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Books on the topic 'Ephemerality'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2025

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1

Ferreri, Mara. The Permanence of Temporary Urbanism. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462984912.

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Temporary urbanism has become a distinctive feature of urban life after the 2008 global financial crisis. This book offers a critical exploration of its emergence and establishment as a seductive discourse and as an entangled field of practice encompassing architecture, visual and performative arts, urban regeneration policies and planning. Drawing on seven years of semi-ethnographic research, it explores the politics of temporariness from a situated analysis of neighbourhood transformation, media representations and wider political and cultural shifts in austerity London. Through a longitudin

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2

Greg, Andonian, Lasker G. E. 1935-, International Institute for Advanced Studies in Systems Research and Cybernetics., and International Conference on Systems Research, Informatics and Cybernetics (10th : 1998 : Baden-Baden, Germany), eds. Advances in systems research and cybernetics: Consciousness--cognition--communication--intelli gence, patterns and forms of life, cognition systems research, language, dispositions, adaptation, emergence and representations, third order cybernetics, quantum theory and evolutionary biology, modeling aquatic ecological systems, architecture and cybernetics, transparency, ephemerality & tectonics in architectural design, poetics, color and kinetics: content & computing, digital-human interface in CAAD, computerized communication of design, a new approach to the examination of musical styles. International Institute for Advanced Studies in Systems Research and Cybernetics, 1999.

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3

Merlehan, Abbie J. Ephemerality. Blurb, 2018.

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4

Merlehan, Abbie J. Ephemerality. Blurb, 2018.

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5

Kelso, Pamela. Ephemerality. Blurb, 2018.

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6

James, Keiran. Ephemerality. Independently Published, 2020.

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7

Merlehan, Abbie J. Ephemerality. Blurb, 2018.

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8

Wang, Ginger. Eternal Ephemerality. Blurb, 2018.

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9

Todd, Cain. Representation and Ephemerality in Olfaction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722304.003.0004.

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Many philosophers have claimed that, unlike vision and audition, olfaction either fails to be representational or is, in various respects, representationally impoverished. In particular, some have argued that olfaction cannot by itself, without being supplemented by other sensory or recognitional capacities, represent material objects and is at best confined to the representation of odours. Construed phenomenologically, I argue that these claims are false, at least for some olfactory experiences and some types of olfactory object. I also suggest that the requirements placed on representation b

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10

Greek Poetry in the Age of Ephemerality. Cambridge University Press, 2023.

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11

Greek Poetry in the Age of Ephemerality. Cambridge University Press, 2023.

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12

Greek Poetry in the Age of Ephemerality. Cambridge University Press, 2023.

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13

Ross, Nathan. Walter Benjamin's First Philosophy: Experience, Ephemerality and Truth. Taylor & Francis Group, 2021.

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14

Ross, Nathan. Walter Benjamin's First Philosophy: Experience, Ephemerality and Truth. Taylor & Francis Group, 2021.

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15

Ross, Nathan. Walter Benjamin's First Philosophy: Experience, Ephemerality and Truth. Taylor & Francis Group, 2021.

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16

Ross, Nathan. Walter Benjamin's First Philosophy: Experience, Ephemerality and Truth. Taylor & Francis Group, 2021.

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17

Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture. Bloomsbury Publishing Plc, 2023.

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18

Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture. I. B. Tauris & Company, Limited, 2016.

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19

Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture. I. B. Tauris & Company, Limited, 2017.

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20

Price, Kameron. Ephemeralism. Lulu Press, Inc., 2021.

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21

Carney, Jason Ray. Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H. P. Lovecraft. McFarland & Company, Incorporated Publishers, 2019.

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22

Sugg, Richard. Shakespeare’s Anatomies of Death. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.12.

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This chapter looks at figurings of death, suicide, bereavement, and the afterlife in Romeo and Juliet, Hamlet, Othello, Macbeth, Antony and Cleopatra, and King Lear. It considers the ways in which these seemingly universal phenomena are shaped and coloured by distinctive early-modern attitudes to gender; the afterlife; honour; and the Christian soul. How does Shakespeare’s language circle around, or break down before, the imagination or the fact of death? How do death, suicide, or bereavement relate to different forms of early modern identity? The sheer ephemerality of the human body is one ke

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23

Ferreri, Mara. The Permanence of Temporary Urbanism. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561759.

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Temporary urbanism has become a distinctive feature of urban life after the 2008 global financial crisis. This book offers a critical exploration of its emergence and establishment as a seductive discourse and as an entangled field of practice encompassing architecture, visual and performative arts, urban regeneration policies and planning. Drawing on seven years of semiethnographic research, it explores the politics of temporariness from a situated analysis of neighbourhood transformation, media representations and wider political and cultural shifts in austerity London. Through a longitudina

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24

Bhattacharya, Sreedeep. Consumerist Encounters. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190125561.001.0001.

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Economic liberalization and globalization in India in the early 1990s resulted in a whirlwind of consumerist activities. New material and visual temptations swept markets, infiltrated consumer minds through media, and aroused inhibited desires. This has engendered a fast-paced and relentless relationship with things and images that permeate our everyday lives. Consumerist Encounters elucidates how our all-consuming relationship with objects and their representations have transformed rapidly over the last few decades in contemporary urban India. It argues that ephemerality, frivolousness, and m

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25

Tunalı, Tijen, and Josepha Wessels, eds. Art Against Authoritarianism in Southwest Asia and North Africa. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9780755650682.

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Over the past decade, there has been a burgeoning interest in the realm of art activism within the Southwest Asia and North Africa region, shedding light on the political implications of aesthetic representation. Nevertheless, a critical inquiry into how political aesthetics can formulate both discernible and imperceptible resistance strategies in response to resurging authoritarianism and counter-revolution after the 2011 uprisings in the region remains conspicuously absent. This book delves into a comprehensive examination of diverse art forms, ranging from street art and cinema to performan

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26

Franko, Mark, ed. The Oxford Handbook of Dance and Reenactment. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.001.0001.

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Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence

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27

Lambert, Erin. Singing the Resurrection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661649.001.0001.

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This book explores the lived experience of belief in Reformation Europe through two distinct yet deeply connected themes: the resurrection of the body and the act of singing. In late medieval Europe, the chanting of the Creed in the context of the Mass implied a universal community of faith that began in the time of Christ and was to endure until the dead were raised at the apocalypse. In the sixteenth century, these bonds were broken. European Christians continued to affirm the Creed’s promise of the universal resurrection of the dead, but they raised their voices in a range of new songs, eac

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28

Kieffer, Alexandra. Debussy's Critics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847241.001.0001.

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Around the turn of the twentieth century, the work of Claude Debussy spurred a reimagining of music and musical listening in which Parisian musicians and intellectuals, informed by recent scientific discourse on affect, perception, and cognition, attempted to articulate a music aesthetics appropriate to the fully embodied, material self of psychological modernism. Important themes in debussyste music criticism are prefigured in the Symbolist wagnérisme of the late 1880s, which elaborated a model of affect and cognition drawn from the empirical psychology of Théodule Ribot. Following the premie

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29

Chan, Eleanor. Syrene Soundes. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197748206.001.0001.

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Abstract False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. Syrene Soundes excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original li

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30

Larson, Katherine R. The Matter of Song in Early Modern England. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843788.001.0001.

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Given the variety and richness of the sixteenth- and seventeenth-century English “songscape,” it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. The Matter of Song in Early Modern England: Texts in and of the Air opens up the notion of song from a performance-based perspective and considers the implications of reading early modern song not simply as lyric text but as embodie

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31

Mugglestone, Lynda. Writing a War of Words. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198870159.001.0001.

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This book is the first exploration of the war-time quest by Andrew Clark to document changes in the English language from the start of World War One up to 1919. It describes Clark as a writer, historian, and long-time volunteer on the first edition of the Oxford English Dictionary. It focusses, however, on Clark’s unique series of lexical scrapbooks — replete with clippings, annotations, and real-time definitions which reveal, in unprecedented detail, his endeavours to record the intricacies of living language history in war-time use. For Clark, the language of great writers was cast aside. In

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32

Grimes, Nicole, and Reuben Phillips, eds. Rethinking Brahms. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197541739.001.0001.

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Abstract As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent

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33

Bishop, Daniel. The Presence of the Past. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190932688.001.0001.

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In the tumultuous era of the late sixties and early seventies, several currents of American art and culture coalesced around a broad sensibility that foregrounded and explored the immediacy of lived experience as both an aesthetic and political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms of temporal alienation and distance. The Presence of the Past explores the implications of this complex moment in Hollywood cin

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34

Saugera, Valérie. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190625542.003.0007.

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The snapshot of the period of linguistic contact revealed in this study expands the definition of an Anglicism, for these Anglicisms, reanalyzed, take on a myriad of French characteristics, which accounts for the title, Remade in France. It is clear from the findings that the case of French Anglicisms is one of complexification: they require the creative application of complex linguistic rules and they continuously change, taking on novel characteristics. This concluding chapter underscores the capacity of global English to augment the lexicon of French (and other European languages) abundantl

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