." Architecture Papers of the Faculty of Architecture and Design STU 28, no. 2 (2023): 30–38. http://dx.doi.org/10.2478/alfa-2023-0010.

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Abstract When dealing with the daily demands of a sustainable approach in architecture and the rapid development of society, we must accept change and time as an integral part of a building system. An adaptable approach understands architecture as a non-linear process which enables a dynamic response to changing environmental and contextual conditions with the aim to extend the life of a building. The application of adaptability is as ambivalent as the term itself. Therefore, the paper opens a discussion on different perceptions of adaptability in architecture. Adaptability cannot be only unde
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Petrova, Miroslava. "Design for Ephemerality – Idiosyncrasy and Challenges." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 259–72. http://dx.doi.org/10.18844/prosoc.v4i11.2882.

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Lying at the intersection between architecture, art and design, ephemeral spaces are intentionally developed to exist only for a short period of time, to be destroyed or cease to exist at a given moment. The specific nature of temporary environments requires a different design approach in regard to concept development, choice of materials, constructive solutions, visual perception and spatial experience.The aim of the research is to explore the potential of ephemeral spaces for redefining the architectural boundaries and their heuristic significance for the future development of the design fie
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Zorzetto, Alessandro, Ángela Barrios Padura, Marta Molina Huelva, and Mauro Marzo. "POETICS OF REUSE OF THE HISTORICAL HERITAGE: THREE CASE STUDIES OF EPHEMERAL ARCHITECTURE IN VENICE." JOURNAL OF ARCHITECTURE AND URBANISM 46, no. 2 (2022): 107–16. http://dx.doi.org/10.3846/jau.2022.17078.

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The archetype of the vessel, declined ontologically as heterotopia and etymologically as trait d’union of a community, becomes the pretext to propose the restoration of Venice’s citizenship through a “poetics of reuse”. The relationship between ephemeral architecture and historical heritage is analysed according to the three criteria identified by Pierre Pinon. The concept of reutilisation is declined through building materials. Reconversion is identified through examples of radical change of use of historic military buildings. Reappropriation is associated with the temporary expansion of the
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Almirón Cuentas, Juan Alberto, and David Hugo Bernedo-Moreira. "Ephemeral Architecture as a Solution in the Evolution of Public Spaces." Land and Architecture 2 (December 30, 2023): 51. https://doi.org/10.56294/la202351.

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The article aims to describe the empirical and conceptual production on the lack of ephemeral architecture in public spaces, as well as to provide a vision on the subject that will serve as a tool for future research.Methodology: An exhaustive narrative review of the available scientific literature was carried out using databases such as Scopus, Scielo and Google Scholar. The search covered articles published between 2020 and 2023, excluding certain types of publications such as interviews and letters to the editor. Twenty articles were initially identified, from which 12 relevant articles wer
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Redford, Scott. "Portable Palaces: On the Circulation of Objects and Ideas about Architecture in Medieval Anatolia and Mesopotamia." Medieval Encounters 18, no. 4-5 (2012): 382–412. http://dx.doi.org/10.1163/15700674-12342117.

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Abstract This essay examines two categories of portable objects: ceramics and ephemeral architecture (such as tents, palanquins, litters) for clues to the transmission of ideas about palatial architecture and the creation of a shared taste for a certain kind of palatial form and decoration between Christian and Muslim states whose artistic production is usually considered separately. The time period investigated is the twelfth to fourteenth centuries, and the geographical area investigated spans Constantinople, Anatolia and northern Mesopotamia. Without denying the importance of traveling craf
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Karabašević, Anđela. "Atmospheric dimensions of architecture." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 179–92. http://dx.doi.org/10.5937/saj1602179k.

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This paper proposes four methodological tools for investigating architectural atmospheres: objective experience, holistic measure, computational simulation and atmospheric visualization. These tools have emerged from a broader PhD research agenda based on the hypothesis that ephemeral effects of light, heat, sound, odor, carried on or in the air, present a scientific basis for precise construction of atmospheres in architecture. By describing my own atmospheric methodology over a series of individual case studies, I will argue that architectural atmospheres can be scientifically investigated a
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Fowler, Michael. "The Ephemeral Architecture of Stockhausen’s Pole für 2." Organised Sound 15, no. 03 (2010): 185–97. http://dx.doi.org/10.1017/s1355771810000269.

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Padilla Galicia, Sergio, Elizabeth Espinosa Dorantes, and Maruja Redondo Gómez. "Urban planning and ephemeral architecture: three universal exhibitions." UN AÑO DE DISEÑARTE MM1, no. 24 (September 24, 2022): 36–55. http://dx.doi.org/10.24275/issn.2954-3770.n24.a51.

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Gabriela, de la Piedra. "Lo efímero es arquitectura = The ephemeral is architecture." rita_ Revista Indexada de Textos Académicos, no. 16 (October 31, 2021): 146–49. https://doi.org/10.24192/2386-7027(2021)(v16)(13).

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El tinglado numero 2 fui construido en 1911 como parte de un conjunto de 6 edificios, bodegones cerrados con estructura de acero que fueron utilizados para guardar la mercancía que llegaba a puerto; edificio modernistas con un interés patrimonial y estratégico para la ciudad, después de años de abandono la firma RELLAM ha realizado una intervención efímera, elegante y consistente que permite que esta obra pueda ser utilizada por todos como una plaza articuladora de vistas y acciones entre el mar y la ciudad a la espera de la restauración
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Gutiérrez-Monroy, Tania. "Bodies, Shawls, and Train Cars: Women and the Traveling Homes of the Mexican Revolution." Buildings & Landscapes: Journal of the Vernacular Architecture Forum 30, no. 1-2 (2023): 36–58. http://dx.doi.org/10.1353/bdl.2023.a911883.

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abstract: This article examines the ephemeral architectures and the place-making practices of the women in charge of building the mobile dwellings of military columns during the early twentieth-century Mexican Revolution. During this decade-long civil war, federal and rebel armies mobilized throughout Mexico and were heavily dependent on the services provided by the crowds of working-class women who traveled with them. Better known as soldaderas , these camp followers cared for the daily necessities of cooking, laundry, and health care for soldiers, while also creating ephemeral dwellings for
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Chattopadhyay, Swati. "Ephemeral by design." Architectural Research Quarterly 26, no. 1 (2022): 30–46. http://dx.doi.org/10.1017/s1359135522000215.

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Between the months of September and October, Kolkata celebrates the Hindu religious festival of Durgapuja on a grand scale. Organised by local clubs and neighbourhood voluntary associations, approximately 2,500 temporary structures – pandals – are built for the worship or puja of the goddess Durga and her entourage. Of these about two thousand occupy the city’s public spaces: streets, parks, green islands, and vacant lots. A large number of the pandals are finely engineered structures that are fabulously decorated and attract hundreds of thousands of visitors each day of the festivities. It ta
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Felgendreher, Daniel. "Soft, Sexy, Fantastic. Inflating public space." Journal of Public Space, Vol. 3 n. 2 | 2018 | FULL ISSUE (August 31, 2018): 41–74. http://dx.doi.org/10.32891/jps.v3i2.1109.

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Plastique Fantastique has been operating as a platform for temporary architecture at the interface between art, architecture and urban practice since its founding 1999 in Berlin. Influenced by the unique cultural and spatial conditions that made Berlin a laboratory for testing new ways of acting in public space at the time, the studio has specialised in creating immersive, pneumatic installations made of plastic film as mutant, low energy architectures for ephemeral activities. With their temporary urban interventions they intend to involve citizens in creative processes provoking them to acti
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Lizondo Sevilla, Laura, José Santatecla Fayos, and Nuria Salvador Luján. "Mies en Bruselas 1934. Síntesis de una arquitectura expositiva no construida." VLC arquitectura. Research Journal 3, no. 1 (2016): 29. http://dx.doi.org/10.4995/vlc.2016.4142.

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<p>The article delves into the complex world of exhibition architectures, those whose destiny is reduced to be mounted, exposed and dismantled in a short period of time. A process that allows a quick experience of architecture, bounded in time, and whose experimentation gives rise to the birth of new concepts. The text focuses on the German Pavilion designed by Mies van der Rohe for the Brussels World’s Fair of 1934, his only unbuilt ephemeral architecture due to the political uniqueness of the moment. Now, criticism and the archive allow us to reinterpret its contribution to the history
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Meka, Janakiram. "Best Practices for Implementing Zero Trust in Enterprise Kubernetes Clusters." European Journal of Computer Science and Information Technology 13, no. 33 (2025): 93–103. https://doi.org/10.37745/ejcsit.2013/vol13n3393103.

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This article presents comprehensive guidance for implementing Zero Trust security architecture in enterprise Kubernetes environments. Drawing from real-world implementation experiences at SAP Labs, it addresses the security challenges inherent in the dynamic, ephemeral nature of containerized workloads. The framework established spans five critical domains: Role-Based Access Control, service mesh integration for secure pod communication, workload segmentation strategies, and policy-as-code enforcement. Each domain is explored with practical implementation patterns and organizational adoption c
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Tucci, Pier Luigi. "EPHEMERAL ARCHITECTURE AND ROMANITÀ IN THE FASCIST ERA: A ROYAL-IMPERIAL TRIBUNE FOR HITLER AND MUSSOLINI IN ROME." Papers of the British School at Rome 88 (June 4, 2020): 297–341. http://dx.doi.org/10.1017/s0068246220000069.

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Ephemeral architecture was the antithesis of the permanent buildings typical of the ‘Fascism of stone’, and yet many architects took advantage of this paradox to create an imaginary Rome. A widespread use of ephemeral structures was made around 1938, during the Mostra Augustea della Romanità and Hitler's state visit to Italy, in order to support a political programme that marked the totalitarian turn in the Fascist regime after the foundation of the empire and aimed at strengthening the alliance between Fascist Italy and Nazi Germany. Relying on methodologies of particular relevance to Roman a
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Sansão Fontes, Adriana, Fernando Espósito, and Sergi Arbusà. "Ar-quiteturas. Os infláveis como estratégia de reinterpretação do lugar." Revista Prumo 4, no. 7 (2019): 138–51. http://dx.doi.org/10.24168/revistaprumo.v4i7.1131.

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Architecture, a discipline called to design the living places, usually operates within a logic that has as main objective welcoming human acts. Its status as a built object requires an adequate response not only material, structural, spatial and environmental, but also in meeting the most vital demands of these acts. Art, on the other hand, can respond with almost absolute freedom, uncompromising with the proper habits of living, in which the act of dwelling can be questioned, freeing itself from its responsibilities related to life. This paper presents a clipping of the work of the artistic c
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Nader Manrique, Carlos Alberto, Alex Leandro Perez Perez, Camilo Andres Cifuentes Quin, and Helmut Geofre Ramos Calonge. "Portable Epidemiological Isolation Unit. Ephemeral Architecture for Covid-19 Emergency." Strategic Design Research Journal 13, no. 3 (2020): 401–17. http://dx.doi.org/10.4013/sdrj.2020.133.09.

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In response to the COVID-19 global pandemic, the Colombian Ministry of Science and Technology launched the call for research proposals MinCienciatón. The call invited researchers in different fields, including epidemiology and biomedical design, to present solutions that help mitigate the health emergency produced by the fast spread of the virus worldwide. Among other subjects of interest, the call encouraged researchers to present ideas for the isolation of infected patients and the protection of medical staff. In this context, the LAB[1] was selected to design and produce a Portable Epidemio
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Naqvi, Fatima. "Ephemeral Spaces and Pneumatic Architecture: The Films of Nikolaus Geyrhalter." New German Critique 46, no. 3 (2019): 125–55. http://dx.doi.org/10.1215/0094033x-7727455.

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Abstract The Austrian director Nikolaus Geyrhalter’s films consistently thematize linear perspective as a mode of thought. His documentaries use one-point perspective to draw attention to a scientific habitus, with its studied neutrality and foregrounded objectivity. His “partitive images” home in on the fleeting relation of part to whole, revealing the difficulty of understanding large concepts such as the West or the human species through such supposedly objective images. This article also discusses the connection between Geyrhalter’s photographic mode and sophisticated technological process
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Ribeiro, Isabele Tavares de Andrade. "The Social Role of Flexible Architecture." International Journal of Advanced Engineering Research and Science 9, no. 8 (2022): 024–29. http://dx.doi.org/10.22161/ijaers.98.5.

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The present work focused on case studies about flexible architecture. As case studies, trailers and ephemeral structures of different profiles and applications were analyzed. Throughout the study, it is demonstrated that flexible structures can be solutions that are inserted as alternatives to the reality of homeless people and, thus, flexible architecture can have as a focus on shelter, whether for people in a state of vulnerability on the streets or to care for the homeless after natural disasters, which are increasingly frequent in different parts of the world, including Brazil.
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Prieto Hames, Pablo. "From an Engraving to a Virtual Reconstruction: The 3D Modelling of Maria Amalia of Saxony's Funerary Ceremony in the Cathedral of Barcelona (1761)." International Journal of Humanities and Arts Computing 18, no. 2 (2024): 265–81. http://dx.doi.org/10.3366/ijhac.2024.0336.

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This article discusses a virtual reconstruction of the catafalque and the ephemeral decorations created for the funeral of Maria Amalia of Saxony in the Cathedral of Barcelona in 1761. A combination of a historical-artistic approach and a variety of 3D modelling techniques has made it possible to recreate an ephemeral piece of architecture that, being constructed only for the funerary ceremony, has not lasted over time, such that the work presented here constitutes a novel strategy to promote a better understanding of another element of our cultural legacy.
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Spreafico, Alessandra, and Filiberto Chiabrando. "3D WebGIS for Ephemeral Architecture Documentation and Studies in the Humanities." Heritage 7, no. 2 (2024): 913–47. http://dx.doi.org/10.3390/heritage7020044.

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The documentation and visualization of ephemeral CH, especially for World’s Fairs architecture, remains a neglected endeavor on the global scale. While digital products like 3D models find extensive application in CH, the use of a WebGIS has scarcely been explored in this domain. When a WebGIS is used for CH, it serves to communicate the output of research, not as a tool to support the development of the research itself. Moreover, aspects like procedural development for the creation of a WebGIS platform, its upgrading, and its long-term preservation are key factors for the maintenance of the d
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Antolini, Margherita. "Operational methodology for the reconstruction of Baroque Ephemeral apparatuses: the case study of the funeral apparatus for Cardinal Mazarin in Rome." ACTA IMEKO 11, no. 1 (2022): 9. http://dx.doi.org/10.21014/acta_imeko.v11i1.1083.

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<p>This paper aims to develop a methodology of study of Ephemeral artefacts that takes into consideration all the different aspects of the specific art form that is Ephemeral Baroque Architecture. Through the study of the social and artistic characteristics of this art form, the analysis of a wide range of case studies will help defining some common and recurring features, especially regarding available data (engravings, paintings, manuscripts, etc.) The main goal of the research will be to outline a methodology of approach to the single cases based on reconstruction from text and graphi
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Wheatley, John. "THE SOUND OF ARCHITECTURE." Tempo 61, no. 242 (2007): 11–19. http://dx.doi.org/10.1017/s0040298200000267.

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There is a widespread perception that music and architecture are profoundly dissimilar, far removed from each other in the creative spectrum. While music is regarded as ephemeral, transient, involving vibration, pitch and time – you hear it, you feel it, its beauty is assigned to your memory – the general response to architecture is fundamentally different. Those homogeneous, concrete volumes and solid, three-dimensional forms are thought to occupy a permanent, static and unyielding part of our environment, a constant reminder of its unique presence in time, unrelated to any other art-form. Ar
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Wheatley, John. "THE SOUND OF ARCHITECTURE." Tempo 61, no. 242 (2007): 11–19. http://dx.doi.org/10.1017/s0040298207000265.

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There is a widespread perception that music and architecture are profoundly dissimilar, far removed from each other in the creative spectrum. While music is regarded as ephemeral, transient, involving vibration, pitch and time – you hear it, you feel it, its beauty is assigned to your memory – the general response to architecture is fundamentally different. Those homogeneous, concrete volumes and solid, three-dimensional forms are thought to occupy a permanent, static and unyielding part of our environment, a constant reminder of its unique presence in time, unrelated to any other art-form. Ar
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Minosh, Peter. "Architectural Remnants and Mythical Traces of the Haitian Revolution:." Journal of the Society of Architectural Historians 77, no. 4 (2018): 410–27. http://dx.doi.org/10.1525/jsah.2018.77.4.410.

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In Architectural Remnants and Mythical Traces of the Haitian Revolution: Henri Christophe's Citadelle Laferrière and Sans-Souci Palace, Peter Minosh examines two works of architecture related to the Haitian Revolution: the Citadelle Laferrière and Sans-Souci Palace, built under Henri Christophe, who reigned as the first king of Haiti from 1811 until his death in 1820. No archival records exist regarding the construction of these neoclassical edifices, and even their architects are unknown; all that remain are literary productions and mythical traces. Yet these traces point, productively, to a
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Gin, Matthew. "Staging Sovereignty: Ephemeral Architecture and the Entry of Maria Teresa Rafaela into France, 1745." Journal of the Society of Architectural Historians 83, no. 1 (2024): 29–44. http://dx.doi.org/10.1525/jsah.2024.83.1.29.

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Abstract This article examines the architectural dimensions of the remise, a courtly ceremony that marked the moment when a royal bride departed her homeland to be given into her new husband’s possession. Staged in frontier zones, this ritual was often facilitated by ephemeral structures such as bridges and pavilions that, as part of their ritual function, marked out firm boundaries where none existed before. This study focuses on the remise staged in 1745 on a disputed island, the Isle of Pheasants, for the marriage of Princess Maria Teresa Rafaela of Spain to the French dauphin Louis-Ferdina
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Malaia, Kateryna. "Transforming the Architecture of Food." Journal of the Society of Architectural Historians 80, no. 4 (2021): 460–76. http://dx.doi.org/10.1525/jsah.2021.80.4.460.

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Abstract Transforming the Architecture of Food: From the Soviet to the Post-Soviet Apartment focuses on the changes to urban domestic architecture and food-related spaces—those for eating, cooking, and storage—that occurred parallel to the collapse of the Soviet Union in 1991. In this article, Kateryna Malaia traces a path from standardized Soviet apartment housing built and regulated by the state to the implementation of architectural and spatial solutions by individual apartment dwellers and designers in the post-Soviet years. From the 1980s through the early 2000s, such remodeling projects
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Dobson, Stephen, and Dermot Breslin. "An evolutionary perspective on managing the ephemeral architecture of organisational creativity." International Journal of Business Environment 5, no. 4 (2013): 413. http://dx.doi.org/10.1504/ijbe.2013.052088.

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Widyaevan, Dea Aulia. "Ephemeral Architecture as Socio-spatial Practices in Bintaro’s Modern Market Public Space." Journal of Urban Society's Arts 9, no. 1 (2022): 12–24. http://dx.doi.org/10.24821/jousa.v9i1.6107.

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Ephemeral Architecture as Socio-spatial Practices in Bintaro’s Modern market Public Space. Ephemeral Architecture questions about the idea of permanence on the way we produce architecture. The term ephemeral defines as something temporary, interchangeable, and adaptive. Architecture’s vision should no longer has to be monumental or eternal, but it must be designed to became adaptive in uncertain conditions. This research offers new perspective on how architecture built from the event. The research methods, conducted in practices-based research through a series of workshop and forum group discu
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Gomez-Tone, Hugo C., Marizela Alpaca Chávez, Luana Vásquez Samalvides, and Jorge Martin-Gutierrez. "Introducing Immersive Virtual Reality in the Initial Phases of the Design Process—Case Study: Freshmen Designing Ephemeral Architecture." Buildings 12, no. 5 (2022): 518. http://dx.doi.org/10.3390/buildings12050518.

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Immersive Virtual Reality (IVR) has proven to be an important tool for the exploration and communication of architectural projects prior to their real construction; however, there have been few scientific advances of its use in the understanding, exploration, and definition of architectural space by architecture students in their initial design processes. The purpose of this research is to determine how the use of IVR incorporated in the initial phases of the architectural design process improves, among students, the achievement of three specifics design competencies, and to know the evaluatio
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Sciorra, Joseph. "“The Strange Artistic Genius of This People”: The Ephemeral Art and Impermanent Architecture of Italian Immigrant Catholic Feste." Buildings & Landscapes: Journal of the Vernacular Architecture Forum 30, no. 1-2 (2023): 4–35. http://dx.doi.org/10.1353/bdl.2023.a911882.

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abstract: During the late nineteenth and early twentieth centuries, Italian working-class immigrants in the United States staged religious feste (street feasts) in honor of the Madonna and other Catholic saints to express their beliefs in a socially acceptable, aesthetically pleasing, and recognizable manner. Impermanent edifices and other ephemeral constructions were integral parts of these cultural-religious extravaganzas. Hanging decorative illuminations, elaborate sidewalk altars, freestanding multistoried chapels, and various ambulatory structures were architectural wonders that boldly tr
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Nguyen, Hung, Trang Hoang, and Linh Tran. "Efficient Hardware Implementation of Elliptic-Curve Diffie–Hellman Ephemeral on Curve25519." Electronics 12, no. 21 (2023): 4480. http://dx.doi.org/10.3390/electronics12214480.

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Hardware architecture optimized for implementing the elliptic-curve Diffie–Hellman ephemeral (ECDHE) on 256-bit Montgomery elliptic curves presents unique challenges, particularly for resource-constrained IoT and mobile devices. This work aims to provide an efficient hardware implementation of ECDHE on Curve25519, including a dedicated finite state machine (FSM) designed to handle point multiplication and ECDHE operations, utilizing constant-time algorithms and a unified memory block for resource management. Additionally, we introduce an optimized modular computation unit that covers modular a
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Camacho, David, Carlos Cotta, J. J. Merelo-Guervós, and Francisco Fernández. "Bioinspired Algorithms in Complex Ephemeral Environments." Future Generation Computer Systems 88 (November 2018): 732–34. http://dx.doi.org/10.1016/j.future.2018.07.055.

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Solymosi, Tamas. "Beyond Monuments: Rethinking Heritage Through the Mundane and the Ephemeral in Tokyo." Protection of Cultural Heritage 2, no. 21 (2024): 63–76. https://doi.org/10.35784/odk.6019.

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As global cities rapidly evolve, conventional approaches to architectural heritage conservation struggle to address the complexities of contemporary urban landscapes. This paper critically examines the limitations of the Venice Charter's monument-centric principles in recognizing the cultural significance of vernacular architecture, ephemeral spaces, and community narratives that shape the lived experiences of Tokyo's residents. Grounded in critical heritage theory and ethnographic research, it proposes an alternative set of principles that acknowledge the inherent value of the mundane, the ut
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Rivela, Beatriz, María Teresa Moreira, Iván Muñoz, Joan Rieradevall, and Gumersindo Feijoo. "Life cycle assessment of wood wastes: A case study of ephemeral architecture." Science of The Total Environment 357, no. 1-3 (2006): 1–11. http://dx.doi.org/10.1016/j.scitotenv.2005.04.017.

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von Arx, Serge. "Unfolding the public space:Performing Space or Ephemeral Section of Architecture, PQ 2015." Theatre and Performance Design 2, no. 1-2 (2016): 82–94. http://dx.doi.org/10.1080/23322551.2016.1183351.

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Coetzee, Marina E. "Az édesvízhiány története: Namíbia vízkészletei." Journal of Central European Green Innovation 11, no. 2 (2023): 3–16. http://dx.doi.org/10.33038/jcegi.4847.

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This article introduces the various water resources available to Namibia, an arid country in southern Africa. With low and extremely variable annual rainfall and high evaporation rates, surface water is scarce. Permanent rivers are only found along the southern and northern borders. Ephemeral rivers flow for short periods after thundershowers and few reach the ocean. Many ephemeral rivers sink into the gravelly and sandy riverbeds, where they feed alluvial aquifers. Groundwater is the only water source for about 80% of the territory. Dams were built in ephemeral rivers to create artificial lak
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d'Arcy, Sing. "TheCasetaand the Interior in Seville's Ephemeral City." Interiors 4, no. 1 (2013): 7–30. http://dx.doi.org/10.2752/204191213x13601683874082.

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Soundararajan, Balaji. "Secure Configuration Management for Microservices Architecture." International Journal of Multidisciplinary Research and Growth Evaluation. 1, no. 1 (2020): 110–14. https://doi.org/10.54660/.ijmrge.2020.1.1.110-114.

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Microservices architecture has revolutionized software development by enabling scalable, modular, and resilient applications. Traditional monolithic systems rely on centralized security controls, but microservices’ decentralized architecture is characterized by frequent deployments, horizontal scaling, and containerized environments that exposes vulnerabilities such as misconfigured APIs, insecure secrets, and inconsistent deployment practices. These risks are exacerbated by the rapid evolution of cloud-native technologies, where manual configuration processes and ad-hoc updates create exploit
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Rotman, Diego. "On the architecture of the ephemeral: The Eternal Sukkah of the Jahalin tribe." Journal of Modern Jewish Studies 16, no. 3 (2017): 498–514. http://dx.doi.org/10.1080/14725886.2017.1350336.

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Cifuentes Quin, Camilo Andrés. "Learning from the Fun Palace: Five Lessons for an Ephemeral and Enduring Architecture." Dearq, no. 39 (May 31, 2024): 14–22. http://dx.doi.org/10.18389/dearq39.2024.02.

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En un contexto de crisis ecológica, uno de los grandes desafíos de la arquitectura es ofrecer soluciones sostenibles y durables. El reto es mayor teniendo en cuenta que las sociedades contemporáneas se caracterizan por transformarse de manera permanente. Cedric Price diseñó en los años 1960 el Fun Palace, un edificio que, concebido como un evento temporal, se convirtió en un referente del cual se pueden extraer lecciones para pensar una arquitectura efímera y perdurable. El objetivo del artículo busca identificar en el Fun Palace principios para un ejercicio sostenible de la profesión, en reso
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Rodet, Dries. "PiR#02 - About Conditions." Practices in Research, no. 2 (May 1, 2021): 105–27. https://doi.org/10.5281/zenodo.4727120.

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The seemingly arbitrary traces of nature growing in-between two buildings, the transient density of a fog, the unstable logic of the course of the Mississippi river, the controlled humidity in a botanical greenhouse, the apparent randomness of a set of chairs on a summery terrace.Can architecture focus on what is ephemeral and generate similar conditions? Can a design approach that accepts uncertainty, vagueness and lack of control be developed? Can it be, like nature, conducive to evolution and transformation over time? Truwant + Rodet + wants to investigate architecture that has no clear bou
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Paulino Montero, Elena. "Touching Female Memories in the Purification Funerary Chapel in Burgos (c. 1482–1531)." Nuncius 39, no. 2 (2024): 275–304. http://dx.doi.org/10.1163/18253911-bja10104.

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Abstract Late medieval women were able to promote highly sophisticated funerary ensembles, which included architecture, painting, sculpture, liturgy, textiles, lighting and other ephemeral elements, and to adapt them to their specific ideas and needs. These material and ephemeral elements were manipulated to create complex spaces so as to generate sensory experience. This article will focus on the Purification Chapel in the Cathedral of Burgos (Spain) built by the Countess of Haro, Mencía de Mendoza, at the end of the fifteenth century. We will use art historical analysis to understand the rel
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