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Journal articles on the topic 'Ernst Jünger'

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Published: 4 June 2021
Last updated: 25 April 2022

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1

Ziolkowski, Theodore, and Martin Meyer. "Ernst Jünger." World Literature Today 65, no. 1 (1991): 109. http://dx.doi.org/10.2307/40146200.

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2

Coelho, Victor De Oliveira Pinto. "Ernst Jünger." Pandaemonium Germanicum 22, no. 37 (February 22, 2019): 129–57. http://dx.doi.org/10.11606/1982-88372237129.

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O artigo visa a uma análise comparativa das obras de Ernst Jünger O trabalhador e Nos penhascos de mármore. O objetivo é demonstrar que o conservadorismo do autor abrange essas duas obras, que representam fases distintas: a primeira marcada a busca pela junção do mecânico e do orgânico através do realismo heroico, e a segunda pela busca por uma Ordem transcendente. Assim, se houve, por um lado, uma mudança política do autor, que se afasta definitivamente do horizonte nazista através do caráter alegórico de Nos penhascos de mármore, por outro lado, sua obra continua ligada a uma ênfase aristocrática e conservadora numa Ordem que determina a vida. Nesse sentido, buscamos as similaridades entre figuras e imagens delineadas pelo autor em O trabalhador, Nos penhascos de mármore, assim como outras obras do período do entreguerras.
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3

Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (July 30, 2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either influenced by or borrowed from Dostoevsky and developed further. Of great importance to Jünger are such phenomena as power, evil or misery, and pain. Dostoevsky also shaped Jünger’s approach to nihilism.
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4

Christians, Heiko. "Das Groschenheft als Bildungsfaktor oder die Zähmung der Einbildungskraft." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 63. Heft 2 63, no. 2 (2019): 319–28. http://dx.doi.org/10.28937/1000108218.

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"Das Groschenheft als Bildungsfaktor oder die Zähmung der EinbildungskraftErnst Jüngers Roman Die Zwille von 1973 wiedergelesen Ernst Jüngers Roman Die Zwille von 1973 wird als Glied einer Kette von BildungsromanenJüngers gelesen. Die Zwille gibt gattungstypisch präzise Auskunft überden historischen und systematischen Ort des ›bildenden‹ Lesens. Der Roman zeigt,wie unterhaltsamer Stoffkonsum, deep reading und repetitive Auswendigkeitslektüreentstehungsgeschichtlich gelagert sind. Er zeigt aber auch, wie diese Techniken vonjedem und jeder Einzelnen eingeübt werden müssen, um eines Tages so zusammenspielenzu können, dass im Bildungsprozess eine ebenso haltbare wie gehaltvolleVorstellung von der eigenen Person erlangt werden kann. Schließlich wirddeutlich, dass dabei verschiedene Einfühlungskapazitäten verschiedener Medientechnikeneine große Rolle spielen. Die Einbildungskraft wird periodisch technischneu organisiert. Da von hier aus die ›gesellschaftlich‹ entscheidenden mimetischenSchleifen in Gang gesetzt werden, lohnt sich die Beobachtung (mit Jünger). Ernst Jünger’s 1973 novel »Die Zwille« (»The Slingshot«) is read as a link in a chain of›Bildungsromane‹ by Jünger. In a manner typical of that genre, »Die Zwille« provides exactinformation on the historical and systematic place of ›educative‹ (›bildend‹) reading. The novelshows how the consumption of reading matter for entertainment, deep reading, and repetitivereading by rote are embedded in the history of its development. However, it also showshow these techniques must be rehearsed by each individual if they are one day to interplay insuch a manner in the course of the process of ›Bildung‹ as to allow for a solid and substantivenotion of the self to be attained. Finally, it becomes apparent that the varying capacities forsensitivity and intuition (›Einfühlung‹) of various media techniques have a great part to playin this process. The imagination is periodically reorganized by technical means. Since this iswhere the ›socially‹ decisive mimetic loops are set into action, it is worthwhile to join Jüngerin this exercise in observation "
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5

Schroeder, Tyler. "Siegfried Kracauer and Ernst Jünger." New German Critique 46, no. 1 (February 1, 2019): 167–96. http://dx.doi.org/10.1215/0094033x-7214723.

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6

Cole, Forrest. "M. Heidegger, Ernst Jünger, Correspondence." Phenomenological Reviews 3 (2017): 42. http://dx.doi.org/10.19079/pr.2017.7.col.

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7

Kegler, Adelheid. "Ernst Jünger Von Thomas Amos." Monatshefte 106, no. 2 (2014): 326–28. http://dx.doi.org/10.1353/mon.2014.0034.

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8

Schöttker, Detlev. "Keine gefährliche Begegnung mit Ernst Jünger." Zeitschrift für Ideengeschichte 15, no. 3 (2021): 21–22. http://dx.doi.org/10.17104/1863-8937-2021-3-21.

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In einem Brief vom 11. Januar 1955 machte Hans Paeschke, einer der beiden Herausgeber des Merkur, Jürgen Habermas Vorschläge für weitere Beiträge in der Zeitschrift. Einige Monate zuvor war hier dessen erster Aufsatz Die Dialektik der Rationalisierung erschienen, in dem er auf der Basis industriesoziologischer Studien den Wandel der Entfremdung durch neue Formen der Produktion und Konsumption im fortgeschrittenen Kapitalismus diskutiert. Am Ende des Briefes schreibt Paeschke: «Ich überlege, ob wir Sie nicht anlässlich des 60.Geburtstags von Ernst Jünger am 29. 3. zu einer Äußerung bewegen sollten, bewusst vom Standpunkt Ihrer Generation aus gesagt: was erhofften wir uns von ihm, was geben seine Traktate nach dem Krieg, wie und wo stehen diese im Vergleich zu seinem früheren Werk und was haben sie den Jüngeren heute zu sagen?»
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9

ZAHARIA, Mihaela. "LITERATURE AND ANTHROPOLOGY (ON THE PRODUCTIONS OF ROBERT MÜLLER AND ERNST JÜNGER)." Ezikov Svyat (Orbis Linguarum) 17, no. 2 (December 31, 2019): 120–32. http://dx.doi.org/10.37708/ezs.swu.v17.i2.14.

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e aim of the article is to examine some works of two authors from the first half of the 20th century, both native speakers of the German language in order to look for common mental constructs and symbols. Many literary critics comparing Robert Müller and Ernst Jünger emphasize the similar roles they played in the literatures of Austria and Germany, respectively. Robert Müller and Ernst Jünger leave the impression that they search for order in the contradictory universe and if they do not find it, they create it. They are both social analysts, they are multi-talented, both dreamers and travelers, obsessed by pure ideas, within whose framework they try to sort out everything that exists, they are both idealists. Robert Müller is Head of the Academic Society for Literature and Music in Vienna and founder of the illicit organization "Katakomba" and the Vienna Association of Magazines Pubishers and author of numerous publications. Despite the numerous attempts to portray his work in its true light and to show his great role in the German-speaking cultural area, Ernst Jünger's reception in Germany is permanently marked by his image of the person and officer Ernst Jünger. The reasons for this is, on the one hand, moral tabooing in Germany after the Second World War, and, on the other hand, his internal development, which has transformed the "scandalous" young writer into a fully integrated member of bourgeois life which he used to highly criticize in his early years.
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10

Pyzłowska, Beata. "Ernsta Jüngera obraz wojny." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 15 (December 12, 2017): 105–12. http://dx.doi.org/10.24917/3924.

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War described by Ernst Jünger World War I (1914–1918) was one of two wars in Europe which Germany sought. One of the participants of the war was a German soldier and writer Ernst Jünger, who described his experiences in Storm of Steel (In Stahlgewittern). His diaries are a valuable source of knowledge of the Great War. Sincere confessions of a German soldier who during the war was promoted through the ranks is also a story of a daily life on the front of both Jünger and the subordinates of the German Emperor – Wilhelm II. The diary holds a special place among books about war due to their origins – written by a German fluent in French and passionate about French literature and culture. Jünger’s dairy was translated into Polish by a soldier Janusz Gaładyk and given the title Książe piechoty. Through such a title, Gaładyk paid his respects to the German comrade. The book has a didactic character because it shows the multidimensionality of the atmosphere in the German army.Key words: France; Germany; nationalism; patriotism; I World War;
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11

Werle, Marco Aurélio. "Sobre a linha, de Ernst Jünger." Aoristo - International Journal of Phenomenology, Hermeneutics and Metaphysics 4, no. 2 (August 22, 2021): 278–310. http://dx.doi.org/10.48075/aoristo.v4i2.27987.

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A tradução que se segue do ensaio de Ernst Jünger, intitulado Sobre a linha (Überdie Linie) (1950) foi motivada sobretudo pelo fato de ter suscitado uma resposta deMartin Heidegger, apresentada no texto Sobre o problema do ser (Zur Seinsfrage, 1955),traduzido entre nós por Ernildo Stein, em 1969, para a Editora Duas Cidades ereeditado pela Editora Vozes, no volume Marcas do caminho, em 2008. Desse modo, oleitor brasileiro terá agora à disposição um material que lhe permitirá acompanhar maisde perto e complementar as ponderações heideggerianas. A tradução do texto de Jüngerjá foi publicada anteriormente nos Cadernos de Tradução, n. 3, do Departamento deFilosofia da USP, em 1998. Reedita-se aqui a mesma tradução, sem alterações. Aprimeira edição deste ensaio surgiu em Contribuições para o 60º aniversário de MartinHeidegger, Frankfurt am Main, Vittorio Klostermann, 1950. A tradução segue a 4º ediçãode 1952, da mesma editora.
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12

Vanoosthuyse, Michel. "Ernst Jünger à l'assaut du canon." Études Germaniques 247, no. 3 (2007): 655. http://dx.doi.org/10.3917/eger.247.0655.

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13

Bullock, Marcus. "Ernst Jünger: A Dialectician of Treason." Cultural Critique 69, no. 1 (2008): 52–78. http://dx.doi.org/10.1353/cul.0.0004.

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14

Silva, Renata Magri Alonge Bonfim da. "O NIILISMO ATIVO DE ERNST JÜNGER." Kínesis - Revista de Estudos dos Pós-Graduandos em Filosofia 12, no. 31 (July 21, 2020): 357–82. http://dx.doi.org/10.36311/1984-8900.2020.v12n31.p357-382.

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Em escritos dos anos 1930, Ernst Jünger expõe um cenário de decadência da então ordem burguesa e anuncia o que seria, segundo ele, o advento de uma nova era expressa pela emergência da mobilização técnica planetária e de uma nova humanidade. O autor celebra a emergente ordem técnica considerando-a a saída de um estágio decadente da história ocidental no qual o indivíduo encontrava-se enfraquecido e privado de condições que o possibilitassem afirmar a sua essencial potencialidade. É nesse sentido que nos deparamos com o niilismo nessas considerações do autor: um niilismo de caráter ativo expresso pelo esvaziamento e esgotamento da configuração de mundo de até então, uma destruição contínua em prol da realização do que o autor denomina de o domínio do trabalhador, um domínio configurado pela ação incisiva de um novo tipo humano que expressa uma nova vontade, pratica uma nova liberdade e leva à ruína todas as valorações e modo de vida do indivíduo burguês. Essa tarefa realiza-se a partir de uma atitude guerreira que afirma o niilismo, o concretiza e tem o potencial de ultrapassá-lo. No presente artigo expomos essa concepção de niilismo ativo, nos atentando sobretudo aos textos A mobilização total e O trabalhador – domínio e figura.
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15

Durán Guerra, Luis. "Ernst Jünger entre la Primera y Segunda Guerra Mundial." Argumentos de Razón Técnica, no. 24 (2021): 142–76. http://dx.doi.org/10.12795/argumentos/2021.i24.06.

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Este trabajo trata sobre la evolución ideológica de Ernst Jünger entre la Primera y la Segunda Guerra Mundial: desde el realismo heroico de Tempestades de acero al “exilio interior” de un esteta en guerra en sus Diarios de la Segunda Guerra Mundial. Se considera la relación con el dolor motivada por la supremacía de la técnica como la causa que habría llevado a Jünger a modificar su visión de la guerra bajo el régimen nacionalsocialista. En ambos casos, la experiencia de la guerra le ha servido a su autor para crear las figuras esenciales de su pensamiento filosófico: el Soldado Desconocido, el Trabajador y el Emboscado.
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16

Béland, Martine. "Heidegger en dialogue: par-delà Ernst Jünger, un retour à Nietzsche." Dialogue 45, no. 2 (2006): 285–305. http://dx.doi.org/10.1017/s0012217300000573.

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ABSTRACTThis article investigates Martin Heidegger's intellectual relation to Ernst Jünger. In order to show that Heidegger's appraisal of Jünger is directly related to his understanding of Nietzsche's pre-eminent standing in the history of Western philosophy, I situate Jünger in the Heideggerian reconstruction of the history of metaphysics. It is because Jünger belongs to the Nietzschean paradigm that Heidegger believes he is worth reading—but also worth criticizing. Indeed, Jünger did not overtake the philosophical project that Nietzsche made possible by accomplishing the end of metaphysics. This is the very project adopted by Heidegger, first by thinking beyond metaphysics, and second by hoping Germany would turn towards a spiritual renewal of its civilization. Thus, since Nietzsche is the central figure who stands between Heidegger and Jünger, this article wishes to show that through his critical reading of Jünger, Heidegger in fact fosters a fundamental and uninterrupted dialogue with Nietzsche.
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Marty, Christian. "Arbeiter statt Anarch." sub\urban. zeitschrift für kritische stadtforschung 7, no. 1/2 (May 15, 2019): 203–10. http://dx.doi.org/10.36900/suburban.v7i1/2.467.

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Im Beitrag wird aufgezeigt, wie Ernst Jünger von führenden Vertretern der „Identitären Bewegung“ rezipiert wird: Die „Identitären“ setzen sich äusserst intensiv mit Jüngers Frühwerk auseinander, wobei insbesondere zwei Aspekte grosse Beachtung erhalten – einerseits dessen Forderung nach einer nationalistischen Revolution, andererseits dessen Aufruf zur Bildung einer Stadtguerilla. Nach Auffassung der neurechten Gruppierung liefert der Schriftsteller damit die Ideen, welche dem Aktivismus den „rechten“ Weg weisen.
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18

Beck, Humberto. "Ernst Jünger y el instante de crisis." Estudios: filosofía, historia, letras 14, no. 117 (2016): 117. http://dx.doi.org/10.5347/01856383.0117.000268775.

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19

Weisbrod, Bernd. "Violence guerrière et fondamentalisme masculin : Ernst Jünger." Genèses 33, no. 1 (1998): 107–27. http://dx.doi.org/10.3406/genes.1998.1541.

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20

Quinn, Timothy. "Ernst Jünger, The Worker: Dominion and Form." Gatherings: The Heidegger Circle Annual 11 (2021): 290–97. http://dx.doi.org/10.5840/gatherings20211116.

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21

Costea, Bogdan, and Kostas Amiridis. "Ernst Jünger, total mobilisation and the work of war." Organization 24, no. 4 (July 2017): 475–90. http://dx.doi.org/10.1177/1350508417699619.

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This review article explores three interconnected texts written in the 1920s and 1930s by the German intellectual Ernst Jünger: Copse 125, Total Mobilisation and The Worker. Dominion and Form. They contain his original analyses of the relationship between war, destruction, organisation and technology. Jünger argued that entering the realm of total organisation, that is, organisation which claims its ground to be scientific, calculated, planned, rationally-administered and technological, destruction is subtly appropriated into, and thought of, as a process of production. Jünger understood war as an increasingly ‘necessary’ and permanent requirement of the politics of peace and freedom. He anticipated the transformation of destruction into a major field of experimentation with, and through, complex state and private organisational networks (civilian, military and corporate), and into a prime arena of scientific, technological and managerial development. He analysed the emergence of new political discourses and systems whose common ground was to invoke permanent insecurity, risks and dangers and claim the need to manage the peaceful existence of liberal societies.
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22

Indrikov, Aleksey A. "Ernst Jünger’s Phenomenon: Building “Beyond Oneself”." Tekst. Kniga. Knigoizdanie, no. 25 (2021): 22–37. http://dx.doi.org/10.17223/23062061/25/2.

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The article deals with the creative phenomenon of the German writer and thinker Ernst Jünger and his literary works that have formed a special, monumental and heroic matrix of European culture. The essence of this matrix is shown through deducing its main task – that is, as the author proposes, to preserve the semantic bridgehead for de-picting the heroic and the poetic, which is to confront the world of the simple non-spiritual demands of a consumer society. Contemporary European culture demands, as the author consistently proves, the monumental and heroic matrix. Since the second half of the 20th century, the European culture has found itself at a difficult civilizational crossroads: on the one hand, culture has been actively shaped by existentialism as an ideology of avoiding social transformation of the external world; on the other hand, European culture has been significantly pressed by the American culture of entertain-ment which invaded Europe even more after the end of World War II. As a result, Eu-rope has more and more abandoned its heroic, monumental and historical heritage. The matrix of culture formed by Jünger appears as a special edifice built on the notion of a person’s destiny and one’s spiritual capability revealed in a large-scale military con-frontation, in the war of “spaces”. The article discloses the peculiarities of Jünger’s monumental outlook on war as on a special cultural and historical landscape where an individual life is shaped into the destiny “beyond oneself”, into the fates of peoples and states. Jünger’s creative phenomenon is considered on the example of his first and most famous book, Storm of Steel, which is essentially authentic to the monumental and he-roic matrix of European culture. The unique and timeless value of this work is shown through its special historical and meta-cultural causality. The specific aspects of Jünger’s literary philosophy are shown as an embodiment of a doctrine that provides spiritual exaltation for the one who has aspired to create. The cultural-philosophical analysis of Jünger’s literary work undertaken in the article allows the author to draw to a conclusion about the heroic-monumental content of the Europe-an culture matrix, literally “encoded” in the compressed form of the novel Storm of Steel. As it follows from the research conducted by the author, there is a vital need in the culture for transforming the external world by the joint efforts of the heroes of one’s time, united by the task of a large-scale spiritual evolution of the humanity embodying their mission.
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23

Morat, Daniel. "Neues vom Alten. Zwei Biographien zu Ernst Jünger." Zeitschrift für Ideengeschichte 2, no. 1 (2008): 119–21. http://dx.doi.org/10.17104/1863-8937-2008-1-119.

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Mikhailovsky, Alexander. "Fjodor Stepun and Ernst Jünger: intellectuals at war." Studies in East European Thought 66, no. 1-2 (June 2014): 77–87. http://dx.doi.org/10.1007/s11212-014-9202-5.

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25

Ohana, David. "Nietzsche and Ernst Jünger: From nihilism to totalitarianism." History of European Ideas 11, no. 1-6 (January 1989): 751–58. http://dx.doi.org/10.1016/0191-6599(89)90263-5.

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26

Segeberg, Harro. "Revolutionary nationalism: Ernst Jünger during the Weimar Republic." History of European Ideas 16, no. 4-6 (January 1993): 821–26. http://dx.doi.org/10.1016/0191-6599(93)90228-i.

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27

MORAT, DANIEL. "NO INNER REMIGRATION: MARTIN HEIDEGGER, ERNST JÜNGER, AND THE EARLY FEDERAL REPUBLIC OF GERMANY." Modern Intellectual History 9, no. 3 (November 2012): 661–79. http://dx.doi.org/10.1017/s1479244312000248.

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Martin Heidegger and Ernst Jünger rightly count among the signal examples of intellectual complicity with National Socialism. But after supporting the National Socialist movement in its early years, they both withdrew from political activism during the 1930s and considered themselves to be in “inner emigration” thereafter. How did they react to the end of National Socialism, to the Allied occupation and finally to the foundation of the Federal Republic of Germany in 1949? Did they abandon their stance of seclusion and engage once more with political issues? Or did they persist in their withdrawal from the political sphere? In analyzing the intellectual relationship of Heidegger and Jünger after 1945, the article reevaluates the assumption of a “deradicalization” (Jerry Muller) of German conservatism after the Second World War by showing that Heidegger's and Jünger's postwar positions were no less radical than their earlier thought, although their attitude towards the political sphere changed fundamentally.
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28

von Bülow, Ulrich. "Ahrenshooper Sommerakademie 1947. Mit einem Brief von Ernst Niekisch an Ernst Jünger." Zeitschrift für Ideengeschichte 12, no. 2 (2018): 38–48. http://dx.doi.org/10.17104/1863-8937-2018-2-38.

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29

Spits, Jerker. "Jünger jenseits des Rheins. Der Briefwechsel Ernst Jüngers mit seinem französischen Übersetzer Julien Hervier." Études Germaniques 268, no. 4 (2012): 657. http://dx.doi.org/10.3917/eger.268.0657.

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30

Grijalba Uche, Miguel. "La línea. Apuntes sobre el nihilismo en el intercambio epistolar entre Ernst Jünger y Martin Heidegger." Differenz, no. 6 (2020): 53–71. http://dx.doi.org/10.12795/differenz.2020.i06.03.

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En la primera mitad de los años cincuenta del siglo pasado se dio un intercambio epistolar entre Martin Heidegger y Ernst Jünger que fue el análisis más profundo del nihilismo como diagnóstico de nuestra época. Jünger plantea la superación del nihilismo mientras que Heidegger piensa que el nihilismo es el proceso por el que la verdad del Ser se ha ocultado, olvidando su esencia. Para poder superar el nihilismo debe antes ser comprendido en su esencia como acontecimiento que pertenece a la historia del Ser, en las aperturas epocales de la metafísica.
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Mata, Sérgio Da. "Visões da posthistoire em Arnold Gehlen e Ernst Jünger." Pandaemonium Germanicum 22, no. 37 (February 22, 2019): 158–81. http://dx.doi.org/10.11606/1982-88372237158.

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O artigo busca explorar a temática da posthistoire no romance Eumeswil, de Ernst Jünger, e numa série de publicações do sociólogo e filósofo Arnold Gehlen. Tentamos evidenciar as surpreendentes afinidades eletivas que existem entre os dois autores, assim como extrair de seus escritos elementos que permitam lançar luz sobre alguns dos dilemas de nossa própria época.
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32

Guerri, Maurizio. "La metropoli del lavoratore nelle immagini di Ernst Jünger." SOCIETÀ DEGLI INDIVIDUI (LA), no. 66 (February 2020): 25–34. http://dx.doi.org/10.3280/las2019-066004.

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33

Ziolkowski, Theodore, and Heimo Schwilk. "Ernst Jünger: Leben und Werk in Bildern und Texten." World Literature Today 63, no. 4 (1989): 678. http://dx.doi.org/10.2307/40145618.

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34

Stiegler, Bernd. "La destruction et l'origine : Ernst Jünger et Walter Benjamin." Littérature 112, no. 4 (1998): 112–26. http://dx.doi.org/10.3406/litt.1998.1606.

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35

Hervier, Julien. "Ernst Jünger et Carl Schmitt : un dialogue au sommet." Commentaire Numéro 176, no. 4 (November 25, 2021): 765–74. http://dx.doi.org/10.3917/comm.176.0765.

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36

Tihanov, Galin. "Ernst Jünger: Ein Jahrhundertleben. Die Biografie by Heimo Schwilk." Modern Language Review 105, no. 1 (2010): 284–85. http://dx.doi.org/10.1353/mlr.2010.0284.

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37

Roldán, Diego P. "TECNOANTRHOPOS O EL TRABAJADOR-SOLDADO GUERRA, TÉCNICA Y DOMESTICACIÓN HUMANA EN LA OBRA DE ERNST JÜNGER (1920-1933)." Revista de Filosofia Aurora 18, no. 22 (May 8, 2006): 111. http://dx.doi.org/10.7213/rfa.v18i22.2128.

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Este trabajo analiza las ideas que Jünger promovió en torno a la técnica y cómo éstas se vinculan con la experiencia de la Guerra y a su idea de sujeto encarnada en El Trabajador. La intención es visualizar las formas en que Jünger propone una relación no contradictoria y optimista entre El hombre y la técnica. Se auscultará la tradición del pensamiento alemán fin de siècle, buscando comprender su relación con las transformaciones económicas, sociales y políticas que embargaron a Alemania entre fines del siglo XIX, pasando por la experiencia de la Primera Guerra Mundial y la desintegración de la República de Weimar. El estudio sostiene que esta clave de lectura brinda la posibilidad de entender el pensamiento de Jünger en una malla interpretativa compleja, idónea a al hora de extender sus posiciones dentro del pensamiento alemán políticamente conservador, pero, al mismo tiempo, entusiasta defensor de los avances tecnológicos. Finalmente, se investiga cuáles son las ideas de técnica, sujeto y verdad que sustentan las argumentaciones de Jünger en su obra publicada durante 1920-1933.
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Arouimi, Michel. "Ernst Jünger : le snobisme dans la visée d’un lance-pierres." Germanica, no. 49 (December 31, 2011): 109–20. http://dx.doi.org/10.4000/germanica.1375.

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Tihanov, Galin, Johan Tralau, Klaus-Jürgen Liedtke, John King, and Till Kinzel. "Menschendämmerung: Karl Marx, Ernst Jünger und der Untergang des Selbst." Modern Language Review 102, no. 4 (October 1, 2007): 1187. http://dx.doi.org/10.2307/20467609.

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Coelho, Victor de Oliveira Pinto. "Ernst Jünger e o demônio da técnica: modernidade e reacionarismo." Topoi (Rio de Janeiro) 18, no. 35 (July 2017): 246–73. http://dx.doi.org/10.1590/2237-101x01803502.

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ABSTRACT The theme of this article is Ernst Jünger’s work in the interwar period, especially the essay The Worker (1932). Our focus is to point out, in the Jüngerian appropriation of technique, its character of anti-liberal political mythology. We dialogue with the political and intellectual horizon of the time (including authors such as Simmel, Kracauer and Benjamin), seeking to establish a problematization framework about the technique in Germany, where also emerges the so-called “Conservative Revolutionary Movement.” We point out in Jünger’s work the relationship between the “type” or “figure of the worker” and the notion of the sacrifice of individuality in favor of the total mobilization of technique, in the terms of reactionary modernism. Finally, as there are no references to authors and works in The Worker, we raise the hypothesis of an underlying dialogue with the intellectual tradition of Romanticism by confronting Jünger’s work with the theme of “asymptotic completion” (Lacoue-Labarthe) -the impossibility, in modern times, of sustaining a pre-established harmony.
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Lörke, Tim. "Alexander Pschera (Hg.), Bunter Staub. Ernst Jünger im Gegenlicht. 2008." Arbitrium 29, no. 1 (January 2011): 103–5. http://dx.doi.org/10.1515/arbi.2011.029.

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42

Kittler, Wolf. "From Gestalt to Ge-Stell: Martin Heidegger Reads Ernst Jünger." Cultural Critique 69, no. 1 (2008): 79–97. http://dx.doi.org/10.1353/cul.0.0007.

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Aguirre, Guillermo. "Contraposición entre imagen y naturaleza a través del mundo del trabajador y el mundo del burgués en el pensamiento de Ernst Jünger." El Futuro del Pasado 4 (May 30, 2013): 481–91. http://dx.doi.org/10.14201/fdp.24766.

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La conciencia de que el ser humano no es sino mero representante de una voluntad absoluta, el Espíritu de los tiempos, empujó a Ernst Jünger a la realización de una serie de reflexiones en torno a la imagen donde trataría de ofrecer una mirada reveladora del papel del hombre en la historia. De acuerdo con Jünger, sólo convirtiéndose en sujeto creador el individuo sería capaz de escapar del devenir trágico. Con este fin el autor elaborará un conjunto de escritos guiado por la pretensión de capturar al hombre ataviado con su traje de representación. De este modo, el logrado desenmascaramiento de una falsa realidad invierte el rol usual de la técnica, haciendo de ella instrumento liberador de destinos.A lo largo de estas páginas estudiaremos esta doble faz de la técnica tomando como guía los presupuestos expuestos por Jünger desde su experiencia como hombre de acción y de observación a un mismo tiempo.
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Johnson, Rylie. "Earth and Planet." Heidegger Circle Proceedings 55 (2021): 119–29. http://dx.doi.org/10.5840/heideggercircle2021558.

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In light of the contemporary climate crisis, this paper argues that it is important to look at the distinction between earth and planet in Martin Heidegger confrontation with Ernst Jünger. To do so will point out an essential confrontation between earth and planet, revealing their respective essences. For Jünger, the global spread of technology is planetary in scale, which allows for the emergence of meaning through the figure of the worker. Heidegger, however, argues against the conception of the planet in favor of the earth, here rendered as the self-concealing withdrawal of the sensuous, which both makes possible and grounds planetary thinking. Insofar as art is that which indirectly reveals the earth, I will argue that Heidegger’s account of the origin of the artwork helps us to think against the planetary, and therefore against Jünger. I will conclude by presenting some reflections on the earth as a way of thinking the planetary catastrophe accompanying climate change.
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Gnoli, Antonio, and Franco Volpi. "Los tormentos de un maestro. Entrevista a Hans-Georg Gadamer." Euphyía - Revista de Filosofía 2, no. 3 (October 27, 2017): 101. http://dx.doi.org/10.33064/3euph39.

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La entrevista que presentamos a continuación forma parte del libro L’Ultimo Sciamano. Conversazioni su Heidegger (Milano: Tascabili Bompiani 2006, 135 pp.). La Casa Editorial Los Libros de Homero publicó en noviembre de 2008 una primera traducción no comercial de esta compilación de entrevistas realizadas por el filósofo Franco Volpi y el periodista Antonio Gnoli a aquellos que conocieron y convivieron de cerca con Martin Heidegger —Hermann Heidegger, Ernst Jünger, Hans-Georg Gadamer, Ernst Nolte y Armin Mohler— con el título El último chamán. Conversaciones sobre Heidegger. La edición al público será publicada en 2009. La traducción fue realizada por Jesús Salazar Velasco.
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Hillard, Derek. "Are There Painful Images? Ernst Jünger and Beholding Pain in Photography." Seminar: A Journal of Germanic Studies 50, no. 4 (November 2014): 461–82. http://dx.doi.org/10.3138/sem.50.4.461.

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Šajda, Peter. "Ombedzenie nepriateľstva ako výchova k ľudskosti: Carl Schmitt a Ernst Jünger." Filozofia 74, no. 10 (December 30, 2019): 852–65. http://dx.doi.org/10.31577/filozofia.2019.74.10.5.

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Walkowiak, Maciej. "Ernst Jünger: Publicystyka polityczna 1919–1936 [Die politische Publizistik 1919–1936]." Studia Germanica Posnaniensia, no. 34 (January 1, 2013): 191. http://dx.doi.org/10.14746/sgp.2013.34.14.

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Blok, Vincent. "An Indication of Being—Reflections on Heidegger's Engagement with Ernst Jünger." Journal of the British Society for Phenomenology 42, no. 2 (January 2011): 194–208. http://dx.doi.org/10.1080/00071773.2011.11006739.

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Wachsmann, Nikolaus. "Marching under the Swastika? Ernst Jünger and National Socialism, 1918-33." Journal of Contemporary History 33, no. 4 (October 1998): 573–89. http://dx.doi.org/10.1177/002200949803300407.

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