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Dissertations / Theses on the topic 'Ernest Hemingway'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Fusselman, Amy A. "Ernest Hemingway and I." Thesis, Boston University, 1989. https://hdl.handle.net/2144/38035.

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Thesis (M.A.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-01
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2

Aronovitz, Michael. "Hemingway and masculinity." Click here for download, 2006. http://wwwlib.umi.com/cr/villanova/fullcit?p1432830.

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3

Fantina, Richard. "Machismo and masochism in Ernest Hemingway." FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/3249.

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The thesis seeks to contribute to the body of knowledge in literary gender studies by probing the conflicting views of masculinity found in the work of Ernest Hemingway. The major texts, The Sun Also Rises (1926), A Farewell to Arms (1929), Death in the Afternoon (1932), For Whom the Bell Tolls (1940), and The Garden of Eden (1986), demonstrate a pattern which can be identified with elements often referred to as "androgynous." Masochism, as a core component of this "androgyny," will be isolated and explored. Drawing upon both psychoanalytical and literary commentators, this study locates Hemin
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4

Kelley, Andrew 1943. "An Adlerian perspective of Ernest Hemingway." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276808.

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The purpose of this study was to determine whether the application of Adlerian life style techniques would provide greater understanding of the psychological factors which shaped the life of Ernest Hemingway. Hemingway's birth order position, the dynamics and atmosphere of his family, and the early recollections of his childhood were studied and analyzed for a consistent theme or belief system. Biographies, critical evaluations of his work and selected published writing were utilized to provide a basis for a life style projection. This projection was then found to correlate with observable inc
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5

Vondrak, Amy Margaret Edmunds Susan. "Strange things: Hemingway, Woolf, and the fetish (Ernest Hemingway, Virginia Woolf)." Related Electronic Resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2003. http://wwwlib.umi.com/cr/syr/main.

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6

Moeller, Osmani Kerstin. "In einem andern Land : Ernest Hemingway und die "Junge Generation" : Möglichkeiten und Grenzen der Rezeption eines amerikanischen Autors in der frühen westdeutschen Nachkriegsliteratur /." Würzburg : Königshausen & Neumann, 1996. http://catalogue.bnf.fr/ark:/12148/cb39148981v.

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7

Souza, J?nior Lu?s Roberto de. "A revolu??o francesa de Ernest Hemingway." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7782.

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Submitted by PPG Letras (letraspg@pucrs.br) on 2017-12-20T11:10:23Z No. of bitstreams: 1 Tese Lu?s Roberto.pdf: 9089380 bytes, checksum: 1820432cb51ea104c3c9c4192f3ba499 (MD5)<br>Approved for entry into archive by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-12-26T16:47:13Z (GMT) No. of bitstreams: 1 Tese Lu?s Roberto.pdf: 9089380 bytes, checksum: 1820432cb51ea104c3c9c4192f3ba499 (MD5)<br>Made available in DSpace on 2017-12-26T17:11:18Z (GMT). No. of bitstreams: 1 Tese Lu?s Roberto.pdf: 9089380 bytes, checksum: 1820432cb51ea104c3c9c4192f3ba499 (MD5) Previous issue date: 2017-03-21
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8

Bourkadi, Khaldi Mohammed. "Ernest Hemingway : la violence et la mort." Montpellier 3, 1996. http://www.theses.fr/1996MON30065.

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La violence et la mort sont deux thèmes pilotes qui animent la pensée hemingwayenneet stimulent, par leur intensité et leur gravité, l'orientation de l'écriture littéraire chez Hemingway. Cependant, l'omniprésence de ces deux thèmes dans le récit laisse apparaître d'autres pôles d'intêrets qui, à prime abord, sembleraient paradoxaux : l'exaltation de la vie, de l'amour et des sports violents et moins violents, et la participation à des guerres dites "justes". Exister pleinement chez Hemingway dépendra désormais d'une fusion totale de toutes les forces qui donnent la vie, qui mènent à la mort e
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9

KEBBOUCHE, DONAYAN ANISSA. "Le sentiment de l'absurde chez ernest hemingway." Paris 4, 1986. http://www.theses.fr/1986PA040310.

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Dans ses premieres oeuvres et notamment dans les torrents du printemps hemingway tentait d'exprimer la desintegration absurde du monde par un langage desarticule ou par des silences. A l'age de la maturite il s'oriente plutot vers un symbolisme, une sublimation du mystere dans un sens chretien. L'homme peut exorciser l'absurdite ou la vacuite de l'existence en acceptant l'effort meme si celui-ci demeure vain. Il rejoint camus et le mythe de sisyphe car il ne se contente pas de diagnostiquer le mal : il condamne aussi les faux remedes. L'effort continu du vieil homme prend les proportions d'une
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10

Morrison, Laurie L. "Rancidness, pain, and confusion Brett Ashley and the lack of resolution in The Sun Also Rises /." Diss., Connect to the thesis, 2003. http://hdl.handle.net/10066/633.

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11

Hardy, Donald E. (Donald Edward). "Politeness as a Conversational Strategy in Three Hemingway Short Stories." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc503982/.

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Hemingway's dialogue and the texts of politeness and literature -- Brown and Levinson's politeness strategies -- The face of honesty in "The Doctor and the Doctor's Wife -- The face of bravery in "The Short Happy Life of Francis Macomber" -- The face of love in "Hills Like White Elephants" -- Interpretive implications of politeness theory.
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12

Maurer, Deny. "O período complexo na obra de Ernest Hemingway." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24364.

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13

Salmon, H. L. "Martha Gellhorn and Ernest Hemingway: A Literary Relationship." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4183/.

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Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's wri
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14

Díaz, G. "Experience and feeling in T.S. Eliot and Ernest Hemingway." Thesis, University of the West of England, Bristol, 2015. http://eprints.uwe.ac.uk/25098/.

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This thesis identifies and interrogates commonalities and divergences in the works of T.S. Eliot and Ernest Hemingway in relation to their focus on how to make sense of the world of experience in the early twentieth century, and the complex mediations in which feeling and consciousness are involved. Chapter One considers Eliot’s and Hemingway’s common concern in their early works with the experience and representation of a fragmented self, and the extent to which this feature led them to involve their characters in a flow of sensations that liberates consciousness from the chains of rational c
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15

Simionato, Mariasole <1993&gt. "PROGETTAZIONE LETTERARIA: ELIO VITTORINI SULLE TRACCE DI ERNEST HEMINGWAY." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12302.

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La dissertazione prende avvio da una questione molto complessa, sulla quale sono già stati dedicati innumerevoli studi: l’influenza della narrativa americana subita da parte di Elio Vittorini. Il problema, tuttavia, non ha ancora una risoluzione definitiva, poiché vi sono ancora voci critiche discordanti che mettono in dubbio sia l’autenticità del romanzo vittoriniano, che pare contaminato dallo stile statunitense, sia il valore effettivo delle sue traduzioni americane, le quali talvolta assumono alcuni caratteri attribuibili più al traduttore che all’autore. Questo testo affronta le apparent
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16

McGrath, Cole P. "Fighting tradition : Hemingway's Nick Adams and shell shock /." Connect to this title online, 2007. http://hdl.handle.net/1957/5525.

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17

McKendy, Andrew. "The dead Hemingways : a rationale of the writer in decline." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24094.

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Primarily, the thesis will reconsider the "minority report" position regarding Hemingway, and attempt to rationalize attendant charges that Hemingway's later fiction betrayed elements of self-parody (Across the River and Into the Trees. 1950), self-imitation (The Old Man and the Sea, 1952), and self-indulgence (A Moveable Feast, 1964). The minority report holds that the later writer had come to identify with the image of his public persona, and that subsequent attempts at fiction were as a result overcharacterized by self-congratulation, wish-fulfillment, and a crucial loss of ironic or otherw
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18

Talebizadeh, Jamileh. "Une Blessure posthume : The Garden of Eden : le manuscrit d'Ernest Hemingway /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://catalogue.bnf.fr/ark:/12148/cb37702156x.

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19

Betsworth, Leon. "The café in modernist literature : Wyndham Lewis, Ernest Hemingway, Jean Rhys." Thesis, University of East Anglia, 2013. https://ueaeprints.uea.ac.uk/47862/.

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This study explores the representation of the café in literary modernism. As its primary works range from the early 1900s to 1939, I have restricted my choice of exemplary writers in an effort to pay attention to issues of subject, style, and technique in greater detail than a survey would allow. Following a brief history of the literary café, three principal chapters focus upon the following authors in this order: Wyndham Lewis, Ernest Hemingway, and Jean Rhys. Contextualised by the café’s fundamental role in the lives of artists, the creation of art, and the great art movements throughout hi
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20

Manolov, Gueorgui V. "Elements of narrative discourse in selected short stories of Ernest Hemingway." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002250.

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21

Wood, Naomi. "Mrs Hemingway: a novel ; What was lost: manuscripts and the meaning of loss in the work of Ernest Hemingway." Thesis, University of East Anglia, 2013. https://ueaeprints.uea.ac.uk/48048/.

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This thesis in Creative and Critical Writing comprises two parts. The novel, Mrs Hemingway, is an exploration of the lives of the Hemingway wives: Hadley Richardson, Pauline Pfeiffer, Martha Gellhorn and Mary Welsh. Set in the last weeks of each marriage, from bohemian Antibes to pre-war Key West, Liberation Paris to Cold War Idaho, each quarter is told from the point of view of the next Mrs Hemingway. The novel aims to bring to the fore the female voices that have been lost, or at least sidelined, by the hyper-masculinised narrative of the writer’s life. It also seeks to disrupt the homogenou
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22

Lipkin, Martin. "Survival Strategies in The Sun Also Rises by Ernest Hemingway." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-5172.

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This essay deals with different survival strategies in Hemingway´s The Sun Also Rises, with a focus on three of the characters: Jake, Brett and Cohn. They all try to survive mentally in post-war Europe, and have different ways of handling their traumas.
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23

Coe, Peter. "Sexual dilemmas : from normative to queer in selected works of Ernest Hemingway." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284430.

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24

Geromel, Francesco <1996&gt. "Letteratura e giornalismo - La narrazione di Ernest Hemingway e il modello italiano." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21738.

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Il lavoro concerne l'ambito del giornalismo italiano e americano in relazione alla scrittura letteraria di Ernest Hemingway, con particolare attenzione alle differenze tecniche, formali e contenutistiche pertinenti la narrazione del reportage di guerra. Il lavoro si articola partendo dall'analisi del romanzo "Addio alle armi" e sulla presa in considerazione di alcuni esempi-modelli di articoli selezionati dall'archivio del Corriere della Sera.
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Dahlin-Jones, Annelie. "The Radical Feminists' Misrepresentation of Catherine Barkley in Ernest Hemingway's A Farewell to Arms." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-16221.

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This paper will analyze two schools of feminism to see how they criticize female characterizations in literature in general and Catherine Barkley in A Farewell to Arms in particular and discuss whether or not they are being objective in their criticism.
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Talebizadeh, Jamileh. "Une blessure posthume : the garden of eden, le manuscrit d'ernest hemingway." Paris 7, 1996. http://www.theses.fr/1996PA070027.

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Ce travail, fonde sur les manuscrits du roman d'hemingway, the garden of eden, cherche a la fois a rendre compte du texte original, qui differe considerablement de l'ouvrage publie a titre posthume, et a offrir une approche psychanalyti que de ses preoccupations. La premiere partie examine le travail de l'editeur du roman qui a effectue des coupures drastiques dans le texte d'hemingway et qui, ce faisant, a ote ou obscurci une serie de questions importantes : les references a proust, le theme biblique du paradis et de la chute; la fascination pour l'oeuvre de jerome bosch et l' interet qui en
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Bosse, Walter M. "Breaking the Iceberg: Ernest Hemingway, Black Modernism, and the Politics of Narrative Appropriation." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396533155.

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Moran, Omar Agustin. "The representations of masculinities in 1920s American literature: Ernest Hemingway and Willa Cather." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/2029.

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Abouddahab, Redouane. "La mort à l'oeuvre dans les nouvelles de Ernest Hemingway : une poétique de la cruauté." Lyon 2, 1992. http://www.theses.fr/1992LYO20047.

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La visée de cette étude est la réhabilitation de Hemingway, écrivain dont le nom est très connu mais dont l'oeuvre est méconnue. Les critiques analysent généralement ses écrits du point de vue du référent et de la représentation, alors qu'une lecture attentive de ses nouvelles (1923-1938) révèle la présence de l'hétérogénéité dans le texte comme procès de poétisation, le mouvement du réel (wilderness) au coeur du familier (home) et la tentative d'édifier un barrage symbolique contre la jouissance terrifiante de l'autre et de sacraliser le désir par son inscription dans le champ énigmatique de
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DeFazio, Albert John III. "A reassessment of the influence of Sherwood Anderson and Gertrude Stein upon Ernest Hemingway." Thesis, Virginia Tech, 1985. http://hdl.handle.net/10919/45830.

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<p>This study challenges the common assumption that Hemingway's early style is indebted to the work of Sherwood Anderson and Gertrude Stein and finds the evidence less than compelling. Unlike previous examinations, this study considers Hemingway's early journalism and correspondence as well as his first published fiction; additionally, it suggests models of influence other than Anderson and Stein, such as Ring Lardner and Stephen Crane.</p> <p>Because the critical tradition most often identifies "repetition" and "colloquialisms" as bases for attributing influence to Anderson and Stei
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Handaj, Abdellah. "Le héros tragique dans les oeuvres majeures d'Ernest Hemingway." Nancy 2, 1999. http://www.theses.fr/1999NAN21019.

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Ce travail consiste en une étude du héros tragique à travers les oeuvres majeures de Hemingway : The Sun also Rises (1926), A Farewell to Arms (1929), To Have and Have Not (1937), For Whom the Bell Tolls (1940), Across the River and into the Trees (1950), et The Old Man and the Sea (1952). Dans une approche générale de la vision tragique, nous étudierons en particulier le rôle de la mort dans son oeuvre romanesque, car ses personnages sont souvent hantés par ce thème. La place de l'amour qui apparaît dans tous ses romans, comme aspect de la vision tragique ou comme remède, les blessures physiq
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Lynch-Kearney, Frances. "The wound, the scar and the other in the life and work of Ernest Hemingway." Thesis, Ulster University, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706475.

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This thesis joins the critical conversation on the wound and the scar in Hemingway’s life and works. Previous analyses have generally reproduced Hemingway’s narrative of nihilism (Hemingway himself used the term ‘nada’ to describe his characters’ feelings of loneliness, angst and despair), reading this ‘nothingness’ as evidence of Hemingway’s understanding of the single, separate self in opposition to a harsh world. The brutality that permeates his work, along with his emphasis on the sensate, wounded body, is read as reinforcing this narrative of the discrete self, set in defiant opposition t
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Greaney, Philip John. "Less is more : American short story minimalism in Ernest Hemingway, Raymond Carver and Frederick Barthelme." Thesis, n.p, 2005. http://ethos.bl.uk/.

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Sijnja, Jennifer. "Apprehensive Irony and Disappearing Communities in the War Fiction of Ernest Hemingway, Evelyn Waugh and Joseph Heller." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17740.

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This study seeks to excavate a certain line of irony running through the war fiction of Ernest Hemingway, Evelyn Waugh, and Joseph Heller. Bookended by brief engagements with Stephen Crane’s The Red Badge of Courage (1895) and Thomas Pynchon’s Gravity’s Rainbow (1973), the study of Hemingway’s The Sun Also Rises (1926) and A Farewell to Arms (1929), Waugh’s Put Out More Flags (1942) and Sword of Honour trilogy (1965), and Heller’s Catch-22 (1961) seeks to map out the emergence of a kind of irony that is best understood to function as a mode of apprehension. As the publication dates of these no
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Murad, David. "American Images of Spain, 1905-1936: Stein, Dos Passos, Hemingway." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1368551237.

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Mayo, Kim Martin. "Joyce's Dubliners and Hemingway's In Our Time: A Correlation." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500421/.

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One rarely sees the names James Joyce and Ernest Hemingway together in the same sentence. Their obvious differences in writing styles, nationalities, and lifestyles prevent any automatic comparison from being made. But when one compares their early short story collections, Dubliners and In Our Time, many surprisingly similarities appear. Both are collections of short stories unified in some way, written by expatriates who knew each other in Paris. A mood of despair and hopelessness pervades the stories as the characters are trapped in the human condition. By examining the commonalities found i
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Patterson, Thomas H. Crumpler Thomas P. "Teacher change as elicited from formalism to reader response theory applied to two twentieth century novels engaged by a secondary school advanced novel class." Normal, Ill. : Illinois State University, 2006. http://proquest.umi.com/pqdweb?index=0&did=1225152521&SrchMode=1&sid=7&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1177942246&clientId=43838.

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Thesis (Ed. D.)--Illinois State University, 2006.<br>Title from title page screen, viewed on April 30, 2007. Dissertation Committee: Thomas Crumpler (chair), Dent Rhodes, Ellen Spycher. Includes bibliographical references (leaves 189-195) and abstract. Also available in print.
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Ludwig, Jeff L. Breu Christopher. "Identity and flux American literary modernism of the 1920s & 1930s /." Normal, Ill. : Illinois State University, 2006. http://proquest.umi.com/pqdweb?index=0&did=1251817851&SrchMode=1&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1179419208&clientId=43838.

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Thesis (Ph. D.)--Illinois State University, 2006.<br>Title from title page screen, viewed on May 17, 2007. Dissertation Committee: Christopher D. Breu (chair), Charles B. Harris, Hilary K. Justice. Includes bibliographical references (leaves 277-294) and abstract. Also available in print.
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Oliphant, Ashley Yarbrough. "Hemingway's mixed drinks an examination of the varied representation of alcohol across the author's canon /." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1459Oliphant/umi-uncg-1459.pdf.

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Thesis (Ph.D.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Feb. 28, 2008). Directed by Scott Romine; submitted to the Dept. of English. Includes bibliographical references (p. 203-214).
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Sanders, J'aimé L. "The art of existentialism: F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer and the American existential tradition." Scholar Commons, 2007. http://scholarcommons.usf.edu/etd/2350.

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The purpose of my research is to examine the philosophic influences on three literary works: F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's Death in the Afternoon, and Norman Mailer's An American Dream. Through an investigation of biographical, historical, cultural, and textual evidence, I will argue for the influence of several European philosophers---Friedrich Nietzsche, Søren Kierkegaard, and Martin Heidegger---on these authors and on the structures and messages of their works. I will discuss how the specific works I have selected not only reveal each author's apt understanding
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Calderòn, Tatiana Tamara. "Le principe de l'iceberg : écriture et allusion (Francisco Coloane, Ernest Hemingway, Jean-Marie Gustave Le Clézio)." Paris 13, 2007. http://www.theses.fr/2007PA131021.

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Emprunt partiel et indirect, figure de l’implicite, l’allusion témoigne d’un texte en coprésence et instaure un jeu énigmatique avec le lecteur. Montagne de glace errante, matière compacte et image-concept, l’iceberg peut être envisagé comme un véritable principe d’écriture théorisé par Ernest Hemingway (1899-1961) (the iceberg theory), progressivement mis en œuvre par Jean-Marie Gustave Le Clézio (1940) et employé par Francisco Coloane (1910-2002). L’écriture régie par le principe de l’iceberg est marquée par la présence d’allusions potentielles que le lecteur doit détecter pour dénouer la te
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Sanders, J'aimé L. "The art of existentialism : F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer and the American existential tradition." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002224.

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Remnesjö, Per-Olof. ""If you don't think about it, it doesn´t exist" : Queer Sexuality and Gender Ambiguity in Ernest Hemingway's Islands in the Stream." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-26569.

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This essay will discuss Ernest Hemingway's Islands in the Stream, posthumously published 1970, focusing in particular on the importance of the protagonist's fluid gender identity and interest in queer sexuality. Central to my discussion is queer theorist Judith Butler's view of gender as something performed and contextual and her objection to the binary of man and woman. I will argue that the issues of gender identity and queer forms of sexuality are ever-present throughout the novel, and that in the protagonist Thomas Hudson, Hemingway presents a different hero in comparison to the hardboiled
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Muñoz, Castillo Natalia. "A poetics of borders in Ernest Hemingway's : The sun also rises." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/109890.

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Al-Qadi, Khalid Hassan Ali. "Ernest Hemingway and Virginia Woolf : a theme-based comparison in quest for convergence in a modernist agenda." Thesis, University of Salford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402118.

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Nicholls, James. "Drink, modernity and modernism : representations of drinking and intoxication in James Joyce, Ernest Hemingway and Jean Rhys." Thesis, Liverpool John Moores University, 2002. http://researchonline.ljmu.ac.uk/5631/.

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This thesis is a study of the representation of drinking in modernist literature. It takes as its core texts novels by James Joyce, Ernest Hemingway and Jean Rhys. It argues that drinking came to acquire a specific set of social, cultural and political meanings in western modernity, and that an understanding of this process is crucial to understanding the semantic complexity which drink and drinking come to acquire in modernist literature. This study combines a close reading of literary texts with a historical overview of changing social attitudes to alcohol legislative reforms, popular repres
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Mallier, Clara. "L'écriture de la vie : représentation de la conscience et implication du lecteur dans les romans à la première personne d'Ernest Hemingway." Paris 3, 2005. http://www.theses.fr/2005PA030029.

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Cette thèse associe étude stylistique, approche narratologique et critique de la réception pour analyser la représentation de la conscience dans les romans à la première personne d'Ernest Hemingway. Il en ressort que la conscience du personnage est représentée par son versant perceptif, le vécu psychologique étant passé sous silence : grâce à une représentation rigoureuse de l'expérience du temps et de l'espace, cette conscience est livrée au lecteur comme une forme dont le contenu psychique reste indéterminé. Le texte programme ainsi l'implication du lecteur et permet que celui-ci donne vie à
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Remnesjö, Per-Olof. "Vad är manlighet och vad innebär det att vara man? : En undersökning av gymnasieelevers syn på kön, genus och manlighet i anslutning till Ernest Hemingways Öar i strömmen." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-13868.

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What is masculinity and what does it mean to be a man? This study involves two different areas: gender and literary reception. I wanted to find out what students think about masculinity and what possible strategies they use when they read and interpret literature. The investigation consists of three parts: an introductory survey, classroom observations and an ending text analysis based on ten different questions. The investigation has taken place in second grade at an upper secondary school as part of the course Swedish B. During four lessons, the pupils have been working on issues relating to
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Quilaqueo, Gallardo Mariana Andrea. "The symbolical representation of Manhood in Ernest Hemingway’s The Sun Also Rises." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/109812.

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Ott, Mark Patrick. "A sea change: The Gulf Stream and the transformation of Ernest Hemingway's style, 1932 - 1952." Thesis, University of Hawaii at Manoa, 2002. http://hdl.handle.net/10125/682.

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The dissertation argues that the transformations in Ernest Hemingway's writing style and his philosophy of the natural world between 1932 and 1952 can be attributed to his intense immersion in the environment of the Gulf Stream. This dissertation draws primarily on Hemingway's handwritten fishing logs from 1932, 1933, and 1934 in the Hemingway Collection at the John F. Kennedy Library, which have not been published or thoroughly studied. In 1929, Hemingway portrayed the Gulf Stream as a frontier, and claimed that he wanted to "write like Cezanne painted." Critics interpreted his work as a form
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