Academic literature on the topic 'Erotic art'

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Journal articles on the topic "Erotic art"

1

Hemingway, Séan. "ROMAN EROTIC ART." Sculpture Review 53, no. 4 (2004): 10–15. http://dx.doi.org/10.1002/j.2632-3494.2004.tb00171.x.

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2

Caranfa, Angelo. "Glimpses of Silence." Religion and the Arts 21, no. 4 (2017): 490–513. http://dx.doi.org/10.1163/15685292-02104002.

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This article interprets Klee’s journey into art in the context of the mystical teachings of Nicolas Berdyaev (1879–1940) and Klee’s trip to Italy. Berdyaev connects creativity with “divine Eros.” Therefore the creative act is erotic in nature. Klee’s art embodies Berdyaev’s creative ideal through an erotic love that he personally experiences, but that also has to pass through the fire of purification, of self-renunciation, of humility, and of asceticism in order that it might be transformed into creative love. The article suggests that Klee’s trip to Italy transforms Klee’s erotic energy into
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Goodrich, Peter H. "The Erotic Merlin." Arthuriana 10, no. 1 (2000): 94–115. http://dx.doi.org/10.1353/art.2000.0003.

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Kenyowati, Embun. "ESTETIKA SENI EROTIS (EROTICA) : REPOSISI OTONOMI DAN HETERONOMI SENI ( UNTUK PERMASALAHAN ESTETIKA SENI EROTIS YANG DIANGGAP PORNOGRAFI)." Jurnal Dimensi Seni Rupa dan Desain 8, no. 2 (2011): 11–22. http://dx.doi.org/10.25105/dim.v8i2.987.

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AbstractThis article discusses and reflect philosophically the aesthetic of erotic art phenomenon with considered as pornography by part of the member of society , which also has caused horizontal real conflict, because it is considered as inferting ethical ( moral) and political domain.Starting from the distiction between the aestheticof art based on the maxim " art for the art'sake " which is requested whether it is an adequate reason for defending the aesthetic of aerotic art. By refering to Jacques Ranciere (born 1940) through as a theory , about the autonomy and heteronomy of art, it is c
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Levinson, Jerrold. "Erotic Art and Pornographic Pictures." Philosophy and Literature 29, no. 1 (2005): 228–40. http://dx.doi.org/10.1353/phl.2005.0009.

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Strepetova, T., D. Trotta, G. Florio, L. Cleffi, and A. Mangone. "Do Erotic Art and Sexuality Have Something to Share?" Klinička psihologija 9, no. 1 (2016): 104. http://dx.doi.org/10.21465/2016-kp-op-0078.

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Objective: The connection between art and sexuality has always been considered to be solid. Even Freud once said to turn to poets to better understand human sexuality. While in classical Freudian orthodox psychoanalysis is used to understand and explain artworks, we think that the observation of erotic art can be useful in the understanding of human sexuality. Design and Method: Several painters and their erotic production are object of our reflections. Their artistic creations (paintings, drawings, sculptures, collages etc.) are sometimes direct and explicit, other times conceptual and symbol
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7

Grasmo, Hanne, and Jaakko Stenros. "Nordic Erotic Larp: Designing for Sexual Playfulness." International Journal of Role-Playing, no. 12 (October 5, 2022): 62–105. http://dx.doi.org/10.33063/ijrp.vi12.292.

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Erotic larp is an emerging trend in the Nordic countries. Sexuality and socio-dramatic play have been combined in numerous ways in the past; what is new about this concentration of erotic embodied adult pretend play is that it is emerging from a culture of reflexive, critical, and bespoke design, as a tradition of art games. By studying 25 design abstracts of Nordic art larps from the last decade, this article seeks not only to map, classify, organize, and understand the phenomena of erotic larp design, but to discuss how norms of sexuality are reflected in the Nordic larp community through lo
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yang, nel. "Arousal and Elicitation: Photographic Performativity in FinDom." Master, Vol. 5, no. 2 (2020): 70–77. http://dx.doi.org/10.47659/m9.070.art.

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Financial domination (findom) is a fetish practice in which a submissive derives erotic pleasure from sending money to a dominant or a cashmaster. Cashmasters produce photographs meant to elicit this desire in cashslaves, essentially arousing the desire to send money. This essay approaches this emergent genre of seemingly self-promotional photography as a genre of photographic performativity (Levin 2009). Rather than the desire to capture or represent (Batchen 1999), these images evidence a choreography of photographic performativity including both masters (as makers) and slaves (as viewers).
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Adams, Gavin. "Duchamp's Erotic Stereoscopic Exercises." Anais do Museu Paulista: História e Cultura Material 23, no. 2 (2015): 165–85. http://dx.doi.org/10.1590/1982-02672015v23n0206.

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ABSTRACT: This article explores certain links between medicine and art, with regard to their use of stereoscopy. I highlight a work by the artist Marcel Duchamp (the ready-made Stéréoscopie a la Main) and stereoscopic cards used in ophthalmic medicine. Both instances involve the drawing of graphic marks over previously existing stereoscopic cards. This similarity between Stéréoscopie a la Main and stereoscopic cards is echoed in the form of "stereoscopic exercises." Stereoscopic exercises were prescribed by doctors to be performed with the stereoscope as early as 1864. Stereoscopic cards were
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Kukorenchuk, Volodymyr, Nataliia Vdovychenko, and Valeriia Bondar. "Master’s Photo Art Project ‘Erotica in Photography: from Analog to Digital’. Part 1." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 1 (2022): 88–103. http://dx.doi.org/10.31866/2617-2674.5.1.2022.257183.

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The author’s idea. The idea of this Master’s Photo Art Project was to create an erotic photographic work, namely such images that contain elements of fine art, which are closely intertwined with the myths and legends of ancient Greece. Throughout photo­graphic history, both historical aspects and stylistic images of the visual art of each era are explored and intersect.
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