Relevant bibliographies by topics / Erotic

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Erotic'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Erotic"

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Gao, Zhongming, Xi Luo, and Xianwei Che. "Distinct Emotional and Cardiac Responses to Audio Erotica between Genders." Behavioral Sciences 13, no. 3 (March 20, 2023): 273. http://dx.doi.org/10.3390/bs13030273.

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Emotional and cardiac responses to audio erotica and their gender differences are relatively unclear in the study of the human sexual response. The current study was designed to investigate gender differences regarding positive and negative emotional responses to erotica, as well as its association with cardiac response. A total of 40 healthy participants (20 women) were exposed to erotic, neutral, and happy audio segments during which emotions and heart rate changes were evaluated. Our data showed distinct emotional responses to erotica between genders, in which women reported a higher level of shame than men and rated erotic audios as less pleasant than happy audios. Meanwhile, men reported erotic and happy audios as equally pleasant. These results were independent of cardiac changes, as both sexes demonstrated comparable heart rate deceleration when exposed to erotica relative to neutral and happy stimuli. Our results highlight the role of sociocultural modulation in the emotional response to erotica.
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Kelley, Kathryn. "Sexual Fantasy and Attitudes as Functions of Sex of Subject and Content of Erotica." Imagination, Cognition and Personality 4, no. 4 (June 1985): 339–47. http://dx.doi.org/10.2190/j66d-n10e-lth5-8aw5.

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The effects of erotic content and subject sex on sexual fantasy were mediated by general sexual attitudes. When erotic content consisted of mild erotica showing males rather than females, male subjects ( N=123) expressed significantly more negative themes in briefer fantasy productions than females ( N=123). Analyses of affective and arousal responses to single-sex and heterosexual erotica indicated patterns generally consistent with the fantasy outcomes. Negative sexual attitudes were associated with negatively-toned fantasies, more negative affect, and less sexual arousal. Variations in affective and arousal responses to erotic stimuli, as discussed by the theory of the Sexual Behavior Sequence, were demonstrated to extend to the production of sexual fantasy.
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Isachenko, O. M., and He Sin. "Euphemistic Means of the Erotic Narrative in the Cycle <i>Dark Alleys</i> by I. Bunin." Vestnik NSU. Series: History and Philology 23, no. 2 (February 21, 2024): 20–30. http://dx.doi.org/10.25205/1818-7919-2024-23-2-20-30.

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Purpose. The article analyses the features of the erotic narrative of I. A. Bunin in his cycle Dark Alleys, which became a phenomenon in Russian classical literature – a kind of artistic “encyclopedia of love”, written in defiance of ethical and ideological prohibitions.Results. Erotica in this cycle is presented in descriptions of the physiology of sex and sexual communication. The research examines 209 contexts extracted from the cycle. They describe actions of a sexual nature, including violent or commercial ones, human physiology and anatomy (59 contexts), which determine human sexual behavior. The writer widely uses various methods of euphemization of erotic meanings: synonymous replacements, generalization techniques, allusion, ellipsis, silence. Quantitative data show that the main speech strategy in the Bunin cycle is silence, which is implemented in a whole series of stylistic tropes and figures. I. A. Bunin uses a diverse arsenal of units of the lexical, lexico-morphological and syntactic levels. Euphemisms appear in areas of maximum erotic tension. With their help, the author reduces the “emotionogenicity” of erotica in accordance with his own ideas about the boundaries of what is acceptable and permissible.Conclusion. In the vertical context of Russian culture, I. Bunin’s erotic narrative, his restraint and precision in the choice of linguistic means, the deliberate exclusion of naturalism and reduced style serve to preserve harmony in the triad “LOVE – PASSION – SEX”. The Bunin language of Dark Alleys can be considered a classic standard of the sacrament of physical love, which the writers of the 20th century were guided by, accepting or rejecting it.
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Dam, Anders Ehlers. "Paris’ hjerte Johannes V. Jensen og rejsens erotik." European Journal of Scandinavian Studies 49, no. 2 (October 25, 2019): 337–55. http://dx.doi.org/10.1515/ejss-2019-0026.

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Abstract This article highlights the link between travel and erotics as a literary trope, exemplified by Johannes V. Jensen’s story ”Louison” (1899). ”Louison” describes the short-lived affair between a male traveller and a loose woman. From their first encounter on a Parisian boulevard, loaded with baudelairian esthetics, to their sudden parting after a day and a night spent together, their relationship is made possible by the anonymity of the modern city and by the condition of modernity. The erotic encounter in Jensen’s story is inextricably connected — like in Baudelaire — to the modern urban backdrop against which it unfolds. In Jensen’s story, the erotics of travel feeds into the ”myth of Paris”: far from being merely the story of an erotic encounter, ”Louison” is also the vivid description of a fin-de-siècle Paris, swarming and buzzing with constant, multiple energies that unify in a totality elevated to the dimensions of ”myth” — a word charged with significance in Jensen’s work.
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West, Kevin. "Translating the Body: Towards an Erotics of Translation." Translation and Literature 19, no. 1 (March 2010): 1–25. http://dx.doi.org/10.3366/e0968136109000740.

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By seeking the impossible goal of full understanding, the translator as a maximally engaged reader seeks the plenitude of another's words as a surrogate of the elusive Other. Translation as at once a physical, mental, and emotional attempt fully to understand another's utterances thus constitutes a process of complete engagement characterized by the desire for knowledge. Such desire can be deemed erotic inasmuch as it hopes to dissolve the customary separation of minds and attain oneness of understanding. A particular moment in the English translation of Umberto Eco's Il nome della rosa involving the translation of a description of an erotic body part introduces the erotics of translation more broadly. Evidence from the translation journals of Eco's translator William Weaver, as well as Eco's own remarks on translation, are brought to bear. Thereafter discussion moves into more theoretical material, including George Steiner's key observations on translational erotics, and finally addressing three further ‘moments’: a linguistic appropriation of Georges Bataille's erotism, Augustine's account of language acquisition, and the matter of the bodily translation of the biblical Enoch.
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Khanna, Neetu. "Obscene Textures: The Erotics of Disgust in the Writings of Ismat Chughtai." Comparative Literature 72, no. 4 (December 1, 2020): 361–76. http://dx.doi.org/10.1215/00104124-8537720.

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Abstract This article revisits the Marxist anticolonial feminist writings of Urdu author Ismat Chughtai through a materialist exploration into how the female body—with its erotic curvatures and grotesque protuberances, its sticky and viscous textures and fluids—becomes the focalized object of what the author terms the erotics of disgust. Chughtai is perhaps most famous for her being tried for obscenity in 1942 for her most famous short story, “The Quilt” (“Lihaaf”), which narrates a young girl’s encounter with the erotic relationship of a middle-class Muslim woman and her female servant. As Chughtai herself recounts, however, she was acquitted because the prosecution could never point to the exact words that were to be considered obscene. The author argues that we read Chughtai’s extraordinary inquiries into the imbrication of desire and disgust as the visceral sites of gender discipline, as the question of the “modern” Muslim female citizen subject hangs in the balance of an emergent Indian nationhood. The author offers a queer feminist critique of the traditional phenomenology of disgust by analyzing the codes of erotic texture produced out of histories of colonial hygiene and bourgeois sexual discipline in late colonial India.
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Sedykh, K., and T. Zozul. "TYPES OF INDIVIDUAL MEN EROTIC CODE." Psychology and Personality, no. 1 (May 20, 2019): 86–100. http://dx.doi.org/10.33989/2226-4078.2019.1.163989.

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The article is devoted to the current definition and justification of the men’s individual erotic code typology. Significant expansion and development of psychologists’ professional activity necessitate creating of generalized classification of individuals and married couples’ behavioral erotic types. The study of sexual- psychological characteristics of behavioral patterns of men in erotic relationships is very important in this regard.The new material on the topic under study is generalized. Erotic imagination functions and erotic images impact the process of forming a fixed erotic Image of a sexual partner in men are determined. The impact of early life experience (imprinting) influenced on the individual erotic code formation is described.Attention is concentrated on analysis of the phenomenon individual men erotic code. The types of men individual erotic code, based on the concept of archetypes (K. G. Jung, D. S. Bolen) study are defined. Types of individual erotic code were named after the ancient Greek gods: Zeus, Apollo, Hermes, Ares, Hephaestus, Dionysus, Hades. The attention is focused on the deep analysis of individual women erotic code stages realization, such as, the genesis of erotic impulse, the tempting process, the sexual act behavior, the pregnancy, the caring of posterity.
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Myers, Jacob D. "Erotic Preaching." Theology Today 77, no. 4 (January 2021): 393–407. http://dx.doi.org/10.1177/0040573620956725.

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Emerging from a Barthian perspective on the necessary impossibility of preaching, this paper articulates an erotic phenomenology for preaching as a means of knowing and speaking about God in contemporary ecclesial contexts. It draws upon the philosophies of Jean-Luc Marion, Luce Irigaray, and Emmanuel Levinas to sketch the contours of a method for sermon development that respects the alterity of the Word as revealed in and through Scripture.
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Rosen, Stanley. "Erotic Ascent." Graduate Faculty Philosophy Journal 17, no. 1 (1994): 37–57. http://dx.doi.org/10.5840/gfpj1994171/213.

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Murphy, Julien S. "Erotic Welfare." Radical Philosophy Review of Books 11, no. 11 (1995): 106–9. http://dx.doi.org/10.5840/radphilrevbooks199511/1212.

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Dissertations / Theses on the topic "Erotic"

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Dubois, Stephanie L. "Examining the Eros in erotica : erotic thoughts, emotion, and sexual experience between genders." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259308.

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The present study examined gender differences in the emotional tone of written sexual fantasies. Participants included 182 heterosexual men and 206 heterosexual women enrolled in undergraduate clinical and counseling courses at a mid-sized Midwestern university. Data collected on each respondent was derived from five sources 1) a written sexual fantasy, 2) the Extended Personal Attributes Questionnaire (EPAQ), 3) Human Sexuality Questionnaire - The Heterosexual Experience Subscale, 4) the Sexual Opinion Survey (SOS), and 5) the Revised Mosher Guilt Inventory. The Dictionary of Affect in Language (DAL) (Whissell, 1999) was used to obtain two quantitative measures, Activation and Evaluation of the emotional tone of the sexual fantasies. The variables of the study were gender role variables (agency and communion) and sex variables (erotophobia-erotophilia, sex experience, sex guilt, Activation and Evaluation). It was hypothesized that men would score higher on agency, sexual experience, erotophilia, and Activation, which is associated with arousal and action, and women would score higher on communion, erotophobia, sex guilt and Evaluation, which is associated with pleasant feelings. Gender differences were found for all variables except sexual experience and the measures of emotion, Activation and Evaluation. Given the stated hypotheses, canonical correlations were performed to determine the linear relationship of gender role and sex variables for men and women. One significant canonical correlation was found for men indicating that as agency, erotophilia, and sexual experience increase, sex guilt decreases. No significant canonical correlation was found for women. A discriminant analysis was performed to determine if the gender role variables and the sex variables were strong discriminators of sex. Results indicated that communion and erotophobia were the best discriminators for men and women. The study's present findings are discussed in terms of the sexual double standard and the changing social values of women in today's society. Limitations of the study and future directions of research in sexual fantasies and gender differences, specifically in terms of application to counseling are discussed.
Department of Counseling Psychology and Guidance Services
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Bivona, Jenny M. "Women's erotic rape fantasies." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9118/.

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This study evaluated the rape fantasies of a female undergraduate sample (N = 355) using a sexual fantasy checklist, a sexual fantasy log, a rape fantasy scenario presentation, and measures of personality. Results indicated that 62% of women have had a rape fantasy. For these women, the median rape fantasy frequency was about four times per year, with 14% of participants reporting that they had rape fantasies at least once a week. Further, rape fantasies exist on a continuum between erotic and aversive, with 9% completely aversive, 45% completely erotic, and 46% both erotic and aversive. Women who are more erotophilic, open to fantasy, and higher in self-esteem tended to have more frequent and erotic rape fantasies than other women. The major theories that have been proposed to explain why women have rape fantasies were tested. Results indicated that sexual blame avoidance and ovulation theories were not supported. Openness to sexuality, sexual desirability, and sympathetic activation theories received partial support.
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Bivona, Jenny M. Critelli Joseph W. "Women's erotic rape fantasies." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9118.

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Grenley, Devin. "Women’s Empowerment Through The Erotic." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/292.

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First Semester: My thesis project is about showing women’s empowerment through their sexuality and comfort within their bodies own bodies. In our society women’s eroticism is seen as taboo and women are taught to turn away from the exploration of the erotic as a source of power within themselves. The erotic is often confused and misunderstood, it is an emotion and sense of empowerment that has been named by men and used against women. It’s now difficult to recognize that the erotic can even have a sense of empowerment for women, because strong women have been taught through our society to be viewed as dangerous. As Audre Lorde, a feminist writer states, “The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling. In order to perpetuate itself, every oppression must corrupt or distort those various sources of power within the culture of the oppressed that can provide energy for change. For women, this has meant a suppression of the erotic as a considered source of power and information within our lives” (Lorde). A woman’s strength comes from her sexuality. Once women begin to believe in this concept, they will begin to require this deep powerful sensation from all aspects of their lives and will not settle for anything less. Women should embrace their sexuality and use it as a sense of strength, instead of falsely believing that they can only be strong by suppressing this eroticism. My project is based on a collaborative experience with the models about what their sexuality means to them, and how they can show this through a camera. These photographs are meant to be raw and real; they are representations of real women who have chosen to show the viewers their own sexuality in the way in which they see best fits their sexual personality and comfort with their own bodies. The writings from the models on the back of the photographs show their own struggles with their sexuality. It may make the viewers feel uncomfortable, but this is the point. We are working towards being able to live in a society where women can be sexual if they choose to be. This is still a working progress, and having to view photographs that make one uncomfortable, may be the first step in change. Second Semester: Visual Poetic Abstractions: A Close Photographic Rendering of The Female Body: My personal thesis project shifted after first semester ended. Second semester I decided to continue the question of the body, but step away from the cultural views and instead start to dissect the body in it’s natural form. The project is a close examination of the formalist aspects of the body, including a self-evaluation of what the body means to me. This project resulted in a series of close-up photographs that will help the viewer in seeing portions of the body in ways they have not before. Some photographs will even be unrecognizable as to what part of the body the photograph is representing. This is important because it leads the viewer to examine each photograph for what the beauty of the photo entails, and not for their previous cultural understandings of body parts prior to viewing. The idea behind the black and white photographs is so the viewer again dissects the photograph without the context of color – for example skin no longer can be recognized as skin when the color context is taken away from these photographs. Within this project, I have paid specific detail to the poetic formalist view of the body, dissecting different body parts to create awe and wonderment. The photographs are an anatomical view of the body in its most raw and poetic form.
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Hunt, Amanda. "Investigating smara : an erotic dialectic." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33290.

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This thesis is an investigation of smara. Smara is a Sanskrit word and means memory and desire. It has no equivalent in the English language and so the attempt to understand smara becomes both a linguistic and an ontological task.
The reader is introduced to the similarities and idiosyncrasies between Western and Indian notions of memory and desire and then invited into the search for the junction between memory and desire in Indian thought.
Analysis of anthropological and philosophical texts as well as a semantic mapping of Kalidasa's masterpiece entitled Sakuntala: The Ring of Recollection, reveals not only the co-existence of memory and desire in smara but also the notion of smara as a process.
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Morris, Madeleine. "Journeys into the void : reformulations of eroticism in contemporary fictions." Thesis, University of Roehampton, 2017. https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html.

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This collection of short stories and the accompanying critical exegesis interrogates whether eroticism, as defined by Georges Bataille, is possible in contemporary erotic writing. The project employs a Lacanian lens through which to examine the notions of transgression, selfhood, transcendence and language as aspects of Bataillean eroticism. It argues that works in the erotica genre such as 'Fifty Shades of Grey' rely on nostalgia for the transgression of prohibitions that no longer hold moral authority. This project argues, theoretically and creatively, that we must discover and define what constitutes contemporary taboos and prohibitions in mainstream society if we are to formulate new erotic works that explore their transgression.
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Pilcher, Katy Elizabeth Mary. "Erotic dancing in night-time leisure venues : a sociological study of erotic dance performers and customers." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/56236/.

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This thesis explores the gender and sexual politics of erotic dance, through an ethnographic investigation of two leisure venues which provide erotic dance entertainment for women audiences in the UK. Using the research techniques of participant observation, qualitative interviews, visual methods, email interviews and internet research, this thesis examines the work roles of women and men dancers, and the interactions of women customers with dancers. In taking both a lesbian leisure venue and a male strip show for analysis, this thesis goes further than previous academic studies which often equate erotic dance with a male clientele base and women performers. The key findings of the thesis are related to three central themes. These are, firstly, the defining of both of the venues as a ‘women-only’ space by customers, and the ways in which this simultaneously both challenges and reproduces heteronormativity. Secondly, findings in both venues point to evidence of an erotic female ‘gaze’ being exercised by women customers. Yet I highlight how this is at times couched in problematic post-feminist conceptions of sexual agency, and further, how some customers articulated a critique of ‘gazing’ as objectifying erotic dancers. I argue that male dancers do not take on a ‘sex object’ role, and suggest that women dancers are able to exercise a gaze directed at women customers in some instances. The third key finding, evident in dancers’ accounts of their working experiences, suggests that their work practices are in many ways similar to concepts of work that are used to discuss service sector labour. I argue that the particular spaces in which dancers work is crucial to their capacity to exercise autonomy in their work role. Overall, the thesis develops a more complex analysis of participants’ engagement with erotic dance venues, highlighting the tensions around exercising agency in commercial sexual encounters.
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Kanellou, M. "Erotic epigram : a study of motifs." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1387206/.

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My thesis forms the first book-length project to examine together Greek epigrams which date from the Hellenistic to the early Byzantine period within larger hermeneutic frames. It examines the life-cycle of four motifs, especially within the erotic subgenre, in order to reassess the genre’s inter-/ intra-generic dynamics and the factors that influenced its development through the centuries. The first chapter is devoted to epigrams where the lamp takes on various roles. Through their detailed analysis a fundamental narrative technique of the whole subgenre is disclosed: objects are employed to portray emotions. I also uncover the seriocomic tone of these poems. Their seriousness derives from the exploration of emotions in a plausible manner. However, the lover’s reaction can be judged as humorous by a detached reader. In the second chapter, I study epigrams that employ sea/ nautical metaphors in order to explore the intra-generic and intra-textual dynamics in the use of metaphorical language within the subgenre: the epigrammatists use metaphors to approach a topic from a variety of angles, while simultaneously securing narrative economy because metaphors can create multiple associations. Moreover, I explore through these metaphors the complex intra-generic dynamics of poetic rivalry and imitation. In the third chapter, I shed light on the development of the motif of the comparison of a woman with Aphrodite. I exemplify how a set of intra-generic, chronological, religious, and political factors influence its transformations in the work of different epigrammatists. Furthermore, I examine the goddess’ use as a metonymy and its semantic flexibility. In the fourth chapter, I study Eros’ representations in art and epigrams and unveil the ‘common codes’ existing in these two media for the crystallisation of emotions and ideas on love through the god’s portrayals. I analyse in detail three depictions of him, whose roots can be detected back to lyric poetry, in order to demonstrate how the epigrammatists handled and refreshed the inherited material. My research concludes with the study of the multidimensional use of the plural love gods (the Erotes). My thesis looks deep into the inner-workings of ancient Greek epigram, especially of its erotic subtype, and proves how sophisticated these poems are. It explores the complex combination of the elements of stability, adaptability, and change which played a key-role in the genre’s development, and moreover, significantly enriches our understanding of individual epigrams as it locates them within larger frames of interpretation.
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Hendrickson, Ruth Ann. "Narrative strategies of erotic fictional autobiography /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487592050228985.

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Chediak, Putnam Katherine. "Writing Antiheroines for the Erotic Thriller." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/406066.

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This research employs creative practice to develop a screenwriting framework for writing antiheroines for the erotic thriller film genre. It comprises the creative artefact, the screenplay titled Perfect Wife, and this exegesis, which underpins and contextualises the screenplay and incrementally develops the “Genre Screenwriting Practice Framework”, thus contributing to the academic field of script development and screenwriting as creative practice. The research findings aim to assist screenwriters in the development of antiheroine protagonists for the erotic thriller genre as well as the genre itself. Drawing from transdisciplinary fields including script development, screen studies, and film genre theory, “Writing Antiheroines for the Erotic thriller” follows my creative journey in the development of the female version of the erotic thriller antihero, a figure who arguably is yet to be seen in mainstream erotic thriller feature films.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
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Books on the topic "Erotic"

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1946-, Barbach Lonnie Garfield, ed. The Erotic edge: Erotica for couples. New York: Dutton, 1994.

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1946-, Barbach Lonnie, ed. The erotic edge: Erotica for couples. London: Warner, 1995.

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Barbach, Lonnie Garfield. The Erotic edge: Erotica for couples. New York: Plume, 1996.

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Milt, Simpson. Folk erotica: Celebrating centuries of erotic Americana. New York, NY: HarperCollins, 1994.

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forbes, james shaqulle. Foreplay Erotica: Erotic. BookPatch LLC, The, 2016.

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Robert, Professor. Playboy's Erotica: Erotic Gallery. Independently Published, 2021.

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Valentin, Andrei. Poezii Erotice: Erotic Poems. Independently Published, 2020.

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Sade. Erotica: Classic Erotic Fiction. CreateSpace Independent Publishing Platform, 2010.

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Polo, Rod. Erotica: 27 Erotic Stories. Lulu Press, Inc., 2016.

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Carmen, Marina Del. Masaje Erotico/ Erotic Massage. Editorial Diana, S.A., 2007.

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Book chapters on the topic "Erotic"

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Sokolova, Boika. "Erotic Poems." In A Companion to English Renaissance Literature and Culture, 392–403. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch35.

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Rawles, Richard, and Bartolo Natoli. "Erotic Lyric." In A Companion to Greek and Roman Sexualities, 335–51. Chichester, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118610657.ch20.

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Walker, Melissa. "Erotic Bodyfulness." In Whole-Body Sex, 51–73. 1 Edition. | New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429297236-5.

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Goodrich, Peter. "Erotic Melancholy." In The Laws of Love, 33–48. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230626539_2.

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Bowers, Toni. "Erotic Love." In The History of British Women’s Writing, 1690–1750, 201–14. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230298354_13.

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Moore, Frances H. "Erotic transference." In Growing Through the Erotic Transference, 68–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003326700-20.

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Losey, Butch. "Erotic Recovery." In Managing the Aftermath of Infidelity, 122–32. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429454974-12.

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Delaney, Neil. "Erotic Thoughts." In Philosophy of Love in the Past, Present, and Future, 124–30. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003014331-11.

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Caminhas, Lorena. "Erotic experience." In Mediatisation of Emotional Life, 234–49. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003254287-19.

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Ustinova, Yulia. "Erotic mania." In Divine Mania, 294–312. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315098821-8.

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Conference papers on the topic "Erotic"

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Yonggang, Li, and Yin Haiming. "Detection Model of Knotty Erotic Image." In 2013 Fourth International Conference on Intelligent Systems Design and Engineering Applications (ISDEA). IEEE, 2013. http://dx.doi.org/10.1109/isdea.2013.466.

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Bertelsen, Olav W., and Marianne Graves Petersen. "Erotic Life as a New Frontier in HCI." In Proceedings of HCI 2007 The 21st British HCI Group Annual Conference University of Lancaster, UK. BCS Learning & Development, 2007. http://dx.doi.org/10.14236/ewic/hci2007.48.

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Singha, Nilkamal, Oinam Singh, and Deepak Kumar. "Sakta-Tantric Icons and Erotic Images from Assam." In The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012500300003792.

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Shen, Xuanjing, Wei Wei, and Qingji Qian. "A pornographic image filtering model based on erotic part." In 2010 3rd International Congress on Image and Signal Processing (CISP). IEEE, 2010. http://dx.doi.org/10.1109/cisp.2010.5647823.

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Yi-Ding Wang and Jing-Nan Gu. "A method of erotic images filtering in real internet." In 2009 International Conference on Machine Learning and Cybernetics (ICMLC). IEEE, 2009. http://dx.doi.org/10.1109/icmlc.2009.5212315.

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Lem, Nolan. "BDSMR: Velcro as a Sensory Material and Erotic Interface." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.27.

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Bantjes, Rod. "Pre-Cinema, Pre-GIFF, or Auto-Erotic Machine Art?" In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3359852.3359897.

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Wang, Donghui, Miaoliang Zhu, Xin Yuan, and Hui Qian. "Identification and annotation of erotic film based on content analysis." In Photonics Asia 2004, edited by Chung-Sheng Li and Minerva M. Yeung. SPIE, 2005. http://dx.doi.org/10.1117/12.577235.

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Yulianeta, Yulianeta. "Between Erotic and Sensual - Representation of Ronggeng in Indonesian Film." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007175307970801.

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Huang, Lizhi, and Xunyi Ren. "Erotic Image Recognition Method of Bagging Integrated Convolutional Neural Network." In the 2nd International Conference. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3207677.3277990.

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Reports on the topic "Erotic"

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Peralta García, L., and V. Saiz-Echezarreta. Sociodemographic imagery of women in sexual and erotic ‘markets’ in Moroccan filmography. Revista Latina de Comunicación Social, May 2018. http://dx.doi.org/10.4185/rlcs-2018-1300en.

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Walles, Brenda. Erosie-remmende maatregelen voor het behoud van vogeleilanden in het Grevelingenmeer : Een theoretische verkenning naar toepasbaarheid van onderwaterriffen als erosie-remmende maatregel. Yerseke: Wageningen Marine Research, 2022. http://dx.doi.org/10.18174/582003.

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CORPS OF ENGINEERS WASHINGTON DC. Financial Administration: Engineer Reporting Organization Codes (EROC). Fort Belvoir, VA: Defense Technical Information Center, March 1998. http://dx.doi.org/10.21236/ada404221.

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Effecten van sedimentatie en erosie op macrozoöbenthos in de Zeeschelde: Resultaten na 3 jaar onderzoeksmonitoring. Instituut voor Natuur- en Bosonderzoek, 2023. http://dx.doi.org/10.21436/inbor.97794505.

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Beschrijvend datarapport: sedimentkarakteristieken en sedimentatie-erosie langsheen vaste raaien voor benthosmonitoring in de Zeeschelde 2018-2020. Instituut voor Natuur- en Bosonderzoek, 2022. http://dx.doi.org/10.21436/inbor.87576357.

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You might also be interested in the extended bibliographies on the topic 'Erotic' for particular source types:
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