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Dissertations / Theses on the topic 'Eroti'

Author: Grafiati

Published: 21 February 2023

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1

MAURIZIO, VALENTINA. "Sulle orme di Eros: il pantheon erotico in Aristeneto." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2009. http://hdl.handle.net/2108/1101.

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Le Lettere d’amore di Aristeneto (VI d. C.) non solo testimoniano la fortuna del genere epistolografico in età giustinianea, ma, ad un’indagine più specifica, sono un esempio di come nell’ambito della letteratura erotica svolgano ancora un ruolo di una certa importanza le figure di Eros, di Afrodite e del loro corteggio. Questo lavoro, dunque, analizza tutti i luoghi dell’epistolario in cui tali divinità compaiono, con particolare attenzione alle continue riprese dalla tradizione letteraria precedente, da Omero a Museo; è diviso in due capitoli, il primo dedicato alle lettere in cui gli dei, per lo più Afrodite, si occupano della bellezza dei protagonisti, il secondo a quelle in cui gli stessi prendono attivamente parte alle storie d’amore, soprattutto Eros e gli Eroti.
Aristaenetus' Love Letters(VI b.C.) testify not just the luck of epistolary genus in Justinianean age but, following these letters out, they are an example of how figures such Eros, Aphrodite and their court play a role in erotic literature field. This work analyzes every locus of the epistolary, in which these divinities appear, with particular attention on the continous resumptions of the previous literary tradition, from Homer to Musaeus; this work is divided in two chapters; the first one concerns the letters in which Gods, expecially Aphrodite, look after the main characters' beauty, the second one these in which Gods take actively part in love stories, above all Eros and Erotes.

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2

Frings, Jana Viola. "Rezension: „Erotik und Sexualität“." Technische Universität Dresden, 2016. https://tud.qucosa.de/id/qucosa%3A30429.

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Rezension zu: Anja Hartung, Dagmar Hoffmann, Hans-Dieter Kübler, Bernd Schorb & Clemens Schwender (Hrsg.) (2016): Erotik und Sexualität. Medien & Altern Heft 9, Zeitschrift für Forschung und Praxis. München: kopaed.

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3

Bivona, Jenny M. "Women's erotic rape fantasies." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9118/.

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This study evaluated the rape fantasies of a female undergraduate sample (N = 355) using a sexual fantasy checklist, a sexual fantasy log, a rape fantasy scenario presentation, and measures of personality. Results indicated that 62% of women have had a rape fantasy. For these women, the median rape fantasy frequency was about four times per year, with 14% of participants reporting that they had rape fantasies at least once a week. Further, rape fantasies exist on a continuum between erotic and aversive, with 9% completely aversive, 45% completely erotic, and 46% both erotic and aversive. Women who are more erotophilic, open to fantasy, and higher in self-esteem tended to have more frequent and erotic rape fantasies than other women. The major theories that have been proposed to explain why women have rape fantasies were tested. Results indicated that sexual blame avoidance and ovulation theories were not supported. Openness to sexuality, sexual desirability, and sympathetic activation theories received partial support.

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4

Frings, Jana Viola. "Rezension: „Erotik und Sexualität“." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-227224.

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Rezension zu: Anja Hartung, Dagmar Hoffmann, Hans-Dieter Kübler, Bernd Schorb & Clemens Schwender (Hrsg.) (2016): Erotik und Sexualität. Medien & Altern Heft 9, Zeitschrift für Forschung und Praxis. München: kopaed.

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5

Bivona, Jenny M. Critelli Joseph W. "Women's erotic rape fantasies." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9118.

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6

Lindqvist, Jessika. "Erotik och Pornografi i spelfilmer." Thesis, Halmstad University, School of Humanities (HUM), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-141.

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Den här uppsatsen handlar om sexualitet och sexuella normer i vårt samhälle och kring sexuella bilder på spelfilmer. Om man kan visa starka sexuella bilder i spelfilmer utan att man går över normernas gränser och hur långt man kan gå innan man gör det. När lagstiftningen anser att bilderna blir ett brott emot lagen eller när censur lagen går in och klipper bort scener. Det ingår även en analys på Larry Clarks filmer Kids, Bully och Ken Park, där alla filmerna har starka sexscener med tonåringar. Jag har valt att sätta bilderna i olika kontexter för att finna ut vart gränsen går innan en erotisk bild blir pornografi.

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7

Grenley, Devin. "Women’s Empowerment Through The Erotic." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/292.

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First Semester: My thesis project is about showing women’s empowerment through their sexuality and comfort within their bodies own bodies. In our society women’s eroticism is seen as taboo and women are taught to turn away from the exploration of the erotic as a source of power within themselves. The erotic is often confused and misunderstood, it is an emotion and sense of empowerment that has been named by men and used against women. It’s now difficult to recognize that the erotic can even have a sense of empowerment for women, because strong women have been taught through our society to be viewed as dangerous. As Audre Lorde, a feminist writer states, “The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling. In order to perpetuate itself, every oppression must corrupt or distort those various sources of power within the culture of the oppressed that can provide energy for change. For women, this has meant a suppression of the erotic as a considered source of power and information within our lives” (Lorde). A woman’s strength comes from her sexuality. Once women begin to believe in this concept, they will begin to require this deep powerful sensation from all aspects of their lives and will not settle for anything less. Women should embrace their sexuality and use it as a sense of strength, instead of falsely believing that they can only be strong by suppressing this eroticism. My project is based on a collaborative experience with the models about what their sexuality means to them, and how they can show this through a camera. These photographs are meant to be raw and real; they are representations of real women who have chosen to show the viewers their own sexuality in the way in which they see best fits their sexual personality and comfort with their own bodies. The writings from the models on the back of the photographs show their own struggles with their sexuality. It may make the viewers feel uncomfortable, but this is the point. We are working towards being able to live in a society where women can be sexual if they choose to be. This is still a working progress, and having to view photographs that make one uncomfortable, may be the first step in change. Second Semester: Visual Poetic Abstractions: A Close Photographic Rendering of The Female Body: My personal thesis project shifted after first semester ended. Second semester I decided to continue the question of the body, but step away from the cultural views and instead start to dissect the body in it’s natural form. The project is a close examination of the formalist aspects of the body, including a self-evaluation of what the body means to me. This project resulted in a series of close-up photographs that will help the viewer in seeing portions of the body in ways they have not before. Some photographs will even be unrecognizable as to what part of the body the photograph is representing. This is important because it leads the viewer to examine each photograph for what the beauty of the photo entails, and not for their previous cultural understandings of body parts prior to viewing. The idea behind the black and white photographs is so the viewer again dissects the photograph without the context of color – for example skin no longer can be recognized as skin when the color context is taken away from these photographs. Within this project, I have paid specific detail to the poetic formalist view of the body, dissecting different body parts to create awe and wonderment. The photographs are an anatomical view of the body in its most raw and poetic form.

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8

Hunt, Amanda. "Investigating smara : an erotic dialectic." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33290.

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This thesis is an investigation of smara. Smara is a Sanskrit word and means memory and desire. It has no equivalent in the English language and so the attempt to understand smara becomes both a linguistic and an ontological task.
The reader is introduced to the similarities and idiosyncrasies between Western and Indian notions of memory and desire and then invited into the search for the junction between memory and desire in Indian thought.
Analysis of anthropological and philosophical texts as well as a semantic mapping of Kalidasa's masterpiece entitled Sakuntala: The Ring of Recollection, reveals not only the co-existence of memory and desire in smara but also the notion of smara as a process.

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Pilcher, Katy Elizabeth Mary. "Erotic dancing in night-time leisure venues : a sociological study of erotic dance performers and customers." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/56236/.

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This thesis explores the gender and sexual politics of erotic dance, through an ethnographic investigation of two leisure venues which provide erotic dance entertainment for women audiences in the UK. Using the research techniques of participant observation, qualitative interviews, visual methods, email interviews and internet research, this thesis examines the work roles of women and men dancers, and the interactions of women customers with dancers. In taking both a lesbian leisure venue and a male strip show for analysis, this thesis goes further than previous academic studies which often equate erotic dance with a male clientele base and women performers. The key findings of the thesis are related to three central themes. These are, firstly, the defining of both of the venues as a ‘women-only’ space by customers, and the ways in which this simultaneously both challenges and reproduces heteronormativity. Secondly, findings in both venues point to evidence of an erotic female ‘gaze’ being exercised by women customers. Yet I highlight how this is at times couched in problematic post-feminist conceptions of sexual agency, and further, how some customers articulated a critique of ‘gazing’ as objectifying erotic dancers. I argue that male dancers do not take on a ‘sex object’ role, and suggest that women dancers are able to exercise a gaze directed at women customers in some instances. The third key finding, evident in dancers’ accounts of their working experiences, suggests that their work practices are in many ways similar to concepts of work that are used to discuss service sector labour. I argue that the particular spaces in which dancers work is crucial to their capacity to exercise autonomy in their work role. Overall, the thesis develops a more complex analysis of participants’ engagement with erotic dance venues, highlighting the tensions around exercising agency in commercial sexual encounters.

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10

Kanellou, M. "Erotic epigram : a study of motifs." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1387206/.

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My thesis forms the first book-length project to examine together Greek epigrams which date from the Hellenistic to the early Byzantine period within larger hermeneutic frames. It examines the life-cycle of four motifs, especially within the erotic subgenre, in order to reassess the genre’s inter-/ intra-generic dynamics and the factors that influenced its development through the centuries. The first chapter is devoted to epigrams where the lamp takes on various roles. Through their detailed analysis a fundamental narrative technique of the whole subgenre is disclosed: objects are employed to portray emotions. I also uncover the seriocomic tone of these poems. Their seriousness derives from the exploration of emotions in a plausible manner. However, the lover’s reaction can be judged as humorous by a detached reader. In the second chapter, I study epigrams that employ sea/ nautical metaphors in order to explore the intra-generic and intra-textual dynamics in the use of metaphorical language within the subgenre: the epigrammatists use metaphors to approach a topic from a variety of angles, while simultaneously securing narrative economy because metaphors can create multiple associations. Moreover, I explore through these metaphors the complex intra-generic dynamics of poetic rivalry and imitation. In the third chapter, I shed light on the development of the motif of the comparison of a woman with Aphrodite. I exemplify how a set of intra-generic, chronological, religious, and political factors influence its transformations in the work of different epigrammatists. Furthermore, I examine the goddess’ use as a metonymy and its semantic flexibility. In the fourth chapter, I study Eros’ representations in art and epigrams and unveil the ‘common codes’ existing in these two media for the crystallisation of emotions and ideas on love through the god’s portrayals. I analyse in detail three depictions of him, whose roots can be detected back to lyric poetry, in order to demonstrate how the epigrammatists handled and refreshed the inherited material. My research concludes with the study of the multidimensional use of the plural love gods (the Erotes). My thesis looks deep into the inner-workings of ancient Greek epigram, especially of its erotic subtype, and proves how sophisticated these poems are. It explores the complex combination of the elements of stability, adaptability, and change which played a key-role in the genre’s development, and moreover, significantly enriches our understanding of individual epigrams as it locates them within larger frames of interpretation.

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11

Hendrickson, Ruth Ann. "Narrative strategies of erotic fictional autobiography /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487592050228985.

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12

Lorenz, Sven. "Erotik und Panegyrik : Martials epigrammatische Kaiser /." Tübingen : G. Narr, 2002. http://catalogue.bnf.fr/ark:/12148/cb38965873w.

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13

Chediak, Putnam Katherine. "Writing Antiheroines for the Erotic Thriller." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/406066.

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This research employs creative practice to develop a screenwriting framework for writing antiheroines for the erotic thriller film genre. It comprises the creative artefact, the screenplay titled Perfect Wife, and this exegesis, which underpins and contextualises the screenplay and incrementally develops the “Genre Screenwriting Practice Framework”, thus contributing to the academic field of script development and screenwriting as creative practice. The research findings aim to assist screenwriters in the development of antiheroine protagonists for the erotic thriller genre as well as the genre itself. Drawing from transdisciplinary fields including script development, screen studies, and film genre theory, “Writing Antiheroines for the Erotic thriller” follows my creative journey in the development of the female version of the erotic thriller antihero, a figure who arguably is yet to be seen in mainstream erotic thriller feature films.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
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14

Nilsson, Linnéa. ""Hemliga museer" : En studie kring museers representation av erotiska samlingar." Thesis, Uppsala universitet, Institutionen för ABM, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-417849.

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Purpose – This thesis investigates why archaeological museums tend to have a separate section for erotic and/or sexual objects. The aim is to understand why these rooms are needed and if they are considered outdated in the year 2020. Three case studies will be discussed in this thesis: Museo Archeologico Nazionale di Napoli, Altes Museum, and Museo Arqueológico Rafael Larco Herrera. Analysis – The qualitative data collected through interviews will be analyzed and presented in case studies. I apply two theories: power theory according to Michel Foucault and Clive Grey and queer theory. Method – To answer my questions, I interview museum workers responsible for the erotic display from the three case studies. All museums have a separate exhibition regarding erotic objects, so-called "secret museums". Methods that have been in use is qualitative method together with phenomenology. Findings – The findings show that the phenomenon “secret museum” was born in the mid-1700s when Pompeii and Herculaneum were excavated and several objects with erotic motives were found. Today several archaeological museums exhibit these objects in separate rooms, sometimes with restrictions. When these exhibitions were first formed only educated men were allowed to enter. It was considered that the objects would be misunderstood by the lower class and even hurt the relationship between men and women if women were to be exposed to pornography. The results from the three case studies show that people are still sensitive to objects regarding erotica or sexualities and that the separate area is for the visitors to choose if they want to enter or not. The result also shows that there is a respect for the history around this phenomenon and the rooms are in themselves museology history that needs to be preserved. Paper type – Two years master's thesis in Museum and Cultural Heritage studies.

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15

Dollenmaier, Verena. "Die Erotik im Werk von Christian Schad." [S.l. : s.n.], 2005. http://www.diss.fu-berlin.de/2005/233/index.html.

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16

Bouclin, Suzanne. "Organizing resistance: The case of erotic dancers." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26319.

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17

Hu, Lenny Lingyi. "Sexuality and containment, Ling Mengchu's erotic stories." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0011/NQ50039.pdf.

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18

Franke, Michael. "Erotik in der Werbung Grundlagen und Praxis." Saarbrücken VDM, Müller, 1998. http://deposit.d-nb.de/cgi-bin/dokserv?id=2867615&prov=M&dok_var=1&dok_ext=htm.

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Franke, Michael. "Erotik in der Werbung : Grundlagen und Praxis /." Saarbrücken : VDM, Verl. Dr. Müller, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2867615&prov=M&dok_var=1&dok_ext=htm.

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20

Panya, Orathai. "Gender and sexuality in Thai erotic literature." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430881.

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Skipp, Jennifer Anne. "British eighteenth-century erotic literature : a reassessment." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439581.

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22

Mikulášek, Tomáš. "Návrh zařízení pro erozi materiálu vodním paprskem." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2016. http://www.nusl.cz/ntk/nusl-241718.

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The aim of this diploma thesis was to design experimental setup for planar samples erosion by means of the water jet on the rotational sample configuration, laboratory experimental testing and its evaluation by means of the 3D optodigital microscope Olympus DSX 510. There were observed typical erosion patterns at the solid tested material surfaces as well as the cavitation erosion. Experiments were carried out at the following water pressures: 0.432 MPa, 1.50 MPa on the rotating sample, at 2.50 MPa on steady sample and on flooded sample for different treatment times. Experimental results of waterjet impact on rotating sample were compared with the theoretical modelling data obtained by CFD modelling. Computational modelling was done in two parts: 3D modelling of water jet flow impact on rigid steady surface and 3D modelling of water jet impact on rigid moving surface. The latter modelling was solved as two phase modelling, where the computational model “Volume of Fluid” was employed. The aim of the study was to find out for the individual cases under study appearance of the water flow and the changes of the magnitude of the force of the impinging water jet on the wall.

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23

Leung, Dallas G. "The erotic state of D. & V." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/51919.

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Bolsø, Agnes. "Power in the Erotic : Feminism and Lesbian Practice." Doctoral thesis, Norwegian University of Science and Technology, Faculty of Social Sciences and Technology Management, 2002. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-354.

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This project is about power and sexual desire. The chapter explains the different ways in which ‘power’ is used: as a relational concept for dynamics between individuals, and as a structural societal concept. Power is understood as having a capacity for producing subordination, but also pleasure. The chapter comments upon the feminist debate on power and sexuality. The ambition of the present project is to contribute to this debate, and the analytical approach is sketched out: to investigate lesbian negotiations of power issues known from the feminist critique of heterosexuality.

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Forslind, Natalie, and Matilda Larsson. "EN VANDRING LÄNGS METAFORERNAS STIG : EROTIK & KRIG." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-22165.

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Uppsatsen är en komparativ analys av konceptuella metaforer inom erotik- respektive krigsscener i romanen Saga från Valhalla, skriven av Johanne Hildebrandt. Syftet är att reda ut vilka metaforer som används och hur de kopplas till Lakoff och Johnsons teori om konceptuella metaforer. Vidare presenteras teorier bakom konceptuella metaforer, metonymier och liknelser för att få en klar bild av vad en konceptuell metafor är. Med denna analys ämnar vi att främja läsarens kompetens att känna igen en metafor samt öka förståelsen för konceptuella metaforer och deras innebörd. Resultatet visar att ett flertal av de konceptuella metaforerna existerar inom både erotik- och krigsscener men det finns även konceptuella metaforer som endast finns med i en av scenerna. Vår hypotes var att de konceptuella metaforerna från de olika scenerna skulle skilja sig från varandra, men istället fann vi att de bildar en symbios.

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Tulloch-Hoskins, Amanda Julie Pearl. "Gertrude Stein and the power of the erotic /." Title page, table of contents and conclusions only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09art919.pdf.

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Toulalan, Sarah Diane. "Writing the erotic : pornography in seventeenth century England." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397941.

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Koskela, T. (Tarja). "Sukupuolten välillä näkyvät erot terveysalan johtajien työhyvinvoinnissa." Bachelor's thesis, University of Oulu, 2018. http://urn.fi/URN:NBN:fi:oulu-201805312319.

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Tutkielman tarkoituksena oli selvittää kirjallisuuskatsauksen avulla, onko tutkittu terveysalan johtajien työhyvinvointia ja työssä jaksamista sekä näkyykö siinä sukupuolten välisiä eroja. Tutkielma toteutettiin kuvailevana kirjallisuuskatsauksena. Tiedonhaku tehtiin helmikuussa 2018 Scopus-, Medic-, Cinahl- ja ProQuest- tietokannoista samoja hakusanoja kaikissa käyttäen. Manuaalista hakua hyödynnettiin myös. Tutkielmaan hyväksyttiin artikkelit, joissa käsiteltiin terveysalan johtajien työssä jaksamista ja työhyvinvointia. Lopullisiin tuloksiin valikoitui kahdeksan artikkelia. Tutkielman tulokset tukevat aiempaa tietoa siitä, että terveysalan johtajien sukupuolen vaikutusta työhyvinvointiin ja työssä jaksamiseen ei ole tutkittu. Tulosten perusteella Ruotsissa, Kanadassa ja Pohjois-Amerikassa aihetta on tutkittu jonkin verran. Tutkielman tulosten perusteella on nähtävissä, että sukupuolten välillä on eroja, jotka heikentävät työssä jaksamista. Tulosten perusteella työhyvinvointiin ja työssä jaksamiseen liittyvät asiat jaettiin kuuteen tekijään: terveyteen liittyvät, uraan ja työnkuvaan liittyvät, tasapaino työn ja kodin sekä työtehtävien ja niihin käytettävissä olevaan aikaan liittyvät, omaan esimieheen liittyvät, saatuun tukeen/ tuen puutteeseen liittyvät ja organisaatioon liittyvät tekijät. Ei ole tehty kattavaa tutkimusta terveysalan johtajien sukupuolen vaikutuksesta työhyvinvointiin, joten siihen liittyvää tutkimusta pitää tehdä tulevaisuudessa. Sukupuolten välillä on eroja työssä jaksamisessa ja työhyvinvoinnissa.

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Hanson, Julie L. "Sexy lesbian men : the erotic potential of drag kinging /." Title page, contents and introduction only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arh251.pdf.

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Boyd, Timothy. ""Dunkeler gespannt" : Untersuchungen zur Erotik der Dichtung Paul Celans /." Heidelberg : Winter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2780649&prov=M&dokv̲ar=1&doke̲xt=htm.

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Kuzma, Joseph Dlaboha. "Erotic scenographies : Blanchot, Nietzsche & the exigency of return." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47816/.

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It is undoubtedly one of Kafka's finest erotic scenes – the description of K.'s furtive tryst on the tap-room floor. – Wrapped in Frieda's arms, he rolls back and forth through small puddles of beer and rubbish, her small body burning in his reluctant hands. "Hours passed there," writes Kafka, "hours breathing together with a single heartbeart [gemeinsamen Herzschlags], hours in which K. constantly felt he was lost or had wandered farther into foreign lands [der Fremde] than any human being before him ..." What makes this passage so compelling is the manner in which Kafka, in four short lines, manages to distil everything ambiguous and terrifying about the erotic relation into a scene which, otherwise, could almost pass for sentimental.

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Mustafa, Riham, and Omnia Bakhiet. "Biogas Produktion i Abu Dhabi – En Utvärdering baserad på Energi och Ekonomi (Jämförelse av två teknologier)." Thesis, KTH, Fastigheter och byggande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-170577.

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33

Lennartz, Norbert. ""My unwasht muse" (De-)Konstruktionen der Erotik in der englischen Literatur des 17. Jahrhunderts." Tübingen Niemeyer, 2003. http://d-nb.info/995792976/04.

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Esser, Kirsten. "Inszenierung und Diskursivierung von Sexualität im deutschen Roman nach 1945." Stuttgart Schmetterling-Verl, 2007. http://d-nb.info/999017454/04.

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Pellikka, J. (Jennika). "Boreaalisen metsän leviäminen tundralle:vaikuttavat tekijät ja alueelliset erot." Bachelor's thesis, University of Oulu, 2017. http://urn.fi/URN:NBN:fi:oulu-201712093295.

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Tässä tutkielmassa perehdyn boreaalisen metsävyöhykkeen leviämiseen tundralle ja tarkastelen erityisesti leviämiseen vaikuttavia tekijöitä ja alueellisia eroja. Hypoteesina oli, että boreaalinen metsävyöhyke on leviämässä tundralle. Tutkimuskysymyksiäni ovat: 1. Millaisia boreaalisella metsävyöhykkeellä tapahtuvat muutokset ovat? 2. Mitkä ovat vaikuttavat tekijät muutosten taustalla? 3. Onko muutoksissa alueellisia eroja? Aineistonani olen käyttänyt boreaalisen metsän leviämistä käsitteleviä artikkeleita ja biogeografian perusteoksia. Tutkielmani lopputuloksena on se, että boreaalinen metsävyöhyke on hitaasti leviämässä tundralle ja lämpötila sekä ilmastonmuutos ovat suurimmat vaikuttavat tekijät muutosten taustalla. Leviämisessä ei ilmennyt alueellisia eroja, vaan eteneminen tapahtuu kaikkialla boreaalisella metsävyöhykkeellä yhtä nopeasti. Alueellisia eroja ilmaantui vaikuttavissa tekijöissä.

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Jokelainen, J. (Jessi). "Helvetti, saatana ja perkeleenvittu:ikäryhmien väliset erot alatyylisessä kielenkäytössä." Bachelor's thesis, University of Oulu, 2018. http://urn.fi/URN:NBN:fi:oulu-201802081177.

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Tutkielmassani vertailen aikuisväestön ja nuorison kiroilun määrää ja laatua toisiinsa. Oletan, että nuoriso kiroilee määrällisesti enemmän kuin aikuiset, ja että nuorison keskuudessa käytetään enimmäkseen seksuaalissävytteisiä kirosanoja (vittu, kyrpä). Oletan myös, että aikuisväestö käyttää nuorisoa enemmän uskonnollisperäisiä kirosanoja (perkele, saatana, helvetti). Nuorisolla tarkoitan yläkouluikäisiä nuoria ja aikuisväestöllä yli 40-vuotiaita aikuisia. Aineiston keräämiseen käytin kyselylomaketta, jossa on erilaisia kirosanojen käyttöön liittyviä kysymyksiä. Keräsin aineiston Muhoksen yläkoulun oppilailta sekä aikuisilta Facebookin käyttäjiltä internet-lomakkeella elokuussa 2017. Aineistoni koostuu yhteensä sadasta lomakkeesta, joista 50 on nuorilta ja 50 aikuisilta. Tutkielmastani käy ilmi, että vittu on molemmissa vertailuryhmissä ylivoimaisesti käytetyin kirosana. Aineiston perusteella aikuiset käyttävät uskonnollista voimasanastoa jonkin verran enemmän kuin nuoret. Nuorilla kiroilu koostuu seksuaalisanaston lisäksi myös eritesanoista ja ruumiinosien nimityksistä (paska, perse).

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Berg, Gustav. "Despotism och erotik: kvinnan och religion i Montesquieus Persiska brev." Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-176546.

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This study aims to investigate how, in Montesquieu’s Persian Letters (1721), religion and religious structures are presented to influence women’s position in French society. In Persian Letters Montesquieu presents a dogmatic religious life, which proceed from a literal interpretation of the bible. Such a reading raises critical questions concerning the nature of women, and subsequently places man over woman. Persian Letters show how this male dominance gets institutionalized in marriage. The religious life depicted is also distinguished by a non-genuine religious conviction and by acts which take on a simulation form. The compliance with the religious order has little to do with religious conviction and more to do with fear of punishment and social stigma. Montesquieu also shows how Christianity can be said to battle against human nature and especially her sexual passion. Montesquieu calls the divine origin of the bible into question, and instead suggests it was written by human hand. Subsequently, by means of rational thinking, a humanist perspective and a utilitarian principle, he questions a world order founded on a dogmatic interpretation of the bible. Fear as a central part of the religious life, the subjects complete subordination to the religious structures, the suppression of the human passions and simulating modes of actions are all central parts in what Montesquieu calls despotic structures. In Persian Letters he exposes parallels between religious despotism, political despotism and despotic family life. Montesquieu further links women’s situation directly with the political life. Within the family, Montesquieu tells us, citizens first developed a relationship to power, and power structures. These experiences later come to influence the individual’s behaviour in society, and constitute the foundation for the political life.

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Wellington, Sarah Thea Arruda. "Finding the power of the erotic in Japanese yuri manga." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54589.

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Yuri is the genre of Japanese manga and anime that focuses on romantic and sexual relationships between girls and women. Although what is perceived to be its counterpart, yaoi or BL, has received a great amount of scholarly attention in the past years, yuri, however, is still a nascent topic in academic discourse. Upon briefly delineating Japanese prewar girls’ culture and its influence on the romantic and erotic spaces found in female-authored manga made for a female audience, several female-authored narratives from the erotic yuri manga anthology Yuri hime wildrose are analyzed in regards to their depiction of relationship dynamics, the female body, and the space in which both are explored. These yuri narratives are considered in relation to Audre Lorde’s ideas of the erotic to show that despite their lack of explicit lesbian identity and social realism, they manage to carve out a positive erotic space that is ultimately empowering for female readers.
Arts, Faculty of
Asian Studies, Department of
Graduate

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Kotaki, V. "An exploration of how therapists experience erotic feelings in therapy." Thesis, City, University of London, 2016. http://openaccess.city.ac.uk/16054/.

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Aims and objectives: This study has three aims. The first aim is to explore how therapists experience erotic feelings in therapy. The second aim is to examine how therapists’ experience of the erotic is constructed, and the third aim is to identify how therapists’ accounts construct the social world. The objectives of the study are to (1) make meaning of therapists’ experience, (2) theorise the basic social processes, contexts and structural conditions that influence the construction of their experience, and (3) suggest practical applications (Braun & Clarke, 2006, 2013, 2014). Methodology: The Constructionist model of Thematic Analysis (Braun & Clarke, 2006, 2013) is used to analyse the collected qualitative data. Method: Data were collected by conducting semi-structured interviews with thirteen therapists. The participants were six male and seven female who had more than five years of post-qualification experience. Interviews were audio recorded, transcribed and analysed. Results: The findings suggest that the majority of participants are not prepared for their encounter with the erotic. Most of them perceive it as a mysterious phenomenon, view it as a professional taboo, and argue that it has personal and sensitive meaning for both themselves and their clients. The majority of participants appear to encounter a series of challenges, which they process internally while they handle the erotic explicitly, implicitly or not at all. Participants’ understanding of the erotic is mostly influenced by their clinical experience and the quality of supervision they receive. Their experience of the erotic is constructed through their interaction with society, training institutions, the profession and the regulation of clinical practice. At the same time, due to the inter-relationship between social systems and therapeutic practice, participants’ accounts construct the social world. Participants understand the erotic as a product of therapy and highlight that it can be either constructive or destructive. At last, they advocate that a practical approach to learning, open conversations on the subject and strategies to overcome the restrictions set by society, culture and regulation are required to enable their work with the erotic. Discussion: Research findings and implications for practice are discussed. The methodology used to conduct the study is evaluated. Suggestions for further research are provided.

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Decker, Jan-Oliver. "Madonna: where's that girl? : Starimage und Erotik im medialen Raum." Kiel Ludwig, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=014629970&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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Hobson, Amanda Jo. "Envisioning Feminist Genre Film: Relational Epistemology, Catharsis, and Erotic Intersubjects." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1604074749500538.

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Guevara, Perry Daniel. "(Un)Doing Desdemona gender, fetish, and erotic materiality in Othello /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457178998/viewonline.

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Esser, Kirsten. "Inszenierung und Diskursivierung von Sexualität im deutschen Roman nach 1945 /." Stuttgart : Schmetterling-Verl, 2010. http://d-nb.info/999017454/04.

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Kelly, Jason James. "Mysticism Unbound: An Interpretative Reading of Jeffrey J. Kripal's Contribution to the Contemporary Study of Mysticism." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19926.

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This thesis examines the relationship between human sexuality and “the mystical” in the work of Jeffrey J. Kripal. I claim that Kripal presents a nondualistic understanding of the relationship between human sexuality and “the mystical” that contests the conventional distinction between body and “soul.” In particular, Kripal’s two central concepts – “the erotic” and “the enlightenment of the body” – suggest that embodiment shapes our understanding of “the mystical.” By demonstrating the psychoanalytic, hermeneutical, and comparative significance of the relationship between human sexuality and “the mystical,” Kripal’s model calls attention to the crucial role that body, gender, and sexual orientation play in both the historical and contemporary study of mysticism. The point of my research is to show that Kripal’s approach signals a new way of studying “the mystical” in terms of “mystical humanism,” which draws on both Eastern and Western philosophies to construct a critical, non-reductive appreciation for the transformative and ultimately emancipatory potential of certain mystical states of consciousness.

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Boyd, Timothy. ""Dunkeler gespannt" Untersuchungen zur Erotik der Dichtung Paul Celans ; [denn stark wie der Tod ist die Liebe]." Heidelberg Winter, 2002. http://deposit.ddb.de/cgi-bin/dokserv?id=2780649&prov=M&dok_var=1&dok_ext=htm.

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Kauer, Katja. "Banaler und dämonischer Sex in der Literatur um 1900 und um 2000 "voneinander Besitz ergreifen oder einfach kopulieren: ... zwischen der Anatomie und dem Imaginären"." Hamburg Kovač, 2006. http://d-nb.info/985900490/04.

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Ek, Imelda Helena. "Erotic Insanity : Sex and psychiatry at Vadstena asylum, Sweden 1849-1878." Doctoral thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-146255.

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The early nineteenth century saw the emergence of institutional psychiatry across Europe. Aware that Sweden had fallen behind in this development, Parliament decreed in 1823 that a number of specialised institutions for the care of the insane were to be established. The Vadstena asylum, opened in 1826, was the first such institution in Sweden. The aim of this study is to examine medical interpretation of and responses to erotic behaviour in psychiatric practice at the Vadstena asylum in the period 1849-1878. The book places the theme of the erotic, a topical subject in nineteenth-century public debate, in the context of psychiatry as an emerging specialty in Sweden. The book explores how erotic behaviour was conceptualised as disease, and the nature of therapeutic intervention in erotic cases, in order to present a more nuanced image of nineteenth-century medical attitudes to sexuality. By highlighting the superintendency of physician Ludvig Magnus Hjertstedt, and linking his account of an 1845 study tour through Europe to medical practice at Vadstena, the study situates responses to erotic patients in a period when psychiatry claims authority over human sexuality. In methodological terms, the study applies critical questions inspired by revisionist scholarship to a body of empirical source material. Focusing on a single institution, and conducting in-depth readings of case notes – with regard to language, form, and function – allows the study to highlight the everyday practice of the asylum physician in his encounters with male and female erotic patients, including the use, importance and diagnostic integrity of the concepts nymphomania, erotomania and masturbation. Hjertstedt’s travel journal provides insight into the physician’s medical philosophy, informing the analysis of diagnostic and interpretive procedures, while connecting medical practice at Vadstena to its European paragons. The results indicate that while the use of specific diagnostic terms to describe erotic behaviour was infrequent, therapeutic and managerial intervention shows that sexual acts and expressions of desire were considered disturbing and dangerous symptoms in both male and female patients. The analysis thus makes visible a gap between psychiatric theory and asylum practice, emphasising uncertainties and complexities inherent in the latter. While erotic behaviour could be considered indicative of illness, it might also be interpreted as a lack of character or a result of insufficient moral instruction. The asylum’s regime of work and moral instruction was designed to restore health as well as sound values and appropriate behaviour in its patients, indicating a medical culture at Vadstena which was both curative and normalising.

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Wennerscheid, Sophie. "Das Begehren nach der Wunde : Religion und Erotik im Denken Kierkegaards /." Berlin : Matthes & Seitz, 2008. http://d-nb.info/986516767/04.

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McInnis, Meredith. "Dissecting the erotic : art and sexuality in mid-Victorian medical anatomy." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/930.

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In the mid-nineteenth century, anatomical illustration in England underwent a crisis of representation. Moral authorities were growing increasingly concerned with the proliferation of images of the naked body and the effects they might have on public “decency.” The anatomical profession was sensitive to this hostile climate to nude representations. In the years immediately preceding the Obscene Publications Act of 1857 that defined the category of “pornography,” anatomical illustration was being purged of sexual connotations as part of an attempt to consolidate medicine as a respectable “profession.” In the eyes of this new professional body, there was no space for sexual associations in anatomical texts. Artistic medical anatomy’s rejection was driven by its links to problematic erotic traditions. Specifically, anatomy’s proximity to pseudo-medical pornography, the same-sex eroticism of the Hellenic tradition, and the problem of the male and female nude in “high art” were at issue. In representing the naked body artistically, anatomists brought their illustrations into dangerous proximity with these traditions. By systematically putting the work of one Victorian anatomist, Joseph Maclise, into dialogue with these erotic traditions, it becomes clear that medicine was not isolated from the broader sexual culture. This study demonstrates that viewing publics and viewing practices are historically specific and are brought into being by the interaction of visual phenomena by emphasizing the fluidity between representational fields of art, medicine and sexuality. The effort to excise the sexual meanings contained in anatomy ultimately led to the emergence of a new diagrammatic style of anatomical drawing that became the orthodox style of medical illustration, and that persists to this day.

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Sanders, Ryya Aviva. "Methodological embodiments : psychical corporeal performances of subjective specific auto(erotic)-representations." Thesis, University of Plymouth, 2001. http://hdl.handle.net/10026.1/2697.

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A great deal of critical attention has been paid over the last twenty years at least to the relation of 'self and 'Other'. But what happens when the external 'other' is displaced to the periphery of the concerns of textual production? In order to explore this question Methodological Embodiments employs an interdisciplinary praxis that is not limited to the classic model of written theory. At the same time, it does not negate this form that has historical and ideological precedence within an academic context. The aim of this thesis is to juxtapose written theory with artistic practices in order to initiate, develop and represent a dialogue between subjectivity and methods of theoretical engagement. The performative negotiation between the embodied experience of the practitioner and the investigative forms constitute a tripartite relation that implicates 'performance' as a third term in the methodological formulation. The final submission includes 1) a written dissertation, Methodological Embodiments: Psychical Corporeal Performances of Subjective Specific Auto[erotic]-Representations; 2) an exhibition, I:Matter; and 3) the live performance, I:Do. My thesis argues for, and enacts, a positive framing of individual embodied experience within a dialogue between linguistic and artistic practices. Academia has traditionally privileged the written word in the definition of 'theory'. This has limited the understanding of how meaning is made and how the subject as scholar is implicated within the production of knowledge. At the same time, within classic psychoanalysis, subjectivity has also come to be understood through, and in relation to, language. While language clearly has a significant part to play in the making of both theory and a/the subject, it must be situated in relation to individual embodiment. Classic psychoanalysis falls short of this insofar as it fails to take into account the implications of sexual difference. This neglect has resulted in the construction of phallocentric frameworks that not only misrepresent women as a 'model' of disease and lack, but problematically foreclose the possibility of symbolic agency for a/the woman. The relation between materiality and image as regards representation is significant to these discourses of subjectivity, language and art, respectively and at the points in which they overlap. Throughout the thesis many specific terms and concepts have been either coined or reappropriated in order to situate and accurately define the concerns of my work. Two important examples are cited here. First, my recourse to the psychoanalytic term psychical corporeality, which suggests that embodiment simultaneously informs and inscribes the psychical perceptions of the subject in relation to surrounding environments and a sense of self. Secondly, in place of the psychoanalytic use of Narcissism is my use of autoeroticism that seeks to re-define the literary genre of autobiography and the traditional understanding of self-portraiture in the visual arts, to what I have called auto[erotic] - representation(s) within my own textual production.

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