Relevant bibliographies by topics / Ernst Jünger

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Ernst Jünger'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Ernst Jünger"

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Ziolkowski, Theodore, and Martin Meyer. "Ernst Jünger." World Literature Today 65, no. 1 (1991): 109. http://dx.doi.org/10.2307/40146200.

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Coelho, Victor De Oliveira Pinto. "Ernst Jünger." Pandaemonium Germanicum 22, no. 37 (February 22, 2019): 129–57. http://dx.doi.org/10.11606/1982-88372237129.

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O artigo visa a uma análise comparativa das obras de Ernst Jünger O trabalhador e Nos penhascos de mármore. O objetivo é demonstrar que o conservadorismo do autor abrange essas duas obras, que representam fases distintas: a primeira marcada a busca pela junção do mecânico e do orgânico através do realismo heroico, e a segunda pela busca por uma Ordem transcendente. Assim, se houve, por um lado, uma mudança política do autor, que se afasta definitivamente do horizonte nazista através do caráter alegórico de Nos penhascos de mármore, por outro lado, sua obra continua ligada a uma ênfase aristocrática e conservadora numa Ordem que determina a vida. Nesse sentido, buscamos as similaridades entre figuras e imagens delineadas pelo autor em O trabalhador, Nos penhascos de mármore, assim como outras obras do período do entreguerras.
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Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (July 30, 2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either influenced by or borrowed from Dostoevsky and developed further. Of great importance to Jünger are such phenomena as power, evil or misery, and pain. Dostoevsky also shaped Jünger’s approach to nihilism.
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Christians, Heiko. "Das Groschenheft als Bildungsfaktor oder die Zähmung der Einbildungskraft." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 63. Heft 2 63, no. 2 (2019): 319–28. http://dx.doi.org/10.28937/1000108218.

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"Das Groschenheft als Bildungsfaktor oder die Zähmung der EinbildungskraftErnst Jüngers Roman Die Zwille von 1973 wiedergelesen Ernst Jüngers Roman Die Zwille von 1973 wird als Glied einer Kette von BildungsromanenJüngers gelesen. Die Zwille gibt gattungstypisch präzise Auskunft überden historischen und systematischen Ort des ›bildenden‹ Lesens. Der Roman zeigt,wie unterhaltsamer Stoffkonsum, deep reading und repetitive Auswendigkeitslektüreentstehungsgeschichtlich gelagert sind. Er zeigt aber auch, wie diese Techniken vonjedem und jeder Einzelnen eingeübt werden müssen, um eines Tages so zusammenspielenzu können, dass im Bildungsprozess eine ebenso haltbare wie gehaltvolleVorstellung von der eigenen Person erlangt werden kann. Schließlich wirddeutlich, dass dabei verschiedene Einfühlungskapazitäten verschiedener Medientechnikeneine große Rolle spielen. Die Einbildungskraft wird periodisch technischneu organisiert. Da von hier aus die ›gesellschaftlich‹ entscheidenden mimetischenSchleifen in Gang gesetzt werden, lohnt sich die Beobachtung (mit Jünger). Ernst Jünger’s 1973 novel »Die Zwille« (»The Slingshot«) is read as a link in a chain of›Bildungsromane‹ by Jünger. In a manner typical of that genre, »Die Zwille« provides exactinformation on the historical and systematic place of ›educative‹ (›bildend‹) reading. The novelshows how the consumption of reading matter for entertainment, deep reading, and repetitivereading by rote are embedded in the history of its development. However, it also showshow these techniques must be rehearsed by each individual if they are one day to interplay insuch a manner in the course of the process of ›Bildung‹ as to allow for a solid and substantivenotion of the self to be attained. Finally, it becomes apparent that the varying capacities forsensitivity and intuition (›Einfühlung‹) of various media techniques have a great part to playin this process. The imagination is periodically reorganized by technical means. Since this iswhere the ›socially‹ decisive mimetic loops are set into action, it is worthwhile to join Jüngerin this exercise in observation "
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Schroeder, Tyler. "Siegfried Kracauer and Ernst Jünger." New German Critique 46, no. 1 (February 1, 2019): 167–96. http://dx.doi.org/10.1215/0094033x-7214723.

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Cole, Forrest. "M. Heidegger, Ernst Jünger, Correspondence." Phenomenological Reviews 3 (2017): 42. http://dx.doi.org/10.19079/pr.2017.7.col.

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Kegler, Adelheid. "Ernst Jünger Von Thomas Amos." Monatshefte 106, no. 2 (2014): 326–28. http://dx.doi.org/10.1353/mon.2014.0034.

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Schöttker, Detlev. "Keine gefährliche Begegnung mit Ernst Jünger." Zeitschrift für Ideengeschichte 15, no. 3 (2021): 21–22. http://dx.doi.org/10.17104/1863-8937-2021-3-21.

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In einem Brief vom 11. Januar 1955 machte Hans Paeschke, einer der beiden Herausgeber des Merkur, Jürgen Habermas Vorschläge für weitere Beiträge in der Zeitschrift. Einige Monate zuvor war hier dessen erster Aufsatz Die Dialektik der Rationalisierung erschienen, in dem er auf der Basis industriesoziologischer Studien den Wandel der Entfremdung durch neue Formen der Produktion und Konsumption im fortgeschrittenen Kapitalismus diskutiert. Am Ende des Briefes schreibt Paeschke: «Ich überlege, ob wir Sie nicht anlässlich des 60.Geburtstags von Ernst Jünger am 29. 3. zu einer Äußerung bewegen sollten, bewusst vom Standpunkt Ihrer Generation aus gesagt: was erhofften wir uns von ihm, was geben seine Traktate nach dem Krieg, wie und wo stehen diese im Vergleich zu seinem früheren Werk und was haben sie den Jüngeren heute zu sagen?»
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ZAHARIA, Mihaela. "LITERATURE AND ANTHROPOLOGY (ON THE PRODUCTIONS OF ROBERT MÜLLER AND ERNST JÜNGER)." Ezikov Svyat (Orbis Linguarum) 17, no. 2 (December 31, 2019): 120–32. http://dx.doi.org/10.37708/ezs.swu.v17.i2.14.

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e aim of the article is to examine some works of two authors from the first half of the 20th century, both native speakers of the German language in order to look for common mental constructs and symbols. Many literary critics comparing Robert Müller and Ernst Jünger emphasize the similar roles they played in the literatures of Austria and Germany, respectively. Robert Müller and Ernst Jünger leave the impression that they search for order in the contradictory universe and if they do not find it, they create it. They are both social analysts, they are multi-talented, both dreamers and travelers, obsessed by pure ideas, within whose framework they try to sort out everything that exists, they are both idealists. Robert Müller is Head of the Academic Society for Literature and Music in Vienna and founder of the illicit organization "Katakomba" and the Vienna Association of Magazines Pubishers and author of numerous publications. Despite the numerous attempts to portray his work in its true light and to show his great role in the German-speaking cultural area, Ernst Jünger's reception in Germany is permanently marked by his image of the person and officer Ernst Jünger. The reasons for this is, on the one hand, moral tabooing in Germany after the Second World War, and, on the other hand, his internal development, which has transformed the "scandalous" young writer into a fully integrated member of bourgeois life which he used to highly criticize in his early years.
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Pyzłowska, Beata. "Ernsta Jüngera obraz wojny." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 12, 2017): 105–12. http://dx.doi.org/10.24917/3924.

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War described by Ernst Jünger World War I (1914–1918) was one of two wars in Europe which Germany sought. One of the participants of the war was a German soldier and writer Ernst Jünger, who described his experiences in Storm of Steel (In Stahlgewittern). His diaries are a valuable source of knowledge of the Great War. Sincere confessions of a German soldier who during the war was promoted through the ranks is also a story of a daily life on the front of both Jünger and the subordinates of the German Emperor – Wilhelm II. The diary holds a special place among books about war due to their origins – written by a German fluent in French and passionate about French literature and culture. Jünger’s dairy was translated into Polish by a soldier Janusz Gaładyk and given the title Książe piechoty. Through such a title, Gaładyk paid his respects to the German comrade. The book has a didactic character because it shows the multidimensionality of the atmosphere in the German army.Key words: France; Germany; nationalism; patriotism; I World War;
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Dissertations / Theses on the topic "Ernst Jünger"

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Grazioli-Rozet, Isabelle. "Ernst Jünger : sentinelle entre mythe et histoire." Nancy 2, 1992. http://www.theses.fr/1992NAN21020.

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Cette réflexion sur l'histoire. Le mythe et la condition humaine dans l'œuvre de Jünger se fixe pour objectif de reconstruire la métaphysique, de dégager les différentes strates de la maturation spirituelle et intellectuelle de cet auteur controverse. L'étude replace les interrogations de Jünger sur le sens de l’histoire. Ses explications aux phénomènes observes et enfin ses solutions dans la problématique de la modernité. La thèse analyse la période "héroïque" de Jünger il croyait agir sur l'histoire puis sa transformation progressive en médecin de la civilisation de l'âme humaine livrant alors diagnostics et thérapies. La thèse dégage enfin une hiérarchie entre l'histoire. Science de l'homme soumise au temps, et le monde métaphysique. Jünger voulant rétablir un ordre entre les hommes et les dieux, le profane et le sacré
This reflection on history, myth and the human condition in Jünger's work has as its objective to reconstruct metaphysics, to release the different strata of the spiritual and intellectual maturing of this controversial author. The study resituates Jünger's questions regarding the meaning of history, his explanations about the phenomena he served and finally his solutions regarding the problematic of m modernity. The thesis analyses Jünger's "heroic" period which he believed influenced history, the progressive transformation into a doctor of civilization and of the human soul, thus delivering diagnoses and therapy. The thesis finally brings out the hierarchy between histories. The science of man subjected to time and to the metaphysical world; Jünger wanted to re-establish order between men and gods, between things profane and sacred
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Poncet, François. "La dynamique imaginative dans l'oeuvre d'Ernst Jünger." Rouen, 1989. http://www.theses.fr/1989ROUEL081.

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L'imaginaire jungerien reste peu exploré par une critique allemande plus soucieuse d'accusations politiques et de démystification réductrice que de dynamique imaginative. Le présent travail vise à inverser cette tendance en appliquant à Jünger les théories archétypologiques de Gilbert Durand. L'imaginaire jungerien est analysé par "schèmes", gestes premiers de l'imagination monnayant sa démarche primordiale d'inversion ascensionnelle de la caducité ambiante. Ces schèmes se regroupent eux-mêmes selon plusieurs grandes orientations imaginatives qui prévalent successivement : on peut ainsi distinguer une balistique, une optique, une cinétique et une statique. Le "parcours mythique" qu'elles dessinent est celui de l'affirmation toujours plus haute d'une inversion imaginative première qui se déploie dans toutes les dimensions de l'espace imaginal. Elle culmine dans une gastrulation révulsive que traduit spatialement l'image de l'île, où transparaît comme vecteur de l'imaginaire jungerien un mythe atlantidien conjuguant catastrophe et résurgence insulaire, et qui se veut le paradigme du devenir spirituel occidental
The imaginary world of Ernst Jünger remains a terra incognita for most of Germany's literary critics, more inclined to political prosecution and demystificative reduction. The present work seeks to invert that trend and apply to Jünger the archetypological theories evolved by Gilbert Durand. The analysis makes use of "schemes", i. E. Primeval gestures of the imagination which articulate its fundamental process of inverting in an ascensional direction the general decay of empiric reality. These schemes associate themselves according to distinct and successively prevailing orientations of the imaginary : balistics, optics, cinetics and statics can thus be differenciated. They point to the "mythical sequence" of a primeval imaginary inversion which gradually extends to the various dimensions of imaginal space. It climaxes in a revulsive gastrulation spatially rendered by the island-image, in which the leading mythical pattern for the whole of Jünger's imaginative process may be spotted : an atlantidian myth of catastrophical submersion and insulary resurgence which asserts itself as the paradigm of western spiritual evolution as a whole
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Beltran-Vidal, Danièle. "Chaos et renaissance dans l'oeuvre d'Ernst Jünger." Montpellier 3, 1991. http://www.theses.fr/1991MON30022.

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Des 1914, ernst junger commence a tenir son journal qui sera publie en 1920 sous le titre d'orages d'acier. A ce jour, il continue de le rediger. Il peut etre considere comme un "temoin du siecle". La premiere partie est consacree au temoignage d'ernst junger sur l'epoque mouvementee qu'il est en train de vivre de 1914 a 1933 : le chaos. L'etude des textes de sa premiere periode creatrice permet de mettre en evidence les premisses de son symbolisme. Parallelement a son engagement politique des annees vingt se produit une transformation de la description de la guerre sous l'influence de l'ideologie du neo-conservatisme. C'est alors qu'il decrit le projet utopique d'un monde domine par le travailleur. La deuxieme partie traite essentiellement de l'esthetique jungerienne. L'art permet a l'homme de renaitre. La construction elaboree des oeuvres peut etre etudiee grace aux travaux du linguiste philippe hamon. Il est possible de demontrer que les descriptions d'ernst junger ne sont pas une pure recherche esthetique. Elles expriment aussi sa pensee philosophique
In 1914 ernst junger begins to keep a diary which is published in 1920 under the title : in stahlgewittern. He continues his diary up to the present day. He may therefore be considered a "whitness of the century". The first part contains the experiences of ernst junger in the wild epoch he is about to live from 1914 to 1933 : chaos. The study of the writings in his first creative periode enables us to reveal the origins of his symbolism. Parallel to his political involvment in the 20's there occuss in his writing a transformation of the description of war under the influence of neo-conservative ideology. It is at the time that he describes the utopian project of a world dominated by the "worker". The second part deals essentially with junger's aesthetics. Art allows human beings to be reborn. The elaborate construction of his works may be studied thanks to the recent criticism by linguist philippe hamon. It may be demonstrated that the descriptions by ernst junger are not pure esthetical research. They are expressing his philosophical thinking
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Virkkula, Casper. "Omöjligt liv : Biomakt i Ernst Jüngers Eumeswil." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274948.

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Magne, François. "La structure du travailleur et ses modifications : ernst junger, 1914-1949." Toulouse 2, 1987. http://www.theses.fr/1987TOU20089.

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La these suit le devenir des figures du heros et du travailleur dans l'oeuvre d'ernst junger. L'apparent statisme de ces figures cache des refections profondes. "der arbeiter" traite de la question de la technique et de la representation de la technique sous le signe de la puissance. L'essai de 1932 reprend les schemas nationalistes des annees 1920-1925, et imagine un passage au-dela de la mobilisation massive suscitee par la technicisation. Ce passage est mis au service d'une utopie active. La figure du travailleur est reconsideree par junger a partir de 1934, et l'oeuvre discerne une antithese a la mobilisation technicienne
The thesis follows the development of the hero and the worker's figures in ernst junger's work. The apparent statism hides deep reconstructions. The "arbeiter" is about "technic" and representation of "technic" under the sign of power (macht). The 1932 essay repeats the nationalist views of the 1920-1925 years, and imagines a passage beyond the massive mobilisation. This passage serves an active utopia. The arbeiter's figure is reconstructed by junger from 1934, and the work distinguishes an antithesis to the technical mobilisation
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Stanescu, Corina Madeleine. "Temps de l'Histoire et temps du destin : (Julien Gracq, Ernst Jünger, Mircea Eliade." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20033.

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Les situations historiques du XXe siècle ont conduit Julien Gracq, Ernst Jünger et Mircea Eliade à mener une vaste réflexion sur l'Histoire, qui passe par la critique de la Raison historique et de ses fondements : temps linéaire et continu, vecteur du progrès constant. Pour ces trois écrivains, le refus de l'Histoire n'est autre que le refus de tous les historicismes prétendant réduire l'homme à sa seule dimension historique. Si tous les trois se tournent vers le mythe, qui constitue la grande découverte historico-scientifique du XXe siècle, ce n'est absolument pas le fait d'un désintérêt pour l'Histoire. Bien au contraire, leur approche du mythe, qui va de pair avec l'exploration des dimensions du temps autres que linéaire, renouvelle et dépasse l'opposition traditionnelle entre mythe et Histoire. Ceci n'est pas sans conséquences sur le conception que Gracq, Jünger et Eliade se font de la littérature
The historical conjunctures of the twentieth century led Julien Gracq, Ernst Jünger and Mircea Eliade to carry out a far-reaching investigation into History, one which implied a critique of historical determination and its underlying terms : a lineary and continuous temporaliity as the vector of constant progress. For these three writers the refusal of history signified nothing less than the rebuttal of all those historicisms which tend to only consider the historical dimension of the individual. If all three directed their energies towards the domain of myth, which constituted the major twentieth century discovery of historical science, it is certainly not because they were unconcerned with History. On the contrary, their way of engaging with the domain of myth, one which goes naturally with the exploration of other temporal dimensions than linear ones, reinvents and goes beyond the traditional opposition between myth and History. This exploration and the reflection it engenders cannot but be perceptible in the way Gracq, Jünger and Eliade view literature
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Burger, Patrick R. [Verfasser]. "The political unconscious in the works of Robert E. Howard and Ernst Jünger / Patrick R. Burger." Gießen : Universitätsbibliothek, 2015. http://d-nb.info/1072037734/34.

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Coenen, Corinna Maria Odilia Verfasser], Volker [Akademischer Betreuer] Zimmermann, Jürgen L. [Akademischer Betreuer] Müller, and Borwin [Akademischer Betreuer] [Bandelow. "Ernst Jünger - eine Annäherung an Drogen - Medizinische Analyse seiner LSD-Versuche / Corinna Maria Odilia Coenen. Gutachter: Volker Zimmermann ; Jürgen L. Müller ; Borwin Bandelow. Betreuer: Volker Zimmermann." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2012. http://d-nb.info/1042847207/34.

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Wallenstein, Sven-Olov. "Nihilism, Art, and Technology." Doctoral thesis, Stockholms universitet, Filosofiska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-38737.

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The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Heidegger, and Ernst Jünger, all of which share a certain avant-garde sensibility and a notion of art as a response to nihilism. In Heidegger’s postwar writings we see a retreat from the positions of the mid 1930s, and in his reflections on technology a different answer emerges to the question of whether “great art” is still possible: great art is an art that exists precisely by making the founding of a world into something problematic. The fourth part confronts Heidegger’s analysis of technology with the work of an individual artist, the architect Mies van der Rohe, and asks how the “silence”—the withdrawal of language, sense, aesthetic perception, etc.—that is often understood as a precondition for the critical potential of his work should in fact be understood. By examining interpretations that draw on Heidegger via comparisons with other types of critical theory, a different understanding emerges of the relation among nihilism, art, and technology. They form a field of constant modulation, which implies that the concepts that have been the foundation of critical theory, nature, subjectivity, experience, even “being” in Heidegger’s sense, must be subjected to a historical analysis that acknowledges them as ongoing processes of construction, and that also accounts for the capacity of technologies and artistic practices to intervene in the formation of philosophical concepts.
The chapters 5, 6 and 7 in the monograph Essays, Lectures for a part of the Ph.D.thesis.
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Heine, Philipp David Verfasser], Ruth [Akademischer Betreuer] [Florack, Ruth [Gutachter] Florack, and Simone [Gutachter] Winko. "Die Literatur und der Kampf um die Weltanschauung : Ein Beitrag zur Literatur-und Intellektuellengeschichte der Zwischenkriegszeit am Beispiel von Alfred Döblin und Ernst Jünger / Philipp David Heine ; Gutachter: Ruth Florack, Simone Winko ; Betreuer: Ruth Florack." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1188025244/34.

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Books on the topic "Ernst Jünger"

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Iannone, Luigi. Ernst Jünger. Chieti: Solfanelli, 2015.

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Martus, Steffen. Ernst Jünger. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05607-8.

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Hagestedt, Lutz, ed. Ernst Jünger. Berlin, Boston: DE GRUYTER, 2004. http://dx.doi.org/10.1515/9783110915730.

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Riedel, Nicolai. Ernst Jünger-Bibliographie. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-02935-5.

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Schöning, Matthias, ed. Ernst Jünger-Handbuch. Stuttgart: J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-05350-3.

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Heidegger, Martin. Zu Ernst Jünger. Frankfurt am Main: Vittorio Klostermann, 2004.

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Schirnding, Albert von. Begegnungen mit Ernst Jünger. Ebenhausen bei München (Schäftlarn): Langewiesche-Brandt, 1990.

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Wrocławski, Uniwersytet, ed. Ernst Jünger, eine Bilanz. Leipzig: Leipziger Universitätsverlag, 2010.

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Tage mit Ernst Jünger. Frankfurt: Societätsverlag, 2003.

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Schirnding, Albert von. Begegnungen mit Ernst Jünger. [Germany]: Freundeskreis der Brüder Ernst und Friedrich Georg Jünger, 2002.

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Book chapters on the topic "Ernst Jünger"

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Martus, Steffen. "Jünger, Ernst." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7015-1.

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Modick, Klaus. "Jünger, Ernst." In Metzler Autoren Lexikon, 426–27. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_209.

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Schmidt, Ina. "Ernst Jünger." In Jugendbewegt geprägt, 381–94. Göttingen: V&R Unipress, 2013. http://dx.doi.org/10.14220/9783847098270.381.

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Martus, Steffen. "Einleitung." In Ernst Jünger, 1–13. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05607-8_1.

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Martus, Steffen. "Erster Weltkrieg und Weimarer Republik." In Ernst Jünger, 14–98. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05607-8_2.

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Martus, Steffen. "›Drittes Reich‹." In Ernst Jünger, 99–166. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05607-8_3.

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Martus, Steffen. "Posthistoire." In Ernst Jünger, 167–238. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05607-8_4.

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Martus, Steffen. "Literaturverzeichnis." In Ernst Jünger, 239–64. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-05607-8_5.

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Martus, Steffen. "Jünger, Ernst: Eumeswil." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7024-1.

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Bernard, Julia. "Anhang." In Ernst Jünger-Handbuch, 421–39. Stuttgart: J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-05350-3_6.

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Reports on the topic "Ernst Jünger"

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Schroeder-Sherwin, Sabine. Leben heisst Töten; die Kriegsdeutung Ernst Jüngers dargestellt an In Stahlgewittern und Der Kampf als inneres Erlebnis. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.951.

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