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Journal articles on the topic 'Epic literature, Irish – History and criticism'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Malloy, Judy. "From Ireland with letters." Convergence: The International Journal of Research into New Media Technologies 24, no. 3 (2016): 289–304. http://dx.doi.org/10.1177/1354856516675255.

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Intertwining Irish history and generations of Irish American family histories in a work of polyphonic electronic literature based on the rhythms of ancient Irish Poetry, the imagined lost Irish Sonata, streams and fountains, and Irish and Irish American song, From Ireland with Letters (2010 - 2016) is an epic electronic manuscript told in the public space of the Internet. Situating the work in the contexts of Irish public literature and of public electronic literature, this paper explores both the work itself and issues of public electronic literature and in the process both divulges little kn

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Mikhailova, Tatyana A. "“Old Irish Saga”: In Search of a Definition." Critique and Semiotics 10, no. 2 (2022): 174–94. http://dx.doi.org/10.25205/2307-1737-2022-2-174-194.

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Using the term saga in Russian and European criticism is studied. The term denotes Old Irish epic tales. The relation between oral and written narrative traditions is described. Under investigation is the semantic content of the Russian term with the following: 1. the English (saga) and the German (die Sage) scholarly texts describing the same denotates 2. the Icelandic notion saga having a much wider semantic field in the original tradition (though not in mediaeval studies) 3. the semantic field of the original term scél having tale or story as one of its meanings. The work also states the re

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Gregory, Tobias. "Tasso's God: Divine Action in Gerusalemme Liberata." Renaissance Quarterly 55, no. 2 (2002): 559–95. http://dx.doi.org/10.2307/1262318.

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This essay examines a subject largely ignored in Tasso criticism: the role of supernatural powers in the epic action of the Liberata. Tasso introduces divine characters, notably God and Satan, at several crucial moments. The presence in the epic plot of an intervening God who is at once partisan and omnipotent brings to the fore certain narrative and theological problems; these problems are not Tasso's alone, but inhere in the attempt to construct a Christian supernatural on the classical epic model. The divine action of the Liberata sheds light on the religious ideology of the poem, and on an

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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c

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Aitalieva, Tolkun K., Kubanychbek B. Kalchekeev, Kalya O. Kulalieva, and Nurjan K. Sartbekova. "Fairy-tale and mythological descriptions in the epic ‘Manas’." Critical Survey 36, no. 4 (2024): 127–38. https://doi.org/10.3167/cs.2024.360411.

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Abstract The relevance of the research lies in the fact that it contributes to the study of history. The study of mythical concepts in the epic ‘Manas’ is of practical value for literary scholars, historians and Kyrgyz people. The purpose of the study is to determine the fairy-tale and mythological descriptions in the epic ‘Manas’. The following methods of scientific cognition were used: methods of synthesis and analysis of information, and the method of analysis of literary sources. In the course of the research, it was determined that fairy-tale and mythological descriptions are commonly enc

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Wolwacz, Andrea Ferras. "TOM PAULIN'S POETRY OF TROUBLES." Organon 34, no. 67 (2019): 1–23. http://dx.doi.org/10.22456/2238-8915.96943.

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This paper is part of my PhD thesis. It examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet’s work. The author’s critical evaluation of existing ideologies and identities and his attem

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M, Kavitha. "Nachinarkiniyar History and Textual Ability." International Research Journal of Tamil 4, S-8 (2022): 233–38. http://dx.doi.org/10.34256/irjt22s834.

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Tamil language and literature have flourished with speeches composed by speechwriters. Are greatly aiding researchers who think innovatively. Texts serve as a bridge between linguistic research and e-literary criticism. The texts convey how the Tamil language has changed over time, as well as the living conditions, political changes and customs of the Tamil people. This article explores the history and textual ability of Nachinarkiniyar. Nachinarkiniyar was a knowledgeable and knowledgeable man of various arts, writing semantics for songs, and also possessing the art of religious ideas, music,

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Leporati, Matthew. "New Formalism in the Classroom: Re-Forming Epic Poetry in Wordsworth and Blake." Humanities 8, no. 2 (2019): 100. http://dx.doi.org/10.3390/h8020100.

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Recent years have seen a resurgence of interest in “New Formalism,” a close attention to textual language and structure that departs from the outdated and regressive stances of old formalisms (especially “New Criticism”) by interrogating the connections between form, history, and culture. This article surveys the contributions of New Formalism to Romanticism studies and applies its techniques to two canonical texts, suggesting that New Formalism is useful both for literary criticism and teaching literature. Opening with a survey of New Formalist theory and practices, and an overview of the the

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Cogolludo Díaz, Juan José. "Dante’s Influence on Seamus Heaney’s Poetry on the Troubles in Northern Ireland: “The Strand at Lough Beg,” “An Afterwards” and “Ugolino”." ES Review. Spanish Journal of English Studies, no. 42 (November 9, 2021): 239–60. http://dx.doi.org/10.24197/ersjes.42.2021.239-260.

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Dante’s Divine Comedy had an enormous influence on Seamus Heaney’s oeuvre, especially from Field Work (1979) onwards. Heaney exploits the great Dantean epic poem to create a framework that allows him to contextualise some of the most painful political and social episodes in Irish history, namely the Great Hunger and the secular clashes between Protestants and Catholics. Heaney pays special attention to the problems originating from the outburst of the atavistic and sectarian violence—euphemistically known as “the Troubles”—between the unionist and nationalist communities in Northern Ireland as

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Radmilo Derado, Sanja. "MERGING SOCIAL CRITICISM WITH IRISH CULTURAL HERITAGE IN THE SHORT STORY COLLECTION THE UNTILLED FIELD BY GEORGE MOORE." Folia linguistica et litteraria X, no. 32 (2020): 43–63. http://dx.doi.org/10.31902/fll.32.2020.3.

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The paper analyses the short story collection The Untilled Field by the Irish writer George Moore (1852-1933) with the aim of establishing the subversive potential of these stories in the context of the criticism of the overpowering dogmas within the Irish society at the beginning of the 20th century. With this long neglected short story collection, George Moore reveals a darker, silenced side of Ireland, hidden from the public discourse of the socio-political mainstream of the period. His social criticism is primarily focused on some neuralgic aspects of the Irish society of the time, namely

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Saken, S. I., and P. T. Auyesbayeva. "Collection, archiving, textual criticism and promotion of the epic cycle "Forty Heroes of the Crimea"." Keruen 81, no. 4 (2023): 60–74. http://dx.doi.org/10.53871/2078-8134.2023.4-04.

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The aim of the article is to determine the current state and future tasks of collecting, analysing and promoting the epic cycle "Forty Heroes of Crimea". The reviews in the article show, through about forty closely related epic compositions, that this cycle is a spiritual heritage in the world, providing insights into the history and world perception of the Nogayly era, considered the golden age of history for a significant part of Turkic peoples. The article analyses the works of native scholars, academicians, V.M. Zhirmunsky, E.M. Meletinsky, famous foreign scholars, N.K. Chadwick, K. Reichl

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Kalewska, Anna. "As traduções d´Os Lusíadas na Polónia ou a revisitação de Camões entre «os Sármatas» e «os Polónios» (questões históricas, culturais e sócio-políticas)." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 02 (2019): 27–45. http://dx.doi.org/10.53943/elcv.0119_04.

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The epic poem Os Lusíadas (1572), by Luís Vaz de Camões, generated copies, imitations and translations, in between them the first Polish translation: Luzyada by Jacek Idzi Przybylski (Craccow, 1790). The poem has the power of to raise cultural, social and political questions, becoming the starting point for various theses in different epochs. The work of Camões is a pretext for a meditation about Poland’s past in the epoch of Romanticism and today. Camões invites us for an imaginary journey to the Christian rampart of the East, telling not only what had happened in the epoch of the Discoveries

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Elmuratov, R.Kh. "ABOUT THE THEME OF HISTORICAL LEGENDS IN KARAKALPAK FOLKLORE." ACADEMIC RESEARCH IN MODERN SCIENCE 2, no. 5 (2023): 32–38. https://doi.org/10.5281/zenodo.7634162.

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Legends, which include part of the folklore heritage, are one of the main genres of oral creativity of the Turkic peoples. In the world science of folklore and literary criticism, a large number of works have been published on the definition of theoretical descriptions of legends. As you know, one of the main genres of folk art is that historical events are preserved to a certain extent in legends, which creates some opportunities for us to understand and learn about our past history, our primordial national culture, our literature. It is known that in modern world folklore a structural-semant

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Piñero Gil, Eulalia. "‘This man is looking for a gesture’: John Dos Passos’s Transcultural and Transnational Views about History and Literature in "Rosinante to the Road Again"." REDEN. Revista Española de Estudios Norteamericanos 2, no. 1 (2020): 93–114. http://dx.doi.org/10.37536/reden.2020.2.1385.

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This interdisciplinary essay analyzes John Dos Passos’s travel book Rosinante to the Road Again (1922) from a Jamesonian perspective, focusing on the implicit dialectical interaction between creativity and the totality of history, the role of the modernist utopian illusion and the quest for return to an Edenic past, the cosmopolitan expatriate individual as a fundamental part of a historical context, and the implications of the literary form in relation to a concrete textual tradition or movement. For this purpose, the analysis draws on Jameson’s The Modernist Papers and The Political Unconsci

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Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Voji

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Debadrita, Saha. "Critiquing the polarisation of Irish women as 'Madonna vis-a-vis whore' in the nationalist texts of W.B. Yeats's poem 'Easter 1916' and Neil Jordan's film Michael Collins." Trivium A multi disciplinary journal of humanities of Chandernagore College 5, no. 8 (2021): 56–73. https://doi.org/10.5281/zenodo.13829497.

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The narrative of Irish history has been perceived from a masculine outlook, relegating the women to the conventionally feminine space of domesticity. The women who resisted submission to masculine norms were labelled as ‘wild Irish girl’– seductive, promiscuous independent ‘whore’. Pitted against them was the idealised archetype of ‘suffering mother’ –whose role was to nurture her children ultimately to sacrifice them for the nation, parallel to Virgin Mary’s sacrifice of Jesus Christ. The critique of such compartmentalised representation o

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BELKHOUS, Dihia. "« Le Silence des Dieux » de Yahia Belaskri : une épopée médiacritique du roman francophone contemporain." ALTRALANG Journal 5, no. 2 (2023): 106–14. http://dx.doi.org/10.52919/altralang.v5i2.322.

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ABSTRACT: This article examines the writing of Yahia Belaskri, shedding light on his contribution to the field of contemporary Francophone literature through his novel "Le Silence des Dieux" (The Silence of the Gods). The analysis relies on critical approaches to decipher the author's rich and complex prose, which explores universal themes such as memory, history, exile, and the quest for identity. By exploring Belaskri's text, this contribution aims to provide an overview of his epic style and his ability to captivate the reader. In this sense, the article will examine the novel "Le Silence d

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Kozlovic, Anton Karl. "Exploring Sacred and Secular Serpent Symbolism in Cecil B. DeMille’s The Ten Commandments (1956)." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 7, no. 2 (2014): 149–69. http://dx.doi.org/10.1558/post.v7i2.149.

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Cecil B. DeMille was an unsung auteur and master of the American biblical epic whose feature films were eagerly awaited by the paying public and filled Paramount’s purse. And yet, he was routinely ignored, dismissed or devalued by critics unappreciative of the enormous artistry deliberately engineered therein, especially his penchant for serpent symbolism. This particular omission is in need of belated attention. Consequently, using humanist film criticism as the guiding analytical lens, this essay selectively reviews the critical DeMille, film and religion literature, locates DeMille’s place

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Ricke, Joe. "‘Text Corruptions’ Corruption: Restoring C.S. Lewis's Critical Satire." Journal of Inklings Studies 14, no. 1 (2024): 43–61. http://dx.doi.org/10.3366/ink.2024.0215.

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This essay examines in detail a C.S. Lewis letter, published in The Times Literary Supplement that was, in fact, an example of ‘mock-criticism’ (as in ‘mock-epic’), being a satiric parody of an argument made by eminent Shakespeare scholar John Dover Wilson. Lewis published his ‘minor disagreement’ in March 1950, to which Dover Wilson responded with appreciation for Lewis's good humour but continued disagreement on the point of contention – that Shakespeare would ever include lines of verse in a section of his prose. By close analysis, the essay demonstrates how the editor of The Collected Lett

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English, Richard. "‘Paying no heed to public clamor’: Irish republican solipsism in the 1930s." Irish Historical Studies 28, no. 112 (1993): 426–39. http://dx.doi.org/10.1017/s0021121400011378.

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To be frank, it is apparent that an agreement between your forces and the forces of the I.R.A. is a national necessity. They can do the things you will not care to do or cannot do in the face of public criticism, while the I.R.A. pay no heed to public clamor so long as they feel they are doing a national duty.Joseph McGarrity to Eamon de Valera, 2 Oct. 1933This article will concentrate on two Irish republican projects from the 1930s: Cumann Poblachta na h-Éireann and the I.R.A.’s British bombing campaign. It will, in each case, focus on one leading individual: Cumann Poblachta’s Seán MacBride

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Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 1 (2015): 97–106. http://dx.doi.org/10.1017/s001738351400028x.

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This time last year my review concluded with the observation that the future for the study of Latin literature is fundamentally interdisciplinary, and that we should proceed in close dialogue with social historians and art historians. In the intervening period, two books from a new generation of scholars have been published which remind us of the existence of an alternative tide that is pushing back against such culturally embedded criticism, and urging us to turn anew towards the aesthetic. The very titles of these works, with their references to ‘The Sublime’ and ‘Poetic Autonomy’ are redole

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Khojamuratovich, Elmuratov Rashit. "TYPOLOGY OF IMAGES IN HISTORICAL LEGENDS OF KARAKALPAK AND ENGLISH FOLKLORE." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 1 (2023): 24. http://dx.doi.org/10.58885/ijllis.v12i1.24.ek.

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<p><span>Legends, which include part of the folklore heritage, are one of the main genres of oral creativity of the Turkic peoples. In the world science of folklore and literary criticism, a large number of works have been published on the definition of theoretical descriptions of legends. As you know, one of the main genres of folk art is that historical events are preserved to a certain extent in legends, which creates some opportunities for us to understand and learn about our past history, our primordial national culture, our literature. It is known that in modern world folklor

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23

Ryan, Bartholomew. "A History and Experience of Bloomsday in Lisbon 2012-2022." ABEI Journal 25, no. 1 (2023): 69–98. http://dx.doi.org/10.11606/issn.2595-8127.v25i1p69-98.

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This text is an account of “Bloomsday”(a celebration of the day in which James Joyce’s Ulysses is set) in Lisbon in the years 2012-2022, from the perspective of the director of the event. I have always tried to interweave Ireland, Portugal and Brazil in the encounter with Joyce with ourselves and our sounds in language and music, with our diverse locations, and with the different translations of Ulysses. The vision has always been to combine entertainment and a subversive joy via music, performative readings and remarks on Ulysses, together with diving deep into the philosophical panorama and

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Langlands, Rebecca. "Latin Literature." Greece and Rome 63, no. 2 (2016): 256–63. http://dx.doi.org/10.1017/s0017383516000139.

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Mairéad McAuley frames her substantial study of the representation of motherhood in Latin literature in terms of highly relevant modern concerns, poignantly evoked by her opening citation of Eurydice's lament at her baby's funeral in Statius’ Thebaid 6: what really makes a mother? Biology? Care-giving? (Grief? Loss? Suffering?) How do the imprisoning stereotypes of patriarchy interact with lived experiences of mothers or with the rich metaphorical manifestations of maternity (as the focus of fear and awe, for instance, or of idealizing aesthetics, of extreme political rhetoric, or as creativit

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Hershkowitz, Debra. "Patterns of Madness in Statius'Thebaid." Journal of Roman Studies 85 (November 1995): 52–64. http://dx.doi.org/10.2307/301057.

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The traditional problem of Silver Latin poetry, and Silver Latin epic especially, has been its attraction to the extravagant, the grotesque, the infinite, the absurd, in other words, its propensity for excess. Statius'Thebaidin particular has been considered guilty of this offence. Recent criticism, however, has tended to see Silver Latin poetry not simply as being excessive, but as being deeply concerned with excess—cultural, ideological, and poetic. In this paper I hope to demonstrate that such a concern is a prominent characteristic of Statius'Thebaid, by exploring perhaps the most importan

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Krasilnikova, E. I. "Historical Past and Historical-Cultural Heritage of Buryats as Reflected in Journal ‘Sibirskie Ogni’ (1920s-1980s): Memory Politics Aspect." Nauchnyi dialog 13, no. 4 (2024): 408–29. http://dx.doi.org/10.24224/2227-1295-2024-13-4-408-429.

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The aim of the article is to characterize representations of the history and historicalcultural heritage of the Buryats in the pages of the Sibirskie Ogni journal from the early 1920s to the late 1980s in the context of state memory politics. The methodological framework of the study was the field of “Memory Studies.” Conclusions were drawn about the intense ideologization of the historical past of the Buryats on the pages of the Sibirskie Ogni journal at all stages of the Soviet period, as well as the journal's disregard for Buryat heritage associated with the traditions of Buddhist East. Six

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Schneider, Werner. "Phidiae Putavi Martial und der Hercules Epitrapezios des Novius Vindex." Mnemosyne 54, no. 6 (2001): 697–720. http://dx.doi.org/10.1163/15685250152952158.

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AbstractMartial introduces the sitting figure of a Hercules Epitrapezios in two epigrams of his ninth book (9. 43, 44). The first of them highlights the artistic qualities of the small statuette supposed to be of Lysippan origin. Its glory is further enhanced by the illustrious series of highborn predecessors whose table the little figurine had previously adorned. The verses of this first epigram are flamboyant in style with a strong epic colouring whereas the second epigram treats the same subject in a very different manner. The final point of this more modest piece with its allusion to Phidi

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Komarytsia, Mariana. "The culturology horizons of Mykola Hnatyshak`s publicism." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 376–402. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-23.

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In the article is analyzed the Mykola Hnatyshak`s publicistic works, which are concentrated in the publications of the author’s column «From the Literary Life» in the newspaper «Meta» (Lviv, 1931—1939). This Catholic critic led this column during 1935—1939 and published there his own articles, notes, reviews and polemical materials. M. Hnatyshak founded a column to persuade those representatives of the intellectuals who believed that literature and art were social phenomena that did not bring a material benefit that these intellectuals were not wright. He also defined the conception of «Cathol

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Rufova, Elena Stepanovna, and Alyona Andrianovna Afanasyeva. "Textological aspect of studying works on Yakut folklore in the context of studying materials of the Sibiryakov expedition (1894-1896)." Филология: научные исследования, no. 11 (November 2024): 148–55. https://doi.org/10.7256/2454-0749.2024.11.72228.

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This article is devoted to the study of works on Yakut folklore in the context of the materials of the Sibiryakov expedition (1894–1896). The relevance of the research lies in the study of the scientific works of I.A. Khudyakov "Verkhoyansky collection: Yakut tales, songs, riddles and proverbs, as well as Russian tales and songs recorded in the Verkhoyansky district by I.A. Khudyakov", E.K. Pekarsky "Samples of Yakut folk literature" in the textual aspect and directions of conceptual provisions regarding the folklore of the Sakha people. The purpose of the study is to reveal the textual parame

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Suriani, Lili, Basrin Melamba, and Aslim Aslim. "Keluarga Golongan Bangsawan (Kamokole’a) Rumbia Moronene 1948-2012." Journal Idea of History 7, no. 1 (2024): 82–91. http://dx.doi.org/10.33772/history.v7i1.2550.

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This study aims to describe (1) The origin and history of the Moronene nobility. (2) The characteristics of the Moronene Rumbia nobility. (3) The role of the family in maintaining social status. In this study, the method used is the historical method, which consists of five stages of research, namely: (a) Topic Selection, (b) Source Heuristics, (c) Source Criticism, (d) Source Interpretation, and (e) Historiography. The results of this study indicate that: (1) The origin of the Moronene nobility can be seen in Kada, an oral literature in the form of a long epic containing origins or events. On

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Kryzhanovska, O. O. "Artistic works of the literary group „Lanka”-MARS at the reception of the criticism of the Ukrainian diaspora." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (341) (2021): 106–13. http://dx.doi.org/10.12958/2227-2844-2021-3(341)-106-113.

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The article notes that critics of the Ukrainian diaspora emphasized the significance of the works of the „Lanka”-MARS authors, considered the main strategies of their work, and determined the connection of the works with the world literary tradition. Lavrinenko's anthology „The Executed Renaissance” allows us to understand the specifics of the history of Ukrainian literature of the 1920s and 1930s. Yu. Lavrinenko represented articles about the works of B. Antonenko-Davydovych, G. Kosynka, T. Osmachka, E. Pluzhnyk, V. Pidmohylny, and D. Falkivsky, which testify to the specifics of Yu. Lavrinenk

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Nerio, Magdalena. "Activist Discourse and the Origins of Feminist Shakespeare Studies." Multicultural Shakespeare: Translation, Appropriation and Performance 27, no. 42 (2023): 143–60. http://dx.doi.org/10.18778/2083-8530.27.09.

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This essay reconsiders interpretations of Shakespeare by Irish writer Anna Murphy Jameson and the American Transcendentalist Margaret Fuller. Developing an informal method in which the voice of the female critic rallies in defence of Shakespeare’s heroines, they intervene in a male-dominated intellectual sphere to model alternative forms of women’s learning that take root outside of formalized institutional channels. Jameson, in Shakespeare’s Heroines, invokes the language of authentic Romantic selfhood and artistic freedom, recovering Shakespeare’s female characters from earlier critical aspe

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Dickerman, Leah. "Aaron Douglas and Aspects of Negro Life." October 174 (December 2020): 126–62. http://dx.doi.org/10.1162/octo_a_00411.

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In 1934, Aaron Douglas created an epic four-panel mural series, Aspects of Negro Life (1934), for the branch library on 135th Street in Manhattan, now the Schomburg Center for Research in Black Culture. The panels answered a call, issued by the first major program for federal support of the arts in the United States, to represent “an American scene.” In them, Douglas traced the trajectory of African American history in four stages and across two mass migrations: from Africa into enslavement in America; through Emancipation and Reconstruction; into the modern Jim Crow South; and then northward

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Watson, Patricia. "Axelson Revisited: the Selection of Vocabulary in Latin Poetry." Classical Quarterly 35, no. 2 (1985): 430–48. http://dx.doi.org/10.1017/s0009838800040271.

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Although it is now fifteen years since G. Williams' thorough-going criticism of B. Axelson'sUnpoetische Wörter, his discussion has failed to elicit the adverse response which might have been expected in view of the widespread influence exerted by the earlier work.The reason for this may be that Axelson's theory is so widely accepted that any refutation thereof may be disregarded. Yet surely Williams was right to point to the dangers of total reliance on statistics and to the necessity of considering the contexts in which words occur in Latin poetry. In this respect, he was not so much rejectin

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Belle, Marie-Alice. "“Comme espics dans les plaines”: Patterns of Translation of Robert Garnier’s Epic Similes in Thomas Kyd’s Cornelia (1594)." Renaissance and Reformation 40, no. 3 (2017): 77–108. http://dx.doi.org/10.33137/rr.v40i3.28737.

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Although celebrated in its time as a worthy contribution to the poetic experiments of the late Elizabethan age, Thomas Kyd’s 1594 Cornelia, translated from Robert Garnier’s Cornélie (1574), has long been held by modern criticism as a minor work in the playwright’s career. Previous attempts to rehabilitate the dramatic and poetic values of Kyd’s translation have focused on the metaphoric networks that underlie Kyd’s appropriation of Garnier’s play or on the political aspects of Kyd’s treatment of historical figures and themes. This article examines more specifically Kyd’s approach to Garnier’s

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АБИСАЛОВА, Р. Н. "PROBLEMS OF NARTOLOGY AND OSSETIAN LITERATURE IN THE SCIENTIFIC HERITAGE OF T.A. GURIEV." Kavkaz-forum, no. 6(13) (June 21, 2021): 5–25. http://dx.doi.org/10.46698/vnc.2021.13.6.001.

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Объектом внимания в статье становится научно-публицистическое наследие выдающегося осетинского ученого, доктора филологических наук, профессора, лауреата нескольких престижных премий Тамерлана Александровича Гуриева. В статье исследуются проблемы осетинской нартологии, литературоведения, теории и практики художественного перевода. Объектом анализа в статье стали такие работы Гуриева, как «К проблеме генезиса осетинских нартовских имен», «Антропонимия осетинского нартовского эпоса», «Проблемы Нартиады», «Наследие скифов и алан», «Кто есть кто в аланской Нартиаде». В них освящаются особенности м

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Aissa, Litim. "Franz and the Algerian revolution(1954-1962)." Humanities Journal of University of Zakho 8, no. 4 (2020): 577–92. http://dx.doi.org/10.26436/hjuoz.2020.8.4.648.

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Despite the recurrent momentum of historical and intellectual studies and literature on the Algerian liberation revolution 1954-1962 as a founding event for the contemporary history of Algeria, especially the French writings, which drew a certain pattern of ideology that serves the purposes of the French colonial historical school in the first place, and perhaps the study in our hands is worthy to be a field It is a field for analysis, criticism, and comparison to go beyond the epic and ceremonial images that we find in the official readings of the topics in which politics intersect with histo

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Shorrock, Robert. "The Politics of Poetics: Nonnus' Dionysiaca and the World of Late Antiquity." Ramus 37, no. 1-2 (2008): 99–113. http://dx.doi.org/10.1017/s0048671x00004926.

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Over the last thirty years or so our understanding of the world of late antiquity has undergone a radical transformation. In addition to the important contributions by historians such as Peter Brown (on the body and society) and Averil Cameron (on the evolution of Christian discourse), new perspectives have also been opened up on the material culture of the later empire. In the arena of literary criticism, however, signs of any analogous transformation have been much less obvious. Though, of course, it is easy to overstate the case, it is nevertheless clear from the bibliographic record that t

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Rebihić, Nehrudin. "Bošnjačka književnost u obzorima Vladimira Jurčića: Rekonstrukcija neobjavljene knjige Muslimani u hrvatskoj književnosti." Historijski pogledi 5, no. 8 (2022): 317–49. http://dx.doi.org/10.52259/historijskipogledi.2022.5.8.317.

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The study of Bosniak literature in the period of the Independent State of Croatia has been marginalized in previous literary-historical studies, and the reasons for this were ideological and political in nature, and not scientific. This work deals with the status of Bosniak literature in the literary-critical horizons of Vladimir Jurčić, the bellwether of the Ustasha national ideology in Bosnia and Sarajevo, in the period from 1941st to 1945th. As a professor, editor of daily and periodical publications, he wrote about Bosniak literature and its canonical writers in the light of the ideologica

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Zavarkina, Marina. "THE CONCEPT OF THE SHORT NOVEL (‘POVEST’) GENRE IN ANDREY PLATONOV’S CREATIVE WORK IN THE 1920S." Проблемы исторической поэтики 20, no. 1 (2022): 296–32. http://dx.doi.org/10.15393/j9.art.2022.10562.

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Based on the material of the short novels (povest’) “The Ethereal Tract,” “Epiphany Locks,” “The City of Gradov,” “The Innermost Man,” “Yamskaya Sloboda,” the article presents the concept of the short novel (‘povest’) genre in the 1920s works by A. Platonov. The structural possibilities of this traditional genre of Russian literature allowed the writer to reflect the contemporary reality with all its tragic contradictions. The genre of the short novel (‘povest’) will have reached its peak by the 1930s, when the writer’s principal works were written (“The Pit,” “For the Future,” “Juvenile Sea,”

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Petrovic, Ivana, and Andrej Petrovic. "General." Greece and Rome 65, no. 2 (2018): 282–97. http://dx.doi.org/10.1017/s0017383518000244.

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I was very excited to get my hands on what was promising to be a magnificent and extremely helpfulHandbook of Rhetorical Studies, and my expectations were matched – and exceeded! This handbook contains no less than sixty contributions written by eminent experts and is divided into six parts. Each section opens with a brief orientation essay, tracing the development of rhetoric in a specific period, and is followed by individual chapters which are organized thematically. Part I contains eleven chapters on ‘Greek Rhetoric’, and the areas covered are law, politics, historiography, pedagogy, poeti

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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.

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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatis

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Cook, James Wyatt. "Mark Davie, Half-serious Rhymes: The Narrative Poetry of Luigi Pulci Dublin: Irish Academic Press, 1998. 199 pp. $39.50. ISBN: 0-7165-2601-8. - Luigi Pulci, Morgante: The Epic Adventures of Orlando and His Giant Friend Morgante Trans. Joseph Tusiani. Intro, and notes, Edoardo A. Lèbano. Bloomington: Indiana University Press, 1998. xxxiii + 975 pp. $49.95. ISBN: 0-253-33399-7." Renaissance Quarterly 52, no. 2 (1999): 504–7. http://dx.doi.org/10.2307/2902067.

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Юрченкова, Оксана Николаевна. "ON DRAMA POETICS AND MORE… THE HISTORIOGRAPHIC REVIEW OF SCIENTIFIC ACTIVITY OF PROFESSOR VALENTINA YE. GOLOVCHINER." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 206–27. http://dx.doi.org/10.23951/1609-624x-2020-5-206-227.

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Введение. Статья приурочена к 75-летнему юбилею профессора В. Е. Головчинер и посвящена анализу ее научной деятельности. Цель статьи – определить этапы и направления научно-педагогической деятельности ученого. Материалы и методы. Материалом исследования послужили научные труды (статьи, доклады, монографии) В. Е. Головчинер и ее учеников. Систематизация и описание результатов научной работы ученого осуществлялись в сопоставлении с ведущими концепциями отечественной филологии. Результаты и обсуждение. Впервые научное наследие В. Е. Головчинер рассмотрено как целостное явление; выявлены принципы,

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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 86, no. 3-4 (2012): 309–407. http://dx.doi.org/10.1163/13822373-90002420.

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A World Among these Islands: Essays on Literature, Race, and National Identity in Antillean America, by Roberto Márquez (reviewed by Peter Hulme) Caribbean Reasonings: The Thought of New World, The Quest for Decolonisation, edited by Brian Meeks & Norman Girvan (reviewed by Cary Fraser) Elusive Origins: The Enlightenment in the Modern Caribbean Historical Imagination, by Paul B. Miller (reviewed by Kerstin Oloff) Caribbean Perspectives on Modernity: Returning Medusa’s Gaze, by Maria Cristina Fumagalli (reviewed by Maureen Shay) Who Abolished Slavery: Slave Revolts and Abolitionism: A Debat

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Мыреева, А. Н. "Hero and Folklore-Mythological beginning in the conceptual sphere of a historical and biographical novel Manchaary by M. Gogolev – Kyndyl." Эпосоведение, no. 1(17) (March 28, 2020): 112–21. http://dx.doi.org/10.25587/svfu.2020.17.58371.

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Выявление роли фольклорно-мифологического начала в своеобразии национальной картины мира в литературном произведении находит выражение в системе художественных концептов, образующих концептосферу, в которой воплощается культурно-исторический, духовно-нравственный опыт нации. Актуальность избранной темы определяется малой изученностью данной проблемы в якутском литературоведении, в частности, в жанрологии. В этом плане особый интерес представляет выявление роли фольклорно-мифологического начала и олонхо в концептосфере национального мира в самом крупном эпическом жанре в романе, который получил

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SHPYK, Igor. "Bulgarian-Ukrainian Relations in the Late Middle Ages in the Works of Ukrainian Scholars of the 19th–First Quarter of the 20th Century." Problems of slavonic studies 70 (2021): 22–30. http://dx.doi.org/10.30970/sls.2021.70.3754.

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Background: One of the least researched periods of Bulgarian-Ukrainian intercul-tural dialogue is late Middle Ages period. It is explained by the low number of sources and their fragmented character, and mainly by incomplete methodology of their pro-cessing, lack of respective conceptual approaches, which are still applied, despite seri-ous criticism. In the second part of the 20th century Ukrainian Slavic Studies, being under mo-nopoly influence of the Russian historiographic patterns, fully accepted the concept of the “second South Slavic influence”, artificially adapting it to the Ukrainian

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Edwards, Karen L., Peter Coss, Michael Hicks, et al. "Reviews: Written Work: Langland, Labor, and Authorship, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching, the Making of Jacobean Culture, the Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800, Romantic Writing and Pedestrian Travel, the Scottish Invention of English Literature, Dante and the Victorians, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, the Imperial Game: Cricket, Culture and Society, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry, Professional Domesticity in the Victorian Novel: Women, Work and Home, Women's Fiction between the Wars: Mothers, Daughters and Writing, British Women Writers of World War II: Battleground of Their Own, the Tyranny of the Discrete: A Discussion of the Problems of Local History in England, Issues of Regional Identity: In Honour of John Marshall, Imperial Cities: Landscape, Display and Identity, Figural Realism: Studies in the Mimesis Effect, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its AcademiesJusticeSteven and Kerby-FultonKathryn (eds), Written Work: Langland, Labor, and Authorship , University of Pennsylvania Press, pp. 347, £42.75.StrohmPaul, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422 , Yale University Press, 1998, pp. xiv + 274, £25.McCulloughPeter E., Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching , Cambridge University Press, 1998, pp. xv + 237, £35PerryCurtis, The Making of Jacobean Culture , Cambridge University Press, 1997, pp. xiv + 281, £35.KelleyDonald R. and SacksDavid Harris (eds), The Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800 , Woodrow Wilson Center Press/Cambridge University Press, 1997, pp. xii + 374, £50.JarvisRobin, Romantic Writing and Pedestrian Travel , Macmillan, 1997, pp. x + 246, £45.CrawfordRobert (ed.), The Scottish Invention of English Literature , Cambridge University Press, 1998, pp. 259, £35.MilbankAlison, Dante and the Victorians , Manchester University Press, 1998, pp. ix + 277, £45.00ThompsonAndrew, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento , Macmillan, 1998, pp. x + 243, £42.50.SandifordKeith A. and StoddartBrian (eds), The Imperial Game: Cricket, Culture and Society , Manchester University Press, 1998, pp. viii + 178, £40.00.GrahamColin, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry , Manchester University Press, 1998, pp. 194, £40.CohenMonica F., Professional Domesticity in the Victorian Novel: Women, Work and Home , Cambridge University Press, 1998, pp. 216, £35.InghamHeather, Women's Fiction Between the Wars: Mothers, Daughters and Writing , Edinburgh University Press, 1998, pp. 180, £40, £14.95 pbLassnerPhyllis, British Women Writers of World War II: Battleground of Their Own , Macmillan, 1998, pp. 293, £45.MarshallJ. D., The Tyranny of the Discrete: A Discussion of the Problems of Local History in England , Scolar Press, 1997, pp. vii + 152, £40RoyleEdward (ed.), Issues of Regional Identity: In Honour of John Marshall , Manchester University Press, 1998, pp. xi + 252, £40.DriverFelix and GilbertDavid (eds), Imperial Cities: Landscape, Display and Identity , Manchester University Press, 1999, pp. 283, £45.WhiteHayden, Figural Realism: Studies in the Mimesis Effect , Johns Hopkins University Press, 1999, pp. 205, £31.50.DohertyThomas, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40." Literature & History 9, no. 1 (2000): 96–116. http://dx.doi.org/10.7227/lh.9.1.8.

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Bugnone, Luca. "Le ali della Dea. Polissena e la Valle di Susa // Wings of the Goddess. Polyxena and the Susa Valley // Las alas de la diosa: Polissena y el Valle de Susa." Ecozon@: European Journal of Literature, Culture and Environment 9, no. 2 (2018): 122–41. http://dx.doi.org/10.37536/ecozona.2018.9.2.2319.

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Formata dal movimento dei ghiacciai quaternari, la Valle di Susa è una valle alpina nel Nord Ovest italiano. Luminoso esempio di “materia narrante”, è anche terreno di scontro tra iniziative conservazionistiche e progetti infrastrutturali transnazionali. Il progetto dell’alta velocità-capacità ferroviaria, o TAV, è stato oggetto di dure critiche. Dagli anni Novanta, grandi mobilitazioni riunite sotto il vessillo No TAV dalla valle si sono estese all’intero territorio nazionale. Parallelamente, il TAV gode l’appoggio bipartisan delle forze politiche. Diversi progetti preliminari sono stati stra

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Goek, Sara. "The Poetics of Cultural Nationalism: Thomas MacDonagh's Literature in Ireland (1916)." Aigne Journal 6 (November 26, 2018). https://doi.org/10.33178/aigne.vol6.1.

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This article examines Thomas MacDonagh’s book, Literature in Ireland: Studies Irish and Anglo-Irish, published in 1916, as a case study in perspectives on nationalism and identity in Ireland in the early twentieth century. It takes an interdisciplinary approach, assessing the text, which is based on literary criticism and analysis, in the historical context of cultural nationalism. MacDonagh’s legacy has hinged on his participation in the Easter Rising, but popular memory of that event has subsumed the diverse views of its participants into a rigid national narrative. In contrast, this article

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