Relevant bibliographies by topics / Ernest Hemingway 1899-1961

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ernest Hemingway 1899-1961'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Ernest Hemingway 1899-1961"

1

Khan, Falak Naz, Hashim Khan, and Khalid Azim Khan. "Compulsion Versus Volition in A Farewell to Arms." Global Social Sciences Review VI, no. I (2021): 420–28. http://dx.doi.org/10.31703/gssr.2021(vi-i).42.

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Ernest Miller Hemingway (July 21, 1899 - July 2, 1961) is one of the most widely read American novelist of the 19th century, whose works have been variously interpreted. His fiction was influenced by different sociological, political and psychological trends of the time. The adventures of his personal life inspired some of the fascinating stories in his fiction. A Farewell to Arms projects the concept of individual struggle in the face of stiff resistance. His protagonist helplessly strives to define his existence; he, however, miserably fails in his struggle for actualizing his existence. But
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Dissertations / Theses on the topic "Ernest Hemingway 1899-1961"

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Kelley, Andrew 1943. "An Adlerian perspective of Ernest Hemingway." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276808.

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The purpose of this study was to determine whether the application of Adlerian life style techniques would provide greater understanding of the psychological factors which shaped the life of Ernest Hemingway. Hemingway's birth order position, the dynamics and atmosphere of his family, and the early recollections of his childhood were studied and analyzed for a consistent theme or belief system. Biographies, critical evaluations of his work and selected published writing were utilized to provide a basis for a life style projection. This projection was then found to correlate with observable inc
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2

McKendy, Andrew. "The dead Hemingways : a rationale of the writer in decline." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24094.

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Primarily, the thesis will reconsider the "minority report" position regarding Hemingway, and attempt to rationalize attendant charges that Hemingway's later fiction betrayed elements of self-parody (Across the River and Into the Trees. 1950), self-imitation (The Old Man and the Sea, 1952), and self-indulgence (A Moveable Feast, 1964). The minority report holds that the later writer had come to identify with the image of his public persona, and that subsequent attempts at fiction were as a result overcharacterized by self-congratulation, wish-fulfillment, and a crucial loss of ironic or otherw
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3

Talebizadeh, Jamileh. "Une Blessure posthume : The Garden of Eden : le manuscrit d'Ernest Hemingway /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://catalogue.bnf.fr/ark:/12148/cb37702156x.

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KEBBOUCHE, DONAYAN ANISSA. "Le sentiment de l'absurde chez ernest hemingway." Paris 4, 1986. http://www.theses.fr/1986PA040310.

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Dans ses premieres oeuvres et notamment dans les torrents du printemps hemingway tentait d'exprimer la desintegration absurde du monde par un langage desarticule ou par des silences. A l'age de la maturite il s'oriente plutot vers un symbolisme, une sublimation du mystere dans un sens chretien. L'homme peut exorciser l'absurdite ou la vacuite de l'existence en acceptant l'effort meme si celui-ci demeure vain. Il rejoint camus et le mythe de sisyphe car il ne se contente pas de diagnostiquer le mal : il condamne aussi les faux remedes. L'effort continu du vieil homme prend les proportions d'une
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5

Abouddahab, Redouane. "La mort à l'oeuvre dans les nouvelles de Ernest Hemingway : une poétique de la cruauté." Lyon 2, 1992. http://www.theses.fr/1992LYO20047.

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La visée de cette étude est la réhabilitation de Hemingway, écrivain dont le nom est très connu mais dont l'oeuvre est méconnue. Les critiques analysent généralement ses écrits du point de vue du référent et de la représentation, alors qu'une lecture attentive de ses nouvelles (1923-1938) révèle la présence de l'hétérogénéité dans le texte comme procès de poétisation, le mouvement du réel (wilderness) au coeur du familier (home) et la tentative d'édifier un barrage symbolique contre la jouissance terrifiante de l'autre et de sacraliser le désir par son inscription dans le champ énigmatique de
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6

Talebizadeh, Jamileh. "Une blessure posthume : the garden of eden, le manuscrit d'ernest hemingway." Paris 7, 1996. http://www.theses.fr/1996PA070027.

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Ce travail, fonde sur les manuscrits du roman d'hemingway, the garden of eden, cherche a la fois a rendre compte du texte original, qui differe considerablement de l'ouvrage publie a titre posthume, et a offrir une approche psychanalyti que de ses preoccupations. La premiere partie examine le travail de l'editeur du roman qui a effectue des coupures drastiques dans le texte d'hemingway et qui, ce faisant, a ote ou obscurci une serie de questions importantes : les references a proust, le theme biblique du paradis et de la chute; la fascination pour l'oeuvre de jerome bosch et l' interet qui en
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Hardy, Donald E. (Donald Edward). "Politeness as a Conversational Strategy in Three Hemingway Short Stories." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc503982/.

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Hemingway's dialogue and the texts of politeness and literature -- Brown and Levinson's politeness strategies -- The face of honesty in "The Doctor and the Doctor's Wife -- The face of bravery in "The Short Happy Life of Francis Macomber" -- The face of love in "Hills Like White Elephants" -- Interpretive implications of politeness theory.
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8

Salmon, H. L. "Martha Gellhorn and Ernest Hemingway: A Literary Relationship." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4183/.

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Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's wri
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9

Bourkadi, Khaldi Mohammed. "Ernest Hemingway : la violence et la mort." Montpellier 3, 1996. http://www.theses.fr/1996MON30065.

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La violence et la mort sont deux thèmes pilotes qui animent la pensée hemingwayenneet stimulent, par leur intensité et leur gravité, l'orientation de l'écriture littéraire chez Hemingway. Cependant, l'omniprésence de ces deux thèmes dans le récit laisse apparaître d'autres pôles d'intêrets qui, à prime abord, sembleraient paradoxaux : l'exaltation de la vie, de l'amour et des sports violents et moins violents, et la participation à des guerres dites "justes". Exister pleinement chez Hemingway dépendra désormais d'une fusion totale de toutes les forces qui donnent la vie, qui mènent à la mort e
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10

Mallier, Clara. "L'écriture de la vie : représentation de la conscience et implication du lecteur dans les romans à la première personne d'Ernest Hemingway." Paris 3, 2005. http://www.theses.fr/2005PA030029.

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Cette thèse associe étude stylistique, approche narratologique et critique de la réception pour analyser la représentation de la conscience dans les romans à la première personne d'Ernest Hemingway. Il en ressort que la conscience du personnage est représentée par son versant perceptif, le vécu psychologique étant passé sous silence : grâce à une représentation rigoureuse de l'expérience du temps et de l'espace, cette conscience est livrée au lecteur comme une forme dont le contenu psychique reste indéterminé. Le texte programme ainsi l'implication du lecteur et permet que celui-ci donne vie à
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Books on the topic "Ernest Hemingway 1899-1961"

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Messent, Peter B. Ernest Hemingway. St. Martin's Press, 1992.

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Suzanne, Del Gizzo, ed. Ernest Hemingway in context. Cambridge University Press, 2013.

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3

Anthony, Burgess. Ernest Hemingway. Thames and Hudson, 1999.

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Anthony, Burgess. Ernest Hemingway. Thames and Hudson, 1986.

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Rovit, Earl H. Ernest Hemingway. Twayne Publishers, 1995.

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1937-, Brenner Gerry, ed. Ernest Hemingway. Twayne Publishers, 1986.

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Hemingway, Ernest. Conversations with Ernest Hemingway. University Press of Mississippi, 1986.

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Hemingway, Ernest. Ernest Hemingway on writing. Grafton Books, 1986.

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Hemingway, Ernest. Ernest Hemingway on writing. Simon & Schuster, 1999.

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Criswell, Jeanne Salladé. CliffsNotes Hemingway's The old man and the sea. IDG Books Worldwide, 2001.

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Book chapters on the topic "Ernest Hemingway 1899-1961"

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"Ernest Hemingway (1899-1961)." In The Twentieth-Century American Fiction Handbook. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch17.

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"Ernest Hemingway (1899 –1961)." In The Columbia Companion to the Twentieth-Century American Short Story. Columbia University Press, 2004. http://dx.doi.org/10.7312/gelf11098-055.

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Massa, Ann. "Ernest Hemingway (1899–1961)." In American Literature in Context. Routledge, 2016. http://dx.doi.org/10.4324/9781315535531-13.

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