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Books on the topic 'Erotic videos'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Elizabeth, Brent, ed. The couple's guide to the best erotic videos. New York: St. Martin's Griffen, 1997.

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2

Gardner, Fox Sarah, ed. The wise woman's guide to erotic videos: 300 sexy videos for every woman--and her lover. New York: Broadway Books, 1997.

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3

Vide o sex: Create erotic & romantic home videos with your camcorder. Amherst, NY: Amherst Media, 1994.

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4

Winks, Cathy. The Good Vibrations guide: Adult videos. San Francisco, Calif: Down There Press, 1998.

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5

Straight lies. New York: Kensington Books, 2009.

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6

Byrnes, Rob. Straight lies. New York: Kensington Books, 2009.

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7

Byrnes, Rob. Straight lies. New York: Kensington Books, 2009.

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8

Owens, Tuppy. The safer sex maniac's bible: A world review of sexuality, listings of erotic clubs in all major cities, and fun and games for your delectation. London: T. Owens, 1990.

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9

One-handed histories: The eroto-politics of gay male video pornography. New York: Haworth Press, 1995.

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10

Holliday, Jim. Only the best: Jim Holliday's adult video almanac and trivia treasury. Van Nuys, CA (6649 Odessa St., Van Nuys 91406): Cal Vista Direct, 1986.

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11

Sex and film: The erotic in British, American and world cinema. Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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12

Tungeler, Evelyn. Gender differences in physiological arousal and mood scores in response to the viewing of an erotic video. Sudbury, Ont: Laurentian University, Department of Psychology, 1997.

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13

Deverl, Frank. The blue guide. Ogdensburg, NJ (Box 16, Ogdensburg 07439): FD Enterprises, 1986.

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14

H, Rimmer Robert. The X-rated videotape guide: Revised and updated, including 1300 reviews and ratings, 4000 supplemental listings, photos of the stars. 2nd ed. New York: Harmony Books, 1986.

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15

1952-, Levine I. S., ed. Coming attractions: The making of an x-rated video. New Haven: Yale University Press, 1993.

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16

Jennings, David. Skinflicks: The inside story of the x-rated video. [Bloomington, IN: 1st Books Library, 2000.

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17

Freixas, Ramon. Cine, erotismo y espectáculo: El discreto encanto del sexo en la pantalla. Barcelona: Paidós, 2005.

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18

The Good Vibrations guide: The G-spot. San Francisco, Calif: Down There Press, 1998.

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19

Salome and Judas in the cave of sex: The grotesque : origins, iconograpy, techniques. Evanston, Ill: Northwestern University Press, 1987.

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20

Erotic Home Videos. Carlton Books, 2002.

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21

Span, Anna. Erotic Home Videos. Carlton Books, 2004.

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22

Campbell, Kevin. Video Sex: Create Erotic & Romantic Home Videos With Your Camcorder. Amherst Media, 1994.

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23

Mike, Ramone, Connelly Tim, Stokes Peter, and Anderson Acme, eds. The AVN guide to the 500 greatest adult films of all time. New York: Thunder's Mouth Press, 2005.

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24

Hawkins, Stan. Aesthetics and Hyperembodiment in Pop Videos. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.002.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter uses textual analysis of the music video “Umbrella,” featuring Rihanna, to demonstrate the intricacies of sound and image synchronization. It argues that music highlights subject positions according to the viewer’s expectations, assessment, and understanding of the displayed subject. Rihanna’s erotic imagery forms a critical point for contemplating the pop artist’s physical responses to music. One central ingredient of most video performances is disclosed by the suggestive positioning of the gendered body, which extends far beyond everyday experience. Such notions are theorized through aspects of hyperembodiment and hypersexuality, wherein the technological constructedness of the body constitutes a prime part of video production. The aesthetics of performance are predicated on the reassemblance of the body audiovisually. Editing, production, and technology shape the images, which are stimulated by musical sound, and ultimately the audiovisual flow in pop videos mediates a range of conventions that say much about our ever-evolving cultural domains.

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25

Burger, John R. One-Handed Histories: The Eroto-Politics of Gay Male Video Pornography. Taylor & Francis Group, 2020.

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26

Burger, John R. One-Handed Histories: The Eroto-Politics of Gay Male Video Pornography. Taylor & Francis Group, 2020.

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27

Span, Anna. Erotic Home Video. Carlton Books Ltd, 2003.

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28

International, Penthouse. Penthouse Erotic Video Guide. Grand Central Publishing, 2008.

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29

Benning, Stephen D. The Postauricular Reflex as a Measure of Attention and Positive Emotion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199935291.013.74.

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The postauricular reflex is a muscular reaction that occurs behind the ear in response to short, abrupt sounds. Its magnitude increases with louder eliciting sounds, rotating the eyes in the direction of the eliciting sound, and flexing the head forward. The reflex exhibits prepulse inhibition, especially during attention to complex foreground stimuli. Its magnitude is larger (or potentiated) during pleasant than during neutral pictures, sounds, and videos that are highly arousing. This pattern is particularly evident for erotic, food, and nurturant scenes, suggesting it assesses more than just appetitive processing. This reflex’s potentiation varies across development; positively correlates with personality traits associated with well-being; and negatively correlates with such psychopathologies as depression, schizophrenia, and opioid dependence. It appears distinct from and uncorrelated with the startle blink reflex. New data suggest that activity in left frontal areas generates postauricular reflex potentiation during pleasant versus neutral pictures.

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30

Contributor), Carlos Martinez (Other, ed. Como Rodar un Video Erotico Casero: Para Ti y Tu Pareja: Una Nueva Manera de Enriquecer y Disfrutar la Vida Sexual. Oceano Ambar, 2004.

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31

Rowberry, John W. Gay Video : A Guide to Erotica. Gay Sunshine Pr, 1986.

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32

Dancer, Bob. Sex, Lies, And Video Poker: An Erotic Novel About Gamblling. Compton Dancer Pub, 2004.

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33

Martínez, Carlos, and Serena Vallés. The Lovers' Guide to Homemade Video: Tips and Techniques for Making Your Own Erotic Movies. SKYHORSE, 2014.

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34

Patterson, Christopher B. Open World Empire: Race, Erotics, and the Global Rise of Video Games. New York University Press, 2020.

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35

Patterson, Christopher B. Open World Empire: Race, Erotics, and the Global Rise of Video Games. New York University Press, 2020.

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36

Coming Attractions: The Making of an X-Rated Video. Yale University Press, 1996.

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37

Eric, Danville, ed. The Penthouse erotic video guide: The best of the XXX : over 400 adult films reviewed. New York: Warner Books, 2003.

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38

Covington, Heather. Video Diaries: The Forbidden Literary Celebrity Tales. Disilgold, 2010.

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39

Joy, Petra. Make Your Own Adult Video: The Couple's Guide to Making Sensual Home Movies, From Setting the Scene to Making the Scene. Collins, 2006.

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40

Joy, Petra. Make Your Own Adult Video: The Couple's Guide to Making Sensual Home Movies, From Setting the Scene to Making the Scene. Collins, 2006.

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41

Every Woman's Got a Secret. Pocket Star, 2007.

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42

Thomas, Brenda L. Every Woman's Got a Secret. Pocket, 2007.

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43

Film world magazine's famous X-rated video directory: Absolutely the best 360 adult movies currently available in videocassette for your private home entertainment. Los Angeles, Calif: Holloway House Pub. Co., 1985.

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44

Jennings, David. Skinflicks: The Inside Story of the X-Rated Video Industry. 1st Books Library, 2000.

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45

Lyons, Kathy. Living the Fantasy. Harlequin Enterprises, Limited, 2012.

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46

Living The Fantasy. Harlequin, 2012.

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47

Lyons, Kathy. Living the Fantasy. Harlequin Mills & Boon, Limited, 2013.

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48

Patterson, Christopher B. Open World Empire. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479802043.001.0001.

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Video games vastly outpace all other entertainment media in revenue and in global reach. On the surface, games do not appear ideological, nor are they categorized as national products, yet their very existence has been conditioned upon the spread of militarized technology, the exploitation of already existing labor and racial hierarchies in their manufacture, and the utopian promises of digital technology. Like literature and film before them, video games have become the main artistic expression of empire today and thus form an understanding for how war and imperial violence proceed under the signs of openness, transparency, and digital utopia. To understand games as such, this book uses Asian American critiques to discusses games as Asian-inflected commodities, with their hardware assembled in Asia, their most talented e-sports players of Asian origin, and most of their genres formed by Asian companies (Nintendo, Sony, Sega). Games draw on established discourses of Asia to provide an “Asiatic” space, a playful sphere of racial otherness that straddles notions of the queer, the exotic, the bizarre, and the erotic, reminiscent of the works of Roland Barthes, Michel Foucault, and Eve Sedgwick. Thinking through games like Overwatch, Call of Duty 4: Modern Warfare, Shenmue II, and Alien: Isolation, Patterson reads against the open world empire by playing games erotically, as players do—seeing games as Asiatic playthings that afford new passions, pleasures, desires, and attachments, with grave attention to how games allow us to tell our own stories about ourselves.

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49

Zealand, New. Intimate Covert Filming. Law Commission, 2004.

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50

Cine, erotismo y espectaculo/ Film, Eroticism and Scene (Paidos Sesion Continua). Ediciones Paidos Iberica, 2007.

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