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1

Liang, Guofu. Zhongguo yan ge da guan. Jilin wen shi chu ban she, 1994.

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2

Gray, Marie. Rougir un peu, beaucoup, passionnément: Nouvelles érotiques. Guy Saint-Jean, 2003.

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3

Bi, Birādāra Bi, ed. Śr̥ṅgāra lāvaṇigaḷu. Jyōti Prakāśana, 1998.

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4

Sigal, Gale. Erotic dawn-songs of the Middle Ages: Voicing the lyric lady. University Press of Florida, 1996.

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5

Pozzuoli, Alain. Sexy songs: Quand la chanson se fait libertine. Carpentier, 2010.

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6

van, Straten Hans, ed. Up goes the maiden's heeles: Ribald romances and bawdy ballads from three centuries of lusty love. T. Rap, 1993.

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7

Borsi, Ferenc. Mi vagyunk a rózsák: Az érzékiség képi abrázolása a magyar népdalokban. Csemadok Dunaszerdahelyi Területi Választmánya, 2003.

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8

Hessel-Robinson, Timothy. The Reverend Edward Taylor's sacramental meditations on the Song of songs: The erotic devotion of an American Puritan. Edwin Mellen Press, 2011.

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9

M, Risteski Dragan, ed. Makedonski erotski pesni. NIO "Studentski zbor", 1994.

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10

Tshaṅs-dbyaṅs-rgya-mtsho, Dalai Lama VI, 1683-1706., ed. Songs of love, poems of sadness: The erotic verse of the Sixth Dalai Lama. I.B. Tauris, 2004.

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11

Amaru and Amaru, eds. Amarushataka: A centennial of love songs = Amaruśatakam. D.K. Printworld, 2017.

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12

Reḍḍi, Pēṭa Śrīnivāsulu. Jānapada śr̥ṅgāra gēyālu: Citturu Jillā. Viṣṇuvaṃśī Pracuraṇalu, 1989.

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13

John, Adlard, ed. Restoration bawdy: Poems, songs and jests on the subject of sensual love. Routledge, 2003.

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14

1881-1925, Blümml Emil Karl, ed. Erotische Volkslieder. C. Brandstätter, 1993.

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15

Gene, Whiting, ed. Immoral ballads of the English language: An anthology. G. Whiting, 1995.

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16

vaticana, Biblioteca apostolica, ed. Intimate songs from the ms. Vatican Arabic 366. Biblioteca apostolica vaticana, 2007.

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17

Ḳol dodim: ʻal leshon ha-ahavah shel Shir ha-shirim = The sound of love : on erotic language in the Song of Songs. Bavel, 2013.

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18

Fubaizhuren. Shan'ge. [publisher not identified], 1987.

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19

Flinker, Noam. The Song of Songs in English renaissance literature: Kisses of their mouths. D.S. Brewer, 2000.

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20

Bennàssar, Joan, and Maria Antònia Munar. Mallorca eròtica: Recull de cançons eròtiques i del camp mallorquí. Institut d'Estudis Baleàrics, 2007.

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21

Hayes, Elva Nelson. The island love song: An erotic romance. s.n., 2013.

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22

United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Commerce, Consumer Protection, and Competitiveness. Music lyrics and commerce: Hearings before the Subcommittee on Commerce, Consumer Protection, and Competitiveness of the Committee on Energy and Commerce, House of Representatives, One Hundred Third Congress, second session, February 11 and May 5, 1994. U.S. G.P.O., 1994.

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23

Uhry, Ghislain. Andre Masson: Le songe erotique. Espace Carole Brimaud, 2002.

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24

Stein, Roger. Das deutsche Dirnenlied: Literarisches Kabarett von Bruant bis Brecht. Böhlau, 2006.

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25

Neihardt, John Gneisenau. Man-song. University of Nebraska Press, 1991.

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26

Ernst, Judith. Song of Songs: Erotic Love Poetry. Wm. B. Eerdmans Publishing Company, 2003.

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27

Baumgartel, Sylvie. Song of Songs: A Poem. Farrar, Straus & Giroux, 2019.

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28

Baumgartel, Sylvie. Song of Songs: A Poem. Farrar, Straus and Giroux, 2020.

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29

Song of Songs: A Poem. Farrar, Straus and Giroux, 2019.

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30

Exquisite desire: Religion, the erotic, and the Song of songs. Fortress Press, 2000.

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31

Cray, Ed. The Erotic Muse: AMERICAN BAWDY SONGS (Music in American Life). 2nd ed. University of Illinois Press, 1999.

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32

The Erotic Muse: AMERICAN BAWDY SONGS (Music in American Life). 2nd ed. University of Illinois Press, 1992.

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33

Liederlich!: Die lüsterne Lyrik der Deutschen. Eichborn Berlin, 2008.

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34

Jenkinson, Joey. No Sad Songs For Me: A Gay Erotic Drama. CreateSpace Independent Publishing Platform, 2017.

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35

Davis, Susan G. Dirty Jokes and Bawdy Songs. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042614.001.0001.

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Born into a poor Jewish family, folklorist Gershon Legman (1917-99) made an independent career for himself in the study of erotic literature and obscene folklore. The book is the first full biography of this major figure in twentieth-century folklore study. Drawing on unprecedented research in Legman’s papers, the author traces his working and personal life from the 1930s American landscape of underground publishing, through midcentury sex research, through to his recovery and publication, in the 1960 and 1970s, of suppressed and censored folklore texts. Gershon Legman expanded the study of fo
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36

Beam, Charles R. Songs of Eros: Twelve Erotic Tales from the Arc of the Zodiac. StarSide Press, 1999.

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37

Nippon sekushī kayōshi: Japanese sexy pops history. Kabushiki Kaisha Rittō Myūjikku, 2021.

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38

Seerveld, Calvin G. Never Try to Arouse Erotic Love Until . . . : The Song of Songs, in Critique of Solomon: A Study Companion. Dordt College Press, 2018.

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39

Makedonski erotski narodni pesni. Maska, 2012.

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40

Williams, Paul D. Songs of Love, Poems of Sadness: The Erotic Verse of the Sixth Dalai Lama. I. B. Tauris, 2005.

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41

A divine love song the emergence of the theo-erotic interpretation of the Song of Songs in ancient Judaism and early Christianity. 2010.

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42

s, Pierre Louy. Pierre Louys, Aphrodite and The Songs of Bilitis: Two Erotic Tales from the Fin de Siecle. 2nd ed. Chicago Spectrum Press, 2007.

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43

Hobgood, E. Landon. Songs of the Zodiac: In Doo-Wop America. Harlem Writers Guild, 2006.

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44

La turlute amoureuse: Érotisme et chanson traditionnelle. Triptyque, 1990.

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45

Gray, Erik. Invitations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198752974.003.0003.

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This chapter describes the invitation poem, a genre of love poetry with its roots in the biblical Song of Songs that reflects on major questions that have always surrounded the nature of love. Does love entail recognition or fresh discovery, a completion of the self or a disruption of its contours? Is love primarily a natural passion or a cultural practice? The invitation poem, with its displacement of erotic desire onto an imagined landscape, negotiates these possibilities through its fusion of inward and outward, homecoming and exile, intimacy and alienation. The tradition initiated by the S
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46

Podigle se cure od Mostara...: Erotske narodne pjesme zabilježene u Bosni i Hercegovini. Salko Šarić, 2021.

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47

The Tuma underworld of love: Erotic and other narrative songs of the Trobriand islanders and their spirits of the dead. John Benjamins Pub. Co., 2011.

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48

Brownlee, Victoria. ‘By moste sweete and comfortable allegories’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812487.003.0005.

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The Song of Songs, as a poetic dialogue between two lovers, presented literally minded biblical commentators with a thorny exegetical dilemma: either accept the presence of a purely erotic text in scripture, or make the case for a literal reading that was figurative. Like early modern exegesis of the Song, poetic recapitulations of this biblical book, such as those by William Baldwin, Francis Quarles, and Robert Aylett, rely on complex figural reading practices to substantiate a spiritual meaning not directly implied by the biblical text. But this dependence on human words to secure the relati
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49

Taiz, Lincoln, and Lee Taiz. Sacred Trees and Enclosed Gardens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190490263.003.0005.

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“Sacred Trees and Enclosed gardens” discusses myths, poetry and art in ancient Babylonia, Egypt and the Levant as they relate to sex in plants. By the second millennium BCE, Babylonians had recognized dioecism in date palms and had established laws governing the practice of artificial pollination, but this recognition was never extended to plants in general. Instead, agricultural abundance came to be identified with the sexuality of powerful goddesses. Date symbolism suggesting the method of artificial pollination is evident in the jewelry of Queen Puabi of Ur. The Warka Vase, illustrating the
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50

Sellers, Alexandra. Sleeping With The Sultan (Sons Of The Desert: The Sultans). Silhouette, 2001.

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