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Dissertations / Theses on the topic 'Erotic stories, Chinese Chinese fiction'

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1

Chan, Kenneth, and n/a. "Chinese history books and other stories." University of Canberra. Creative Communication, 2005. http://erl.canberra.edu.au./public/adt-AUC20061020.144139.

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My thesis is a creative writing doctorate which focuses on one Chinese family's adaptation to living in Australia in the mid-twentieth century. The thesis is in two parts. Part I is an examination of Chineseness and identity within the context of the short stories that make up Part I1 of the thesis. In Part I, I have looked at the place of the Chinese within the larger, dominant cultures of America and Australia. In particular, I have discussed the way in which the discourses of the dominant culture have framed Chineseness; and also what it might mean to describe authentic and essential qualit
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2

Fang, Zhihua White Ray Lewis. "Twentieth century Chinese and American short fiction a comparative analysis /." Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411037.

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Thesis (D.A.)--Illinois State University, 1993.<br>Title from title page screen, viewed February 21, 2006. Dissertation Committee: Ray Lewis White (chair), William Bohn, Irene Brosnahan, Douglas Hesse, Curtis White. Includes bibliographical references and abstract. Also available in print.
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3

Cai, Zheng. "Cold literature on Gao Xingjian's novels and stories /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR29875.

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4

陳器文 and Chi-wen Chen. "A study of the ordeal stories in Chinese popularfictions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31236637.

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5

Yuan, Honggeng. "From conventional to experimental : the making of Chinese metaphysical detective fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21556398.

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6

袁洪庚 and Honggeng Yuan. "From conventional to experimental: the makingof Chinese metaphysical detective fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B43894422.

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7

Lin, Xiangcheng. ""San yan" gu shi de jie gou fen xi = The San-yen stories : a structural analysis /." click here to view the abstract and table of contents, 1999. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15646440a.pdf.

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8

陳淸貴 and Ching-kooi Chan. "Narrative techniques of Taiwan short stories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/b30252866.

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9

Choi, Po-ki. "Male images in the romantic stories in the chuanqi genre of the Tang dynasty Tang chuan qi ai qing xiao shuo de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926178.

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10

齊曉楓 and Hsiao-feng Chi. "Patterns of husband selection in traditional Chinese fiction and drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.

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11

Li, Yannan. "Japanese Boy-Love Manga and the Global Fandom: A Case Study of Chinese Female Readers." Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/1936.

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Thesis (M.A.)--Indiana University, 2009.<br>Title from screen (viewed on September 3, 2009). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): John Parrish-Sprowl. Includes vita. Includes bibliographical references (leaves 80-83).
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12

Chew, Laureen. "Chinese American images in selected children's fiction for kindergarten through sixth grade." Scholarly Commons, 1986. https://scholarlycommons.pacific.edu/uop_etds/2131.

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The purpose of this study is to investigate Chinese American images in selected children's fiction to determine whether or not data support the position of the Council on Interracial Books for Children, that the works of fiction studied tend to stereotype Chinese Americans. After reading the selected fifteen works of fiction, a criterion checklist was devised by the investigator to examine the behavior and lifestyle of Chinese Americans depicted in a variety of circumstances. validity of the criterion checklist was established by a panel of experts in the area of Chinese American studies. Inte
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13

Choi, Po-ki, and 蔡寶琪. "Male images in the romantic stories in the Chuanqi genre of the Tang dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42926178.

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14

Lim-Midyett, Maria Eleanor S. "Mimeses of human desire a genealogical study of sexual desire and romantic passion as represented in twentieth century works of Chinese fiction /." online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9954334.

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15

Dai, Ping Emma, and 戴平. "The concept of love in the Ming short stories of Sanyan and Erpan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222559.

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16

蘭倩. "唐傳奇夢境的程式和敘事結構 =The forms and narrative structure in the dream of Chuanqi in Tang Dynasty". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954486.

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17

Wang, Richard G. "Creating artifacts : the ming erotic novella in cultural practice /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9943128.

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18

"The Chinese short story of 1917-1927: patterns of influence." Chinese University of Hong Kong, 1988. http://library.cuhk.edu.hk/record=b5886232.

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19

"The murderous woman: madness in four modern western and Chinese stories by woman." 2000. http://library.cuhk.edu.hk/record=b5895792.

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by Lui Sha-Lee.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2000.<br>Includes bibliographical references (leaves 143-149).<br>Abstracts in English and Chinese.<br>Acknowledgements --- p.vi<br>Chapter Chapter One --- Introduction --- p.1<br>Chapter Chapter Two --- Ideological Implications of “Madness´ح in Western and Chinese Culture --- p.12<br>Chapter Chapter Three --- Madwoman as the Murderous Daughter: Kitty Fitzgerald's Marge and Tie Ning's The Cliff in the Afternoon --- p.36<br>Chapter Chapter Four --- "Madwoman as the Murderous Wife: Elsa Lewin's I, Anna and Li Ang's The Bu
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20

"論新筆記小說對中國新時期現實主義的重探與跨越: A study of the "new anecdote" and realism in the new era of China". 2015. http://library.cuhk.edu.hk/record=b6115618.

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自八十年代始,中國大陸文藝雜誌相繼出現一批帶筆記風格或直接以筆記體寫作的短篇小說。研究者不僅探討此等作品轉化運用傳統文體的寫作現象及美學特徵,更為配合「新時期」之文藝氣象,進而以「新筆記小說」的文類加以歸納,突出其「舊瓶新酒」的現代意義。新筆記小說與筆記傳統的連繫,無疑為論者提供最佳範本,展開「傳統」與「現代」對話和融合的可能性的探討。相關討論嘗試為新筆記小說爭取文學史位置,卻無法脫離「新」與「舊」、「傳統」與「現代」簡單的二分框架,弱化了這些短篇小說作為探索新時期寫作出路的尖兵角色。本文重新提出新筆記小說的研究,認為是理解八十年代文藝界重新定義、拓展現實主義和小說實踐的關鍵。新筆記小說作家結合筆記與小說的特性,其實已觸及敘事的真實與虛構的辯證,在中國的紀實傳統中力尋書寫現實的可能。本文分別以汪曾祺 (1920-1997)、林斤瀾 (1923-2009)和鍾阿城 (1949- )的新筆記小說為研究個案,探討三位作家如何借用筆記小說的文體結構和敘事特質,形構現實主義小說的另類形式,突破意識形態對「現實主義」小說的制約。與此同時,當「現實主義」在「現代性的追求」壓力下面臨一元性的崩解,新筆記小說作家堅持「擬真」的嘗試,顯得意味深長,本文將作進一步的討論。<br>Since the 1980s, a number of fictions written in the note-fo
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