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Dissertations / Theses on the topic 'Epic traditions'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Daskalopoulos, Anastasios A. "Homer, the manuscripts, and comparative oral traditions /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953854.

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Hopkins, Maren P. "A Storied Land: Tiyo and the Epic Journey down the Colorado River." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/222850.

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This thesis evaluates one Hopi oral tradition-Tiyo, the boy from Tokonavi-as a meaningful geographic discourse that reveals a landscape extending from the American Southwest to Mesoamerica and beyond. Hopi's understanding of their past and the significance of the land have evolved within larger struggles between Western and Native American views of time, space, and history. Instead of a static cartographic rendering, the story of Tiyo presents the land as a dynamic entity differentiated through religious and social relations. Theories of place making and materiality help validate a space coter

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3

Vodoklys, Edward J. "Blame-expression in the epic tradition." New York : Garland, 1992. http://catalog.hathitrust.org/api/volumes/oclc/25130912.html.

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Paul, Joanna. "Film and the classical epic tradition." Thesis, University of Bristol, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422609.

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Power, Henry Charles Josiah. "Tom Jones, appetite, and the epic tradition." Thesis, University of Cambridge, 2006. https://www.repository.cam.ac.uk/handle/1810/284054.

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6

Spann, Britta. "Reviving Kalliope : four North American women and the epic tradition /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10356.

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Typescript. Includes vita and abstract. Discusses the poetry of H.D., Gwendolyn Brooks, Louise Glück, and Anne Carson. Includes bibliographical references (leaves 261-267). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.

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7

Hefferon, Marguerite Lee. "The nineteenth-century female Bildungsroman and the Romantic epic tradition." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1239108475.

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8

Beissinger, Margaret H. "The art of the lăutar : the epic tradition of Romania /." New York : Garland, 1991. http://catalogue.bnf.fr/ark:/12148/cb371466593.

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Spann, Britta 1979. "Reviving kalliope: Four North American women and the epic tradition." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10356.

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ix, 267 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>In English literary studies, classical epic poetry is typically regarded as a masculinist genre that imparts and reinforces the values of dominant culture. The Iliad , Odyssey , and Aeneid , after all, were written by men, feature male heroes, and recount the violent events that gave rise to the misogynistic societies of ancient Greece and Rome. Yet, in the twentieth century, women poets have found inspiration for their feminist projects in these o

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Yamamoto, Kumiko. "The oral background of Persian Epics : storytelling and poetry /." Leiden : Brill, 2003. http://catalogue.bnf.fr/ark:/12148/cb38998044f.

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11

Nickel, Roberto. "Paris in the epic tradition, a study in Homeric techniques of characterization." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ41568.pdf.

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12

LEITE, IARA COSTA. "THE REALIST EPIC REVISITED: DECONSTRUCTING THE STATE OF NATURE AS A DISCIPLINE TRADITION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5228@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>O propósito desta dissertação é desconsagrar o caráter heróico que a obra de Hobbes assumiu para os estudantes de relações internacionais ao ter sido enquadrada - junto às de Tucídides, Maquiavel, Rousseau, Hegel e etc. - na histórica épica realista. Veremos, no primeiro capítulo, que a subsunção do filósofo à tradição realista é raramente questionada, mesmo pelos críticos das concepções veiculadas por essa tradição. O nome de Hobbes permanece, em grande medida, associado à analogia entre anarquia internacional e estado d

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FitzHerbert, Solomon George Ignatius. "The birth of Gesar : narrative diversity and social resonance in the Tibetan epic tradition." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496448.

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Carberry, Alison D. "Subverted tradition and emotional impact: female characterization in the epic and the Romancero viejo." Thesis, Boston University, 2013. https://hdl.handle.net/2144/12728.

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Thesis (Ph.D.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>This dissertation studies the characterization of women in the Spanish epic and the Romancero viejo. Its purpose is three-fold: first, to show how the traditional ballads of the Romancero viejo were informed by

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15

Manteghi, Amin Haila. "The Alexander Romance in the Persian tradition : its influence on Persian history, epic and storytelling." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/21574.

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This study aims to explore how the Alexander Romance entered the Persian literary tradition and to understand precisely its influence. The main question addressed is whether the Alexander Romance was part of the pre-Islamic Persian tradition and, if so, what its key characteristics were. Because of the dearth of pre-Islamic Persian sources, this thesis is necessarily mostly based on early Arabic and Persian sources written in the early Islamic period, some of which were derived from pre-Islamic traditions. Aside from the Shāhnāma of Firdawsī, the Arabic histories (Ṭabarī, Dinawarī, the anonymo

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Davies, Michael Howard. "'Fierabras' in Ireland : the transmission and cultural setting of a French epic in the medieval Irish literary tradition." Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/8164.

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Thirteenth-century France saw the construction of the Sainte-Chapelle in Paris to house the Crown of Thorns and other Relics of the Passion which had been purchased by King Louis IX. As a result, a fictitious history that explained how Charlemagne had rescued these Relics from the Saracens and brought them to Paris gained widespread popularity in later medieval France. This history was in the form of an epic poem entitled the Chanson de Fierabras, of which English translations were also made. The history was, in addition, taken to Ireland, where the Irish translation, Sdair Fortibrais develope

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Irwin, E. "Epic situation and the politics of exhortation : political uses of poetic tradition in archaic Greek poetry." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604960.

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The thesis begins by exploring a central problem: while the genre of elegiac exhortation poetry both invites and itself exploits analogies between, on the one hand, the immediate audience and performance setting of the poem and, on the other, the broader civic identities of that audience and larger civic context to which they belong. And yet, the circumscribed social setting for which it was produced, the private aristocratic <I>symposion</I>, complicates the interpretation of seemingly all-embracing political terms such as city, fatherland, country. The thesis challenges the prevailing orthod

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18

Bailey, Matthew. "The "poema del Cid" and the "Poema de Fernán González" : the transformation of an epic tradition /." Madison (Wis.) : Hispanic seminary of medieval studies, 1993. http://catalogue.bnf.fr/ark:/12148/cb375358425.

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Platte, Ryan. "Horses and horsemanship in the oral poetry of Ancient Greece and the Indo-European world /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/11480.

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Yamamoto, Kumiko. "From storytelling to poetry : the oral background of the Persian epics." Thesis, SOAS, University of London, 2000. http://eprints.soas.ac.uk/29473/.

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The present work examines the role played by oral tradition in the evolution of the Persian (written) epic tradition, which virtually began with the Shadhname of Ferdowsi (ShNF). The text is also the culmination of a long development that stretches back into ancient times. In the process of transmission of narratives, both writing and oral tradition are assumed to have played a role. While Ferdowsi's written sources have been studied, the influence of oral tradition on his work remains largely unexplored. In order to explore oral influence on the ShNF, the thesis suggests a new approach. Based

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21

Lasseigne, Edward Joseph. "Marcel Proust, Emile Zola, and the sexual politics of the Dreyfus Affair mocking the tradition of melodramatic epic /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1120704693.

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Alfonso-Pinto, Ester Fátima. "The Crónica de cinco reis de Portugal : the influence of Castilian historiography on the epic tradition of D. Afonso Henriques /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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23

Csajkas, Peter Homer. "Die singulären Iterata der Ilias Bücher 11-15 /." München : Saur, 2002. http://catalog.hathitrust.org/api/volumes/oclc/49730920.html.

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24

Kelly, Stephen T. "Homeric correption and the metrical distinctions between speeches and narrative." New York : Garland, 1990. http://catalog.hathitrust.org/api/volumes/oclc/20823392.html.

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25

Diallo, Amadou Oury. "Histoire et fiction, contextes, enjeux et perspectives : récits épiques du Foûta Djalon (Guinée)." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2011.

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La présente étude questionne les rapports complexes de la fiction et de l’histoire, les retentissements du contexte, le poids des enjeux historiques, idéologiques, axiologiques dans l’épopée orale. Dans l’Épopée du Foûta-Djalon, la fiction narrative relie les faits réels et les faits fictifs dans un élan de construction d’une histoire mémorable où la vérité épique élève au premier plan la figure héroïque (Abdoul Rahmâne) au détriment de la figure historique (Almâmy Oumar) et où certains faits, réaménagés et réactualisés font émerger les mythes fondateurs investis de nouveaux sens. Le conflit q

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Roux, Magalie. "Poétique au féminin dans les épopées flaviennes : évolution esthétique et idéologique d’un genre." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040220.

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La figure de l’épouse fait partie intégrante du genre épique, dont les œuvres homériques ont élaboré le modèle pour la littérature gréco-romaine. L’importance accordée à l’eros féminin, et particulièrement conjugal, est l’un des aspects sur lesquels repose l’évolution de la généricité épique, d’œuvre en œuvre. À l’époque flavienne, Valérius Flaccus et Stace confèrent un rôle déterminant à deux figures féminines, celle de Médée dans les Argonautiques et celle d’Argie dans la Thébaïde, et présentent, tous deux, d’autres facettes de l’eros conjugal dans leur épisode lemnien, dont Hypsipyle est l’

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Grüber, Gauthier. "Explicit la mort de Fromondin : édition et étude linguistique, littéraire et historique du passage correspondant aux vers 13935 à 14795 du ms. A de Gerbert de Mez d'après les douze mss complets ABCDEJMNPRSV et les trois amputés d'une partie de la fin ILQ." Thesis, Valenciennes, 2018. http://www.theses.fr/2018VALE0014/document.

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La présente édition s’attache à une partie particulière de la chanson de Gerbert de Metz, dernière partie du cycle original des Loherains, à savoir la conclusion du récit (de la fuite de Fromondin, dernier des Bordelais, jusqu’à sa mort). Cette édition comprend une description détaillée et une étude comparative de tous les manuscrits disponibles pour ce passage (soit douze manuscrits complets : ABCDEJMNPRSV, et trois amputés de la fin IL1Q), une étude littéraire s’attachant à analyser l’originalité de cette conclusion d’un point de vue narratif, stylistique et historique, une analyse linguisti

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Brunhara, Rafael de Carvalho Matiello. "Elegia grega arcaica, ocasião de performance e tradição épica: o caso de Tirteu." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-05032013-095727/.

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Consoante aos estudos recentes sobre a lírica grega arcaica, hoje podemos aduzir a ocasião de performance como um elemento central para a definição de um gênero poético. A partir dessa concepção mais ampla de gênero, este trabalho visa à tradução e estudo dos fragmentos elegíacos de Tirteu, tendo em vista o caráter estritamente político de suas elegias narrativas e marciais e seus vínculos temáticos com a tradição épica, de modo que possamos ensejar uma reflexão outra sobre a função e estatuto dessa poesia em suas determinadas ocasiões de performance.<br>According to modern studies on archaic

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Oliveira, Gustavo Junqueira Duarte. "Tradição épica, circulação da informação e integração cultural nos poemas homéricos." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13102015-155951/.

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O objetivo desta tese é estudar os poemas homéricos do ponto de vista da história, a partir de um enfoque que consiga agregar uma análise de elementos internos e externos dos poemas. O ponto de articulação, o que direciona os temas a serem discutidos nesta tese, está relacionado a uma pergunta central: qual o papel da circulação da informação oral por longas distâncias e através do tempo nos poemas homéricos, seja do ponto de vista de sua própria composição e reprodução, seja do ponto de vista da representação dessas temáticas nas narrativas? Primeiramente, são analisadas as características da

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Diabang, Mamadou. "L’Epopée de Bakari II : approche littéraire de la chronique historique du "Roi perdu" de l’empire médiéval du Mali." Thesis, Limoges, 2015. http://www.theses.fr/2015LIMO0039.

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Cette thèse s’est assigné, comme modalités de recherches de définir les modes spécifiques d’apparition et de fonctionnement de l’épique dans la chronique historique et les chants d’exaltation en l’honneur de l’empereur Bakari II, représenté comme le « découvreur » de l’Amérique avant Colomb. Le texte est une version bilingue composée d’une transcription en langue Mandenka et d’une traduction française. En chantant ses hauts faits, le griot fait l’éloge des qualités héroïques du personnage et la nature des émotions que son audace d’aller à l’assaut des vagues de l’océan Atlantique suscite. A un

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Zoumanigui, Akoye Massa. "L'Epopée de Zébéla Tokpa Pivi : Culture Loma, performance, genres narratifs et non narratifs." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1031.

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Notre projet de thèse vise à analyser ce qui porte la trace du travail de la mémoire collective dans un discours de littérature orale, de la transmission qui assure la compréhension et la conservation du message. Il s'agit pour nous d'expliquer comment la profération du discours de littérature orale et la performance à laquelle il donne lieu restitue les valeurs culturelles des loma.Cette épopée retrace l'histoire d'un chef de guerre qui fait encore de nos jours partie de la culture populaire au pays des loma en République de Guinée. Nous assurons la transcription en langue locale lɔɠɔmagooy e

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Ståbi, Kersti. "Att gestalta Vǫluspá ur poetiska Eddan : som folksångare och muntlig berättare." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2502.

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Kersti Ståbi Performing poems from the Poetic Edda I am a folk singer and oral storyteller. In my Masters project I have made a series of concerts performing the poem Vǫluspá from the Poetic Edda in its original Old Norse. Building on the musical elements in the Eddic poems, I’ve been searching the borderlands between speech and singing, using melodic material in the modern Swedish and Norwegian languages. As a method I have imitated singers in different living epic singing traditions from around the world, basing the creative process on mimicry and improvisation. This was a fast route to pe

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Kouyaté, Mamadou. "La variabilité dans quatre versions de l’épopée mandingue." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30003/document.

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Cette thèse a pour objet la variabilité dans la réécriture de quatre versions de l’épopée mandingue. En se référant à la comparaison différentielle initiée par Ute Heidmann (2005) qui défend une approche des textes non-hiérarchisant, cette thèse se propose de mettre en évidence les indices de variabilité dans la diversité de leurs formes textuelles. Ceux-ci sont générés par différentes sources énonciatives dont notamment la figure du griot qui représente différemment les personnages, la description de certains faits historiques et de la nature, mettant en scène selon son gré des joutes oratoir

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Oliaei, Shadi. "L'art du conteur en Iran : la récitation des histoires du "Sâh-nâme" dans les cafés traditionnels iraniens." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30025.

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L’art du naqqâli en Iran est basé sur une longue tradition de récits épiques portant sur des héros de la légende nationale iranienne. La principale source de ces épopées, Le Livre des rois de Ferdowsi, est un œuvre fondamentale de la culture nationale. Les conteurs professionnels «naqqâl» récitent, en les adaptant, les passages du Livre des rois pendant des heures à l’assistance dans certaines maisons de thé, plus connues sous l'appellation de cafés traditionnels. La représentation du naqqâli qui dure approximativement une heure et demi comporte trois parties d’environ une demi-heure chacune.

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Lakshmanan-Minet, Nicolas. "La danse des temps dans l'épopée, d'Homère au Roland." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMR089/document.

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Les épopées d’Homère et de Virgile, la Chanson de Roland sont marquées par une alternance qui peut paraître capricieuse. En fait, on la saisit beaucoup mieux dès lors qu’on prend en compte la présence des corps : ceux du jongleur, de l’aède, du récitant ; le corps du public. Postures, gestuelle, mouvements, regard, souffle, musique s’articulent à cette alternance pour en faire une véritable danse. Cette thèse étudie d’abord comment dansent chacun des temps principaux du récit dans ces épopées, en accordant la priorité à Homère et au Roland ; puis elle étudie comment cette danse des temps prend

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Richards, Rebecca Anne. "Iliadic and Odyssean heroics : Apollonius' Argonautica and the epic tradition." Thesis, 2014. http://hdl.handle.net/2152/28107.

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This report examines heroism in Apollonius’ Argonautica and argues that a different heroic model predominates in each of the first three books. Unlike Homer’s epics where Achilles with his superhuman might and Odysseus with his unparalleled cunning serve as the unifying forces for their respective poems, there is no single guiding influence in the Argonautica. Rather, each book establishes its own heroic type, distinct from the others. In Book 1, Heracles is the central figure, demonstrating his heroic worth through feats of strength and martial excellence. In Book 2, Polydeuces, the helmsmen,

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Li, Chia-Yun, and 李佳芸. "The Comparative Research for Oral Tradition and Epic Singing in Takekan Valley, Atayal." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/10975623111113303716.

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Minchin, Elizabeth. "Aspects of the composition of the Homeric epics." Phd thesis, 1989. http://hdl.handle.net/1885/136140.

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The hypothesis that the Homeric epics are the products of a formulaic mode of composition characteristic of an oral tradition has for the iast fifty years dominated Homeric research. The theories of Milman Parry and his followers have undoubtedly expanded our understanding of some of the processes which make composition possible. But these same theories, in arguing for a text produced by a tradition, and not by a creative poet, have frustrated the scholar who wishes to come to terms with the epics as great works in themselves, as compositions which have long had the capacity to exci te

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Grabowski-Górniak, Przemysław. "Conan the Hero. An Exploration of Robert E. Howard’s Conan Cycle in the Light of Antique and Medieval Epic Tradition." Doctoral thesis, 2016. https://depotuw.ceon.pl/handle/item/1629.

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Robert Ervin Howard, mimo iż pożegnał się z życiem w wieku lat trzydziestu, zdołał na stałe wpisać się w annały literatury. Mając w swym dorobku ponad trzysta opowiadań i około siedmiuset wierszy, autor ten znany jest głównie jako jeden z ojców gatunku fantasy. Po prawdzie, do momentu ukucia i popularyzacji terminu fantasy powszechnie określano utwory literackie tego typu jako „historie typu howardowskiego” (ang. Howard-type stories). Zdziwienie może zatem budzić fakt, iż mimo istotnego wkładu w rozwój literatury współczesnej i kultury popularnej, dorobek literacki Howarda nadal stanowi nieczę

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Simms, Douglas Peter Allen. "Reconstructing an oral tradition problems in the comparative metrical analysis of Old English, Old Saxon and Old Norse alliterative verse /." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116396.

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Turcot, Virginie. "La Vengeance Nostre Seigneur et son rayonnement dans le manuscrit de Paris, BnF, fr. 1553." Thesis, 2019. http://hdl.handle.net/1866/24216.

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La Vengeance Nostre Seigneur est une chanson de geste écrite vers 1200 qui raconte la destruction de Jérusalem en 70 de notre ère par Vespasien et Titus comme une vengeance pour la Crucifixion. Elle nous est parvenue dans dix manuscrits, tous des recueils, étant donné sa relative brièveté (1200 à 3400 vers, selon les rédactions). Or, ce texte adopte un comportement particulier dans certains des manuscrits qui le conservent : le récit de la vengeance du Christ bourgeonne dans d’autres textes où l’on n’attendrait pas sa manifestation. L’objectif de cette étude est double : comprendre comment est

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Žáčková, Magdalena. "Nadsázka, fantazie a tradice v Morgantovi Luigiho Pulciho." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313476.

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- Hyperbole, Imagination and Tradition in Luigi Pulci's Morgante The epic Morgante, compiled at the end of the 15th century by the poet Luigi Pulci, stands at the turn of two historical eras. It is a meeting point of the Middle Ages and Renaissance with their literary influences and ideas. Also, it reflects the change in the development stages of the genre: from the period when the heroic narrative was declaimed by minstrels (joglars) on squares, this subject matter was gradually introduced into royal courts, where it was influenced by a more elevated culture. The main elements of this epic in

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