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Journal articles on the topic 'Erlkönig'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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1

Wöhrle, Georg. "Goethes Erlkönig — altgriechisch." Philologia Classica II, no. I (June 2016): 77–81. http://dx.doi.org/10.21638/11701/spbu20.2016.107.

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2

Stein, Deborah. "Schubert's "Erlkönig:" Motivic Parallelism and Motivic Transformation." 19th-Century Music 13, no. 2 (1989): 145–58. http://dx.doi.org/10.2307/746652.

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3

Gibbs, Christopher H. ""Komm, geh' mit mir": Schubert's Uncanny "Erlkönig"." 19th-Century Music 19, no. 2 (1995): 115–35. http://dx.doi.org/10.2307/746658.

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4

Vanhese, Gisèle. "Erlkönig de Goethe et ses traducteurs français." Romantisme 29, no. 106 (1999): 109–18. http://dx.doi.org/10.3406/roman.1999.3457.

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5

Matošec, Matjaž. "Razvoj nemškega samospeva med letoma 1782 in 1878: deset uglasbitev Goethejeve balade Erlkönig." Musicological Annual 42, no. 1 (December 1, 2006): 25–34. http://dx.doi.org/10.4312/mz.42.1.25-34.

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Goethejev Erlkönig je eno največkrat uglasbljenih necerkvenih besedil v novejši zgodovini zahodne glasbe. Werner-Joachim Düring je naštel 131 uglasbitev pesmi; prva je nastala 1782, zadnja je izšla 1957. Izsledki analize desetih uglasbitev balade, nastalih med letoma 1782 in 1878, so podlaga za oris razvoja nemškega samospeva v obravnavanem obdobju.
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6

Aadam, Janin. "Goethes „Erlkönig” als kalter Verführer in transmedialen Umsetzungen." Studia Germanica Posnaniensia, no. 36 (July 4, 2015): 125. http://dx.doi.org/10.14746/spg.2015.36.10.

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7

Eder, Ulrike. "Johann Wolfgang von Goethe, Jens Thiele (Ill.): Der Erlkönig. Weitra: Bibliothek der Provinz 2007 / Johann Wolfgang von Goethe, Sabine Wilharm (Ill.): Der Erlkönig. Berlin: Kindermann Verlag 2013." ÖDaF-Mitteilungen 30, no. 1 (March 2014): 125–29. http://dx.doi.org/10.14220/odaf.2014.30.1.125.

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8

Salvador, Luis Eduardo Lino. "Manuel González Prada y la Traducción como Recreación: el Caso de “Erlkönig” de Johann Wolfgang Goethe." Cadernos de Tradução 41, no. 1 (January 15, 2021): 148–70. http://dx.doi.org/10.5007/2175-7968.2021.e77113.

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Este trabajo estudia la traducción de Manuel González Prada como parte del “programa internacionalizador y modernizante” propuesto por Antonio Cornejo Polar, que buscó inscribir a la literatura peruana en la modernidad a finales del siglo XIX. Así, el trabajo se divide en tres partes. La primera busca construir la “poética de la traducción” de Manuel González Prada como recreación a partir de sus comentarios u opiniones dispersos en sus ensayos. El segundo apartado, se centra en el interés del peruano por la balada germánica y la relación con su propia producción cristalizada en su libro Baladas. Finalmente, el tercer apartado busca describir, explicar y confrontar el proceso de traducción como recreación realizado por González Prada sobre el poema “Erlkönig” de Johann Wolfgang Goethe.
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9

Lagutina, I. N. "Two Forest Kings? Literary sources of V. Zhukovsky’s translation of the ballad Erlkönig." Voprosy literatury, no. 4 (August 28, 2020): 217–38. http://dx.doi.org/10.31425/0042-8795-2020-4-217-238.

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The article contains a comparative analysis of early European interpretations of Goethe’s poem Erlkönig and hypothesizes that it was under their influence that Zhukovsky introduced significant innovations in his translation. Already in the first English translations by M. G. Lewis and W. Scott, translators dispense with the naturphilosophical implication of Goethe’s original and enhance its folkloric dimension; the plot is structured according to the pre-romantic and romantic folk legends of evil and many-voiced forest ‘kings.’ The early French versions embark on a new tradition of ‘translating’ the title into the native language, revealing the semiotics of the image and making it more recognizable by a foreign culture. Zhukovsky’s idea of the Forest King is shaped by his contemporary culture; he integrates the German original not only into Russian demonology as described by Russian lexicons of the early 19th c., but also into the set of translation practices already established at the time when he was writing his ballad.
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10

Blass, Ethan. "The Men Who Knew Too Much: Reading Goethe's "Erlkönig" in Light of Hitchcock." Goethe Yearbook 28, no. 1 (2021): 225–42. http://dx.doi.org/10.1353/gyr.2021.0011.

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11

D’Hulst, Lieven. "Erlkönig en Belgique : une traduction intersémiotique par A. Van Hasselt et J.-B. Rongé." Textyles, no. 17-18 (December 15, 2000): 126–38. http://dx.doi.org/10.4000/textyles.1386.

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12

Francisca González Flores. "Rulfo y Goethe: La imposibilidad de una vuelta a casa en "No oyes ladrar los perros" y "Der Erlkönig"." Nuevo Texto Crítico 23, no. 45-46 (2010): 349–59. http://dx.doi.org/10.1353/ntc.2010.0039.

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13

Hrytsak, Natalia. "METHODS OF GENRE ANALYSIS OF THE BALLADS «ERLKÖNIG» BY J. GOETHE AND «THE LILY» BY T. SHEVCHENKO BASED ON THE NATIONAL SPECIFICS." B U L L E T I N OF OLEKSANDR DOVZHENKO HLUKHIV NATIONAL PEDAGOGICAL UNIVERSITY 1, no. 39 (2019): 147–55. http://dx.doi.org/10.31376/2410-0897-2019-1-39-147-155.

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14

Terras, Rita, and Sarah Kirsch. "Erlkönigs Tochter." World Literature Today 67, no. 2 (1993): 378. http://dx.doi.org/10.2307/40149186.

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15

König, Fritz H. "Sarah Kirsch: Erlkönigs Tochter. Gedichte." GDR Bulletin 19, no. 2 (October 17, 1993): 18. http://dx.doi.org/10.4148/gdrb.v19i2.1101.

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16

Hunfeld, Hans. "Erlkönigs Tochter Über das Mifßsverständnis, Fremdes verstehen zu müssen." Informationen Deutsch als Fremdsprache 22, no. 1 (February 1, 1995): 19–23. http://dx.doi.org/10.1515/infodaf-1995-220103.

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17

&NA;. "Goetheʼs Erlköenig: A poetic drama at the close of day." Journal of the American Academy of Physician Assistants 24, no. 2 (February 2011): 65. http://dx.doi.org/10.1097/01720610-201102000-00014.

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18

Höpfel, Jutta. "»Erlkönig« triumphierte nicht nur mit Wagner." Österreichische Musikzeitschrift 66, no. 5 (January 2011). http://dx.doi.org/10.7767/omz.2011.66.5.88.

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19

"Erlkönig: Goethe, Schubert, and Resurrecting the Son." College Music Symposium 61, no. 1 (2021). http://dx.doi.org/10.18177/sym.2020.61.1.sr.11521.

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20

Kadner Graziano, Thomas, and Patrick Keinert. "Übereignungstatbestände des Mobiliarsachenrechts – Ein Erlkönig auf dem Genfer Autosalon." JURA - Juristische Ausbildung 2014, no. 11 (January 1, 2014). http://dx.doi.org/10.1515/jura-2014-0134.

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21

Snel, Guido. "Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?" Arcadia – International Journal for Literary Studies 38, no. 2 (January 14, 2003). http://dx.doi.org/10.1515/arca.38.2.368.

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