Relevant bibliographies by topics / Ernest Fenollosa

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Academic literature on the topic 'Ernest Fenollosa'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Ernest Fenollosa"

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Tanaka, Stefan. "Imaging History: Inscribing Belief in the Nation." Journal of Asian Studies 53, no. 1 (1994): 24–44. http://dx.doi.org/10.2307/2059525.

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A commission sponsored by the meiji government and headed by Okakura Tenshin (Kakuzō), Kanō Tessai, and Ernest F. Fenollosa traveled to Nara Prefecture in 1884 to catalog the important artifacts in temples and shrines. Fenollosa's later description of an event of this trip, which is often presented to show how he with the assistance of Okakura “saved” Japanese art, brings out the major argument of my article: the role of fine art in the formulation of belief in the nation. Fenollosa describes his “discovery” of the Guze Kannon (Goddess of Mercy), a seventh-century gilt-wood sculpture, at the H
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BLOUIN, MICHAEL J. "The Eternal Embrace: Ghostly Maidens in Sidney McCall's Fiction." Journal of American Studies 44, no. 4 (2010): 675–90. http://dx.doi.org/10.1017/s0021875810001295.

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At the turn of the century, “Japan” was being imagined for the American public in a variety of ways. Sidney McCall, wife of Hegelian Ernest Fenollosa and close friend of Romanticist Lafcadio Hearn, sought a way to incorporate “Japan” into Fenollosa's broader Idealist arch while simultaneously preserving the titillation of Hearn's “ghostly tales.” By so doing, McCall attempted to reconcile divided notions of “femininity” in early Japanology (and American discourse at large). She utilized the form of the novel itself to work systematically through the schism between “feminine mystique” and “mate
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Vali, Abid. "Noh Collaboration:." Crossings: A Journal of English Studies 9 (August 1, 2018): 112–21. http://dx.doi.org/10.59817/cjes.v9i.110.

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Ezra Pound was initially more interested in Noh than in Ernest Fenollosa’s notes on Chinese poetry. The attention paid to “Ezra Pound and China” often obscures Pound’s interest in Noh, his first love in Fenollosa’s notes, and the actual work of the collaboration/s that resulted in the published texts. Pound gained specific ideas and cultivated particular relationships due to his prior attention to Noh. In fact, given the presence of Japanese interlocutors and translators to aid Fenollosa in the creation of his notes which Ezra Pound then went on to utilize, it might be argued that the Noh play
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Lavery. "Ernest Fenollosa: Out of Time, Out of Place." Journal of Modern Literature 35, no. 2 (2012): 131. http://dx.doi.org/10.2979/jmodelite.35.2.131.

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Barbosa, Thiago de Melo. "O Ideograma como um Modelo de Ler e Ver Poesia." Manuscrítica: Revista de Crítica Genética, no. 23 (March 15, 2012): 167–84. http://dx.doi.org/10.11606/issn.2596-2477.i23p167-184.

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Os ideogramas chineses associados à poesia chegaram ao Brasil por volta dos anos de 1950 quando os poetas concretos começaram a propalar as ideias do poeta e crítico norte-americano Ezra Pound, o qual, por sua vez, foi o principal divulgador dos estudos do filósofo e orientalista norte-americano Ernest Francisco Fenollosa (1853-1908) sobre os caracteres chineses e a poesia, sintetizados no célebre ensaio The chinesewrittencharacter as a medium for poetry (Os caracteres da escrita chinesa como instrumento para a poesia). Nesse, Fenollosa elucida de que maneira a milenar escrita chinesa pode aux
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Nute, Kevin. "Ernest Fenollosa and the universal implications of Japanese art." Japan Forum 7, no. 1 (1995): 25–42. http://dx.doi.org/10.1080/09555809508721526.

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Guzmán Alonso, Eloísa de. "Acercamiento a un pensamiento asintáctico a través de Ernest Fenollosa." Epos : Revista de filología, no. 31 (January 1, 2015): 195. http://dx.doi.org/10.5944/epos.31.2015.17364.

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Jung, Hwa Yol. "Ernest Fenollosa's Etymosinology in the Age of Global Communication." Theory, Culture & Society 26, no. 2-3 (2009): 249–73. http://dx.doi.org/10.1177/0263276409103129.

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This article puts forward the thesis that in the age of multiculturalism, global communication is rooted in cross-cultural understanding as shown in McLuhan's late communication theory. The American philosopher Ernest Fenollosa went to Japan during the Meiji Restoration when it started in earnest full-scale Westernization. He became fascinated with the poetics of sinography manifested in etymosinology. Etymosinology reveals the depth of the Sinic cultural soul, which is this-worldly, practical, concrete and specific. Sinism (i.e. Confucianism, Daoism and Chan/Zen Buddhism) is a species of rela
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Mitteau, Arthur. "L’universalisme de l’esthétique chez Okakura Kakuzō (dit Tenshin) et Ernest Fenollosa : critique et actualité." Ebisu, no. 50 (October 1, 2013): 95–133. http://dx.doi.org/10.4000/ebisu.1138.

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Williams. "Japanese Aesthetic Influences on Early 20th-Century Art Education: Arthur Wesley Dow and Ernest Fenollosa." Visual Arts Research 39, no. 2 (2013): 104. http://dx.doi.org/10.5406/visuartsrese.39.2.0104.

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Dissertations / Theses on the topic "Ernest Fenollosa"

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Rosenow, Cecilia L. "Pictures of the floating world : American modernist poetry and cultural translations of Japan /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055709.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-199). Also available for download via the World Wide Web; free to University of Oregon users.
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Kim, Nam-See. "Grammatologie der Schrift des Fremden." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2009. http://dx.doi.org/10.18452/15929.

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Die vorliegende Arbeit beschäftigt sich mit dem westlichen Verständnis von chinesischer Schrift. Im westlichen Diskurs herrscht eine Auffassung vor, der zufolge die chinesischen Schriftzeichen eine „fast naturalistische Darstellung“ von Dingen seien, die unabhängig von der gesprochenen Sprache im Sinne „eines visuellen Objekts“ funktionieren soll. Dabei wird die Tatsache, dass auch sie wie alle anderen Schriftsysteme zur Wiedergabe der gesprochenen Wörter verwendet werden und dadurch funktionieren, ausgeblendet. Die Vorstellung der sprachunabhängigen chinesischen Schrift wirkt darüber hinaus a
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Books on the topic "Ernest Fenollosa"

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Fenollosa, Ernest Francisco. Ernest Francisco Fenollosa: Published writings in English. Edition Synapse, 2009.

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2

1930-, Miyake Akiko, Teele Nicholas John 1944-, and Kodama Sanehide 1932-, eds. A guide to Ezra Pound and Ernest Fenollosa's Classic Noh theatre of Japan. Mational Poetry Foundation, University of Maine, 1994.

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1930-, Miyake Akiko, Kodama Sanehide 1932-, and Teele Nicholas John 1944-, eds. A guide to Ezra Pound and Ernest Fenollosa's Classic Noh theatre of Japan. National Poetry Foundation, University of Maine, 1994.

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4

Olsen, Flemming. Ernest Fenollosa Ars Poetica or the Roots of Poetic Creation? Sussex Academic Press, 2011.

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5

Yamaguchi, Seiichi, and Boston Staff Museum of Fine Arts. Ernest Francisco Fenollosa - Complete Catalogue of Collection of Specimens of Japanese Art. Taylor & Francis Group, 2021.

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6

Miidera ni nemuru Fenorosa to Bigerō no monogatari: Ernest Francisco Fenollosa, William Sturgis Bigelow. Miyaobi Shuppansha, 2012.

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Fenollosa, Ernest Francisco, and Pound Ezra. 'noh': Or Accomplishment, a Study of the Classical Stage of Japan. by Ernest Fenollosa and Ezra Pound. Creative Media Partners, LLC, 2015.

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8

Ernest Fenollosa, the Chinese written character as a medium for poetry: Ars poetica or the roots of poetic creation? Sussex Academic Press, 2011.

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Olsen, Flemming. Ars Poetica or the Roots of Poetic Creation?: Ernest Fenollosa - the Chinese Written Character As a Medium for Poetry. Sussex Academic Press, 2011.

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Olsen, Flemming. Ernest Fenollosa Ars Poetica or the Roots of Poetic Creation?: The Chinese Written Character As a Medium for Poetry. Sussex Academic Press, 2011.

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Book chapters on the topic "Ernest Fenollosa"

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Murakata, Akiko. "Ernest F. Fenollosa Epochs of Chinese and Japanese Art: An Outline History of East Asiatic Design (1921)." In Masterpieces on Japan by Foreign Authors. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9853-9_16.

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"Ernest Fenollosa, 1913/1915." In The Life of Ezra Pound. Routledge, 2013. http://dx.doi.org/10.4324/9780203806968-17.

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Wei, Lin. "Fenollosa and Pound." In Cross-Cultural Ezra Pound. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979800.003.0006.

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Lin Wei examines the nagging question about the extent of Pound’s authorship regarding the posthumous publication of Ernest Fenollosa’s manuscript, The Chinese Written Character as a Medium for Poetry. Setting aside Pound’s separate preoccupation with Far Eastern culture and its influence on modernism, Wei observes how critical discussions of The Chinese Written Character can get confused, principally because Pound, not Fenollosa, is often assumed to be its author. When, after Fenollosa’s death in 1908, his widow asked Pound to edit for publication her husband’s translations and theoretical wr
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Godart, G. Clinton. "The Religious Transmission of Evolutionary Theory in Meiji-Era Japan." In Darwin, Dharma, and the Divine. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824858513.003.0002.

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Religion was a crucial mediating factor in the early transmission of evolutionary theory to Japan. Even before the Meiji period, certain evolutionary ideas appeared within a religious context. Evolutionary theory and Christianity arrived in Japan in the same period, and conflict ensued as the early conveyors of evolutionary theory, such as Edward S. Morse and Ernest Fenollosa presented the theory as one that delegitimized Christianity; simultaneously, several important Christian missionaries and Japanese Christian thinkers, presented science and Christian faith as part of one package necessary
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Reed, Christopher. "Bachelor Brahmins." In Bachelor Japanists. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231175753.003.0003.

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Explores the collecting and exhibition practices of Boston’s Museum of Fine Arts, which set a standard for the display of Asian art in museums worldwide. Scholars such as Edward Morse and Ernest Fenollosa, funded by “Brahmin” patron-scholars such as William Sturgis Bigelow and Percival Lowell, provoked European Japanists into debates over the authenticity and excellence of Japanese prints and ceramics that foregrounded the Bostonians’ creation of a canon of Japanese art and religion associated with masculine aristocracy. Challenges to these gendered hierarchies came in the form of novels and,
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Kazuhara, Eve Loh. "Tenshin, Okakura (1863–1913)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2031-1.

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Okakura Tenshin, also known as Okakura Kakuzô, was a Japanese scholar and writer whose major works include The Ideals of the East with Special Reference to the Art of Japan (1903), The Awakening of Japan (1904), and The Book of Tea (1906). Tenshin studied at the Tokyo Imperial University (now known as the University of Tokyo), where he graduated and wrote his thesis titled ‘On Art’ in 1880. In his early career as a government official, Tenshin was instrumental to the reorganisation of art education policies. Together with Ernest Fenollosa (1853–1908), who taught philosophy at the Imperial Univ
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"1. Ethnographers-Out-There: Percival Lowell, Ernest Fenollosa, and Florence Ayscough." In Transpacific Displacement. University of California Press, 2019. http://dx.doi.org/10.1525/9780520928145-004.

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"4. Machine/Art Ernest Fenollosa, Ezra Pound, and the Chinese Written Character." In The Buddha in the Machine. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300206579-005.

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Kleitz, Dorsey, and Sandra Lucore. "24. In Praise of Shadows: Ernest Fenollosa and the Origins of Japanese Museum Culture." In From Darkness to Light. Open Book Publishers, 2019. http://dx.doi.org/10.11647/obp.0151.24.

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"9. Hegel in Tokyo: Ernest Fenollosa and His 1882 Lecture on the Truth of Art." In Japanese Hermeneutics. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824863104-012.

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