Relevant bibliographies by topics / Ernst Emil

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  2. Dissertations / Theses
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Academic literature on the topic 'Ernst Emil'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Ernst Emil"

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Toomsalu, Maie. "Pioneering embryological research at the Old Anatomical Theatre of the University of Tartu." Papers on Anthropology 29, no. 2 (December 31, 2020): 71–82. http://dx.doi.org/10.12697/poa.2020.29.2.06.

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The reopening of the University of Tartu (1802) fell into the period when the society’s needs for science and educated people were increasing rapidly. Universities became the most important research institutions, and their lecturers were not merely teachers but professional scientists. German higher education fostered ties with the most significant research centres of that time’s world. The current article views the pioneering embryological research done at the Old Anatomical Theatre, which has made the names of these scientists known in the whole world and brought honour and fame to the University of Tartu. The article describes the embryological studies by Karl Friedrich Burdach, Martin Heinrich Rathke, Carl Bogislaus Reichert, Ernst Reissner, Emil Woldermar Rosenberg, Carl Wilhelm von Kupffer, Arthur Boettcher (Böttcher), Karl Dietrich Barfurth, Maximilian Gustav Christian Carl Braun, August Antonius Rauber and Nikolai Czermak.
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Fuchs-Wolfring, Sofia. "Ernst Kurz and Emil Kraepelin. About the influencing of psychological processes through regular alcohol consumption. Psychological work edited by Emil Krapelin. 3 B., 3 H., p. 417. Leipzig. 1900." Neurology Bulletin VIII, no. 4 (December 30, 2020): 189–92. http://dx.doi.org/10.17816/nb57169.

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In this interesting work, the authors set out to study the effect of daily consumption of average doses of alcohol on the intellectual performance (Leistungsfhigkeit) of a person. The experiments were carried out on two persons, doctors, of which A. 38 y., Full abstinence, and B 26 y. also unaccustomed to the correct use of alcoholic beverages. They received 80 grams of alcoh daily, most often before bedtime. abs. diluted with water, that is, the amount of alcohol, which is approximately contained in 2 liters of beer (which is generally considered to be moderate). With the observance of the possible correct mental and physical regime of the given persons, psychological work began daily at 9 am and lasted 2 hours without a break (each type of experiment was half an hour).
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Fullinwider, S. P. "Darwin faces Kant: a study in nineteenth-century physiology." British Journal for the History of Science 24, no. 1 (March 1991): 21–44. http://dx.doi.org/10.1017/s0007087400028430.

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Recent explorations into Sigmund Freud's intellectual development by Frank Sulloway and Lucille Ritvo have directed attention to the significance of evolutionary theory for psychoanalysis. In this paper I shall pursue the exploration by showing how Darwin was received by members of the so-called Helmholtz circle (Hermann von Helmholtz, Emil du Bois-Reymond, Ernst Brücke) and certain of Freud's teachers in the University of Vienna medical school. I will make the point that the Leibniz–Kant background of these several scientists was important for this reception. I will argue that the Leibniz–Kant tradition came forward to Freud by two roads, Helmholtz's unconscious inference as foundation for a physiology of the senses, and Arthur Schopenhauer's not unrelated uses of the principle of sufficient reason to explain the possibility of lawlikeness in a universe of lawless energies. Finally, I will suggest ways in which Freud received and used the tradition.
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Steinberg, Holger, and Peter Schönknecht. "Goethe: A bipolar personality? Periodicity of affective states in Johann Wolfgang von Goethe as reflected by Paul Julius Möbius." Journal of Medical Biography 28, no. 3 (January 26, 2018): 174–80. http://dx.doi.org/10.1177/0967772017743880.

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This paper aims to investigate the character and etiological basis of German poet Johann Wolfgang von Goethe’s mental disorder. From 1898, German neuropsychiatrist Paul Julius Möbius developed the hypothesis that Goethe’s work provided several hints for the notion that the German poet suffered from a distinct bipolar disorder. The paper investigates Möbius’s psychopathographic study on Goethe and his hypothesis of a mood periodicity in Goethe against the mirror of modern concepts. Möbius came to the conclusion that Goethe’s illness was bipolar in character and became visible at intervals of seven years and lasted for about two years. The majority of Möbius’s contemporary psychiatric colleagues (Emil Kraepelin, Max Isserlin, Ernst Kretschmer, Josef Breuer) supported this view which has still not been convincingly challenged. In present-day terms, Möbius’s hypothesis can be best mirrored as a subclinical foundation of mood disorder. Furthermore, with his extensive study, Möbius disproved the common notion that Goethe had suffered from an illness as the result of a syphilitic infection.
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Beller, Steven. "Emil Brix, Ernst Bruckmüller, and Stekl Hannes, eds. Memoria Austriae I: Menschen, Mythen, Zeiten. Munich: R. Oldenbourg Verlag, 2004. Pp. 584, illus." Austrian History Yearbook 37 (January 2006): 248–49. http://dx.doi.org/10.1017/s0067237800017112.

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Beller, Steven. "Emil Brix, Ernst Bruckmüller, and Hannes Stekl, eds. Memoria Austriae II: Bauten, Orte, Regionen. Vienna: Verlag für Geschichte und Politik, 2005. Pp. 476, illus., maps. - Emil Brix, Ernst Bruckmüller, and Hannes Stekl, eds. Memoria Austriae III: Unternehmer, Firmen, Produkte.Vienna: Verlag für Geschichte und Politik, 2005. Pp. 396, illus., charts, maps." Austrian History Yearbook 38 (January 2007): 261–62. http://dx.doi.org/10.1017/s0067237800021743.

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Becker, Daniel. "Müller’s Lab. The Story of Jakob Henle, Theodor Schwann, Emil du Bois-Reymond, Hermann von Helmholtz, Rudolf Virchow, Robert Remak, Ernst Haeckel, and Their Brilliant, Tormented Advisor - by Laura Otis." Centaurus 51, no. 3 (August 2009): 236–37. http://dx.doi.org/10.1111/j.1600-0498.2009.00141.x.

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Nicholas Jardine. "Müller’s Lab: The Story of Jakob Henle, Theodor Schwann, Emil du Bois-Reymond, Hermann von Helmholtz, Rudolf Virchow, Robert Remak, Ernst Haeckel, and Their Brilliant, Tormented Advisor (review)." Bulletin of the History of Medicine 82, no. 3 (2008): 731–32. http://dx.doi.org/10.1353/bhm.0.0107.

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MAZZOLINI, RENATO G. "Emil du Bois-Reymond(1818-1896) AntonDohrn(1840-1909)Briefwechsel, herausgegeben von Christiane Groeben in Zusammenarbeit mit Klaus Hierholzer mit einer historischen Einfhrung von Ernst Florey, Berlin, Springer Verlag 1985, XLIV + 322 pp." Nuncius 2, no. 1 (1987): 282–83. http://dx.doi.org/10.1163/182539177x01268.

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Bäumer, Änne. "Emil du Bois-Reymond (1818-1896) - Anton Dohrn (1840-1909): Briefwechsel. Hrsg. von Christiane Groeben in Zusammenarbeit mit Klaus Hierholzer. Mit einer historischen Einführung von Ernst Florey. Berlin/Heidelberg/New York/Tokyo: Springer Verlag 1985; XLIV, 322 Seiten, kartoniert DM 48.-." Berichte zur Wissenschaftsgeschichte 10, no. 1 (1987): 43. http://dx.doi.org/10.1002/bewi.19870100106.

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Dissertations / Theses on the topic "Ernst Emil"

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Thacker, Melinda L. "Four artists under Hitler the effects of the Entartete Kunst exhibits on Emil Nolde, Elfriede Lohse-Wächtler, Max Ernst and Jankel Adler /." Tallahassee, Fla. : Florida State University, 2009. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/244561.

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Bernstein, Martha E. "Intellectual reactions to the Franco-Prussian War of 1870 : Ernest Renan and Emile Zola : traitors or patriots?" Thesis, 1993. http://spectrum.library.concordia.ca/3493/1/MM84655.pdf.

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In 1870 a brief war between France and Prussia left France defeated and in chaos. Intellectuals of the day were caught unprepared for this disaster and reacted to it in different ways. Ernest Renan and Emile Zola remained in France during the war and the civil strife that followed. Civilians in a time of national disaster, both men took different views of the crisis. Renan saw himself as the "moral conscience of France," while Zola assumed the role of the young republican patriot. Although of completely different characters and background, they shared two qualities: morality and truth. Renan thought immorality was caused by the country's fall from religious grace, while Zola recognized the disaster as a result of immoral class differences. Renan and Zola were accused of anti-patriotic activities in 1870, charges which stemmed directly from their roles during the war and in the period following it. Neither one was a traitor or unpatriotic; rather, they both reacted in their own fashion: Renan in terms of religious morality and Zola in secular republican sentiment. Each man was particularly bound to his country and both proved able prophets of the future. Charges that Renan and Zola were traitors existed into the twentieth century with diverse factions in French political society using both men's 1870 activities to promote their own.
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"Emily Dickinson's "There Came a Wind like a Bugle--": A Singer's Analysis of Song Settings by Ernst Bacon, Lee Hoiby, and Gordon Getty." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14468.

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abstract: Emily Dickinson is a well-known American poet of the nineteenth century, and her oeuvre consists of nearly 2,000 posthumously published poems. Written largely in hymn form with unique ideas of punctuation and grammar, her poetry attracts composers with its inherent musicality. The twentieth-century American composers Aaron Copland, Ernst Bacon, Lee Hoiby, and Gordon Getty have created song settings of Dickinson's poetry. Copland's song cycle Twelve Poems of Emily Dickinson (1949-50) is admired by many as an illustration of poetry; however, the Dickinson cycles by Bacon, Hoiby, and Getty are also valuable, lesser-known representations of her writing. Settings of one poem, "There came a Wind like a Bugle--", are common among Copland's Twelve Poems, Bacon's cycle Songs from Emily Dickinson: Nature, Time, and Space (1930), Hoiby's Four Dickinson Songs (1988), and Getty's The White Election (1982). These latter three settings have previously undergone some theoretical analysis; however, this paper considers a performance analysis of these songs from a singer's point of view. Chapter 1 provides background for this study. Chapter 2 consists of a biographical overview of Dickinson's life and writing style, as well as a brief literary analysis of "There came a Wind like a Bugle--". Chapters 3, 4, and 5 discuss Ernst Bacon, Lee Hoiby, and Gordon Getty, respectively; each chapter consists of a short biography of the composer and a discussion of his writing style, a brief theoretical analysis of his song setting, and commentary on the merits of his setting from the point of view of a singer. Observations of the depiction of mood in the song and challenges for the singer are also noted. This paper provides a comparative analysis of three solo vocal settings of one Emily Dickinson poem as a guide for singers who wish to begin studying song settings of this poem. The Bacon and Hoiby settings were found to be lyrical, tonal representations of the imagery presented in "There came a Wind like a Bugle--". The Getty setting was found to be a musically starker representation of the poem's atmosphere. These settings are distinctive and worthy of study and performance.
Dissertation/Thesis
D.M.A. Music 2011
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Books on the topic "Ernst Emil"

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Landesmuseum, Schleswig-Holsteinisches. Die Maler der "Brücke": Cuno Amiet, Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, Emil Nolde, Max Pechstein, Karl Schmidt-Rottluff, Otto Mueller : Sammlung Hermann Gerlinger. Stuttgart: Daco-Verlag G. Bläse, 1995.

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M, Moeller Magdalena, ed. Brücke Highlights: 247 Werke aus dem Brücke Museum Berlin : Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Fritz Bleyl, Max Pechstein, Emil Nolde, Cuno Amiet, Otto Mueller. Berlin: Brücke Museum, 2007.

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Heinz, Spielmann, ed. Die Maler der Brücke: Karl Schmidt-Rottluff, Erich Heckel, Ernst Ludwig Kirchner, Fritz Bleyl, Emil Nolde, Max H. Pechstein, Cuno Amiet, Axel Gallén-Kallela, Otto Mueller : Kunst der Naturvölker. Halle (Saale): Sammlung Hermann Gerlinger, Stiftung Moritzburg, Kunstmuseum des Landes Sachen-Anhalt, 2005.

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Brücke-Museum. Die "Brücke": Gemälde, Zeichnungen, Aquarelle und Druckgraphik von Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emil Nolde und Otto Mueller : aus der Sammlung des Brücke-Museums Berlin. München: Hirmer, 1995.

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5

Mayrhofer, Christoph. Städtebauliche Gefährdungsanalyse: Abschlussbericht, Fraunhofer-Institut für Kurzzeitdynamik, Ernst-Mach-Institut, EMI. Bonn: Bundesamt für Bevölkerungsschutz und Katastrophenhilfe, 2010.

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Marzolf, Helen. The claustrophobic forest: Emily Carr, Patrick Close, Adrian Cooke, Graham Fowler, Eldon Garnet, David Hockney, Augustus Kenderine, Ernest Lindner, Brenda Pelkey, Doris Wall Larson. Saskatoon: Kenderdine Art Gallery, University of Saskatchewan, 2002.

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Avantgarde und Politik in Frankreich: Revolution, Krieg und Faschismus im Blickfeld der Künste ; Paul-Emile Borduas, Andre Breton, Marc Chagall, Salvador Dali, Paul Eluard, Max Ernst, Francisco Goya, Hanri Laurens, Max Lingner, Edouard Manet, Pablo Picasso. Berlin: Reimer, 2005.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2010.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2009.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2010.

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Book chapters on the topic "Ernst Emil"

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Rosenfeld, Randall A. "Becker, Ludwig Wilhelm Emil Ernst." In Biographical Encyclopedia of Astronomers, 183–84. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_9226.

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"Ernst Troeltsch an Emil Daniels." In Briefe IV (1915-1918), 227. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110583533-078.

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"Emil Daniels an Ernst Troeltsch." In Briefe IV (1915-1918), 232. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110583533-082.

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"Geschichtstransformationen im Drama der Weimarer Republik: Ernst Toller – Emil Ludwig – Alfons Paquet." In Geschichtstransformationen, 417–38. transcript-Verlag, 2015. http://dx.doi.org/10.14361/transcript.9783839428153.417.

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Kanitz, Gregor. "Naturwissenschaftliches und technisches Nichtwissen: Emil du Bois- Reymond trifft Ernst Kapp auf der Grenze der Erkenntnis." In Technisches Nichtwissen, 169–88. Nomos Verlagsgesellschaft mbH & Co. KG, 2017. http://dx.doi.org/10.5771/9783845277677-169.

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"VORTRAGSTÄTIGKEIT DER EXILSCHRIFTSTELLER IN DEN USA: ERNST TOLLER, THOMAS MANN, KLAUS MANN, ERIKA MANN, EMIL LUDWIG." In USA, 307–33. K. G. Saur, 2001. http://dx.doi.org/10.1515/9783110966930-015.

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"To Emily Goetzmann, 13 July [1916]." In The Letters of Ernest Hemingway, 33–34. Cambridge University Press, 2011. http://dx.doi.org/10.1017/9780511815119.044.

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"To Emily Goetzmann, [c. 18 March 1916]." In The Letters of Ernest Hemingway, 26–28. Cambridge University Press, 2011. http://dx.doi.org/10.1017/9780511815119.038.

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"5. Die Zeit danach: Ernst und Felix Delbrück wieder in Deutschland (Hansgerd Delbrück) 6. Die deutsche Community in Tokyo zur Zeit von Ernst und Felix Delbrück 1887-1889 (Anna Bartels-Ishikawa) 6.1 Deutsche in Tokyo 6.2 Quellen 6.3 Die Mitglieder der deutschen Community 6.4 Editorische Anmerkungen 7. Der Erziehungswissenschaftler Emil Hausknecht und das Kaiserliche Erziehungsedikt (Ito Yushi) Danksagungen." In Die schönste Zeit meines Lebens. Ernst und Felix Delbrücks Briefe aus Japan aus den Jahren 1887-1889. University of Otago, Department of Languages and Cultures, German Section, 2014. http://dx.doi.org/10.11157/ogs-vol27id353.

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"1. Two Influential Figures of the German-Ottoman Alliance: Ahmed Emin (Yalman) and Ernst Jäckh." In Promoting an Alliance, Furthering Nationalism, 39–126. De Gruyter, 2018. http://dx.doi.org/10.1515/9783112209394-003.

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