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Journal articles on the topic 'Ephemerality'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2025

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1

Siddiqi, Anooradha. "Ephemerality." Comparative Studies of South Asia, Africa and the Middle East 40, no. 1 (2020): 24–34. http://dx.doi.org/10.1215/1089201x-8186005.

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Abstract What are the politics of ephemerality? In the United Nations High Commissioner for Refugees establishment at Dadaab, Kenya, a massive complex of refugee camps near the border of Somalia, the visual and architectural terms of ephemerality—a permanent impermanence—transform the act of seeing. By thinking through one refugee's experience and analyzing urbanism, architectural form and symbolism, and spatial-political organization, this essay suggests that ephemerality plays a part in structuring subjectivity, with implications for the narration of history.

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Anderson, Emily Hodgson. "Owning Ephemerality." Eighteenth-Century Life 48, no. 2 (2024): 100–105. http://dx.doi.org/10.1215/00982601-11118352.

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Harmon, Justin. "The ephemerality of community." Annals of Leisure Research 22, no. 1 (2018): 1–4. http://dx.doi.org/10.1080/11745398.2018.1460730.

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4

Sarumi, Kahar Wahab. "Between Ephemerality and Eternality." Journal of Interdisciplinary Studies 34, no. 1 (2022): 147–71. http://dx.doi.org/10.5840/jis2022341/29.

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The question of beauty continues to engage humans, especially intellectuals, who inquire into its quintessence and the sources from which it derives. Does beauty consist in attaining geometric harmony of structure and shape, or in achieving numerical proportion in audio and visual? Or, does beauty transcend all that, to crystalize into an absolute essence that conforms to high values as justice, truth, and goodness? How long does beauty last? Does it terminate at the terrestrial realm or transcend to the celestial? What kind of beauty is essential for the attainment of transcendence and eschatological happiness? Beauty is two-sided, one is transient, the other eternal. This essay examines the concept of beauty in Arabic poetical compositions of Muslim mystics, and explores how they construe beauty and identify its locus vis-à-vis transcendence between ephemerality and eternality as seen in the poems by Ibn al-Farîd and al-Tilimsânî. The former perceives God’s name and attributes as embodiment of absolute beauty, and everything in the universe, as manifestations of the beauty, while the latter argues that every beauty in the universe derives from God’s absolute beauty.

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Petersky, Rose, and Adrian Harpold. "Now you see it, now you don't: a case study of ephemeral snowpacks and soil moisture response in the Great Basin, USA." Hydrology and Earth System Sciences 22, no. 9 (2018): 4891–906. http://dx.doi.org/10.5194/hess-22-4891-2018.

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Abstract. Ephemeral snowpacks, or those that persist for < 60 continuous days, are challenging to observe and model because snow accumulation and ablation occur during the same season. This has left ephemeral snow understudied, despite its widespread extent. Using 328 site years from the Great Basin, we show that ephemeral snowmelt causes a 70-days-earlier soil moisture response than seasonal snowmelt. In addition, deep soil moisture response was more variable in areas with seasonal snowmelt. To understand Great Basin snow distribution, we used MODIS and Snow Data Assimilation System (SNODAS) data to map snow extent. Estimates of maximum continuous snow cover duration from SNODAS consistently overestimated MODIS observations by >25 days in the lowest (<1500 m) and highest (>2500 m) elevations. During this time period snowpack was highly variable. The maximum seasonal snow cover during water years 2005–2014 was 64 % in 2010 and at a minimum of 24 % in 2014. We found that elevation had a strong control on snow ephemerality, and nearly all snowpacks over 2500 m were seasonal except those on south-facing slopes. Additionally, we used SNODAS-derived estimates of solid and liquid precipitation, melt, sublimation, and blowing snow sublimation to define snow ephemerality mechanisms. In warm years, the Great Basin shifts to ephemerally dominant as the rain–snow transition increases in elevation. Given that snow ephemerality is expected to increase as a consequence of climate change, physics-based modeling is needed that can account for the complex energetics of shallow snowpacks in complex terrain. These modeling efforts will need to be supported by field observations of mass and energy and linked to finer remote sensing snow products in order to track ephemeral snow dynamics.

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KONDO, Kazuto. "Controlling the “Ephemerality” of Screens." Japanese Sociological Review 69, no. 4 (2019): 485–501. http://dx.doi.org/10.4057/jsr.69.485.

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Petrova, Miroslava. "Design for Ephemerality – Idiosyncrasy and Challenges." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 259–72. http://dx.doi.org/10.18844/prosoc.v4i11.2882.

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Lying at the intersection between architecture, art and design, ephemeral spaces are intentionally developed to exist only for a short period of time, to be destroyed or cease to exist at a given moment. The specific nature of temporary environments requires a different design approach in regard to concept development, choice of materials, constructive solutions, visual perception and spatial experience.The aim of the research is to explore the potential of ephemeral spaces for redefining the architectural boundaries and their heuristic significance for the future development of the design field. Following this objective, the factors for the proliferation of these spaces are studied and a typology in terms of their contextual ephemerality is developed. The research method is based on the structural and semiotic analysis of purposefully selected archetypal examples through which the key characteristics distinguishing ephemeral spaces from permanent ones are discovered. In conclusion, implications on how to teach design students to deal with the inherent dialectics in ephemeral spaces and how to design for ephemerality are discussed. Keywords: Ephemeral spaces, spatial experience, design education.

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8

Bruce, Caitlin Frances. "Tour 13: From Precarity to Ephemerality." GeoHumanities 2, no. 2 (2016): 432–52. http://dx.doi.org/10.1080/2373566x.2016.1234352.

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9

Bordone, Adrien. "The Ephemerality Of The Snapchat Image." Architecture Image Studies 1, no. 1 (2020): 64–70. https://doi.org/10.62754/ais.v1i1.12.

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In this paper, I thematize the nature of the ephemeral image. This new kind of picture, which became popular across social media through the application Snapchat, offers a peculiar phenomenological experience for the user, which I mainly engage through the recent work of the German philosopher Lambert Wiesing. The main thesis of this work is that ephemeral images appear to their users with a greater degree of presence, enhancing their actuality and orality, and developing our memory capabilities.

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10

Hall, Daniel. "Exploring wine knowledge, aesthetics and ephemerality: clustering consumers." International Journal of Wine Business Research 28, no. 2 (2016): 134–53. http://dx.doi.org/10.1108/ijwbr-09-2015-0044.

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Purpose The purpose of this paper is to investigate the relationship between consumer wine knowledge and the aesthetics and ephemerality of wine consumption. Design/methodology/approach A survey of 254 respondents for questions relating to objective wine knowledge and frequency of wine consumption, as well as the aesthetics and ephemerality of wine consumption was conducted. Clustering analysis was used to produce four discrete consumer clusters that provide insight into Berthon et al.’s (2009) aesthetic and ontology (AO) framework for the consumption of luxury wine brands. Findings The paper finds that four clusters of wine consumers can be identified that exhibit common characteristics outlined in the AO framework. Practical implications By clustering consumers and mapping these clusters, the AO framework provides wine marketers with a useful tool to segment the luxury wine market and to develop and deploy tailored wine marketing strategies to target each segment effectively. Originality/value This study is one of the first to investigate the relationship between consumer wine knowledge, aesthetics and ephemerality. It offers luxury wine marketers useful insights into targeting wine consumers according to their common characteristics.

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Rush, Dana. "Ephemerality and the “Unfinished” in Vodun Aesthetics." African Arts 43, no. 1 (2010): 60–75. http://dx.doi.org/10.1162/afar.2010.43.1.60.

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Harlan, H. William. "The aesthetics and ephemerality of luxury wine." International Journal of Wine Business Research 28, no. 2 (2016): 102–4. http://dx.doi.org/10.1108/ijwbr-02-2016-0003.

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Cameron, Laura, and Matt Rogalsky. "Conserving Rainforest 4: aural geographies and ephemerality." Social & Cultural Geography 7, no. 6 (2006): 909–26. http://dx.doi.org/10.1080/14649360601055847.

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ANDERSON, R., and C. BARTLETT. "Ephemerality and reproductive senescence in avian filarioids." Parasitology Today 10, no. 1 (1994): 33–35. http://dx.doi.org/10.1016/0169-4758(94)90356-5.

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Egert-Berg, Katya, Edward R. Hurme, Stefan Greif, et al. "Resource Ephemerality Drives Social Foraging in Bats." Current Biology 28, no. 22 (2018): 3667–73. http://dx.doi.org/10.1016/j.cub.2018.09.064.

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Egert-Berg, Katya, Edward R. Hurme, Stefan Greif, et al. "Resource Ephemerality Drives Social Foraging in Bats." Current Biology 28, no. 22 (2018): 3667–73. https://doi.org/10.5281/zenodo.14815193.

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Lehrer, Christiane, Ioanna Constantiou, Christian Matt, and Thomas Hess. "How Ephemerality Features Affect User Engagement with Social Media Platforms." MIS Quarterly 47, no. 4 (2023): 1663–78. http://dx.doi.org/10.25300/misq/2023/17085.

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User engagement, a key factor in the success of social media platforms, has long been based on permanent content. A recent paradigm shift in platform design has led large social media providers to implement ephemerality features that by default make shared content disappear after a certain amount of time. However, very little is known about how ephemerality features affect user engagement and behavior in social media. Drawing upon the technology affordance perspective, we conducted a qualitative multimethod study involving individual interviews and focus groups. Our findings show that the affordances arising from features with varying degrees of ephemerality (i.e., snaps and stories) differ from those of permanent content features in terms of self-presentation, browsing others’ content, and communication. Adopting a multidimensional conceptualization of user engagement, we show the positive (e.g., more content sharing) and negative (e.g., cognitive burden from context loss) effects for snaps and stories that should be cautiously considered by social media platforms aiming to introduce such features. Finally, we reveal new user behaviors that relate to sharing snapshots of fleeting value as snaps or experiences of transient value as stories.

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Dias, José Silveira, and Dulce Loução. "POP UP THE EPHEMERALITY LOOKING FOR ITS DESIGN." IJASOS- International E-journal of Advances in Social Sciences 1, no. 3 (2015): 322. http://dx.doi.org/10.18769/ijasos.52801.

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19

Bertelsen, Bjørn Enge. "Effervescence and Ephemerality: Popular Urban Uprisings in Mozambique." Ethnos 81, no. 1 (2014): 25–52. http://dx.doi.org/10.1080/00141844.2014.929596.

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20

Szacka, Léa-Catherine. "Insight: life, death, and ephemerality of Postmodern Architecture." Architectural Research Quarterly 22, no. 3 (2018): 271–74. http://dx.doi.org/10.1017/s1359135518000659.

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In De Arquitectura, Vitruvius lists three interrelated Latin terms – firmitas (strength or structural stability), utilitas (functionality or appropriate spatial accommodation), and venustas (beauty or attractive appearance), as being the basis of good architecture. Regarding firmitas, he implies that a good architect needs to choose the best and most solid materials, regardless of their cost. Yet, perhaps dismissing Vitruvius's advice, in the late 1970s and early 1980s, most Postmodern architects went on to erect buildings that often looked more like stage sets than anything strong and durable.Postmodern designers applied colour, pattern, and ornament to buildings, transferring ordinary and everyday popular imagery, forms, and material into high culture. By rejecting modern design and aesthetics, they also dismissed the building techniques and materials used by their predecessors. As explained by experts from the Portland-based architecture firm Peter Meijer Architect, PC (PMA), ‘there is an inherent impermanence of the original materials based on a default decision making process that limited a building's longevity to a twenty-five year life-cycle’ for Postmodern architecture. In other words, Postmodern buildings were often built as ephemeral constructions, for which longevity was not an absolute value.

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Massey, Anne, and John Turpin. "Degrees of Ephemerality: The Temporary Interior–An Introduction." Interiors 4, no. 1 (2013): 5–6. http://dx.doi.org/10.2752/204191213x13601683874055.

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22

Nacher, Anna. "Recording Orality: Vocalization as Ephemerality, Materialization and Meaning." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 2 (2018): 75–85. http://dx.doi.org/10.14195/2182-8830_6-2_6.

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In my paper, I aim at exploring specific materializations of ephemerality and meaning through the recording of vocal expression. A case study is supplied by joik and joiking, a traditional form of singing by the Sami people of northern Scandinavia and Kola Peninsula. Believed to be one of the oldest music traditions of Europe, joik is not so much a way of “singing about” as it is rather the form of embodying a landscape, a person or an animal through vocally evoking their most specific characteristics thus binding the performer and his/her environment (both in terms of that which particular song is referring to and the immediate situation of the performance where the joiker relies on the ability of the audience to decipher the meaning). A focus on the particular joik, Renhjorden på Oulavuolie (Reindeers from Oulavuolie) by Nils Mattias Andersson shows the specificity of recorded vocalization as the practice of ambivalent materialization of meaning — elusive yet tangible enough to let the audience grasp the sense of place.

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23

Grandin, Jakob, and Siddharth Sareen. "What sticks? Ephemerality, permanence and local transition pathways." Environmental Innovation and Societal Transitions 36 (September 2020): 72–82. http://dx.doi.org/10.1016/j.eist.2020.04.008.

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24

Scandella, Benjamin P., Liam Pillsbury, Thomas Weber, Carolyn Ruppel, Harold F. Hemond, and Ruben Juanes. "Ephemerality of discrete methane vents in lake sediments." Geophysical Research Letters 43, no. 9 (2016): 4374–81. http://dx.doi.org/10.1002/2016gl068668.

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ESPEJO BLASQUEZ, Luciene Yeziret, Riho KONDO, and Ryo MURATA. "EPHEMERALITY OF STREET SURFACE OF OMOTESANDO IN TOKYO." Journal of Architecture and Planning (Transactions of AIJ) 88, no. 811 (2023): 2495–504. http://dx.doi.org/10.3130/aija.88.2495.

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26

Beavers, Herman. "Ephemerality and the Ethics of Public Humanities Scholarship." PMLA/Publications of the Modern Language Association of America 140, no. 1 (2025): 118–25. https://doi.org/10.1632/s0030812925000045.

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Angello, Aaron. "To Archive or Not to Archive: The Resistant Potential of Digital Poetry." Text Matters, no. 5 (November 17, 2015): 13–27. http://dx.doi.org/10.1515/texmat-2015-0002.

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This essay addresses the much discussed problem of archiving digital poetry. Digital media are labile, and several writers of digital poetry are incorporating the media’s ephemerality into their poetics. Rather than rehash arguments that have been taking place within the field of digital media and digital poetics for years, I turn to the field of contemporary art curation and preservation, a field in which curators and archivists are struggling with the very immediate concerns, ethical and otherwise, related to archiving works that are made from ephemeral media. One particular digital poem that has recently broken, has recently become unreadable, is Talan Memmott’s Lexia to Perplexia. Memmott composed the poem in 2000, and he incorporated the poem’s inevitable obsolescence into the text of the poem itself. He has since refused to “fix” or “update” the poem, because he contends that that would make it something other than what it was intended to be. Rather, he is choosing to let the poem die because that is what the poem is supposed to do. This essay concludes with a discussion of the political implications of acknowledging the ephemerality of digital media, the resistant potential of the poem when its ephemerality is embraced, and some ways in which archivists can preserve the memory of the poem without necessarily preserving the poem itself.

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Jeffery, Celina. "From the Shore to the Coast: Curating the Front Line of Climate Change." Journal of Curatorial Studies 9, no. 2 (2020): 230–47. http://dx.doi.org/10.1386/jcs_00022_1.

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Ephemeral Coast (2015‐present; ephemeralcoast.com) is a curatorial research initiative by the author that identifies the coastline as a site and indicator of the radical shifts in geography that are literally taking place in the ocean as a result of the Anthropocene. This article discusses how exhibitions and events associated with the project have considered ephemerality as a poignant curatorial concept within and through which to consider the vanishing of healthy coastal regions. In creating a comparison with other exhibitions that address the climate crisis and related environmental devastation, it argues that the kinds of local, place-based and interdisciplinary curatorial research involved in this project allow for a reconsideration of the Anthropocene epoch as more of a ‘boundary’ event, which necessitates crossing disciplinary divides and questioning the development of new models of understanding and counteraction based upon curatorial engagement with ephemerality.

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Baldini, Andrea. "The Nanjing Massacre Memorial and Angelus Novus: Ephemera, Trauma, and Reparation in Contemporary Chinese Public Art." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 15, no. 1 (2022): 55–67. http://dx.doi.org/10.36253/aisthesis-13581.

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What is the nature of memorials? Traditionally, memorials have been conceptualized as lasting entities preserving memories of our shared pasts. This paper challenges this view. My aim is to retheorize our practices of memorialization by examining the role that ephemerality plays in experiential memorials. Rather than fixed structures of meaning, experiential memorials are unstable careers whose significance depends on viewers’ performative engagement. I provide evidence for my thesis by developing a critical interpretation of Qi Kang’s Nanjing Massacre Memorial Hall (NMMH) as an example of experiential memorial. The fragmented nature of the here and now frees visitors’ experiences. Like the wind propelling Benjamin’s Angelus Novus into future and progress, the ephemerality of NMMH’s experience unchains its significance from the constriction of dominant narratives of vengeance and resentment. If liberated temporally, the experience of memorials may help us not only to never forget, but also to find reconciliation.

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Parguel, Béatrice, Thierry Delécolle, and Aïda Mimouni Chaabane. "Does Fashionization Impede Luxury Brands’ CSR Image?" Sustainability 12, no. 1 (2020): 428. http://dx.doi.org/10.3390/su12010428.

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To sustain their growth worldwide, luxury brands are increasingly adopting the codes of fast fashion. They continually introduce new designs that move quickly from the catwalk to stores to stay on-trend, resulting in short and constantly renewed collections. But does this fashionization impede luxury brands’ Corporate Social Responsibility (CSR) image? This article investigates this question building on the ephemerality–scarcity dual-route model. Findings from a first experiment involving a fictitious luxury brand show that fashionization increases both perceptions of ephemerality (negative route) and scarcity (positive route), with opposing resulting effects on the brand’s CSR image. Extending these results to a real-life luxury setting, findings from a second experiment show that the influence of fashionization on the brand’s CSR image is only mediated by the positive scarcity route. This study provides a number of noteworthy theoretical insights and relevant managerial implications for luxury managers involved in CSR communication.

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Dale, Pete. "Slampt, the ‘fans’ and ephemerality: Punk, subject and object." Punk & Post Punk 10, no. 2 (2021): 291–305. http://dx.doi.org/10.1386/punk_00084_1.

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Slampt Underground Organisation was conceived in 1992 by Rachel Holborow and Pete Dale, issuing music, fanzines and ephemera from then until 2000. Perceived as a record label, Slampt sold tens of thousands of units and seems to have had a significant impact on particular individuals who might or might not be best described as ‘fans’. This article uses the author’s archives and reflections to collate detail, much of it not publically available before, about a label/distributor/organization, which has already been a point of interest to several researchers and journalists but which is nonetheless unknown to most, even in punk-related music scenes, in the present century. The author, as one half of Slampt’s de facto leading partnership, reveals that this status as a largely forgotten arm of 1990s UK punk is not entirely accidental: Dale and Holborow actively believed in ephemerality as an ideal, particularly in punk. Using this case as a starting point, the article asks whether punk really ought to be as fixated on documenting its past, finding its place in museums/galleries and gaining recognition in rock history. Is punk about collectible objects, about a particular mode of subjectivity or, perhaps, about a phenomenological combination of the two? The irony of the author writing the article at this time is acknowledged: Slampt is being written back in to punk history, even if only in the margins, through the act of publishing this piece. Nonetheless, the article is based around the assumption that the present and the future will always be more important than the past.

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Rose. "Postapartheid Ephemerality in Marlene van Niekerk’s Triomf." Research in African Literatures 51, no. 4 (2021): 211. http://dx.doi.org/10.2979/reseafrilite.51.4.12.

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Rosenberg, Shoshana, and Megan Sharp. "Documenting queer(ed) punk histories: Instagram, archives and ephemerality." Queer Studies in Media & Popular Culture 3, no. 2 (2018): 159–74. http://dx.doi.org/10.1386/qsmpc.3.2.159_1.

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Berthon, Pierre, Leyland Pitt, Michael Parent, and Jean-Paul Berthon. "Aesthetics and Ephemerality: Observing and Preserving the Luxury Brand." California Management Review 52, no. 1 (2009): 45–66. http://dx.doi.org/10.1525/cmr.2009.52.1.45.

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Park, Sora. "FOMO, Ephemerality, and Online Social Interactions among Young People." East Asian Science, Technology and Society 12, no. 4 (2018): 439–58. http://dx.doi.org/10.1215/18752160-7218675.

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Hafeli, Mary, and Sohee Koo. "Chasing ephemerality: Notes on doctoral mentoring and artistic collaboration." Visual Inquiry 5, no. 3 (2016): 291–305. http://dx.doi.org/10.1386/vi.5.3.291_1.

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Newman, Ian, and Gillian Russell. "Metropolitan Songs and Songsters: Ephemerality in the World City." Studies in Romanticism 58, no. 4 (2019): 429–49. http://dx.doi.org/10.1353/srm.2019.0034.

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Cutter, Asher D. "Repeatability, ephemerality and inconvenient truths in the speciation process." Molecular Ecology 24, no. 8 (2015): 1643–44. http://dx.doi.org/10.1111/mec.13163.

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Bastos, Marco, Shawn Walker, and Michael Simeone. "The IMPED Model: Detecting Low-Quality Information in Social Media." American Behavioral Scientist 65, no. 6 (2021): 863–83. http://dx.doi.org/10.1177/0002764221989776.

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This article introduces a model for detecting low-quality information we refer to as the Index of Measured-diversity, Partisan-certainty, Ephemerality, and Domain (IMPED). The model purports that low-quality information is characterized by ephemerality, as opposed to quality content that is designed for permanence. The IMPED model leverages linguistic and temporal patterns in the content of social media messages and linked webpages to estimate a parametric survival model and the likelihood the content will be removed from the internet. We review the limitations of current approaches for the detection of problematic content, including misinformation and false news, which are largely based on fact checking and machine learning, and detail the requirements for a successful implementation of the IMPED model. The article concludes with a review of examples taken from the 2018 election cycle and the performance of the model in identifying low-quality information as a proxy for problematic content.

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Aakash, Kamble, Desai Supriya, and Mehendale Smita. "What makes them snap? Gratifications of using Snapchat by Generation Z." Asian Academy of Management Journal 26, no. 1 (2021): 1–23. http://dx.doi.org/10.21315/aamj2021.26.1.1.

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This paper aims to understand the motivations and behavioural patterns of Snapchat use by Generation Z (Gen-Z) and their social relationships with friends and romantic companions. Focus group discussion and in-depth interview methodology were employed to conduct the research with 49 respondents participating in focused group discussions. The respondents reported Snapchat being adopted for connecting with friends as it provided them with secure and authentic experience over other social media platforms. The gratifications gained from the use of Snapchat by Gen Z users were identified emerging from the features and experience of using the technology platform. The results were supported for uses and gratifications as the respondents justified the ephemerality of Snapchat being useful, the gratifications gained from snapping with friends and social groups. Snapchat was seen as a useful medium for security, privacy and ephemerality it provided along with a medium for authentic communications with friends and romantic companions.

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Alves, Alice Nogueira. "Why can’t our wall paintings last forever?" Street Art & Urban Creativity 3, no. 1 (2017): 12–19. https://doi.org/10.25765/sauc.v3i1.58.

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The concept of ephemerality has been used in the last decades as the opposite of memory preservation. In this article, I seek to understand the valorization of street art as cultural heritage, as well as the strategies that have been adopted for its preservation in a non-institutional context.

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Bernstein, Michael, Andrés Monroy-Hernández, Drew Harry, Paul André, Katrina Panovich, and Greg Vargas. "4chan and /b/: An Analysis of Anonymity and Ephemerality in a Large Online Community." Proceedings of the International AAAI Conference on Web and Social Media 5, no. 1 (2021): 50–57. http://dx.doi.org/10.1609/icwsm.v5i1.14134.

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We present two studies of online ephemerality and anonymity based on the popular discussion board /b/ at 4chan.org: a website with over 7 million users that plays an influential role in Internet culture. Although researchers and practitioners often assume that user identity and data permanence are central tools in the design of online communities, we explore how /b/ succeeds despite being almost entirely anonymous and extremely ephemeral. We begin by describing /b/ and performing a content analysis that suggests the community is dominated by playful exchanges of images and links. Our first study uses a large dataset of more than five million posts to quantify ephemerality in /b/. We find that most threads spend just five seconds on the first page and less than five minutes on the site before expiring. Our second study is an analysis of identity signals on 4chan, finding that over 90% of posts are made by fully anonymous users, with other identity signals adopted and discarded at will. We describe alternative mechanisms that /b/ participants use to establish status and frame their interactions.

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Diogo, Patrícia, and Teresa Pinto. "The Ephemerality between the Scenographic and Monumental Architecture – Part II." International Journal of Engineering and Innovative Technology 10, no. 4 (2020): 7–11. http://dx.doi.org/10.51456/ijeit.2020.v10i04.002.

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Nauta, Johannes, Yara Khaluf, and Pieter Simoens. "Resource ephemerality influences effectiveness of altruistic behavior in collective foraging." Swarm Intelligence 15, no. 4 (2021): 427–57. http://dx.doi.org/10.1007/s11721-021-00205-6.

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Smith, Adam James. "Echoes of Meaning: Cheap Print, Ephemerality, and the Digital Archive." Eighteenth-Century Fiction 33, no. 1 (2020): 110–12. http://dx.doi.org/10.3138/ecf.33.1.110.

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O'Connell, Tadhg, and Thomas Bolger. "Stability, ephemerality and dispersal ability: microarthropod assemblages on fungal sporophores." Biological Journal of the Linnean Society 62, no. 1 (1997): 111–31. http://dx.doi.org/10.1111/j.1095-8312.1997.tb01617.x.

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Robertson, Thomas S., Hubert Gatignon, and Ludovica Cesareo. "Pop-ups, Ephemerality, and Consumer Experience: The Centrality of Buzz." Journal of the Association for Consumer Research 3, no. 3 (2018): 425–39. http://dx.doi.org/10.1086/698434.

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Lertzman-Lepofsky, Gavia, Arne Ø. Mooers, and Dan A. Greenberg. "Ecological constraints associated with genome size across salamander lineages." Proceedings of the Royal Society B: Biological Sciences 286, no. 1911 (2019): 20191780. http://dx.doi.org/10.1098/rspb.2019.1780.

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Salamanders have some of the largest, and most variable, genome sizes among the vertebrates. Larger genomes have been associated with larger cell sizes, lower metabolic rates, and longer embryonic and larval durations in many different taxonomic groups. These life-history traits are often important for dictating fitness under different environmental conditions, suggesting that a species' genome size may have the potential to constrain its ecological distribution. We test how genome size varies with the ephemerality of larval habitat across the salamanders, predicting that species with larger genomes will be constrained to more permanent habitats that permit slower development, while species with smaller genomes will be more broadly distributed across the gradient of habitat ephemerality. We found that salamanders with larger genomes are almost exclusively associated with permanent aquatic habitats. In addition, the evolutionary transition rate between permanent and ephemeral larval habitats is much higher in salamander lineages with smaller genome sizes. These patterns suggest that genome size may act as an evolutionary constraint on the ecological habitats of salamanders, restricting those species with large genomes and slower development to habitats with permanent sources of water.

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Kim, Donggyu, and Soomin Kim. "Social Media Affordances of Ephemerality and Permanence: Social Comparison, Self-Esteem, and Body Image Concerns." Social Sciences 12, no. 2 (2023): 87. http://dx.doi.org/10.3390/socsci12020087.

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Instagram provides users with different features, including posts and stories. Instagram post stays on the users’ feeds permanently unless the content is deleted. An Instagram story has an ephemeral nature as the uploaded content vanishes after 24 h. Through a survey of 224 respondents, this study explored individuals’ psychological constructs when using different Instagram features. Instagram usage pattern (i.e., use of different features (video, emoji, etc.), categories of content (food, selfie, etc.) that users usually post, reasons for editing photos (slim body, flawless skin, etc.), amount of time to create and upload a post/story), social comparison, self-esteem, and body image concerns based on the user’s perception of ephemerality and permanency were examined. Results demonstrated that the perception of ephemerality on Instagram stories were negatively related to social comparison and body image concerns. In addition, the longer the amount of time the user spent on posting either a post or story on Instagram, the higher the likelihood the user was to socially compare. Overall, the findings align with previous research suggesting that Instagram users who socially compare are likely to have lower self-esteem and higher body image concerns.

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Rika, Amalia, and Widodo Teguh. "The Influence of Interactivity and Ephemerality of Instagram Advertisements in Shaping Perceived Value and Behavioral Intention." International Journal of Current Science Research and Review 06, no. 09 (2023): 6192–99. https://doi.org/10.5281/zenodo.8331039.

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<strong>ABSTRACT: </strong>Instagram stands out as a prominent platform, offering companies a valuable space to promote their offerings to a vast and diverse audience. To capture consumer interest, Instagram advertisements now incorporate innovative interactive features and ephemeral effects, enhancing their appeal and engagement. The objective of this study is to examine the influence of interactivity and ephemerality of instagram advertisements in shaping perceived value and behavioral intention. A quantitative research approach was employed in this study. Data from 239 participants were gathered through an online survey and analyzed utilizing SmartPLS 3.2.9 software employing Structural Equation Modeling. The findings indicate that the interactivity and ephemerality of Instagram Stories advertisements significantly influence three types of perceived value such as utilitarian, hedonic, and social value among female consumers of the fashion brand HeyLocal. Furthermore, these perceived values motivate positive behavioral intentions such as the intention towards social media activities, online search, and brand purchase. In contrast to social value, it was found that utilitarian and hedonic value do not directly impact brand purchase. In addition, our research revealed that consumers' purchase decisions can be reinforced through their engagement in social media activities and online information search.

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