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Journal articles on the topic 'Epic literature – History and criticism – Theory, etc'

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Published: 4 June 2021

Last updated: 29 July 2025

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1

M, Kavitha. "Nachinarkiniyar History and Textual Ability." International Research Journal of Tamil 4, S-8 (2022): 233–38. http://dx.doi.org/10.34256/irjt22s834.

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Tamil language and literature have flourished with speeches composed by speechwriters. Are greatly aiding researchers who think innovatively. Texts serve as a bridge between linguistic research and e-literary criticism. The texts convey how the Tamil language has changed over time, as well as the living conditions, political changes and customs of the Tamil people. This article explores the history and textual ability of Nachinarkiniyar. Nachinarkiniyar was a knowledgeable and knowledgeable man of various arts, writing semantics for songs, and also possessing the art of religious ideas, music,

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2

Rebihić, Nehrudin. "Bošnjačka književnost u obzorima Vladimira Jurčića: Rekonstrukcija neobjavljene knjige Muslimani u hrvatskoj književnosti." Historijski pogledi 5, no. 8 (2022): 317–49. http://dx.doi.org/10.52259/historijskipogledi.2022.5.8.317.

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The study of Bosniak literature in the period of the Independent State of Croatia has been marginalized in previous literary-historical studies, and the reasons for this were ideological and political in nature, and not scientific. This work deals with the status of Bosniak literature in the literary-critical horizons of Vladimir Jurčić, the bellwether of the Ustasha national ideology in Bosnia and Sarajevo, in the period from 1941st to 1945th. As a professor, editor of daily and periodical publications, he wrote about Bosniak literature and its canonical writers in the light of the ideologica

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3

Mirzakulov, Uktamjon Almardanovich. "THE ROLE OF COMPARTIVISTICS IN MODERN LITERATURE." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 2, no. 10 (2022): 131–33. https://doi.org/10.5281/zenodo.7233072.

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Literary comparative studies are an important trend in philology along with the history of literature, theory and criticism. It began to take shape in the middle of the 19th century. There are terminological discrepancies in the modern classification of comparative studies. Researchers differ in the content plan of concepts: comparative studies, comparative historical literary criticism, comparative literary criticism, comparative literary criticism, etc. This leads to a different understanding of the subject of science, and there is a need to overcome this.

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4

Gregory, Tobias. "Tasso's God: Divine Action in Gerusalemme Liberata." Renaissance Quarterly 55, no. 2 (2002): 559–95. http://dx.doi.org/10.2307/1262318.

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This essay examines a subject largely ignored in Tasso criticism: the role of supernatural powers in the epic action of the Liberata. Tasso introduces divine characters, notably God and Satan, at several crucial moments. The presence in the epic plot of an intervening God who is at once partisan and omnipotent brings to the fore certain narrative and theological problems; these problems are not Tasso's alone, but inhere in the attempt to construct a Christian supernatural on the classical epic model. The divine action of the Liberata sheds light on the religious ideology of the poem, and on an

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Elmuratov, R.Kh. "ABOUT THE THEME OF HISTORICAL LEGENDS IN KARAKALPAK FOLKLORE." ACADEMIC RESEARCH IN MODERN SCIENCE 2, no. 5 (2023): 32–38. https://doi.org/10.5281/zenodo.7634162.

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Legends, which include part of the folklore heritage, are one of the main genres of oral creativity of the Turkic peoples. In the world science of folklore and literary criticism, a large number of works have been published on the definition of theoretical descriptions of legends. As you know, one of the main genres of folk art is that historical events are preserved to a certain extent in legends, which creates some opportunities for us to understand and learn about our past history, our primordial national culture, our literature. It is known that in modern world folklore a structural-semant

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6

Leporati, Matthew. "New Formalism in the Classroom: Re-Forming Epic Poetry in Wordsworth and Blake." Humanities 8, no. 2 (2019): 100. http://dx.doi.org/10.3390/h8020100.

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Recent years have seen a resurgence of interest in “New Formalism,” a close attention to textual language and structure that departs from the outdated and regressive stances of old formalisms (especially “New Criticism”) by interrogating the connections between form, history, and culture. This article surveys the contributions of New Formalism to Romanticism studies and applies its techniques to two canonical texts, suggesting that New Formalism is useful both for literary criticism and teaching literature. Opening with a survey of New Formalist theory and practices, and an overview of the the

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7

Ricke, Joe. "‘Text Corruptions’ Corruption: Restoring C.S. Lewis's Critical Satire." Journal of Inklings Studies 14, no. 1 (2024): 43–61. http://dx.doi.org/10.3366/ink.2024.0215.

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This essay examines in detail a C.S. Lewis letter, published in The Times Literary Supplement that was, in fact, an example of ‘mock-criticism’ (as in ‘mock-epic’), being a satiric parody of an argument made by eminent Shakespeare scholar John Dover Wilson. Lewis published his ‘minor disagreement’ in March 1950, to which Dover Wilson responded with appreciation for Lewis's good humour but continued disagreement on the point of contention – that Shakespeare would ever include lines of verse in a section of his prose. By close analysis, the essay demonstrates how the editor of The Collected Lett

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Smirnova, Natalia N. "A History of “Cohesion”: from M. O. Gershenzon’s “The Poet’s Vision” to V. Weidlé’s “Les Abeilles d’Aristée”." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 82, no. 3 (2023): 5–13. http://dx.doi.org/10.31857/s160578800026309-5.

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The paper is devoted to perception in the theory of literature of the famous statement of Leo Tolstoy about “cohesion” that ensure wholeness of narrative in a novel. Tolstoy’s idea of “cohesion” has repeatedly inspired various interpretations in literary criticism (for instance, M.O. Gershenzon, V.B. Shklovsky, B.M. Eikhenbaum, T. Rainov, and others). There are two contrary positions on the interpretation of the idea of “cohesion”: M.O. Gershenzon’s intuition theory of and in the formal method of V.B. Shklovsky. In the theory of M.O. Gershenzon the “cohesion” become the foundation of the princ

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ALBAYRAK, Hakan. "AN INVESTİGATİON ON OZANTÜRK'S EPİC OF “TURNALAR” IN TERMS OF NATİONALİSM THEORİES." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (2022): 327–47. http://dx.doi.org/10.46291/zfwt/140218.

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There are different researches and studies that have appeared regarding nationalism. There are 3 major theories of these studies, these studies are: primary, modernist, and ethno-symbolic hypotheses. Primary hypothesis claims that all nations came from the same race, and they share the same religion, language, culture and history. The modernist hypothesis claims that nationalism is a communal necessity. In this theory, nationalism explains the modernist process that was affected by social, political, and economic parameters. Finally, the ethno-symbolism theory posits that nationalism is mainly

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Lee, Juhan. "Criticism of Gaya History Studies in South Korea's Pedagogical Academy - Focusing on Kim Tae-shik and Lee Young-shik." Barun Academy of History 14 (March 30, 2023): 91–160. http://dx.doi.org/10.55793/jkhd.2023.14.91.

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In the 19th century, with the rise of the theory of Korea in Japan, the theory of invasion first created under the name of so-called modern history is the Imna-Japanese theory. It is a claim that Yamatowa ruled or managed the southern part of the Korean Peninsula based on Gaya in the southern part of the Korean peninsula from the 4th to the 6th century AD. It is an antihumanitarian invasion theory advocated by imperialist historians based on exaggerated, embellished, fabricated, and distorted articles in 『Nihon Shoki』 compiled in the 8th century. The ideology of Yamatowa, which sought to reali

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Khojamuratovich, Elmuratov Rashit. "TYPOLOGY OF IMAGES IN HISTORICAL LEGENDS OF KARAKALPAK AND ENGLISH FOLKLORE." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 1 (2023): 24. http://dx.doi.org/10.58885/ijllis.v12i1.24.ek.

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<p><span>Legends, which include part of the folklore heritage, are one of the main genres of oral creativity of the Turkic peoples. In the world science of folklore and literary criticism, a large number of works have been published on the definition of theoretical descriptions of legends. As you know, one of the main genres of folk art is that historical events are preserved to a certain extent in legends, which creates some opportunities for us to understand and learn about our past history, our primordial national culture, our literature. It is known that in modern world folklor

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Krasilnikova, E. I. "Historical Past and Historical-Cultural Heritage of Buryats as Reflected in Journal ‘Sibirskie Ogni’ (1920s-1980s): Memory Politics Aspect." Nauchnyi dialog 13, no. 4 (2024): 408–29. http://dx.doi.org/10.24224/2227-1295-2024-13-4-408-429.

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The aim of the article is to characterize representations of the history and historicalcultural heritage of the Buryats in the pages of the Sibirskie Ogni journal from the early 1920s to the late 1980s in the context of state memory politics. The methodological framework of the study was the field of “Memory Studies.” Conclusions were drawn about the intense ideologization of the historical past of the Buryats on the pages of the Sibirskie Ogni journal at all stages of the Soviet period, as well as the journal's disregard for Buryat heritage associated with the traditions of Buddhist East. Six

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Bakirov, Asylbek A. "Ancient Images and Plots of the Epic of Manas." Vestnik of Saint Petersburg University. Asian and African Studies 13, no. 4 (2021): 498–518. http://dx.doi.org/10.21638/spbu13.2021.403.

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The problem of the emergence and development of the Kyrgyz heroic epic of Manas has attracted the attention of scholars since the very beginning of the study of this unique memorial. The first researchers in the 19th century, Kazakh scientist Ch. Ch. Valikhanov and academician V. V. Radlov, pointed to the antiquity of the Kyrgyz epic and expressed their thoughts about its composition and existence. The question of the composition and development of the epic of Manas on the basis of research on its plot, images and ideas was explained by scientists of the 20th century, such as V. M. Zhirmunsky,

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Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

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The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o

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15

Nikitin, O. V. "Lexicographic Epic: To the 100th Anniversary of the Institute of Linguistic Research of the Russian Academy of Sciences." Vestnik NSU. Series: History and Philology 22, no. 2 (2023): 114–20. http://dx.doi.org/10.25205/1818-7919-2023-22-2-114-120.

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The report analyzes the anniversary collection of scientific articles “History, theory and Practice of Academic Lexicography” dedicated to the 100th anniversary of the establishment of the Institute of Linguistic Research of the Russian Academy of Sciences and the 90th anniversary of the Lexicographic sector. The work determines the place of scentific problems in the history of linguistics, and notes the main directions of the Institute’s activities and their connection with the cultural and historical tradition of A. A. Shakhmatov, V. M. Istrin, L. V. Shcherba, etc. The article indicates prio

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Borthwick, E. K. "Aeschylus vs. Euripides: a textual problem at Frogs 818–19." Classical Quarterly 49, no. 2 (1999): 623–24. http://dx.doi.org/10.1093/cq/49.2.623.

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The literary contest of the two tragedians in Frogs is introduced by four stanzas redolent of Homeric combat, with their predominantly dactylic metre and a number of high-flown epic words. I am surprised that several editors prefer the reading ὑψὑλøωυ at 818, as íππóλοøος surely has a resonance of íπποκορυστ⋯ς of Iliad 2.1, etc. The readings and sense, however, of both halves of 819 have long been controversial. As Dover suggested in his 1993 edition (accepted more recently by Sommerstein) the MSS ‘linch-pins of splinters’ is less satisfactory than his proposed transposition to ‘splintering of

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17

Langlands, Rebecca. "Latin Literature." Greece and Rome 63, no. 2 (2016): 256–63. http://dx.doi.org/10.1017/s0017383516000139.

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Mairéad McAuley frames her substantial study of the representation of motherhood in Latin literature in terms of highly relevant modern concerns, poignantly evoked by her opening citation of Eurydice's lament at her baby's funeral in Statius’ Thebaid 6: what really makes a mother? Biology? Care-giving? (Grief? Loss? Suffering?) How do the imprisoning stereotypes of patriarchy interact with lived experiences of mothers or with the rich metaphorical manifestations of maternity (as the focus of fear and awe, for instance, or of idealizing aesthetics, of extreme political rhetoric, or as creativit

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18

Tsendina, Anna D. "Несколько замечаний о монгольских переводах с тибетского языка". Монголоведение (Монгол судлал) 15, № 2 (2023): 271–86. http://dx.doi.org/10.22162/2500-1523-2023-2-271-286.

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Introduction. Translations from Tibetan had been of great importance for the making of Mongolian literature. Translation as cultural phenomenon influenced the shaping of standard Mongolian, gave rise to terminological clusters in different spheres of written language, such as philosophy, medicine, astrology, etc. The principles of translation that had emerged in the period of Buddhism’s dissemination in Mongolia still remain instrumental enough in performing translations from other foreign languages. Translations from Tibetan of historical, hagiographical, narrative and other compositions cons

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Tsendina, Anna D. "Несколько замечаний о монгольских переводах с тибетского языка". Монголоведение (Монгол судлал) 15, № 2 (2023): 113–28. http://dx.doi.org/10.22162/2500-1523-2023-2-113-128.

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Introduction. Translations from Tibetan had been of great importance for the making of Mongolian literature. Translation as cultural phenomenon influenced the shaping of standard Mongolian, gave rise to terminological clusters in different spheres of written language, such as philosophy, medicine, astrology, etc. The principles of translation that had emerged in the period of Buddhism’s dissemination in Mongolia still remain instrumental enough in performing translations from other foreign languages. Translations from Tibetan of historical, hagiographical, narrative and other compositions cons

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20

Hershkowitz, Debra. "Patterns of Madness in Statius'Thebaid." Journal of Roman Studies 85 (November 1995): 52–64. http://dx.doi.org/10.2307/301057.

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The traditional problem of Silver Latin poetry, and Silver Latin epic especially, has been its attraction to the extravagant, the grotesque, the infinite, the absurd, in other words, its propensity for excess. Statius'Thebaidin particular has been considered guilty of this offence. Recent criticism, however, has tended to see Silver Latin poetry not simply as being excessive, but as being deeply concerned with excess—cultural, ideological, and poetic. In this paper I hope to demonstrate that such a concern is a prominent characteristic of Statius'Thebaid, by exploring perhaps the most importan

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Schneider, Werner. "Phidiae Putavi Martial und der Hercules Epitrapezios des Novius Vindex." Mnemosyne 54, no. 6 (2001): 697–720. http://dx.doi.org/10.1163/15685250152952158.

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AbstractMartial introduces the sitting figure of a Hercules Epitrapezios in two epigrams of his ninth book (9. 43, 44). The first of them highlights the artistic qualities of the small statuette supposed to be of Lysippan origin. Its glory is further enhanced by the illustrious series of highborn predecessors whose table the little figurine had previously adorned. The verses of this first epigram are flamboyant in style with a strong epic colouring whereas the second epigram treats the same subject in a very different manner. The final point of this more modest piece with its allusion to Phidi

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22

Loiter, Sofia. "“THE CONDUIT AND THE SHVAMBRANIA” BY LEV KASSIL: A HISTORY OF THE TEXT." Children's Readings: Studies in Children's Literature 22, no. 2 (2022): 388–403. http://dx.doi.org/10.31860/2304-5817-2022-2-22-388-403.

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The article analyzes the structural and textual changes made by Lev Kassil in the reprinting of the story “Conduit and Shvambraniya”. The material for this study is the 1935 and 1937 editions of the story, two editions in 1957, and the last lifetime edition in 1965. An analysis of the published editions shows the formation of the story “The Conduit and Shvambrania” as a single novel, a single narrative and structural whole, which was not yet the case in the 1935 edition. The author reveals the changes made by Lev Kassil in later versions of the story and offers a classification of authorial co

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Watson, Patricia. "Axelson Revisited: the Selection of Vocabulary in Latin Poetry." Classical Quarterly 35, no. 2 (1985): 430–48. http://dx.doi.org/10.1017/s0009838800040271.

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Although it is now fifteen years since G. Williams' thorough-going criticism of B. Axelson'sUnpoetische Wörter, his discussion has failed to elicit the adverse response which might have been expected in view of the widespread influence exerted by the earlier work.The reason for this may be that Axelson's theory is so widely accepted that any refutation thereof may be disregarded. Yet surely Williams was right to point to the dangers of total reliance on statistics and to the necessity of considering the contexts in which words occur in Latin poetry. In this respect, he was not so much rejectin

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Bovsunivska, Tetyana. "DMITRY CHIZHEVSKY`S CONCEPT OF ROMANTICISM AND CANONS OF THE SOVIET LITERARY CRITICISM." Polish Studies of Kyiv, no. 35 (2019): 70–78. http://dx.doi.org/10.17721/psk.2019.35.70-78.

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The article talks about the role of D. Chyzhevsky in redefining the paradigm of Ukrainian romanticism, since Soviet canons are still being explored in his theory and history. In particular, emphasis was placed on confronting such ideological basis as: avoiding any mysticism; refusal of psycho-intimate immersion; the imposition of revolutionary and democratic tendencies; pan-realism; the militant nature of romanticism and the genesis of its origins from German idealism. Chizhevsky proposed instead: the recognition of the heart as the center of romantic aesthetics; peculiarity and singularity of

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Maretina, Ksenya A. "Novel “The Palace of Illusions” (2008) by Chitra Banerjee Divakaruni as an Example of Cross-cultural Hybridization." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 4 (2022): 667–78. http://dx.doi.org/10.21638/spbu13.2022.406.

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In the novel The Palace of Illusions (2008) by the popular Indian-American writer Chitra Banerjee Divakaruni, the ancient Indian epic Mahābhārata is narrated from the point of view of its main heroine Draupadi. Thus, the author gives a new reading and interpretation to the text, which is an extremely important and revered part of the Indian cultural heritage. The image of Draupadi in the novel does not correspond to the traditional figure of the epic heroine. Her motives and character are “modernized” and are made easy to connect for a contemporary and reader; her aspirations and her voice bel

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Ismailova, Rizvan. "MUTUAL DIVISIONS OF LITERARY TRANSLATION AND THEIR FEATURES." Alatoo Academic Studies 23, no. 4 (2023): 258–68. http://dx.doi.org/10.17015/aas.2023.234.27.

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The article states that grammatical forms, syntactic constructions, sentence symmetry, syntactic figures, rhythmicity of poetic and prose speech, repetitions, parallelisms, etc. in the text have their own national and cultural specifics. Due to the absence or underdevelopment of fundamental works on translation studies, translation criticism, translation history and translation theory in the native language in the native language, we are not able to select and present to the general reader the best translations that clarify the qualitative characteristics, specific features and mutual differen

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Mironov, Arseny S. "Rethinking of the Pan-Epic Value Category “Heroic Anger” in Russian Bylinas: The Knight’s “Fury / Resentment” as a Christian Concept." Vestnik NSU. Series: History and Philology 20, no. 2 (2021): 57–75. http://dx.doi.org/10.25205/1818-7919-2021-20-2-57-75.

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Purpose. The article examines the concept of anger, which should be placed among the central concepts of the world’s folk epics. Results. According to axiological analysis, pre-Christian epic poetry renders anger as a certain “indicator” of heroic nature peculiar to this or that character: the epic hero is “obliged” to feel this emotion when public evaluation of his personal honor (the one made either by his relatives or his bride, lord, rival, etc.) does not meet his own idea of those honors which should be granted to him as a possessor of miraculous strength. Such an underestimation is treat

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Dickerman, Leah. "Aaron Douglas and Aspects of Negro Life." October 174 (December 2020): 126–62. http://dx.doi.org/10.1162/octo_a_00411.

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In 1934, Aaron Douglas created an epic four-panel mural series, Aspects of Negro Life (1934), for the branch library on 135th Street in Manhattan, now the Schomburg Center for Research in Black Culture. The panels answered a call, issued by the first major program for federal support of the arts in the United States, to represent “an American scene.” In them, Douglas traced the trajectory of African American history in four stages and across two mass migrations: from Africa into enslavement in America; through Emancipation and Reconstruction; into the modern Jim Crow South; and then northward

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Sizikova, T. E., and V. T. Kudryavtsev. "Scheme of Lev Vygotsky's Theory. Part 1." Cultural-Historical Psychology 19, no. 2 (2023): 9–17. http://dx.doi.org/10.17759/chp.2023190202.

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<p>The relevance of referring to Lev Vygotsky's works and discovering the unknowable in them is a natural phenomenon that accompanies brilliant works of science, literature, art, etc. Discoveries are accidental and non-accidental at the same time, so they are either accepted immediately or pass the "corridor" of criticism. The history of the formation of Vygotsky's psychology is also the history of our way of understanding Vygotsky. The aim of the article is to reveal what Lev Vygotsky himself might not have highlighted. We have tried to penetrate into the logic, the scheme of his thinki

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Ábel, Török. "Hősköltemény a Moreai Krónikában. Geoffroy de Bruyères vitézsége." Antik Tanulmányok 65, no. 1 (2021): 31–56. http://dx.doi.org/10.1556/092.2021.00003.

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A tanulmány annak a Moreai Krónikában ránk maradt egyedülálló irodalmi alkotásnak, középgörög „hőskölteménynek” eredetét és jellegzetességeit vizsgálja, amelynek főhőse a pelagóniai ütközetben vitézkedő Geoﬀroy de Bruyères.2 Bár a szakirodalomban egyetértés van abban, hogy az epizódnak valószínűleg népköltészeti háttere lehet, egyes kérdések – így többek között a fellelhető irodalmi áthallások, az intertextuális összefüggések és nem utolsósorban a (krónika)írói szándékok – nincsenek érdemben feltárva. A tanulmány elsőként a Moreai Krónika keletkezésének történeti hátterét mutatja be röviden, a

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АБИСАЛОВА, Р. Н. "PROBLEMS OF NARTOLOGY AND OSSETIAN LITERATURE IN THE SCIENTIFIC HERITAGE OF T.A. GURIEV." Kavkaz-forum, no. 6(13) (June 21, 2021): 5–25. http://dx.doi.org/10.46698/vnc.2021.13.6.001.

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Объектом внимания в статье становится научно-публицистическое наследие выдающегося осетинского ученого, доктора филологических наук, профессора, лауреата нескольких престижных премий Тамерлана Александровича Гуриева. В статье исследуются проблемы осетинской нартологии, литературоведения, теории и практики художественного перевода. Объектом анализа в статье стали такие работы Гуриева, как «К проблеме генезиса осетинских нартовских имен», «Антропонимия осетинского нартовского эпоса», «Проблемы Нартиады», «Наследие скифов и алан», «Кто есть кто в аланской Нартиаде». В них освящаются особенности м

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Korolkova, Angelika. "Linguistic Representation of V.G. Belinsky’s Value Priorities (Based on Aphoristics)." Izvestia of Smolensk State University, no. 3 (55) (January 26, 2022): 53–63. http://dx.doi.org/10.35785/2072-9464-2021-55-3-53-63.

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The article deals with the aphoristic heritage of V.G. Belinsky. V.G. Belinsky’s name and his concept of «real art» are objectively considered nowadays within the history of literature of the 19th century. In his numerous works Belinsky developed the theoretical foundations of Russian realism proposed the principle of a new «real» aesthetics; in fact, he created a program of contemporary art. In the corpus of Russian aphoristics, V.G. Belinsky’s sayings occupy a special place showing in synchrony a person’s ideological attitudes in the first half of the 19th century. Belinsky

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Belle, Marie-Alice. "“Comme espics dans les plaines”: Patterns of Translation of Robert Garnier’s Epic Similes in Thomas Kyd’s Cornelia (1594)." Renaissance and Reformation 40, no. 3 (2017): 77–108. http://dx.doi.org/10.33137/rr.v40i3.28737.

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Although celebrated in its time as a worthy contribution to the poetic experiments of the late Elizabethan age, Thomas Kyd’s 1594 Cornelia, translated from Robert Garnier’s Cornélie (1574), has long been held by modern criticism as a minor work in the playwright’s career. Previous attempts to rehabilitate the dramatic and poetic values of Kyd’s translation have focused on the metaphoric networks that underlie Kyd’s appropriation of Garnier’s play or on the political aspects of Kyd’s treatment of historical figures and themes. This article examines more specifically Kyd’s approach to Garnier’s

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Gómez-de-Tejada, Jesús. "Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo." Studia Romanica Posnaniensia 47, no. 1 (2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.

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Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar

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Galytska, Iuliia. "Alias in women's literature: feminist aspects in a gender context." Grani 23, no. 4 (2020): 28–35. http://dx.doi.org/10.15421/172038.

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The problem of the identity of the woman hiding her gender under a male pseudonym makes us recollect U. Eco’s arguments about the truth and the purpose of literature as well as A. F. Losev’s ideas about the name and the meaning, the theories of the feminist literary critics K. Millett, M. Ellman, T. Moi, E. Showalter, etc. who have presented "women`s writing" and "writing about women" in the feminist field. As one of the central principles of feminist criticism is that no scientific view can ever be neutral, the problem of pseudonyms occupies an important place in the contemporary gender studi

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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.

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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatis

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Abramov, Valerii P., Olga I. Kuznetsova, Irina N. Lekareva, and Julia F. Okovitaya. "Kuban State University: Russian Philology on the 45th Parallel." World of the Russian Word, no. 2 (2023): 119–27. http://dx.doi.org/10.21638/spbu30.2023.213.

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The article represents the history and modernity of philological scholarship in Kuban State University, the oldest university of classical education in the south of Russia, which has been preserving and developing the traditions in the sphere of education, science and social and educational activity since 1920. The authors describe the principal directions of philology development at the faculty: teaching Russian language and literature, academic research work in the field of literary studies, the history of Russian literature from its beginning up to present times, including literature of Rus

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Горбач, Юлія. "ЛЕОНІД БІЛЕЦЬКИЙ: ПРАЗЬКИЙ ПЕРІОД ЕМІГРАЦІЇ ТА ЙОГО ВІДОБРАЖЕННЯ В ЕПІСТОЛЯРІЇ (1920–1940-ВІ РР.)". Ucraina Magna IV (24 грудня 2022): 70–90. https://doi.org/10.5281/zenodo.10456159.

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The article is about the famous Ukrainian literary scholar, Slavist, Pre-sident of the Ukrainian Free Academy of Sciences Leonid Biletsky (1882–1955), whose name is known not only in Ukraine, but also abroad. Among the scientific interests of the prominent Ukrainian were the study of the problems of the theory and history of Ukrainian literature, literary criticism, analysis of the work of T. Shevchenko, I. Franko, M. Kotsyubynsky, V. Samiilenko, E. Malaniuk, O. Stefanovych, etc. The last years of his life L. Biletsky devoted to the multi-volume edition

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Petrovic, Ivana, and Andrej Petrovic. "General." Greece and Rome 65, no. 2 (2018): 282–97. http://dx.doi.org/10.1017/s0017383518000244.

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I was very excited to get my hands on what was promising to be a magnificent and extremely helpfulHandbook of Rhetorical Studies, and my expectations were matched – and exceeded! This handbook contains no less than sixty contributions written by eminent experts and is divided into six parts. Each section opens with a brief orientation essay, tracing the development of rhetoric in a specific period, and is followed by individual chapters which are organized thematically. Part I contains eleven chapters on ‘Greek Rhetoric’, and the areas covered are law, politics, historiography, pedagogy, poeti

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Sulyak, S. G. "I.P. Filevich and Carpathian Rus Part 1. Biography." Rusin, no. 62 (2020): 32–49. http://dx.doi.org/10.17223/18572685/62/3.

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Ivan Porfirevich Filevich (August 20 (September 1), 1856 – January 7 (20), 1913) – a Russian historian, publicist, and public figure, born in Chełm Land to the family of a Uniate priest, a native of Galicia, Orthodox. He graduated from St. Petersburg University, later taught Russian language, literature, and history at the First Realschule and at the Gymnasium of the Imperial Philanthropic Society in St. Petersburg. Since 1890, he worked at the Department of Russian History at the Imperial Warsaw University, first as an extra-ordinary professor, and since 1897 as an ordinary professor. His ori

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Vezhnevets, Iryna. "Intermediality and problems of interpretation of the vocal cycle "The Short Straw" of Francis Poulenc." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 101–6. http://dx.doi.org/10.32461/2226-2180.39.2021.238698.

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The purpose of the article is due to the need to study the peculiarities of the interpretation of the artistic texts of the vocal cycle of F. Poulenc on the poem by M. Karem "Straw" in the intermedial space. The methodology is based on an integrated approach using comparative, structural, interdisciplinary methods and narrative analysis to understand the psychological processes that arise when interpreting a vocal cycle, involves the inclusion of the problem of analysis in the space of art history and cultural discourse in an interdisciplinary context. Scientific novelty the scientific novelty

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Bocharov, Alexey V. "Corpus bibliometric aspects of Slavic studies in Russian-language scholarly electronic resources in the context of categories of historical knowledge." Rusin, no. 68 (2022): 336–51. http://dx.doi.org/10.17223/18572685/68/18.

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The article analyses the task of measuring completeness, representativeness, and balance when creating a corpus of Russian-language texts on Slavic literature. The criteria for a disciplinary corpus can be calculated using a bibliometric and scientometric approaches. Different categories of historical knowledge can denote phenomena comparable to the themes and problems of research in Slavic studies. A total of 76 historical categories have been tested (historical analogy, historical memory, historical possibility, historical time, historical personality, etc.). All historical categories associ

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.

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The issue of the journal opens with an article dedicated to the formation of metrology as government regulated activity in France. The article has discussed the historical process of development of metrological activity in France. It was revealed that the history of metrology is considered as an auxiliary historical and ethnographic discipline from a social and philosophical point of view as the evolution of scientific approaches to the definition of individual units of physical quantities and branches of metrology. However, in the scientific literature, the little attention is paid to the pro

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Butska, Kateryna V. "UKRAINIAN POSTCOLONIAL NOVEL AS A NATIONAL NARRATIVE: “THE MUSEUM OF ABANDONED SECRETS” BY O. ZABUZHKO AND “THE BEECH LAND” BY M. MATIOS." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 33–46. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-3.

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The article examines the seminal novels of Ukrainian women writers from the first and second decades of the 21st century, namely “The Museum of Abandoned Secrets” (“Музей покинутих секретів”, 2009) by O. Zabuzhko and “The Beech Land” (“Букова земля”, 2019) by M. Matios. The selected works are analyzed through the lens of postcolonial criticism, that is, from the point of view of the historical experience of the statelessness of the Ukrainian community and its reflection in literary texts. The main attention is paid to the narrative features of the works, namely the tendency to broad narrative,

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Smolianinov, Artem V. "Metatextual originality of Nikolai Yadrintsev's Literary Collection: Ideologization and genre-style syncretism." Vestnik Tomskogo gosudarstvennogo universiteta, no. 505 (2024): 69–79. https://doi.org/10.17223/15617793/505/7.

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The article presents a metatextual analysis of the concept and structure of the first regional multi-author collection, compiled and published in 1885 by Nikolai Yadrintsev, one of the main ideologists and founders of Siberian regionalism, which should be considered as an important fact in the history of Siberian literature. The study is based on the theory of metatext proposed by V.S. Kiselev, V.V. Bazhenova, Yu.V. Kazarin and I.O. Gogoleva, according to which metatext is understood and studied as a set of texts correlated with each other, constructed in the process of their individual recept

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Rotov, I. M. "“Thanatopolitics” in the Socio-Political Discourse in the 2000s and 2020s: between the “Living Dead” and “Necrosociality”." Discourse 10, no. 6 (2024): 29–39. https://doi.org/10.32603/2412-8562-2024-10-6-29-39.

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Introduction. Over the past twenty years, the terms “thanatopolitics”, “necropolitics”, “necroeconomics”, etc. have been actively used in socio-political discourse. But the definitions of these meanings remain blurred. In the last 4–5 years, they can be found in Russian-language articles, as well as in the public space of blogs and YouTube channels. Often, the use of these terms is associated with biased statements by authors from a nonacademic environment. The purpose of this article is to identify the area of use of the term “thanatopolitics” in the academic literature of recent years.Method

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Denisov, Nicholas G., and Valery B. Khramov. "INTERNATIONAL TCHAIKOVSKY COMPETITION AS A PHENOMENON OF WEBCAST." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 174–80. http://dx.doi.org/10.17223/22220836/42/14.

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The International Tchaikovsky Competition has been held for sixty years and has become a tradition with an intention to renew itself. An essential aspect of this is the webcast, which, being performed at the highest level, not only develops the established democratic orientation of this competition, but makes the competition a relatively independent artistic event. The empirical base of the research is Internet broadcasting of XV and XVI competitions. Method – a comparative analysis, performed in the context of cultural knowledge. The article analyzes the features of the modern Internet broadc

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Edwards, Karen L., Peter Coss, Michael Hicks, et al. "Reviews: Written Work: Langland, Labor, and Authorship, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching, the Making of Jacobean Culture, the Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800, Romantic Writing and Pedestrian Travel, the Scottish Invention of English Literature, Dante and the Victorians, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, the Imperial Game: Cricket, Culture and Society, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry, Professional Domesticity in the Victorian Novel: Women, Work and Home, Women's Fiction between the Wars: Mothers, Daughters and Writing, British Women Writers of World War II: Battleground of Their Own, the Tyranny of the Discrete: A Discussion of the Problems of Local History in England, Issues of Regional Identity: In Honour of John Marshall, Imperial Cities: Landscape, Display and Identity, Figural Realism: Studies in the Mimesis Effect, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its AcademiesJusticeSteven and Kerby-FultonKathryn (eds), Written Work: Langland, Labor, and Authorship , University of Pennsylvania Press, pp. 347, £42.75.StrohmPaul, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422 , Yale University Press, 1998, pp. xiv + 274, £25.McCulloughPeter E., Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching , Cambridge University Press, 1998, pp. xv + 237, £35PerryCurtis, The Making of Jacobean Culture , Cambridge University Press, 1997, pp. xiv + 281, £35.KelleyDonald R. and SacksDavid Harris (eds), The Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800 , Woodrow Wilson Center Press/Cambridge University Press, 1997, pp. xii + 374, £50.JarvisRobin, Romantic Writing and Pedestrian Travel , Macmillan, 1997, pp. x + 246, £45.CrawfordRobert (ed.), The Scottish Invention of English Literature , Cambridge University Press, 1998, pp. 259, £35.MilbankAlison, Dante and the Victorians , Manchester University Press, 1998, pp. ix + 277, £45.00ThompsonAndrew, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento , Macmillan, 1998, pp. x + 243, £42.50.SandifordKeith A. and StoddartBrian (eds), The Imperial Game: Cricket, Culture and Society , Manchester University Press, 1998, pp. viii + 178, £40.00.GrahamColin, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry , Manchester University Press, 1998, pp. 194, £40.CohenMonica F., Professional Domesticity in the Victorian Novel: Women, Work and Home , Cambridge University Press, 1998, pp. 216, £35.InghamHeather, Women's Fiction Between the Wars: Mothers, Daughters and Writing , Edinburgh University Press, 1998, pp. 180, £40, £14.95 pbLassnerPhyllis, British Women Writers of World War II: Battleground of Their Own , Macmillan, 1998, pp. 293, £45.MarshallJ. D., The Tyranny of the Discrete: A Discussion of the Problems of Local History in England , Scolar Press, 1997, pp. vii + 152, £40RoyleEdward (ed.), Issues of Regional Identity: In Honour of John Marshall , Manchester University Press, 1998, pp. xi + 252, £40.DriverFelix and GilbertDavid (eds), Imperial Cities: Landscape, Display and Identity , Manchester University Press, 1999, pp. 283, £45.WhiteHayden, Figural Realism: Studies in the Mimesis Effect , Johns Hopkins University Press, 1999, pp. 205, £31.50.DohertyThomas, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40." Literature & History 9, no. 1 (2000): 96–116. http://dx.doi.org/10.7227/lh.9.1.8.

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Юрченкова, Оксана Николаевна. "ON DRAMA POETICS AND MORE… THE HISTORIOGRAPHIC REVIEW OF SCIENTIFIC ACTIVITY OF PROFESSOR VALENTINA YE. GOLOVCHINER." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 206–27. http://dx.doi.org/10.23951/1609-624x-2020-5-206-227.

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Введение. Статья приурочена к 75-летнему юбилею профессора В. Е. Головчинер и посвящена анализу ее научной деятельности. Цель статьи – определить этапы и направления научно-педагогической деятельности ученого. Материалы и методы. Материалом исследования послужили научные труды (статьи, доклады, монографии) В. Е. Головчинер и ее учеников. Систематизация и описание результатов научной работы ученого осуществлялись в сопоставлении с ведущими концепциями отечественной филологии. Результаты и обсуждение. Впервые научное наследие В. Е. Головчинер рассмотрено как целостное явление; выявлены принципы,

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Abzalov, Lenar F., Marat S. Gatin, Ilyas A. Mustakimov та Roman Yu Pochekaev. "Улуг битикчи — тюрко-монгольский институт, интегрированный в систему мусульманской администрации чингизидских государств XIII–XIV вв. (по материалам «Дастур ал-катиб»)". Монголоведение (Монгол судлал) 15, № 1 (2023): 8–28. http://dx.doi.org/10.22162/2500-1523-2023-1-8-28.

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Introduction. The article examines a yarliq from the medieval Persian treatise Dastur al-Katib to characterize the institution of ulug bitigchi that used to be widespread in the Mongol Empire and states of Genghis Khan’s descendants. Goals. The study attempts an interdisciplinary analysis of the historical monument — one yarliq appointing an ulug bitigchi (head of scribes) and contained in Dastur al-Katib fi Tayin al-Maratib (A Scribe’s Guide to Determining Ranks) compiled in the mid-14th century by Persian official Muhammad ibn Hindushah Nakhchivani. Materials and methods. The paper focuses o

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