Relevant bibliographies by topics / Epistulae (Horace)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Epistulae (Horace)'

Author: Grafiati
Published: 28 July 2024
Last updated: 30 July 2025

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Journal articles on the topic "Epistulae (Horace)"

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Rosenmeyer, P. A. "Ovid's Heroides and Tristia: Voices from Exile." Ramus 26, no. 1 (1997): 29–56. http://dx.doi.org/10.1017/s0048671x00002058.

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exulis haec uox est: praebet mihi littera linguam,et si non liceat scribere, rautus ero.Epist. ex Pont. 2.6.3f.This is the exile's voice; the written word gives me a tongue,and if writing is forbidden, I shall be dumb.Ovid's exilic persona reveals itself over the course of his correspondence as a literary pastiche of other texts and identities. We hear the narrator's voice in the Tristia and Epistulae ex Ponto echoing that of Horace and Propertius, Homer's Odysseus and Vergil's Aeneas. These allusions to canonical works are widely recognised and catalogued. But equally crucial to Ovid's self-p
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Čop, Breda, Renata Hrovatič, and Zala Rott. "Bibliografija akad. prof. dr. Kajetana Gantarja od 1953–2010." Keria: Studia Latina et Graeca 12, no. 2-3 (2010): 441. http://dx.doi.org/10.4312/keria.12.2-3.441-464.

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Słomak, Iwona. "Katon Macieja Kazimierza Sarbiewskiego (Lyr. II 6) i exercitia Seneciana." Terminus 23, no. 1 (58) (2021): 1–24. http://dx.doi.org/10.4467/20843844te.21.001.13260.

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Maciej Kazimierz Sarbiewski’s Cato (Lyr. II 6) and exercitia Seneciana The starting point for the research presented in this article was an attempt to trace the literary tradition which inspired the creation of the lyrical subject and the titular figure of Maciej Kazimierz Sarbiewski’s ode II 6 (Cato Politicus). The presence of this name implies that the intertextual dimension of the poem should be taken into account in its interpretation, hence, the author of this article assumed that the question of the literary tradition should be addressed before a hypothesis about the meaning of the poem
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Carrasco García, Consuelo. "Una compraventa poética, Horacio, Epistola 2.2." Tijdschrift voor rechtsgeschiedenis 85, no. 1-2 (2017): 79–114. http://dx.doi.org/10.1163/15718190-08512p04.

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A poetic sale. Horace, Epistula 2.2. Starting from the analysis of a poem by Horace, I have tried to highlight the image of the Law that was held by Roman society in the first century BC, that is, both by the poet and by the public that he wanted to entertain with his works. He chose a legal topic as the theme of his narrative – the responsibility for hidden defects in the contract of sale –; he applied the Roman legal lexicon with total precision and, more specifically, he showed that he was aware of the debate about the case-law related to the Edict by which the magistrates regulated the sal
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Schwartz Lerner, Lía. "En torno a la enunciación en la sátira: los casos de El Crotalon y los Sueños de Quevedo." Lexis 9, no. 2 (1985): 209–27. http://dx.doi.org/10.18800/lexis.198502.003.

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En el marco de las teorías actuales de la literatura resulta problemática la clasificación de la sátira como forma literaria. No lo eraen el ámbito de la literatura latina, en el que la satura constituía ungénero perfectamente identificado para sus receptores y, por ello,podía ser definida en sus rasgos esenciales. El corpus clásico de sátirasincluía dos variantes: la satura en hexámetros y la sátira menipeaque podía combinar prosa y verso. El concepto de satura parece yacircunscripto en un texto de Lucilio. Pero sin duda Horacio explicitalas normas del género literario que escoge en, por lo m
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Pierzgalska, Małgorzata. "Toposy "młodość" - "starość" w literaturze parenetycznej doby staropolskiej." Acta Universitatis Lodziensis. Folia Litteraria Polonica 7, no. 1 (2005): 129–50. https://doi.org/10.18778/1505-9057.07.08.

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The work presents topoi, which was emerged as a result of analysis of 16th century works, propagating personal patterns and formulating advisable recommendation. In the dissertation the author worked on estimating the generation borders and division into types according to age criterion that had been conducted in antiquity. Also, it was tried to interprete a part of Epistula ad Pisones by Horacy, a few philosophical treatises by Ciceron: "Cato maior de senectute" and "De oficiis", as well as some passages from "Moriae encomium" by Erazm from Rotterdam. The constant semantic-logical constructio
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7

Markus, Donka D. "Performing the Book: The Recital of Epic in First-Century C.E. Rome." Classical Antiquity 19, no. 1 (2000): 138–79. http://dx.doi.org/10.2307/25011114.

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The detrimental effect of the public recital on the quality of epic production in the first century is a stock theme both in ancient and in modern literary criticism. While previous studies on the epic recital emphasize its negative effects, or aim at its reconstruction as social reality, I focus on its conflicting representations by the ancients themselves and the lessons that we can learn from them. The voices of critics and defenders reveal anxieties about who controls the prestigious high genre of epic and about the construction of gender and social status through epic's public performance
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8

Fuhrmann, Manfred. "El "Ars poetica" de Horacio como poema didáctico." Anuario Filosófico, October 3, 2018, 455–72. http://dx.doi.org/10.15581/009.31.29625.

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Horatii Epistula ad Pisones quae inde a Quintiliani temporibus Ars poetica appellari solet duobus e generibus composita esse videtur: nonnulla sunt illius formae carminum peculiaria qua praecepta traduntur; alia naturam epistularum versibus confectarum reddunt quam poeta senescens creavit. Hac de re homines docti consentiunt, at etiam nunc ambigitur, quatenus Epistula ad Pisones a poeta in formam carminis praecepta continentis redacta sit. Novissimae disputationes (a Brink et a Becker conscriptae) Horatii Epistulae illius carminis compositionem inesse demostrare volunt. Sed huius commentationi
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9

Mañas Núñez, Manuel. "La "Epistula ad Pisones" de Horacio: su normalización como "ars" poética hasta el Renacimiento." Cuadernos de Filología Clásica. Estudios Latinos 32, no. 2 (2013). http://dx.doi.org/10.5209/rev_cfcl.2012.v32.n2.41026.

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Dissertations / Theses on the topic "Epistulae (Horace)"

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Whybrew, Linda Christine. "The Relationship between Horace's Sermones and Epistulae Book 1: "Are the Letters of Horace Satires?"." Thesis, University of Canterbury. Classics and Linguistics, 2006. http://hdl.handle.net/10092/945.

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"Are the Letters of Horace Satires?" (Hendrickson 1897: 313). In response to this question, this thesis investigates whether Horace's Sermones and Epistulae 1 all belong to the genre of satura. Ancient and modern evidence from the use of the terms Sermones, Epistulae, and satura, is surveyed, and is found to be inconclusive, but not to preclude Epist. 1 as satura. The nature of specifically Horatian satura is ascertained from the text of Serm. 1, especially Serm. 1.1 and the explicitly literary Serm. 1.4 and 1.10. The redefinition of Lucilian satura, and its political implications are also con
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Books on the topic "Epistulae (Horace)"

1

Horace Between Freedom and Slavery: The First Book of Epistles. University of Wisconsin Press, 2015.

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2

Horaces Epistles Wieland and the Reader: Three-Way Relationship (MHRA Texts & Dissertations) (Mhra Texts and Dissertations). Maney Publishing, 1995.

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3

Albert, Horace Maurice. Q. Horatii Flacci Epistula Ad Pisones de Arte Poetica: Horace, Art Poétique, Texte Latin. Creative Media Partners, LLC, 2018.

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4

Horace, Horace. Q. Horatii Flacci Epistula ad Pisones de Arte Poetica: Horace, Art Poétique, Texte Latin. Book on Demand Ltd., 2020.

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Book chapters on the topic "Epistulae (Horace)"

1

Mellein, Richard. "Horaz: Epistulae." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11298-1.

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2

Trimble, Gail. "Horatian moments in Ovid’s career and the end of Fasti 6." In Essays on Propertian and Ovidian Elegy. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198908111.003.0009.

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Abstract Ovid’s poem on the Roman calendar is brought to an abrupt culmination, after only (exactly) six months, by a final panel about the temple of Hercules Musarum (Fast. 6.797–812). And Ovid’s very last words are not even his own: Fast. 6.812 increpuitque lyram is borrowed almost verbatim from Horace’s final lyric poem, Carm. 4.15. This chapter looks more closely at the consequences of this borrowing. In Carm. 4.15, Horace bows out of lyric: turning the familiar recusatio (‘I will not sing of wars because I prefer my own concerns’) into a move that could not be more Augustan (‘I cannot sin
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3

Graver, Margaret. "The Mouse, the Moneybox, and the Six-Footed Scurrying Solecism." In Laughter, Humor, and Comedy in Ancient Philosophy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190460549.003.0013.

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This chapter argues that to properly understand Seneca’s project in the Epistulae morales, one needs to recognize and appreciate his sharp and often satirical wit. Any sensitive reader can observe that the work employs many standard humorous devices to lighten the tone and to hold the reader’s attention. Examples can be given of punning, incongruity, self-caricature, and more elaborate vignettes that recall the verse satires of Horace. But there are also instances in which Seneca’s humor is directed more specifically at certain modes of philosophical speech and writing: the redeployment of Epi
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4

"Horace, Epistulæ I, xvi." In An Explanation of America. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv10vm27k.10.

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