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Books on the topic 'Epic poetry, Bosnian'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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1

Bašić, Husein. Zeman kule po ćenaru gradi: Muslimanske epske narode pjesme iz Sandžaka : antologija. Tuzla: "FI Grafik", 1991.

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2

Antologija bošnjačke usmene lirike. Sarajevo: Alef, 1997.

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3

Kunić, Mirsad. Usmeno pamćenje i zaborav: Krajiška epika i njeni junaci. Tešanj: Centar za kulturu i obrazovanje Tešanj, 2012.

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4

Kay, Matthew W. The index of the Milman Parry Collection, 1933-1935: Heroic songs, conversations, and stories. New York: Garland Pub., 1995.

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5

Marija, Ilić, and Bataković Dušan T, eds. Beli grad: Poreklo epske formule i slovenskog toponima. Beograd: Institut des études balkaniques, 2006.

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6

Morići: Smisao sjećanja i pamćenja. Sarajevo: "Svjetlost", 2009.

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7

Buturović, Đenana, and Kosta Hörmann. Narodne pjesme Bošnjaka u Bosni i Hercegovini: Sabrao Kosta Hörmann, 1888-1889. Sarajevo: Svjetlost, 2001.

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8

editor, Rudić Petar 1933, ed. Junačke hercegovačke pjesme: Koje samo Srbi turskoga zakona pjevaju. Bijelo Polje: Pegaz, 2010.

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9

Avdo, Međedović, and Kujundžić Enes, eds. Ženidba Smailagić Mehe: Junački ep. Wuppertal: Bosanska riječ--Bosnisches Wort, 1994.

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10

Avdo, Međedović, ed. Ženidba Smailagić Mehe. Sarajevo: Preporod, 2002.

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11

Kosta, Hörmann, and Buturović Đenana, eds. Narodne pjesme Muslimana u Bosni i Hercegovini. 2nd ed. Sarajevo: Svjetlost, 1990.

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12

E, Bynum David, ed. Serbo-Croatian heroic poems: Epics from Bihać, Cazin, and Kulen Vakuf. New York: Garland Pub., 1993.

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13

Bynum. SERBO-CROATIAN HEROIC (Milman Parry Studies in Oral Tradition). Garland Science, 1993.

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14

1906-, Nametak Alija, ed. Junačke narodne pjesme herceg-bosanskih Muslimana. 5th ed. Zagreb: Nakladni zavod Matice hrvatske, 1991.

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15

Ready, Jonathan L. The Homeric Simile in Comparative Perspectives. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802556.001.0001.

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The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives. The first part considers similes in five modern oral poetries—Rajasthani epic, South Sumatran epic, Kyrgyz epic, Bosniac epic, and Najdi lyric poems from Saudi Arabia—and studies successful performances by still other verbal artists, such as Egyptian singers of epic, Turkish minstrels, and Chinese storytellers. In applying these findings to the Homeric epics, the second part offers a new take on how the Homeric poets put together their similes and alters our understanding of how the poets displayed their competence as performers of verbal art. Engaging intensively with a diverse array of scholarship from outside the field of classics, from folkloristics to cognitive linguistics, this book changes how we view not only a central feature of Homeric poetry but also the very nature of Homeric performance.
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16

Ready, Jonathan L. Similes in Five Modern Oral Poetries. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802556.003.0004.

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This chapter presents detailed analyses of similes in five modern oral poetries. Examining the poet’s reliance on shared similes in the performances of two epic poems, The Epic of Pābūjī (Rajasthan, India) and The Guritan of Radin Suane (South Sumatra), prepares us to pay attention to shared similes when we see them alongside idiolectal similes. Next comes a demonstration of how Kyrgyz and Bosniac epic poets and composers of Najdi lyric poetry use similes to move around on the spectrum of distribution: they present shared and idiolectal similes. The chapter ends by considering the construction of similes as two-part units made up of a tenor and a vehicle: one thereby gains a greater appreciation for poets’ presentations of shared and idiolectal elements in the space of simile. In sum, poets present shared and idiolectal similes in order to show their competence in performance.
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