Academic literature on the topic 'Erotic writing'

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Journal articles on the topic "Erotic writing"

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Syauqani, Syamsu. "Pornografi dan Pornoaksi: Perspektif Agama dan Kesehatan Mental." Ulumuna 10, no. 2 (November 5, 2017): 285–302. http://dx.doi.org/10.20414/ujis.v10i2.455.

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Discussing about pornography and erotic actions is mostly about the debate among religious defenders, cultural practitioners and activists of human rights. This is due to the fact that the three parties have their own point of views in perceiving the constitution of pornography and erotic actions. They have different perception especially from religion’s point of view. This writing—with no intention to interfere the debate—tries to understand pornography and erotic actions from religion and mental health. Religion in this context is not meant as the complicated or liberal term but rather on the normative-theological doctrine which intents to give both physical and mental healthy life. Islam claims to have a teaching which leads to mental health by forbidding immoral deeds such as pornography and erotic actions. Therefore, to support the religion perception on pornography and erotic actions, this writing reveals that pornography and erotic actions as ‘mental sickness’.
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Kukka, Silja. ""Fandom's Pornographic Subset"." lambda nordica 26, no. 1 (July 5, 2021): 53–79. http://dx.doi.org/10.34041/ln.v26.721.

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This article draws on content analysis method research (n = 78) that looks at a specific subset of fan fiction: anonymous kink meme communities where mostly women request and write erotic or pornographic fan texts. Reporting on an online survey, this article discusses what kind of role kink meme communities play in the lives of the respondents, how kink meme stories are situated in the larger framework of pornography, and how the respondents view the stories that incorporate unsettling or taboo subjects, such as sexual abuse of children, rape, or incest. This article views kink meme communities as a special subset of fan fic- tion, and in the article kink meme writing is compared to other forms of female- centric erotica or pornography. The article outlines how kink meme communities, like many other female-centric online communities, can function as places where women and gender minorities can write erotic material that better resonates with them and discuss and explore their sexualities and sexual preferences. Kink meme communities are also shown to utilise queer female writing practices in how they discuss and broaden the cultural view on female sexuality and women’s enjoyment of pornographic material. In addition to this, kink memes are also shown to function as literary communities where some fans can practise their writing.
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Bak, Greg, and Ian Frederick Moulton. "Before Pornography: Erotic Writing in Early Modern England." Sixteenth Century Journal 33, no. 1 (2002): 281. http://dx.doi.org/10.2307/4144303.

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Moulton (book author), Ian Frederick, and Michael Morgan Holmes (review author). "Before Pornography: Erotic Writing in Early Modern England." Renaissance and Reformation 37, no. 2 (January 1, 2001): 98–100. http://dx.doi.org/10.33137/rr.v37i2.8703.

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Best, Victoria, Alex Hughes, and Kate Ince. "French Erotic Fiction: Women's Desiring Writing, 1880-1990." Modern Language Review 92, no. 4 (October 1997): 983. http://dx.doi.org/10.2307/3734263.

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Muller-Sievers, Helmut. "Writing off: Goethe and the Meantime of Erotic Poetry." MLN 108, no. 3 (April 1993): 427. http://dx.doi.org/10.2307/2904754.

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Waters, Claire M. "Erotic Discourse and Early English Religious Writing. Lara Farina." Speculum 84, no. 1 (January 2009): 143–45. http://dx.doi.org/10.1017/s0038713400021102.

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Wang, Richard G. "PRACTICING EROTIC FICTION AND ROMANTICIZING LATE-MING WRITING PRACTICE." Ming Studies 2000, no. 1 (January 2000): 78–106. http://dx.doi.org/10.1179/014703700788763180.

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Rhodes, N. "Review: Before Pornography: Erotic Writing in Early Modern England." Notes and Queries 49, no. 3 (September 1, 2002): 415–16. http://dx.doi.org/10.1093/nq/49.3.415.

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Rhodes, Neil. "Review: Before Pornography: Erotic Writing in Early Modern England." Notes and Queries 49, no. 3 (September 1, 2002): 415–16. http://dx.doi.org/10.1093/nq/490415.

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Dissertations / Theses on the topic "Erotic writing"

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Toulalan, Sarah Diane. "Writing the erotic : pornography in seventeenth century England." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397941.

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Morris, Madeleine. "Journeys into the void : reformulations of eroticism in contemporary fictions." Thesis, University of Roehampton, 2017. https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html.

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This collection of short stories and the accompanying critical exegesis interrogates whether eroticism, as defined by Georges Bataille, is possible in contemporary erotic writing. The project employs a Lacanian lens through which to examine the notions of transgression, selfhood, transcendence and language as aspects of Bataillean eroticism. It argues that works in the erotica genre such as 'Fifty Shades of Grey' rely on nostalgia for the transgression of prohibitions that no longer hold moral authority. This project argues, theoretically and creatively, that we must discover and define what constitutes contemporary taboos and prohibitions in mainstream society if we are to formulate new erotic works that explore their transgression.
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Grujić, Ana. "Her Impenetrable Prose: Disobedient Poetics and New Erotic Collectivities in Experimental Women's Writing." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1282106991.

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Michael, Christine. "Embodied borders : auto erotica in the writings of Anais Nin." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/54308/.

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This thesis brings together the two genres for which Nin has become so (in)famous: her autobiography and her erotica in what I have termed 'auto/erotica'. By reading her autobiography and her erotica in and against each other I attempt to explore her development of a feminine aesthetic, or 'womb writing' as a strategy of resistance with which to challenge dominant discourses of 'woman' and the 'feminine', and her exclusion from cultural production. Drawing on the work of Jacques Derrida, Helene Cixous, Luce Irigaray and Julia Kristeva, this thesis explores the role of the border in the cultural production of bodies and sexual difference within Western discourses of sexuality, with particular reference to the discourses of psychoanalysis, modernism and pornography/erotica. My focus is on the trope of the borderline within Nin's texts, which, I argue is less a marker of radical difference than a site of instability offering the possibility of 'other' or 'between' spaces of resistance. This study engages with the politics of gender and genre by drawing on various feminist rewritings of autobiographical theory and Jacques Derrida's 'The Law of Genre' and the Ear of the Other in order to explore the tension between the 'auto' (the selfsame) and the 'graphy' in the formation of the 'bio' and gender identity. I explore how the threat of the other within the selfsame, the tracing of the differance of desire, affects the generic self-identity of 'autobiography' and 'erotica' as representations of (sexual) identity. Nin utilises the radical instability of the autobiographical genre to put into question the 'genre' of gender identity, the gendering of genre and the undecidable border between the 'body' and the 'text', the 'life' and the 'work'. Drawing on various psychoanalytical feminist film theories of the female spectator and the masquerade I explore how Nin performs the 'feminine' or 'woman' of (male) Surrealist and mainstream heterosexual pornography/erotica in order to emphasise the gaps, to hold at a distance, the female from the feminine. The concern of this thesis is the 'ob/scene' margins of 'erotica' and the trace of 'otherness' that threatens the single and self-identical body/text. The 'outworks' or prefaces of Nin's work not only disrupt fixed generic boundaries but also echo the desiring subject's fantasy of gender identity, wholeness and unity. By drawing attention to the role of vision in the constitution of gendered subjectivity and the (re)production of the phallus as the primary signifier of desire, I explore how Nin's erotica undermines a position of phallic certainty by drawing attention to the out-of-sight spaces, of 'ob/scene' pleasures that disturb and disrupt the illusion of 'masculine' phallic mastery. I argue that it is in the 'inter view', this dialogue or movement between (at least) two genres - autobiography and erotica - that other possible representations might be glimpsed.
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Oliveira, Juliana Batista de. "Tatuagem da palavra : educa??o sentimental do corpo no corpus po?tico de Maria Teresa Horta." Universidade Federal do Rio Grande do Norte, 2006. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16291.

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Made available in DSpace on 2014-12-17T15:07:05Z (GMT). No. of bitstreams: 1 JulianaBO.pdf: 374434 bytes, checksum: fea3b03580353cdb171a91a40b563959 (MD5) Previous issue date: 2006-12-14
While looking to the body and finding it engraved by cultural, imaginary and power-related texts through a discourse embodied in itself, this research proposes a new vertiginous approach to it by analyzing the following works: Poesia completa II, more specifically, Educa??o sentimental, and Novas cartas portuguesas. Such transgressive and performatic works are from Maria Teresa Horta (1937-), Portuguese writer, who proposes a new education by a renewed language: a sentimental education spawned from the erotic element. Starting from the deconstruction of the view over the spoiled body and exposed in Novas cartas portuguesas, from the poetic texts in Educa??o sentimental, as well as in remaining ones in Poesia completa II, Horta disassembles and reassembles the body, giving a new meaning to the symbols that surround us and our experiences. Other than proposing to all, men and women, such new meaning of the behavior and current practices models, Horta s education allows, through a performance action, the construction of a stage for female identity, free from the phallic influence. A new identity, able to handle all holy and profane characteristics of women, discarding the chromatic lens of sin. Horta s poetry emerges as a new proposal of literary labor
Esta pesquisa, ao passo que olha para o corpo e o enxerga tatuado pelos textos da cultura, do imagin?rio e do poder, atrav?s de um discurso que se inscreve nele, vem propor uma vertigem do olhar sobre o mesmo atrav?s da an?lise das obras: Poesia completa II, especificamente, Educa??o sentimental, e Novas cartas portuguesas. Tais obras transgressoras e perform?ticas s?o de Maria Teresa Horta (1937-), escritora portuguesa, a qual vem propor, ao n?vel de uma linguagem renovada, uma educa??o outra: uma educa??o sentimental, a qual nasce do elemento er?tico. Partindo da desconstru??o do olhar sobre o corpo marcado e denunciado atrav?s de Novas cartas portuguesas, e dos textos po?ticos da obra Educa??o sentimental, bem como dos demais que v?m compor a obra Poesia completa II, Horta desmonta e remonta o corpo, re-significando a m?scara signal?tica a qual nos envolve e envolve as nossas viv?ncias. Al?m de propor a todos, homens e mulheres, tal re-significa??o dos modelos de comportamentos e pr?ticas vigentes, a educa??o horteana vem possibilitar, atrav?s da performance, a constru??o de um espa?o para a identidade feminina, livre da clausura do poder f?lico. Uma nova identidade a qual possa envolver todas as caracter?sticas sagradas e profanas da mulher, descartando a lente crom?tica do pecado. A po?tica horteana surge ent?o, como uma nova proposta do fazer liter?rio
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Mason, Qrescent Mali. "An Ethical Disposition Toward the Erotic: The Early Autobiographical Writings of Simone de Beauvoir and Black Feminist Philosophy." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/291198.

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Philosophy
Ph.D.
While many Simone de Beauvoir scholars have discussed the importance of the category of the erotic in Beauvoir's philosophical works, none explored the importance of Beauvoir's early autobiographical works to our understanding of the development of Beauvoir's ethical philosophy nor have they suggested how Beauvoir's ethical engagement with the erotic might be pertinent to black feminist philosophy. As such, this dissertation is a two-fold project. First, it presents an account of the lived experience of Beauvoir as illustrated through her early autobiographical works. This account focuses primarily on Beauvoir's romantic relationships and traces the development of her conversions leading to her most important philosophical contribution, that of existential ethics, through her accounts of these romantic relationships. Using Beauvoir's Diary of a Philosophy Student, Memoirs of a Dutiful Daughter, Wartime Diary, The Prime of Life, and Letters to Sartre, I maintain that it is only through our close engagement with these early autobiographical writings about her philosophical understanding of her romantic relationships that we are able to understand how Beauvoir comes into the ethical views that will inform the rest of her writing career. Beauvoir's focus on embodiment, facticity, conversion, and lived experience illustrate the extent to which these matters are inextricable from her existential ethics. Beauvoir claims in her philosophical ethical writings that the erotic moment serves a privileged moment when we encounter the other. Both Beauvoir's autobiographical writings and her ethical writings provide us with what is termed a "disposition toward the erotic," which is an attitude that stems from reflection upon and lived experience with the other in love or an erotic encounter, where we choose to encounter non-beloved others in a manner similar to that which we encounter the beloved other. In this way, a disposition toward the erotic is the foundation of Beauvoir's ethical assertions, with regard to what obligations we have toward the freedoms of others and how and why it is our ethical duty to fight against oppressive circumstances. The second part of this project draws a bridge between Beauvoir's ethical writings concerning the topic of the erotic and black feminism. As such, I begin my discussion of black feminism by talking about Black women's lived experience as recounted through black feminism itself. After this, I focus on Audre Lorde's "Uses of the Erotic: The Erotic as Power," bell hooks' series of books on love and Patricia Hill-Collins' Black Sexual Politics, since these serve as sources of direct black feminist engagement with the question of the erotic. I maintain that, in very important ways, black women's lived experience with the erotic has also informed the aims of the project of black feminism. As such, I illustrate how black women's lived experience has been colored by oppressive views of black women's embodiment and sexuality. I argue, as opposed to oppressive understandings of black women and their relationships toward their bodies, that this disposition toward the erotic is a stance that black feminism fundamentally shares with Beauvoir's existential ethics.
Temple University--Theses
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Dib, Abir. "Étude comparée sur «l'écriture du corps» chez Calixthe Beyala et Ahlam Mosteghanemi." Thesis, Clermont-Ferrand 2, 2015. http://www.theses.fr/2015CLF20001/document.

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Le but de cette thèse est d’étudier l’écriture du corps chez deux romancières qui ont l’Afrique comme terre natale ; Ahlam Mosteghanemi de l’Algérie et Calixthe Beyala du Cameroun. Notre analyse trace l’inscription du corps dans une structure symbolique où se croisent discours sociaux et pratiques littéraires. L’écriture du corps, féminin et masculin, est étudiée dans une optique de problématisation des pratiques sociales et littéraires qui lui sont attachées. Plus qu’une simple représentation, le corps devient un travestissement esthétique par lequel les deux romancières contournent la censure pour aborder tous les tabous de leurs sociétés. Ainsi l’espace dudit corps réunit des discours de subversion et de renversement, mais aussi de négociation et d’autocensure. D’autre part le corps sujet d’écriture porte en lui un déchirement, un morcellement et une souffrance et ne semble se concevoir et se vivre que dans la douleur et dans la difficulté d’être. Ce corps textuel sentant et souffrant exprime un rapport au monde et aux autres et s’inscrit dans une quête de confirmation de soi
The goal of this thesis is the study of way tow African novelists describe the body ; Ahlam Mosteghanemi from Algéria and Calixthe Beyala from Cameroon. Our analisis traces the writings about the body to a symbolic structure where social discourses meet literary practices. The writings about the body, male or female, are studied from a perspective locked in the problematics of social and literary practices. More than a simple description, the body becomes an esthetic disguise through which the two novelists bypass censorship to tackle all their cultural taboos. Thus the sphere of the body combines discourses of subversion and reversal as well as negotiation and self censorship. What’s more, the body subject of literature bears in itself a tearing, a division and a suffering and seems to only understand and live its existence in pain and difficulty. This literal body that feels and suffers expresses a relationship to the world and to others and is part of a quest for self-affirmation
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Asensio-Sierra, Isabel. "Erotic bodies/erotic politics in Latin American women's writing." Diss., 2006. http://bibpurl.oclc.org/web/22104.

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Mei-Hui, Lien, and 連美惠. "The Erotic Writing in Lio-yeng''s Poems." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/48249879330862011637.

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碩士
淡江大學
中國文學系
87
Abstract: Texts that describe sexual desire and female bodies are termed erotic writing in this thesis. The erotic writing characterize Lio-yeng''s poems. It not only made his poems popular among the common people but also criticized by the intellectuals. Traditionally critics divided the erotic writing into two contrast critical concepts :Feng-sao(風騷)and Yen-chin(豔情).Pure erotic writing is Yen-chin. Feng-sao contains allegorical and metaphorical implication beneath the amorous writing. The above approach, upholding Feng-sao and, by contrast, establishing Yen-chin, cannot appropriately explain the ideology of texts, because the political meanings in Feng-sao are too limited to express eroticism in the intellectuals'' political career. Some unique amorous writing in Lio''s poems, such as the description of the dissipated chase after women, women''s sentiments, and the blatant writing of sexual pleasure received traditionally only morally superficial comment or reproachment. But the advanced study of the dissipation reveals that the erotic pleasure is the regular rewards bestowed to the intellectuals from the rulers. Since the Civil Service Examination System in the Tang Dynesty, the banquet in the palace or the dissipation in the capital city are ways to enjoy sex and to proclaim the intellectuals'' status. Analyzing description of scenes and identities in Lio''s poem tells us that the clamorous dissipation reflects Lio''s imagination and anticipation of officials'' enjoyable lives. The pleasure in the capital city provided young intellectuals'' with cheap erotic pleasure, which implied Lio''s dissipated mentality to enjoy pleasure in advance. Traditional exilian poems show Chinese intellectuals'' unpleasant experience of floating away from the political center. But Lios'' poems present another problem of the experience: being away from the prosperous capital as well as being deprived of the sexual pleasure, which shows the political implication of the dissipation. That is, dissipation is meaningful only in some political atmosphere. Though Lios'' exilian poems are elegant, the complicated ideologies in the poems are worthy of further study. Above all, Lio changed the traditional writing style of exilian poems, transforming the lonely on foreign land into a woman''s bedroom in the recess. Thus Lio became a womenized and destressed intellectuals, which characterized Lio''s erotic writing As far as gender is concerned, Lio regarded women''s bodies as objects separated from subjective consciousness, and made them parts of the erotic sciences in prosperous cities. The relation between the two genders is that men are the one who gases, a subject waiting to be pleased; while women, on the one hand, have to delay and then satisfy intellectuals'' desire, and on the other hand admire their talent, becoming their subordinates. This erotic writing reveals the prostitute image in the patriarchy. The traditional interpretation of Feng-Sao doesn''t apply to Lio''s poems. On the contrary, it may cause misunderstanding, and cannot clarify the complicated relation between politics and eroticism. By studying Lio''s poems from the viewpoints of dissipation and gender, taking erotic writing into account, and analyzing his intention, this thesis is aimed at a more definite explanation of what is traditionally termed "eroticism and extravagance" in Lio''s poems.
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LIN, CHIEH-JU, and 林介如. "Erotic Writing of Yu Dafu and Shi Zhecun's Modern Fiction." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/37174416212222683506.

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碩士
東海大學
中國文學系
104
In this thesis, I would like to discuss the two writers: Yu Dafu in 1920’s and Shi Zhecun in 1930’s. The two writers dedicated to the erotic writings in the modern Chinese fiction. Yu Dafu was an able writer whose first novel was published in 1921, which was the earliest fiction in Chinese modern literary. In his fiction, the bold and naked writing ways shocked the literary world at that moment. Shi Zhecun, in the other hand, was the mature writer by using psychoanalytic theory into the fiction-writing. In his fiction, he showed the disorder, chaos and imagination of the human mind, laying the foundation for the development of the psychological novel. In this thesis, I use the Psychoanalysis of Sigmund Freud, the sexual psychology of Havelock Ellis, also based on Georges Bataille’s seriousness attitude toward “erotic” for research methods. Firstly, this thesis discussed the construction of gender images, how the men construct and deconstruct themselves and how they construct women. Furthermore, discussed the erotic behavior in the fiction, and figured out the function and the significance in the writing. Finally, discussed the two people with different writing strategy of “erotic writing”, also explored its significance and aesthetic values. In this thesis, I expected to find a proper place for “erotic writing” in the modern Chinese fiction, also, related the different literary systems from 1920 to 1930’s.
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Books on the topic "Erotic writing"

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Writing erotic fiction. New York: Marlowe & Co., 1996.

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Writing erotic fiction. London: A. & C. Black, 1995.

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Writing erotic fiction, and getting published. Lincolnwood, Chicago, Ill., U.S.A: NTC Pub. Group, 1998.

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Bailey, Mike. Writing erotic fiction: And getting published. London: Hodder Headline, 1997.

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Farina, Lara. Erotic Discourse and Early English Religious Writing. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04931-5.

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Writing below the belt: Conversations with erotic authors. New York, N.Y: Masquerade Books, 1995.

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Moulton, Ian Frederick. Before pornography: Erotic writing in early modern England. Oxford [England]: Oxford University Press, 2000.

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Kent, Alison. The Complete Idiot's Guide to Writing Erotic Romance. New York: Penguin Group USA, Inc., 2009.

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Rose, M. J. Lying in Bed. Toronto, Ontario: Spice, 2009.

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Slung, Michele B. Slow Hand: Women Writing Erotica. New York, NY: HarperCollins Publishers, 1992.

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Book chapters on the topic "Erotic writing"

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Bowers, Toni. "Erotic Love." In The History of British Women’s Writing, 1690–1750, 201–14. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230298354_13.

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Farina, Lara. "Before Affection: Christ I and the Social Erotic." In Erotic Discourse and Early English Religious Writing, 15–33. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04931-5_2.

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Farina, Lara. "Mystical Desire, Erotic Economy, and the Wooing Group." In Erotic Discourse and Early English Religious Writing, 63–86. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04931-5_4.

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Renk, Kathleen. "“The Female Artist’s Erotic Gaze in Neo-Victorian Fiction”." In Women Writing the Neo-Victorian Novel, 23–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48287-9_2.

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Farina, Lara. "Introduction." In Erotic Discourse and Early English Religious Writing, 1–14. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04931-5_1.

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Farina, Lara. "Dirty Words: Ancrene Wisse and the Sexual Interior." In Erotic Discourse and Early English Religious Writing, 35–61. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04931-5_3.

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Farina, Lara. "The “Popularization” of the Affective?: Friar Thomas of Hales and His Audience." In Erotic Discourse and Early English Religious Writing, 87–111. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04931-5_5.

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Renk, Kathleen. "Introduction: “Erotic ‘Victorians’: Women, Neo-Victorian Fiction, and Creative Eros”." In Women Writing the Neo-Victorian Novel, 1–22. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48287-9_1.

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Baker-Fletcher, Karen. "The Erotic in Contemporary Black Women’s Writings." In Loving the Body, 199–213. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403980342_12.

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Vernay, Jean-François. "The Erotics of Writing and Reading Australian Fiction." In Neurocognitive Interpretations of Australian Literature, 67–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003161455-8.

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