Log in

Relevant bibliographies by topics / Epodos / Journal articles

To see the other types of publications on this topic, follow the link: Epodos.

Journal articles on the topic 'Epodos'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Epodos.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Hasegawa, Alexandre Pinheiro. "Horácio: Odes e Epodos." Letras Clássicas, no. 11 (December 19, 2007): 219. http://dx.doi.org/10.11606/issn.2358-3150.v0i11p219-223.

Full text

Abstract:

<p>HORÁCIO. <em>Odes e Epodos</em>. Tradução de Bento Prado de Almeida Ferraz e organização de Anna Lia Amaral de Almeida Prado. São Paulo: Martins Fontes, 2003. 269 páginas. ISBN 85-33619-20-0</p>

APA, Harvard, Vancouver, ISO, and other styles

2

Flores, Guilherme Gontijo. "Et me remorsurum petis? Uma promessa de invectiva nos Epodos de Horácio." Nuntius Antiquus 12, no. 2 (January 26, 2017): 133. http://dx.doi.org/10.17851/1983-3636.12.2.133-157.

Full text

Abstract:

É de grande conhecimento – e tema de rara concordância – entre os classicistas que o poeta romano Quinto Horácio Flaco é um grande ironista. Sua poesia está repleta de duplos sentidos, autoderrisão e logros; mas alguém poderia perguntar o que acontece (ou o que se performa) quando encaramos o gume da ironia em termos de política. Nesse caso, o livro de Epodos, publicado pouco tempo depois da Batalha do Ácio (31 a.C.), pode servir como um exemplo perfeito de como um livro poético seria capaz de apresentar um projeto político complexo por meio das ambages da ironia. Para realizar essa leitura, analisarei aqui os sete primeiros epodos, com ênfase no último deles.

APA, Harvard, Vancouver, ISO, and other styles

3

Flores, Guilherme Gontijo. "Et me remorsurum petis? Uma promessa de invectiva nos Epodos de Horácio." Nuntius Antiquus 12, no. 2 (January 26, 2017): 135–57. http://dx.doi.org/10.17851/1983-3636.12.2.135-157.

Full text

Abstract:

É de grande conhecimento – e tema de rara concordância – entre os classicistas que o poeta romano Quinto Horácio Flaco é um grande ironista. Sua poesia está repleta de duplos sentidos, autoderrisão e logros; mas alguém poderia perguntar o que acontece (ou o que se performa) quando encaramos o gume da ironia em termos de política. Nesse caso, o livro de Epodos, publicado pouco tempo depois da Batalha do Ácio (31 a.C.), pode servir como um exemplo perfeito de como um livro poético seria capaz de apresentar um projeto político complexo por meio das ambages da ironia. Para realizar essa leitura, analisarei aqui os sete primeiros epodos, com ênfase no último deles.

APA, Harvard, Vancouver, ISO, and other styles

4

Hasegawa, Alexandre Pinheiro. "Poetam vincit amor: Eros no Livro dos Epodos de Horácio." Nuntius Antiquus 7, no. 1 (June 30, 2011): 7–20. http://dx.doi.org/10.17851/1983-3636.7.1.7-20.

Full text

Abstract:

This paper intends to show the importance of Eros in the Epodes. First of all, it is necessary to study the structure of the book: in the first part (1-10), ten poems in a combination of iambic lines (an iambic trimeter followed by an iambic dimeter); in the second part (11-17), seven poems in various combinations. In this part, when the poet introduces new meters, Eros appears in the book and conquers the poet, modifying the poetry.

APA, Harvard, Vancouver, ISO, and other styles

5

Fraschini, Alfredo Eduardo. "Oralidad y escritura en el corpus lírico de Horacio." Classica - Revista Brasileira de Estudos Clássicos 13, no. 13/14 (December 1, 2001): 351. http://dx.doi.org/10.24277/classica.v13i13/14.496.

Full text

Abstract:

O presente trabalho propõe uma incursão pelos traços específicos de oralidade e pelos procedimentos pontuais de escrita nas Odes e Epodos de Horácio. Uma vez estabelecidos os conceitos de oralidade e de escrita, com os quais se realiza a referida incursão, passa-se ao exame das principais estratégias do autor em ambos os campos: vocativos, marcas de primeira e segunda pessoas do discurso, interrogações, exortações e atitudes combinadas, jogos de exemplos e apotegmas, para a oralidade; linhas temáticas condutoras (particularmente o tempo) e jogo de oposições como procedimento unificador, para a escrita. Como aspecto essencial e fator de unidade estética, a música, apenas deduzível a partir da métrica, mas presente na palavra e no verso. As conclusões apontam para o estreito vínculo que, com fins expressivos, se estabelece entre tais estratégias.

APA, Harvard, Vancouver, ISO, and other styles

6

Piccolo, Alexandre. "Por que (não) ler a obra horaciana como fonte de informações autobiográficas?" CODEX – Revista de Estudos Clássicos 3, no. 1 (July 9, 2011): 6. http://dx.doi.org/10.25187/codex.v3i1.2798.

Full text

Abstract:

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>Quando o poeta latino Horácio diz “eu” em seus textos (epodos, odes, sátiras, epístolas), podemos ver, nas diferentes instâncias desse pronome pessoal, expressões que revelam alguma faceta de um eu empírico? - eis a pergunta que nos guia nesse </span><span>artigo. Não raro velado por </span><em>tópoi </em><span>da tradição e por alusões a outros poetas gregos, o discurso lírico costuma dificultar a construção de uma imagem pessoal do poeta. Por outro lado, a natureza peculiar do texto epistolar pode nos auxiliar a refinar os traços da </span><em>persona </em><span>poética rumo a uma aparência real do poeta. A fronteira entre o </span><span>que é textual e o que pode ser pessoal é uma das dificuldades dessa tarefa. </span></p></div></div></div>

APA, Harvard, Vancouver, ISO, and other styles

7

Lowrie, Michèle. "The Epodes." Classical Review 55, no. 2 (October 2005): 525–28. http://dx.doi.org/10.1093/clrevj/bni287.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Woodman, A. J. "THE EPODES." Classical Review 48, no. 2 (October 1998): 305–7. http://dx.doi.org/10.1017/s0009840x9847001x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Lyne, R. O. A. M. "Structure and Allusion in Horace's Book of Epodes." Journal of Roman Studies 95 (November 2005): 1–19. http://dx.doi.org/10.3815/000000005784016289.

Full text

Abstract:

This article, which was substantively complete at the time of Professor Lyne's sad death, takes a close look at Horace Epodes 13. Lyne displays the complex intertextual and generic resonances of the poem, which is crossed between iambic and lyric ancestry. The poem also functions as a major structural element in the book of Epodes, since it appears to signal a closure which does not happen, and which is wittily picked up in the following poem's apology to Maecenas for the poet's inability to finish the book. This play with finishing, and with iambic books of 13 or 17 poems in length, alludes to Callimachus and his book of Iambi. The closural elements in Epode 13 resonate which similar closurality in Iambus XIII, and the continuation in Epodes 14–17 is Horace's reflection on the puzzle about whether Iambus XIII represents closure ‘followed by heterogeneous material [filled out either by Callimachus himself or by a copyist] or “false closure” followed by more Iambi’.

APA, Harvard, Vancouver, ISO, and other styles

10

Barchiesi, Alessandro, and Lindsay C. Watson. "A Commentary on Horace's "Epodes"." Classical World 99, no. 4 (2006): 455. http://dx.doi.org/10.2307/4353075.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Woodman, A. "Horace: Epodes. D Mankin (ed.)." Classical Review 48, no. 2 (February 1, 1998): 305–7. http://dx.doi.org/10.1093/cr/48.2.305.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Rabil Ismayilova, Ilkana. "Peculiarities of dialogic speech in Eposes." SCIENTIFIC WORK 60, no. 11 (November 6, 2020): 155–57. http://dx.doi.org/10.36719/2663-4619/60/155-157.

Full text

Abstract:

In this article the author analyses the way of transferring dialogic speech as a mean of oral communication into the dialogic speech, and the specifities of dialogues in Eposes. Even flow of speech events in Epos dialogues depends on the relations among the participants. In some cases the narrator, i.e. ozan for the purposes of attracting readers’ attentions creates his own situations with the help of dialogic cues. And this is undoubtedly obvious in Epos dialogues. Key words: speech, oral speech, written speech, dialogue, epos, stimule, reaction

APA, Harvard, Vancouver, ISO, and other styles

13

Solworth, Jon A. "Epochs." ACM Transactions on Programming Languages and Systems 14, no. 1 (January 2, 1992): 28–53. http://dx.doi.org/10.1145/111186.116785.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Mañas Núñez, Manuel. "La poesía pederástica en Horacio: el epodo XI." Emerita 64, no. 2 (December 30, 1996): 333–50. http://dx.doi.org/10.3989/emerita.1996.v64.i2.235.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Montorfano, Tommaso. "Virgilio e Orazio in un dialogo a distanza (Verg. Ecl. 4.4; Hor. Epod. 16.1 e Verg. Aen. 1.291)." ACME - Annali della Facoltà di Lettere e Filosofia dell’Università degli Studi di Milano, no. 03 (December 2012): 253–64. http://dx.doi.org/10.7358/acme-2012-003-mont.

Full text

Abstract:

At a ten-year mark, a verse written by Virgil (Aen. 1.291) looks like a longexpected answer to his friend Horace, who had in turn alluded to a Virgil’s poem in epod. 16. During the hundred-year-old discussion about the relationships between eclogue 4 and epode 16, the stylistic element known as "motto" has seemed conclusive to determine the precedence of Virgil’s poem on Horace’s one. At different stages, Alberto Cavarzere argued that Hor. epod. 16.1 was an answer to Verg. ecl. 4.4. In my opinion, the same rhetoric device was used about ten years later by Virgil, answering in turn to Horace’s "motto". As a conclusion, we can indeed relate Hor. epod. 16.1 and Verg. Aen. 1.291, since from several points of view (content, context, style, metric features) Virgil’s verse seems to continue the alexandrine dialogue engaged ten years before by Horace’s epode.

APA, Harvard, Vancouver, ISO, and other styles

16

Fitzgerald, William. "Power and Impotence in Horace's Epodes." Ramus 17, no. 2 (1988): 176–91. http://dx.doi.org/10.1017/s0048671x00003143.

Full text

Abstract:

Horace's Epodes are seldom considered as a whole. On the face of it, there would seem to be good reason for this fact. It is generally agreed that the poems were written over a period of ten years (from after Philippi to after Actium), during which time there was a great deal of change in the Roman world and in Horace's circumstances. Furthermore, the collection contains a considerable diversity of themes, genres and what, for lack of a better expression, one must call levels of reality. The Archilochean persona maintained in several of the poems is a unifying factor, of course, but it has not seemed pervasive enough to have allowed a systematic interpretation of the whole collection, and even within the Archilochean group scholars have tended to separate the political poems from the invective poems.3 Attempts to find some principle of arrangement for the collection have not been very enlightening, since they have rarely amounted to more than classifying each of the poems by type or theme (usually a completely unsystematic mixture of both), and then putting them into groups, which reveals structural patterns that have a no more than decorative function, or else simply displays Horace's penchant for variatio.

APA, Harvard, Vancouver, ISO, and other styles

17

Barchiesi, Alessandro. "A Commentary on Horace's Epodes (review)." Classical World 99, no. 4 (2006): 455. http://dx.doi.org/10.1353/clw.2006.0057.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Broxmeyer, Hal E. "Erythropoietin: multiple targets, actions, and modifying influences for biological and clinical consideration." Journal of Experimental Medicine 210, no. 2 (February 11, 2013): 205–8. http://dx.doi.org/10.1084/jem.20122760.

Full text

Abstract:

Erythropoietin (EPO), a humoral regulator of erythropoiesis and replacement therapy for selected red blood cell disorders in EPO-deficient patients, has been implicated in a wide range of activities on diverse cell, tissue, and organ types. EPO signals via two receptors, one comprising EPO receptor (EPOR) homodimers and the other a heterodimer of EPOR and CD131—the common β chain component of the GM-CSF, interleukin (IL)-3, and IL-5 receptors. Ligation of EPORs triggers various signaling pathways, including the JAK2–STAT5 and MAPK–NF-κB pathways, depending both on the receptor and the target cell type. A new study in this issue reveals a novel EPO-triggered pathway involving a Spi2A serpin–lysosome–cathepsin cascade that is initiated through the homodimeric EPOR complex and is required for the survival of erythroid progenitors. A full understanding of EPO’s effects on various cell types and their potential clinical relevance requires more work on the signaling events initiated through both EPORs, the effects of other cytokines and growth factors that modulate EPO’s actions, and a comparison of the effects of full-length versus truncated forms of EPO.

APA, Harvard, Vancouver, ISO, and other styles

19

Alonso de Miguel, Álvaro. "Santillana, Garcilaso y el Epodo II." Epos : Revista de filología, no. 2 (January 1, 1986): 305. http://dx.doi.org/10.5944/epos.2.1986.9449.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Harrison, S. J. "Two Notes on Horace, Epodes (10, 16)." Classical Quarterly 39, no. 1 (May 1989): 271–74. http://dx.doi.org/10.1017/s0009838800040738.

Full text

Abstract:

Epode 10: the Mystery of Mevius' CrimeHorace's tenth Epode, an inverse propempticon, calls down dire curses on the head of a man named Mevius as he leaves on a sea-voyage.1 Scholars have naturally been interested in what Mevius had done to merit such treatment, but answers have been difficult to find, for nothing explicit is said on this topic in the poem; as Leo noted, ‘[Horatius] ne verbo quidem tarn gravis odii causam indicat’. This is in direct contrast with the Strasbourg epode usually attributed to Hipponax (fr. 115 West), which served as Horace's model in this poem; there it is clear that the similar curses on a departing sailor are caused by his breaking of oaths to the poet and betrayal of their previous friendship (15–16 ⋯ς μ' ἢδίκησε, λ⋯ξ δ' ⋯π' ⋯ρκίοις ἔβη, τò πρίν ⋯ταῖρος ⋯ώμ ). One might expect Horace to give some kind of indirect suggestion of the nature of Mevius’ offence, but even this is despaired of by Fraenkel: ‘There is no hint at the sort of crime which Mevius is said to have committed, nor is anything said about the man himself; he remains an entirely shadowy figure’. The best that scholars have been able to do is to follow the ancient commentary of Porphyrio in suggesting that Horace's Mevius is to be identified with the poetaster attacked by Vergil in Ecl. 3.90 ‘qui Bavium non odit, amet tua carmina, Mevi’. Though it is pleasant to think of Vergil and Horace, perhaps by now friends in the circle of Maecenas, ganging up on a luckless hack, there is, as Fraenkel points out, no mention in the tenth Epode that Mevius is a poet, and his literary incompetence, assuming he is Vergil's poet, does not seem to underlie or indeed warrant the bitter imprecations of the poem: Catullus might wish a dire fate on the works of a bad poet (e.g. Volusius – 36.18–20, 95.7–8), but to long for their author's shipwreck and consumption by gulls might indeed seem excessive.

APA, Harvard, Vancouver, ISO, and other styles

21

Prokopov, Kirill. "Plato’s words of magic: pharmakon and epode." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 13, no. 1 (2019): 294–306. http://dx.doi.org/10.25205/1995-4328-2019-13-1-294-306.

Full text

Abstract:

Corpus Platonicum is one of our primary evidence on the history of Greek magic in the classical period and with other sources it gives the knowledge on those who practiced magic-working (magoi, goetes, pharmakeis and epodoi). Plato is well known for his critics of magicians in the Republic and the Laws yet picturing Socrates as a magician and enchanter in other dialogues. I will address this apparent inconsistency by examining pharmakon (drug) and epode (incantation) as two magical terms that we know already from pre-platonic texts, while in the dialogues Plato uses them for depicting a variety of Socratic philosophical practices: in the Charmides Socrates presented as a follower of Thracian medical-magical practitioner, in the Theaetetus he appears as a midwife of the souls, in the Phaedo as a prophet and a servant of Apollo and in the Republic as a lover of poetry who places his own incantation in opposition to poetry’s mimetic charm. As it follows, the magic of Socrates is a counter-magic to the bewitchment and jugglery of a sophistry and mimetic poetry. By enchanting pharmakon with epode Socrates neutralizes the risk of pharmakon being dangerous drug: a model for a method that Socrates is famed for yet expressed in the words of magic.

APA, Harvard, Vancouver, ISO, and other styles

22

Mažeikis, Gintautas. "Renesanso epochos okultizmas." Problemos 49 (September 29, 2014): 67–76. http://dx.doi.org/10.15388/problemos.1996.49.6995.

Full text

Abstract:

Straipsnyje analizuojama Renesanso okultizmo filosofijos ir magijos specifika. Skiriamos mitinio, maginio-simbolinio ir sąvokinio-analitinio mąstymo formos. Teigiama, kad simbolinis mąstymas yra pastangos suvokti pasaulį neapibrėžtomis, analitiškai nekonkretizuotomis, viską jungiančiomis ir vienijančiomis sąvokomis. Autorius naudoja nediferencijuoto, maginio estetinio sąmonės kontinuumo fenomenologinę sampratą: tik jame galėjo skleistis viena su kitu susiliejantys pamąstymai apie religijų vienybės įgyvendinimą, energetiškai galingos krikščionybės atradimą, dangiškas angelų hierarchijas ir kita. Atskleidžiami Renesanso epochoje vyravusio simbolinio mąstymo esminiai bruožai: antropocentrizmas, antropomorfizmas, panteizmas. Nagrinėjama natūralioji magija, hermetizmas, atminties menas, krikščioniškoji kabala. Pagrindinis dėmesys skiriamas M. Kuziečio, G. Bruno, N. Agrippos filosofijai. Natūralioji magija spontaniškai kyla iš sąmoningų, bet nekritiškų ir istoriškai nepagrįstų žmogaus santykių su gamta, kosmosu, įvairiomis stichijomis. Natūraliosios magijos pagrindiniai principai yra pritapimas, analogija, simpatija ir antipatija.

APA, Harvard, Vancouver, ISO, and other styles

23

CAHN, R. N. "Epochs in Physics." Science 252, no. 5008 (May 17, 1991): 995–96. http://dx.doi.org/10.1126/science.252.5008.995.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Pickstock, Catherine. "EPOCHS OF MODEIRNITY." Distinktion: Journal of Social Theory 6, no. 1 (January 2005): 65–86. http://dx.doi.org/10.1080/1600910x.2005.9672903.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Bogatyrev, B. A., V. V. Zhukov, and Yu G. Tsekhovsky. "Phanerozic bauxite epochs." Geology of Ore Deposits 51, no. 6 (December 2009): 456–66. http://dx.doi.org/10.1134/s1075701509060038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Porter, Roy. "Epochs of nature." Nature 374, no. 6525 (April 1995): 825–26. http://dx.doi.org/10.1038/374825a0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Cucchiarelli, Andrea. "Lindsay C. Watson: A Commentary on Horace’s Epodes." Gnomon 77, no. 8 (2005): 673–76. http://dx.doi.org/10.17104/0017-1417_2005_8_673.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Damer, Erika Zimmermann. "Iambic Metapoetics in Horace, Epodes 8 and 12." Helios 43, no. 1 (2016): 55–85. http://dx.doi.org/10.1353/hel.2016.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Dettmer, Helena, Horace, and Daniel H. Garrison. "Horace: Epodes and Odes, a New Annotated Latin Edition." Classical World 86, no. 2 (1992): 164. http://dx.doi.org/10.2307/4351289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

McMaster, Aven. "Dedications and Status: Catullus 1 and Horace Epodes 1." Classical World 107, no. 2 (2013): 199–215. http://dx.doi.org/10.1353/clw.2013.0119.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Townshend, James R. "O Ego Non Felix: Inachia, Lesbia, and Horace's Epodes." American Journal of Philology 141, no. 4 (2020): 499–536. http://dx.doi.org/10.1353/ajp.2020.0028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Gray, Patrick A., Bo Sandén, and Phillip Laplante. "Structural Epochs in Software." International Journal of Strategic Information Technology and Applications 5, no. 2 (April 2014): 1–12. http://dx.doi.org/10.4018/ijsita.2014040101.

Full text

Abstract:

A way to measure the complexity of object-oriented software involves topological features of the code's hierarchical organization at the method, class, package, and component levels. Sangwan et al (2008) suggested that as certain software products evolve, this complexity shifts from lower to higher structural levels, or vice-versa. They studied three widely used open source software programs and showed that these structural shifts called “epochs” were present and suspected that this phenomenon was pervasive. To support or refute this assertion, 30 open source programs were studied and structural shifts in complexity were found significantly in 27 of them. In those projects where no complexity shift was evident, no refactoring had occurred. These findings further suggest that in large, open source software projects, when refactoring occurs a shifting in complexity from one level to another will occur.

APA, Harvard, Vancouver, ISO, and other styles

33

Varanavičius, Aloyzas. "Renesanso epochos filsosofijos bruožai." Problemos 26 (September 29, 2014): 95–103. http://dx.doi.org/10.15388/problemos.1981.26.6297.

Full text

Abstract:

Straipsnyje pateikiami ir aptariami Renesanso epochos filosofijos bruožai. Dažniausiai Renesanso epochos kultūra bei ideologija apibūdinama kaip humanizmas siaurąja šio žodžio prasme, kai kalbama apie pirmuosius Italijos ir kitų kraštų Renesanso kultūros atstovus, kurie savo kūryboje labai plačiai rėmėsi antikinės pasaulietiškosios minties kūriniais bei panaudojo juos. Pažymėtina, kad pirmajai Renesanso fazei būdingas humanistinis žmogaus prigimties aukštinimas. Ši tendencija daugiausia išlieka, kaip ir antikinių šaltinių naudojimas, ir antroje Renesanso fazėje – reformacijoje, iš dalies ir trečiosios fazės – kontrrefomacijos – pradžioje. Pažinimo teorijoje Renesanso mąstytojai labai kritiškai vertino scholastinę logiką, jie teikė pirmenybę jutimiškam patyrimui kaip pradiniam pažinimo etapui. Etikoje buvo glaudžiai susipynusios epikūrizmo ir stoicizmo idėjos, būdinga apeliacija į žmogaus natūralius poreikius, akcentuojamas jo prigimties individualizmas ir pan. Renesanso epochos sociologinės koncepcijos visuomenę aiškino kaip izoliuotų individų sumą, o valstybinę valdžią jau manyta esant nepriklausomą nuo religijos ir bažnyčios autoriteto.

APA, Harvard, Vancouver, ISO, and other styles

34

Shin, Sanghee, George V. Chilingar, Oleg Sorokhtin, and Nikolai O. Sorokhtin. "Formation of Glaciation Epochs." Journal of Environmental Protection 04, no. 06 (2013): 516–21. http://dx.doi.org/10.4236/jep.2013.46060.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Fisher, R. M. "Epochs of economic theory." History of Political Economy 20, no. 4 (January 1, 1988): 675–78. http://dx.doi.org/10.1215/00182702-20-4-675.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Babashkin, Vladimir. "“Three epochs — three sociologies”." Russian Peasant Studies 2, no. 1 (2017): 131–39. http://dx.doi.org/10.22394/2500-1809-2017-2-1-131-139.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Crabstick, Ben. "William Ainsworth's Odes, Epodes, and Carmen Sæculare of Horace (c.1625) in a Bodleian Manuscript." Translation and Literature 24, no. 1 (March 2015): 42–56. http://dx.doi.org/10.3366/tal.2015.0183.

Full text

Abstract:

The extensive Horace translation in Bodleian MS Rawlinson poetry 104 has been little noticed, but it may constitute the first full English version of the Odes, Epodes, and Carmen Saeculare. Its author is here identified and the likely circumstances of its composition examined. Transcriptions of five samples are supplied: Odes 1.37, 2.10, and 4.7; Epodes 2 and 12.

APA, Harvard, Vancouver, ISO, and other styles

38

Raizis, M. Byron, and Elefthería Koundoúri. "I epohés tis idhanikís aftapátis." World Literature Today 71, no. 2 (1997): 427. http://dx.doi.org/10.2307/40153201.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Barnes, Trevor J., John Paul Jones III, Wolfgang Natter, and Theodore R. Schatzki. "Postmodern Contentions: Epochs, Politics, Space." Economic Geography 70, no. 2 (April 1994): 188. http://dx.doi.org/10.2307/143654.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Adiyeva, Pakizat, Ahsen Fatma Turan, Lira Konis, and Sartbayeva Dudarisha. "Turkic Motives in English Eposes." Procedia - Social and Behavioral Sciences 143 (August 2014): 442–44. http://dx.doi.org/10.1016/j.sbspro.2014.07.514.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Mermin, N. David. "Whats Wrong with those Epochs?" Physics Today 43, no. 11 (November 1990): 9–11. http://dx.doi.org/10.1063/1.2810747.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Shiryaeva, Irina. "The Dialogue of the Epochs." Stephanos Peer reviewed multilanguage scientific journal 42, no. 4 (July 31, 2020): 289–90. http://dx.doi.org/10.24249/2309-9917-2020-42-4-289-290.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Hughes, Cameron, and Tracey Hughes. "Epochs of an AI cosmology." AI Matters 4, no. 4 (January 11, 2019): 19–21. http://dx.doi.org/10.1145/3299758.3299868.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Cairns, Francis. "Horace Epode 11." Hermes 147, no. 4 (2019): 452. http://dx.doi.org/10.25162/hermes-2019-0038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Harrison, S. J. "Horace, Epode 6.16." Classical Quarterly 37, no. 2 (December 1987): 523–24. http://dx.doi.org/10.1017/s0009838800030780.

Full text

Abstract:

Here Horace gives warning to an adversary of his powers of literary attack, comparing himself with the great iambists Archilochus (‘Lycambae spretus infido gener’) and Hipponax (‘acer hostis Bupalo’). The general sense of the last two lines seems clear: ‘If someone attacks me (gifted as I am with the weapons of the iambist), shall I weep like a mere boy?’, i.e. ‘Am I not to take revenge?’

APA, Harvard, Vancouver, ISO, and other styles

46

Heyworth, S. J. "Horace's Second Epode." American Journal of Philology 109, no. 1 (1988): 71. http://dx.doi.org/10.2307/294761.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Parker, Holt N. "Horace Epodes 11.15-18: What Shame Got to Do With It?" American Journal of Philology 121, no. 4 (2000): 559–70. http://dx.doi.org/10.1353/ajp.2000.0056.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Sydenham, C. "Horace; The Complete Odes and Epodes - A New Translation. D West." Classical Review 48, no. 2 (February 1, 1998): 307–9. http://dx.doi.org/10.1093/cr/48.2.307.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Vaksberg, Arkadii. "A Change of Epochs in Russia." Russian Politics & Law 38, no. 4 (July 2000): 76–81. http://dx.doi.org/10.2753/rup1061-1940380476.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Emerson, Caryl. "New Words, New Epochs, Old Thoughts." Russian Review 55, no. 3 (July 1996): 355. http://dx.doi.org/10.2307/131789.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!