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Journal articles on the topic 'Erotic fantasy'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kelley, Kathryn. "Sexual Fantasy and Attitudes as Functions of Sex of Subject and Content of Erotica." Imagination, Cognition and Personality 4, no. 4 (1985): 339–47. http://dx.doi.org/10.2190/j66d-n10e-lth5-8aw5.

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The effects of erotic content and subject sex on sexual fantasy were mediated by general sexual attitudes. When erotic content consisted of mild erotica showing males rather than females, male subjects ( N=123) expressed significantly more negative themes in briefer fantasy productions than females ( N=123). Analyses of affective and arousal responses to single-sex and heterosexual erotica indicated patterns generally consistent with the fantasy outcomes. Negative sexual attitudes were associated with negatively-toned fantasies, more negative affect, and less sexual arousal. Variations in affe

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2

Campagna, Anthony Frank. "Fantasy and Sexual Arousal in College Men: Normative and Functional Aspects." Imagination, Cognition and Personality 5, no. 1 (1985): 3–20. http://dx.doi.org/10.2190/lkjy-h294-5atb-jqvl.

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College freshmen completed personality and imaginal scales, and a fantasy questionnaire. Factor analysis of questionnaire data revealed four patterns of patently sexual and two forms of non-sexual fantasies, and linked sexual masturbatory fantasies to sexual activity. Functional aspects were examined by asking subjects to read a collection of erotic stories and photographs. One third then generated a private sexual fantasy, another third read erotic stories. A control group read non-erotic stories. Sexual arousal was assessed by a brief checklist. Results showed that self-generated fantasy inc

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3

Zannoun K., Ghadir. "Fantasy, Mysticism, and Eroticism in Raja Alem’s Fatma." Kohl: A Journal for Body and Gender Research 2, no. 1 (2015): 44–55. http://dx.doi.org/10.36583/kohl/1-2-9.

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This paper is a close reading of Raja Alem’s 2005 novel, Fatma: A Novel of Arabia. I argue that Alem depicts the erotic in ways similar to Audre Lorde’s definition – as a doorway to self-fulfillment and in honor of the “fullness” of the erotic’s depth of feelings. The Saudi Arabian writer employs the fantastic, which has been used by writers to express feminist politics, to give textual embodiment to the relationship between the erotic, self-actualization, and women’s empowerment, central to which is self-knowledge and self-discovery. Alem suggests that a deeper knowledge of the self can open

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Presley, John Woodrow. "Finnegans Wake, Lady Pokingham, and Victorian Erotic Fantasy." Journal of Popular Culture 30, no. 3 (1996): 67–80. http://dx.doi.org/10.1111/j.0022-3840.1996.00067.x.

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Biswas, Banani. "Patterns of Male/Erotic Fantasy in Coover’s “The Babysitter”." Asian Journal of Humanity, Art and Literature 5, no. 1 (2018): 9–18. http://dx.doi.org/10.18034/ajhal.v5i1.328.

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The paper aims at studying the patterns of the male fantasy in Robert Coover’s erotically charged short story, “The Babysitter”. The story centres on the image of a Babysitter stepping into a bathtub for having a shower while the phone in the living room rings, driving her out of the tub to answer it by the time the towel wrapping her pulls off giving a view of her naked body. In a rapid succession of one hundred and seven fragmented paragraphs, this image vividly recurs in and rolls up through the fantasies to fantasies of its male characters, blurring and overlapping these, creating fresh ne

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Kakar, Sudhir. "Erotic Fantasy: The Secret Passion of Radha and Krishna." Contributions to Indian Sociology 19, no. 1 (1985): 75–94. http://dx.doi.org/10.1177/006996685019001006.

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7

Pappalardo, D., F. Assumma, and R. Rossi. "Sexual Imagery and Sexual Fantasies of Sex Offenders." Klinička psihologija 9, no. 1 (2016): 31. http://dx.doi.org/10.21465/2016-kp-op-0015.

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Objective: Sexual fantasy is considered an important factor in sexual offending behavior, therefore the purpose of this review consists of analyzing the main literature findings regarding these topics, focusing on the contents, themes, dynamics, etiopathogenesis and potential functions of fantasy in sexual offenders. Design and Method: A systematic search of scientific articles published in the lasts 10 years was performed using PsychInfo and Pubmed, supplemented with hand search of reference lists from retrieved papers. Results: According to the existing researches the role of sexual fantasie

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Batocchi, Elena, Chiara Simonelli, and Filippo Maria Nimbi. "Desiderio e fantasie sessuali: una ricerca esplorativa su donne con differenti orientamenti sessuali." RIVISTA DI SESSUOLOGIA CLINICA, no. 1 (June 2021): 81–101. http://dx.doi.org/10.3280/rsc2021-001005.

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Il desiderio sessuale rappresenta la fase più complessa e soggettiva della risposta sessuale e le fantasie erotiche sono una delle sue manifestazioni più comuni. Negli anni si è cercato di promuovere un approccio più positivo e informato alla sessualità e il seguente studio ha l'obiettivo generale di esplorare se e come desiderio e fantasie sono state modificate in questo processo. Sono stati indagati il desiderio sessuale, solitario e diadico, e le fantasie erotiche in un gruppo di donne con lo scopo di evidenziare eventuali differenze tra alcuni orientamenti (eterosessuale, bisessuale e omos

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Hunter, Matthew. "Talk That Talk." Representations 148, no. 1 (2019): 1–29. http://dx.doi.org/10.1525/rep.2019.148.1.1.

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This essay draws upon the work of Erving Goffman and Michael Silverstein to read Shakespeare’s first poem as a guide to mastering the burgeoning early modern art of conversation. The epyllion follows the conversation manuals of its day in embracing the aphorism as a charismatic form of talk, but it departs from its precedents in attributing to the aphorism an overtly erotic force. By according to the aphorism the power to turn conversation into an erotic encounter, Venus and Adonis elaborates its period’s most seductive fantasy of talk.

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Entire, Dee L. Mc. "Erotic Storytelling: Sexual Experience and Fantasy Letters in Forum Magazine." Western Folklore 51, no. 1 (1992): 81. http://dx.doi.org/10.2307/1499646.

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11

Pettit, J. E. E. "The Erotic Empress: Fantasy and Sovereignty in Chinese Temple Inscriptions." Tang Studies 2008, no. 26 (2008): 125–42. http://dx.doi.org/10.1179/073750308790779341.

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Youn, Gahyun. "Subjective Sexual Arousal in Response to Erotica: Effects of Gender, Guided Fantasy, Erotic Stimulus, and Duration of Exposure." Archives of Sexual Behavior 35, no. 1 (2006): 87–97. http://dx.doi.org/10.1007/s10508-006-8997-z.

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Kahr, Brett. "Promiscuous virgins and celibate whores: traumatic origins of the erotic tumour." Journal of Psychological Therapies 4, no. 2 (2019): 105–19. http://dx.doi.org/10.33212/jpt.v4n2.2019.105.

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Sexual oppression bedevils men, women, and children far too frequently. Throughout the course of human history, innocent people have suffered grossly from traumatising acts of child sexual abuse, rape, eroticised bullying, and even sexual enslavement. More recently, with the advent of modern technologies, young and old alike have come to endure sexual oppression through cyber-bullying and through the manufacture and distribution of child pornography. But sexual oppression can also be a state of mind, and one can struggle with oppression in the complete absence of any obvious external traumata.

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Szałek, Filip. "Phantasmatic instincts. Sexuality of "perverts" in Robert Crumb comics." Kultura Popularna 60, no. 2 (2020): 72–82. http://dx.doi.org/10.5604/01.3001.0013.7335.

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The comic adaptation of Richard Krafft-Ebing&#39;s Psychopathia sexualis adds nothing to the original, but the change of medium to comic from text to text-enriched series of images distributes accents differently. Equal frames, like the pedantic gallery on the cover, build contrast, the second element of which is the chaos prevailing in the lives of ôpervertsö whose fate is drawn by Robert Crumb. Their deeds can entertain or shock in the short run, but the impression that steadily builds up, and thus takes root deeper in the reader, is depression. The medicine turns out to be a character a

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Hanna M. Roisman. "Helen and the Power of Erotic Love: From Homeric Contemplation to Hollywood Fantasy." College Literature 35, no. 4 (2008): 127–50. http://dx.doi.org/10.1353/lit.0.0028.

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Sánchez-Sánchez, Laura C., María Fernanda Valderrama Rodríguez, José Manuel García-Montes, Cristina Petisco-Rodríguez, and Rubén Fernández-García. "Mindfulness in Sexual Activity, Sexual Satisfaction and Erotic Fantasies in a Non-Clinical Sample." International Journal of Environmental Research and Public Health 18, no. 3 (2021): 1161. http://dx.doi.org/10.3390/ijerph18031161.

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The goal of this study is to better understand the relation between the practice of Mindfulness and the sexual activity, sexual satisfaction and erotic fantasies of Spanish-speaking participants. This research focuses on the comparison between people who practice Mindfulness versus naïve people, and explores the practice of Mindfulness and its relation with the following variables about sexuality: body awareness and bodily dissociation, personal sexual satisfaction, partner and relationship-related satisfaction, desire, subjective sexual arousal, genital arousal, orgasm, pain, attitudes toward

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Schaeffer, Felicity Amaya. "Governing virtual bodies and intimacies : Cybermarriage industries between the United States and Latin America." Cadernos Pagu, no. 44 (June 2015): 115–40. http://dx.doi.org/10.1590/1809-4449201500440115.

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This article explores the ways the foreign emerges as a fantasy of mobility in the Cybermarriage Industry uniting Mexican and Colombian women with U.S. men. While some women use the marketing of their bodies as passionate and erotic to attract opportunities such as marriage with U.S. men, Internet scholars during the 1990s celebrated the Internet as a utopian space for enacting oneself outside the limitations of the physical body. These theories, I argue, lack an analysis of the state and the political economy in their post-body analysis of Internet exchanges.

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18

Kolb, Martina. "Goethe’s Citrus, Nietzsche’s Figs, and Benn’s Olive: Poetic Reverie, Erotic Fantasy, and Botanic Agency." Monatshefte 106, no. 2 (2014): 171–99. http://dx.doi.org/10.1353/mon.2014.0031.

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Wu, Shengqing. "Gendering the Nation: The Proliferation of Images of Zhen Fei (1876-1900) and Sai Jinhua (1872-1936) in Late Qing and Republican China." NAN NÜ 11, no. 1 (2009): 1–64. http://dx.doi.org/10.1163/138768009x12454916571760.

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AbstractThis paper analyzes the historical trajectories of the images of Zhen Fei and Sai Jinhua, who rose from an obscure royal concubine and an infamous prostitute, respectively, to become androgynous national heroines in wartime China. The study exposes the construction and the fictional elements of these images, thus providing concrete examples for establishing the interconnection between male fantasy and the invention of the modern national subject. It argues that the female body became the contested site for predominantly male-led discourses on eroticism and politics, and emphasizes that

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Smith, David, and Ray Over. "Male Sexual Arousal as a Function of the Content and the Vividness of Erotic Fantasy." Psychophysiology 24, no. 3 (1987): 334–39. http://dx.doi.org/10.1111/j.1469-8986.1987.tb00304.x.

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Kooistra, Lorraine Janzen. "Goblin Market as a Cross-Audienced Poem: Children's Fairy Tale, Adult Erotic Fantasy." Children's Literature 25, no. 1 (1997): 181–204. http://dx.doi.org/10.1353/chl.0.0373.

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Rabaté, Jean-Michel. "SIGNS and MEANINGS: Pataphallics: Jarry’s Novels and Ityphallicism." Human and Social Studies 3, no. 2 (2014): 80–89. http://dx.doi.org/10.2478/hssr-2013-0030.

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Abstract This article discusses Alfred Jarry as a precursor of French modernism. With a particular focus on Messaline, Roman de l’ancienne Rome (1901) and Le Surmâle, Roman moderne (1902), I analyse the subtle ways in which the past and the future are intertwined and Jarry’s philosophy of sexual excess. In both novels, the main characters seek a paroxysmal erotic pleasure from which they die after reaching world records in sex-making. Read together, the novels work to create a lemniscate, the symbol of infinity symbolically represented, in modernism, by the speeding bicycle. In both novels, se

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Oliveira, Madalena. "Dressing, seducing and signifying: from the symbolic dimension of fashion to the contemporary erotic imagery." Comunicação e Sociedade 24 (December 30, 2013): 152–60. http://dx.doi.org/10.17231/comsoc.24(2013).1781.

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As a relatively recent social and cultural phenomenon, fashion currently embodies a certain erotic imagery that seems to organise collective life. According to Lipovetsky, it governs our societies. Fashion, being ephemeral by nature, actually expresses the sovereignty of appearance and the power of aesthetic fantasy. It is, in fact, the most significant representation of the triumph of seduction and spectacle. Consequently, fashion is, somehow, a way of understanding the social. This essay builds upon the reasoning of fashion as a mechanism, on the one hand, and as a sign of our times, on the

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Muzzarelli, Federica. "Voyeurism and erotic stereotypes in fashion photography: Modernity and postmodernity from the Countess of Castiglione to Helmut Newton." Fashion, Style & Popular Culture 8, no. 2 (2021): 189–204. http://dx.doi.org/10.1386/fspc_00078_1.

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Voyeurism and desire are drives linked ontologically to the identity of the photographic and fashion system. Photographing someone is always an act of voyeuristic possession of something that belongs to another, or at least to the surrounding reality that one seeks to ‐ fetishistically ‐ appropriate. But the voyeuristic exercise of photography lives and is nourished by stimulating the exhibitionism of what is in front of the machine’s lens, thus completing and giving meaning to each other. When the context being photographed is fashion, the conditions of insistent voyeurism and intense desire

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Cantillo Lucuara, Mayron Estefan. "“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy." Revista Alicantina de Estudios Ingleses, no. 35 (July 28, 2021): 43. http://dx.doi.org/10.14198/raei.2021.35.02.

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This article seeks to illustrate how the Michael Fields articulate their Sapphic poetry in Long Ago (1889) not only in keeping with their own Shakespearean aspirations and with Robert Browning’s hybrid formula of dramatic lyrics, but also in connection with Jonathan Culler’s theory of the lyric as a performative genre. Much recent scholarship has broken ground in the rediscovery and reappraisal of the Fields’ literary stature, yet the general critical approach has been divisive in addressing their poetry and their verse dramas separately. Some critics have taken heed of how their lyrics in gen

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Seehuus, Martin, Amelia M. Stanton, and Ariel B. Handy. "On the Content of “Real-World” Sexual Fantasy: Results From an Analysis of 250,000+ Anonymous Text-Based Erotic Fantasies." Archives of Sexual Behavior 48, no. 3 (2019): 725–37. http://dx.doi.org/10.1007/s10508-018-1334-0.

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Tehseem, Tazanfal, Masroor Sibtain, and Zara Obaid. "EXPLORING GENDER STEREOTYPES IN MEDIA ADVERTS: A MULTIMODAL ANALYSIS." Journal of Social Sciences and Humanities 57, no. 2 (2018): 155–75. http://dx.doi.org/10.46568/jssh.v57i2.42.

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This paper aims at identifying socio-cultural portrayal of women through representational, interactive and compositional meanings with a focus on gender stereotypes propagated by media advertisements in Pakistan. Media adverts as such are an instrumental tool for manipulating attitudes and behavior of large and diverse audience for example, a large body of data reveals that women are portrayed in media to stylize their physical attributes to tempt and persuade customers. Therefore, advertisements are instrumental in creating a certain mind-set by shaping an ideologythrough highlighting the heg

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Hromulak, Virginia. "Counter-Turning The Turn of the Screw." Janus Head 15, no. 1 (2016): 99–116. http://dx.doi.org/10.5840/jh201615115.

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For over a century, critics have typically approached Henry James’s The Turn of the Screw from the perspective of its young governess, whose obsession with her charges and the spectral figures that allegedly haunt them ultimately leads to disaster, the death of Miles. This article, however, offers a reading atypical of those previously accomplished. Analyzing the novella from a psychoanalytic and narratological perspective, it argues for a shift in point of view, contending that the locus of the novel, the manuscript ostensibly documenting the harrowing experiences of the young governess, is n

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Hosmillo, Bernidick Bryan P. "“She Had ‘Balls’”: Islamic Liberalism And The Modern Woman In A Contemporary Malaysian Fiction In English." Lingua Cultura 5, no. 1 (2011): 61. http://dx.doi.org/10.21512/lc.v5i1.376.

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The paper wants to dissect the plurality of contemporary Malay society by focusing on the construction of woman sexuality as charged with an amalgam of Islam Parochialism that is seen as a restrictive sociopolitical mechanism and (de)concentrated modernization that decentres religious functions in contemporary Malay society and uses instead a rather ‘filtered’ Islam as colour for the contours of life. Further, the paper underscores the fictive, yet real advances of the Malay woman in terms of critical consciousness and beauty manifested in cultural materialism as both are seriously equated to

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Leydon, Rebecca. "‘Ces nymphes, je les veux perpétuer’: the post-war pastoral in space-age bachelor-pad music." Popular Music 22, no. 2 (2003): 159–72. http://dx.doi.org/10.1017/s0261143003003106.

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Juan Garcia Esquivel's compositions and band arrangements of the late 1950s and early 1960s – his so-called ‘space-age bachelor pad music’ – feature exotic and futuristic instruments, dazzling stereo effects, textless vocalisations, and an array of colourful harmonic resources. This paper situates Esquivel's music within the venerable tradition of the Pastoral mode, a specialised narrative mode met in certain literary and musical works. I begin with an account of the musical pastoral, illustrated with reference to Renaissance madrigals, opera libretti, and especially French concert music from

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Sendler, D., and M. Lew-Starowicz. "Motivation of sexual relationship with animal–Study of a multinational group of 345 zoophiles." European Psychiatry 41, S1 (2017): s852. http://dx.doi.org/10.1016/j.eurpsy.2017.01.1692.

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IntroductionWe explore relationship-seeking behaviour of zoophiles (zoos), using Francoeur's (1991) definition of sexual orientation (as consisting of affection orientation, sexual fantasy orientation, and erotic orientation).ObjectivesThis study intends to be the largest in recent decades’ comprehensive analysis of self-identified zoophiles, living on all five continents. It describes similarities and differences between normative sexual orientations (hetero- and homo-) and zoophilic sexuality, using Francoeur's (1991) framework.MethodA qualitative observational study of user activity (n = 95

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Olsen, Lance. "Aspects of Fantasy: Selected Essays from the Second International Conference on the Fantastic in Literature and Film, and: Erotic Universe: Sexuality and Fantastic Literature, and: Hard Science Fiction (review)." MFS Modern Fiction Studies 32, no. 4 (1986): 704–7. http://dx.doi.org/10.1353/mfs.0.0080.

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Combes, Emilie. "Le dépassement de soi par la transgression des interdits chez Arrabal : quand l’érotisme brutal devient vecteur de communion avec le sacré / Surpassing Oneself by the Transgression of Taboos in Arrabal’s Theatre: When Brutal Eroticism Becomes a Way of Communion with the Sacred." Aletria: Revista de Estudos de Literatura 27, no. 1 (2017): 53–71. http://dx.doi.org/10.17851/2317-2096.27.1.53-71.

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Résumé: Le théâtre de Fernando Arrabal propose une œuvre fourmillante qui incarne l’unité du bas et du sublime. Cet article se propose tout d’abord de présenter brièvement en quoi le théâtre d’Arrabal est une œuvre qui englobe toutes les facettes de la vie, mais surtout en quoi Arrabal se situe dans la lignée de l’œuvre bataillenne, tant il souligne le lien entre le bien et le mal, dans une relation constante de coïncidence de contraires. Son dessein est de montrer que la complexité de l’homme est un trait caractéristique de tous, et par la même occasion, dénoncer le rejet de la société à l’en

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Assumma, Fabrizio, Davide Pappalardo, Stefano Eleuteri, Marta Panzeri, and Roberta Rossi. "Immaginario erotico e fantasie sessuali." RIVISTA DI SESSUOLOGIA CLINICA, no. 1 (November 2016): 169–71. http://dx.doi.org/10.3280/rsc2016-su1045.

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Rocha, Rose De Melo, and Daniel B. Portugal. "Sedução, sonhos, fantasma: a erótica das visualidades." Revista FAMECOS 19, no. 1 (2012): 280. http://dx.doi.org/10.15448/1980-3729.2012.1.11359.

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e imagens separando-as em três ordens: fantasmas, gramática e magia. Após analisá-las brevemente, traz-se à tona a centralidade das afecções em tais vinculações e a importância da noção de fetiche. Na fúria das teorias contra o fetichismo não seria possível detectar a própria potência erótica das imagens? ****************************************** ABSTRACT The article reflects about the forms of bonding between humans and images. It divides those forms in three orders: phantoms, grammar and magic. After analyzing them, it highlights the centrality of affections in such forms of bonding and the

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Marciano, Gabriele. "La pornografia tra il mercato e la politica." PSICOBIETTIVO, no. 2 (June 2021): 169–80. http://dx.doi.org/10.3280/psob2021-002013.

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Le immagini erotiche costituiscono uno stimolo particolarmente efficace nel suscitare interesse. Fanno parte di una categoria più vasta di espedienti per attirare l'attenzione su qualcuno o qualcosa, e si prestano ad un uso strumentale nella pubblicità e nella promozione. Nella specie umana il sesso diventa, per motivi evoluzionistici che sono brevemente indagati, un modulo funzionale di processi più complessi. Ciò spiega come diventi componente inestricabile di altri piani esistenziali e rende ragione, al netto di variabili culturali, di una differenza di genere nella fruizione del materiale

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Morokoff, Patricia J. "Effects of sex guilt, repression, sexual "arousability," and sexual experience on female sexual arousal during erotica and fantasy." Journal of Personality and Social Psychology 49, no. 1 (1985): 177–87. http://dx.doi.org/10.1037/0022-3514.49.1.177.

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Carvalho, Joana, Ana Quinta Gomes, Pedro Laja, et al. "Gender Differences in Sexual Arousal and Affective Responses to Erotica: The Effects of Type of Film and Fantasy Instructions." Archives of Sexual Behavior 42, no. 6 (2013): 1011–19. http://dx.doi.org/10.1007/s10508-013-0076-2.

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Ballarà, Francesco Castellet y. "Pornografia, masturbazione e trauma relazionale precoce." PSICOBIETTIVO, no. 2 (June 2021): 52–64. http://dx.doi.org/10.3280/psob2021-002003.

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L'Autore, dopo una ampia introduzione sulle basi neurobiologiche ed evolutive della sessualità e dell'autoerotismo, si occupa del fenomeno odierno della pornografia in rete e del sesso virtuale, evidenziando come essi siano ormai parte della nostra sessualità a tutte le età e come essi influenzino e siano influenzati dalle nostre fantasie erotiche. Nella relazione analitica con persone inibite e ritirate, può essere cruciale riuscire a fare in modo che gli stati dissociati della mente tipici dell'autoerotismo possano essere nominati e condivisi. Tale condivisione può essere un mezzo per esplor

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Van der Merwe, Dirk G. "Erotic fantasy, spirituality and Song of Songs." Verbum et Ecclesia 38, no. 2 (2017). http://dx.doi.org/10.4102/ve.v38i2.1610.

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Fantasy plays an essential role in sexual activities. This article investigates (erotic) fantasy from a literary text perspective according to Song of Songs in the Christian Bible. The Song, according to many commentaries, starts with a reference to sex in Canticle 1:2, �Let him kiss me with the kisses of his mouth! For your love is better than wine�. Although the word sex is not mentioned in the Song, it is referred to and implied a number of times in the deep structure of the text. The fantasies of this most beautiful woman (beauty, a secondary motif in the Song that is complementary to the

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Domingue, Cal J. "A Journey in Kink: From Shameful Fantasy to Self-Actualization." Journal of Humanistic Psychology, September 11, 2019, 002216781987323. http://dx.doi.org/10.1177/0022167819873238.

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This case study presents some specific highlights in the work with a client over the course of 6 years, from a time when he saw BDSM/kink as a shameful fantasy to a fuller acceptance of it as part of his identity. It demonstrates how clinical professionals can support the exploration and acceptance of alternative sexual activities and identities. Significant milestones in treatment that will be presented include eradicating shame, self-acceptance, moving beyond erotic fulfillment to identity, and the impact of relationship and community. The psychological frameworks presented in this article a

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Pilcher, Katy. "The Full Monty? Meaning construction and performative possibilities in media depictions of the male strip show." Sexualities, June 2, 2020, 136346072092764. http://dx.doi.org/10.1177/1363460720927641.

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This article questions the progressive potential of media depictions of male strip shows. I examine two overriding discourses within media representations, comparing these to the experiences of male dancers and female customers gleaned through ethnographic fieldwork in two strip venues. Namely, the media’s portrayal of the masculinity of male strippers as ‘fragile’; together with the construction of dancers as ‘fantasy’ subjects who know ‘what women want’. The article interrogates these constructions in relation to a critique of women’s opportunities to exercise an erotic ‘gaze’; the operation

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Gołuński, Mirosław. "Stalkerzy vs Nocni Łowcy. Wizje męskości w uniwersach fantastycznych dla młodych mężczyzn i kobiet w Polsce." Śląskie Studia Polonistyczne 15, no. 1 (2020). http://dx.doi.org/10.31261/ssp.2020.15.16.

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The presented analysis juxtaposes a half-peripheral, essentially dystopian masculinity depicted in a Polish fantasy universe (including over 30 volumes by Polish and Russian authors of both genders) and a projected (utopian?) masculinity at the heart of another universe, most of all addressed to girls. Visions of masculinity presented in both the universes are the bases of comparative analysis conducted in the article. The differences between the considered warriors are made conspicuous within a few spheres of their relations and actions, from their purity and body care, to their attitudes to

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Layne, Danielle A. "Feminine Power in Proclus's Commentary on Plato's Timaeus." Hypatia, December 23, 2020, 1–25. http://dx.doi.org/10.1017/hyp.2020.48.

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Abstract Notorious for advancing a strict dichotomy between the masculine “demiurgic father” and the feminine “nurse/receptacle of becoming” as the “natural” origin of the cosmos, Plato's Timaeus has become a site for feminist interrogation. Most critics easily deem the text a masculine fantasy that projects feminine impotence and obligatory heterosexuality, reinforcing patriarchal power structures that are blindly reproduced in their historical reception. Consequently, this article analyzes the Neoplatonic replication of this framework, but with special attention given to Proclus's challenges

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Miller, Elizabeth. "Coitus Interruptus: Sex, Bram Stoker, and Dracula." Romanticism on the Net, no. 44 (November 17, 2006). http://dx.doi.org/10.7202/014002ar.

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Abstract Readers of Dracula have been assured repeatedly that the novel is all about sex. Indeed, every sexual practice, fantasy and fear imaginable has been thrust upon its pages: rape (including gang rape), aggressive female sexuality, fellatio, homoeroticism, incest, bestiality, necrophilia, pedophilia, and sexually transmitted disease. Words have been twisted to yield new meanings, passages have been examined out of context, and gaps in the text have been declared intentional omissions. Furthermore, critics comb every aspect of Stoker’s life looking for evidence for their particular brand

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CAMPOS, Valdisnei Martins de, and Luciana BORGES. "O DISCURSO EROTICO-PORNOGRÁFICO EM “TANGO FANTASMA”, DE MÁRCIA DENSER DOI: 10.5216/lep.v17i2.30502." Linguagem: Estudos e Pesquisas 17, no. 2 (2014). http://dx.doi.org/10.5216/lep.v17i2.30502.

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Pornografia e erotismo são dois diferentes modos de representação da sexualidade. No entanto, como são profundamente interligados, às vezes podem mesmo ser confundidos em sua compreensão.Tomando como corpus alguns contos do livro “Tango fantasma” (1977), de Márcia Denser, Os estudos objetivam a divulgação da obra dessa escritora contemporânea, haja vista a pequena quantidade de estudos que versam sobre a autora.

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"Sexuality, esoteric energies, and the subtleties of transmutation versus transformation." International Journal of Transpersonal Studies 38, no. 1 (2019). http://dx.doi.org/10.24972/ijts.2019.38.1.166.

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Transpersonal perspectives on the meaningfulness of being human, and especially the significance of subtle energy teachings, necessitate a rethinking of the notion of sexuality, beyond definitions in terms of sex acts, biological endowments, or perhaps even the complex fantasia of desire. This redefining of the erotic dimension of human life leads both to appreciation of healing as inherently sexual and to understanding how the processes of transmutation by the forces of subtle energies profoundly differ from the transformations that representation of thoughts, feelings, and wishes may undergo

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Driver, Susan. "Pornographic Pedagogies?: The Risks of Teaching ‘Dirrty’ Popular Cultures." M/C Journal 7, no. 4 (2004). http://dx.doi.org/10.5204/mcj.2383.

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Uhh, dirrty Filthy Nasty (too dirrty to clean my act up If you ain’t dirrty .. you ain’t here to party)—Christina Aguilera “DIRRTY” The teacher engaged in a pedagogy which requires some articulation of knowledge forms and pleasures integral to students’ daily life is walking a dangerous road.—Henry Giroux and Roger Simon, “Schooling, Popular Culture and a Pedagogy of Possibility” Pornography and pedagogy have been positioned as mutually exclusive domains within educational discourses that seek to regulate the borders between rational knowledge and sexually lewd commercial imagery. Yet these re

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Doron, Itai. "Kitchen sink erotica: Working-class lads, nudity, aspiration and spectatorship in modern British culture and fashion photography." Fashion, Style & Popular Culture, 2020. http://dx.doi.org/10.1386/fspc_00028_1.

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This article examines the subject and visual representation of the English workingclass lad as both an identification figure for young, modern-day fashion aficionados and a fantasy figure to a predominantly gay audience. It pays special attention to the character’s clothed and naked body, and its performance down the runway; in recent fashion editorials and British-made gay porn. The article investigates how mostly male British artists view and promote working-class male imagery and specifically how fashion photography of the past two decades frames, produces and articulates stories about soci

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Atkinson, Meera. "The Blonde Goddess." M/C Journal 12, no. 2 (2009). http://dx.doi.org/10.5204/mcj.144.

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The western world has an enthusiasm for blondes that amounts to a cultural fetish. As a signifier the blonde is loaded: blondes have more fun, blondes are dumb, blondes are more sexually available, blondes are less capable, less serious, less complicated. The blonde is, in modern day patriarchy, often portrayed as the ideal woman. The Oxford Dictionary defines a Goddess as a female deity or a woman who is adored for her beauty. The Blonde Goddess then is the ultimate contemporary female, worshipped for her appearance, erotically idolised. She may be a Playboy bunny, the hot girl on the beach o

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