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Journal articles on the topic 'Erotic'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Gao, Zhongming, Xi Luo, and Xianwei Che. "Distinct Emotional and Cardiac Responses to Audio Erotica between Genders." Behavioral Sciences 13, no. 3 (March 20, 2023): 273. http://dx.doi.org/10.3390/bs13030273.

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Emotional and cardiac responses to audio erotica and their gender differences are relatively unclear in the study of the human sexual response. The current study was designed to investigate gender differences regarding positive and negative emotional responses to erotica, as well as its association with cardiac response. A total of 40 healthy participants (20 women) were exposed to erotic, neutral, and happy audio segments during which emotions and heart rate changes were evaluated. Our data showed distinct emotional responses to erotica between genders, in which women reported a higher level of shame than men and rated erotic audios as less pleasant than happy audios. Meanwhile, men reported erotic and happy audios as equally pleasant. These results were independent of cardiac changes, as both sexes demonstrated comparable heart rate deceleration when exposed to erotica relative to neutral and happy stimuli. Our results highlight the role of sociocultural modulation in the emotional response to erotica.

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2

Kelley, Kathryn. "Sexual Fantasy and Attitudes as Functions of Sex of Subject and Content of Erotica." Imagination, Cognition and Personality 4, no. 4 (June 1985): 339–47. http://dx.doi.org/10.2190/j66d-n10e-lth5-8aw5.

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The effects of erotic content and subject sex on sexual fantasy were mediated by general sexual attitudes. When erotic content consisted of mild erotica showing males rather than females, male subjects ( N=123) expressed significantly more negative themes in briefer fantasy productions than females ( N=123). Analyses of affective and arousal responses to single-sex and heterosexual erotica indicated patterns generally consistent with the fantasy outcomes. Negative sexual attitudes were associated with negatively-toned fantasies, more negative affect, and less sexual arousal. Variations in affective and arousal responses to erotic stimuli, as discussed by the theory of the Sexual Behavior Sequence, were demonstrated to extend to the production of sexual fantasy.

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3

Isachenko, O. M., and He Sin. "Euphemistic Means of the Erotic Narrative in the Cycle <i>Dark Alleys</i> by I. Bunin." Vestnik NSU. Series: History and Philology 23, no. 2 (February 21, 2024): 20–30. http://dx.doi.org/10.25205/1818-7919-2024-23-2-20-30.

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Purpose. The article analyses the features of the erotic narrative of I. A. Bunin in his cycle Dark Alleys, which became a phenomenon in Russian classical literature – a kind of artistic “encyclopedia of love”, written in defiance of ethical and ideological prohibitions.Results. Erotica in this cycle is presented in descriptions of the physiology of sex and sexual communication. The research examines 209 contexts extracted from the cycle. They describe actions of a sexual nature, including violent or commercial ones, human physiology and anatomy (59 contexts), which determine human sexual behavior. The writer widely uses various methods of euphemization of erotic meanings: synonymous replacements, generalization techniques, allusion, ellipsis, silence. Quantitative data show that the main speech strategy in the Bunin cycle is silence, which is implemented in a whole series of stylistic tropes and figures. I. A. Bunin uses a diverse arsenal of units of the lexical, lexico-morphological and syntactic levels. Euphemisms appear in areas of maximum erotic tension. With their help, the author reduces the “emotionogenicity” of erotica in accordance with his own ideas about the boundaries of what is acceptable and permissible.Conclusion. In the vertical context of Russian culture, I. Bunin’s erotic narrative, his restraint and precision in the choice of linguistic means, the deliberate exclusion of naturalism and reduced style serve to preserve harmony in the triad “LOVE – PASSION – SEX”. The Bunin language of Dark Alleys can be considered a classic standard of the sacrament of physical love, which the writers of the 20th century were guided by, accepting or rejecting it.

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4

Dam, Anders Ehlers. "Paris’ hjerte Johannes V. Jensen og rejsens erotik." European Journal of Scandinavian Studies 49, no. 2 (October 25, 2019): 337–55. http://dx.doi.org/10.1515/ejss-2019-0026.

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Abstract This article highlights the link between travel and erotics as a literary trope, exemplified by Johannes V. Jensen’s story ”Louison” (1899). ”Louison” describes the short-lived affair between a male traveller and a loose woman. From their first encounter on a Parisian boulevard, loaded with baudelairian esthetics, to their sudden parting after a day and a night spent together, their relationship is made possible by the anonymity of the modern city and by the condition of modernity. The erotic encounter in Jensen’s story is inextricably connected — like in Baudelaire — to the modern urban backdrop against which it unfolds. In Jensen’s story, the erotics of travel feeds into the ”myth of Paris”: far from being merely the story of an erotic encounter, ”Louison” is also the vivid description of a fin-de-siècle Paris, swarming and buzzing with constant, multiple energies that unify in a totality elevated to the dimensions of ”myth” — a word charged with significance in Jensen’s work.

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5

West, Kevin. "Translating the Body: Towards an Erotics of Translation." Translation and Literature 19, no. 1 (March 2010): 1–25. http://dx.doi.org/10.3366/e0968136109000740.

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By seeking the impossible goal of full understanding, the translator as a maximally engaged reader seeks the plenitude of another's words as a surrogate of the elusive Other. Translation as at once a physical, mental, and emotional attempt fully to understand another's utterances thus constitutes a process of complete engagement characterized by the desire for knowledge. Such desire can be deemed erotic inasmuch as it hopes to dissolve the customary separation of minds and attain oneness of understanding. A particular moment in the English translation of Umberto Eco's Il nome della rosa involving the translation of a description of an erotic body part introduces the erotics of translation more broadly. Evidence from the translation journals of Eco's translator William Weaver, as well as Eco's own remarks on translation, are brought to bear. Thereafter discussion moves into more theoretical material, including George Steiner's key observations on translational erotics, and finally addressing three further ‘moments’: a linguistic appropriation of Georges Bataille's erotism, Augustine's account of language acquisition, and the matter of the bodily translation of the biblical Enoch.

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6

Khanna, Neetu. "Obscene Textures: The Erotics of Disgust in the Writings of Ismat Chughtai." Comparative Literature 72, no. 4 (December 1, 2020): 361–76. http://dx.doi.org/10.1215/00104124-8537720.

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Abstract This article revisits the Marxist anticolonial feminist writings of Urdu author Ismat Chughtai through a materialist exploration into how the female body—with its erotic curvatures and grotesque protuberances, its sticky and viscous textures and fluids—becomes the focalized object of what the author terms the erotics of disgust. Chughtai is perhaps most famous for her being tried for obscenity in 1942 for her most famous short story, “The Quilt” (“Lihaaf”), which narrates a young girl’s encounter with the erotic relationship of a middle-class Muslim woman and her female servant. As Chughtai herself recounts, however, she was acquitted because the prosecution could never point to the exact words that were to be considered obscene. The author argues that we read Chughtai’s extraordinary inquiries into the imbrication of desire and disgust as the visceral sites of gender discipline, as the question of the “modern” Muslim female citizen subject hangs in the balance of an emergent Indian nationhood. The author offers a queer feminist critique of the traditional phenomenology of disgust by analyzing the codes of erotic texture produced out of histories of colonial hygiene and bourgeois sexual discipline in late colonial India.

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7

Sedykh, K., and T. Zozul. "TYPES OF INDIVIDUAL MEN EROTIC CODE." Psychology and Personality, no. 1 (May 20, 2019): 86–100. http://dx.doi.org/10.33989/2226-4078.2019.1.163989.

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The article is devoted to the current definition and justification of the men’s individual erotic code typology. Significant expansion and development of psychologists’ professional activity necessitate creating of generalized classification of individuals and married couples’ behavioral erotic types. The study of sexual- psychological characteristics of behavioral patterns of men in erotic relationships is very important in this regard.The new material on the topic under study is generalized. Erotic imagination functions and erotic images impact the process of forming a fixed erotic Image of a sexual partner in men are determined. The impact of early life experience (imprinting) influenced on the individual erotic code formation is described.Attention is concentrated on analysis of the phenomenon individual men erotic code. The types of men individual erotic code, based on the concept of archetypes (K. G. Jung, D. S. Bolen) study are defined. Types of individual erotic code were named after the ancient Greek gods: Zeus, Apollo, Hermes, Ares, Hephaestus, Dionysus, Hades. The attention is focused on the deep analysis of individual women erotic code stages realization, such as, the genesis of erotic impulse, the tempting process, the sexual act behavior, the pregnancy, the caring of posterity.

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8

Myers, Jacob D. "Erotic Preaching." Theology Today 77, no. 4 (January 2021): 393–407. http://dx.doi.org/10.1177/0040573620956725.

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Emerging from a Barthian perspective on the necessary impossibility of preaching, this paper articulates an erotic phenomenology for preaching as a means of knowing and speaking about God in contemporary ecclesial contexts. It draws upon the philosophies of Jean-Luc Marion, Luce Irigaray, and Emmanuel Levinas to sketch the contours of a method for sermon development that respects the alterity of the Word as revealed in and through Scripture.

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9

Rosen, Stanley. "Erotic Ascent." Graduate Faculty Philosophy Journal 17, no. 1 (1994): 37–57. http://dx.doi.org/10.5840/gfpj1994171/213.

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10

Murphy, Julien S. "Erotic Welfare." Radical Philosophy Review of Books 11, no. 11 (1995): 106–9. http://dx.doi.org/10.5840/radphilrevbooks199511/1212.

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11

Frayn, Douglas H., and Michel Silberfeld. "Erotic Transferences." Canadian Journal of Psychiatry 31, no. 4 (May 1986): 323–27. http://dx.doi.org/10.1177/070674378603100407.

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Erotic transferences occur on a spectrum reflecting the ease or difficulty of their management. They represent sexualized re-enactments of important childhood relationships. This phase in psychotherapy may be a transient developmental feature or in some instances, assume a formidable resistance to further insightful work. Two case illustrations are given to indicate the breadth of this spectrum. Reasons are discussed for such differences in erotic transferences and their resolutions.

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12

Ware, Lauren. "Erotic Virtue." Res Philosophica 92, no. 4 (2015): 915–35. http://dx.doi.org/10.11612/resphil.2015.92.4.7.

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13

Carrillo Rowe, Aimee. "Erotic Pedagogies." Journal of Homosexuality 59, no. 7 (August 2012): 1031–56. http://dx.doi.org/10.1080/00918369.2012.699844.

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14

Jones, David. "Erotic quality." Nature 357, no. 6376 (May 1992): 286. http://dx.doi.org/10.1038/357286a0.

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15

Slochower, Joyce. "EROTIC COMPLICATIONS." International Journal of Psychoanalysis 80, no. 6 (December 1, 1999): 1119–30. http://dx.doi.org/10.1516/0020757991599313.

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16

Twichell, Chase. "Erotic Energy." Yale Review 85, no. 4 (October 1997): 22. http://dx.doi.org/10.1111/0044-0124.00175.

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17

Shepherd, Simon. "Erotic Silence." Performance Research 4, no. 3 (January 1999): 34–39. http://dx.doi.org/10.1080/13528165.1999.10871690.

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18

Stefana, Alberto. "Erotic Transference." British Journal of Psychotherapy 33, no. 4 (October 16, 2017): 505–13. http://dx.doi.org/10.1111/bjp.12231.

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19

Hunter, I. Q. "Erotic adaptations." Journal of Adaptation in Film & Performance 6, no. 3 (November 1, 2013): 333–39. http://dx.doi.org/10.1386/jafp.6.3.333_7.

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20

Alexeyeff, Kalissa. "Erotic Triangles." Ethnos 76, no. 4 (December 2011): 568–69. http://dx.doi.org/10.1080/00141844.2011.569736.

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21

McCarthy, Paul. "Erotic Mammett." Afterall: A Journal of Art, Context and Enquiry 1 (January 1999): 68–75. http://dx.doi.org/10.1086/aft.1.20711386.

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22

Jenkins, Barbara. "EROTIC ECONOMICS." Journal of Cultural Economy 6, no. 2 (May 2013): 168–83. http://dx.doi.org/10.1080/17530350.2012.742851.

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23

Hakim, C. "Erotic Capital." European Sociological Review 26, no. 5 (March 19, 2010): 499–518. http://dx.doi.org/10.1093/esr/jcq014.

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24

Jørstad, Jarl. "Erotic countertransference." Scandinavian Psychoanalytic Review 25, no. 2 (January 2002): 117–34. http://dx.doi.org/10.1080/01062301.2002.10592737.

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25

Appleford, J. Malia. "Erotic Photography." History of Photography 27, no. 2 (June 2003): 194–95. http://dx.doi.org/10.1080/03087298.2003.10443273.

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26

Auerbach, Nina, and Ellen Bayuk Rosenman. "Earnestly Erotic." Women's Review of Books 20, no. 7 (April 2003): 18. http://dx.doi.org/10.2307/4024183.

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27

Lawder, Rebecca. ""Erotic Nature"." Athanor 37 (December 3, 2019): 67–78. http://dx.doi.org/10.33009/fsu_athanor116675.

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To decode John Dunkley’s dark and sexual landscape is also to reveal a decolonial message in his broader works. Dunkley humanizes nature through both masculinizing phallic and feminizing yonic symbolism as an emancipatory tactic, thereby reflecting a culturally nuanced relationship between people and landscape. Dunkley subverts the expected in Caribbean painting, especially for foreign consumers. By bringing nature to life, his paintings offer subversive anti-colonial themes, too, waiting for decipherment. This paper will examine Dunkley’s use of erotic imagery, arguing that the painter’s sexual landscapes, through layered poetics and symbolism, ultimately served to challenge every day oppressions in colonial Jamaica.

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28

Liveley, Genevieve. "EROTIC ETHICS." Classical Review 54, no. 1 (April 2004): 77–80. http://dx.doi.org/10.1093/cr/54.1.77.

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29

Dillon, M. C. "Erotic Desire." Research in Phenomenology 15, no. 1 (1985): 145–63. http://dx.doi.org/10.1163/156916485x00096.

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30

Vardi, Amiel D. "An anthology of early Latin epigrams? A ghost reconsidered." Classical Quarterly 50, no. 1 (May 2000): 147–58. http://dx.doi.org/10.1093/cq/50.1.147.

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In Book 19, chapter 9 of the Nodes Atticae Gellius describes the birthday party of a young Greek of equestrian rank at which a group of professional singers entertained the guests by performing poems by Anacreon, Sappho, ‘et poetarum quoque recentium ⋯λεγεῖα quaedam erotica’ (4). After the singing, Gellius goes on, some of the Greek συμπόται present challenged Roman achievements in erotic poetry, excepting only Catullus and Calvus, and criticized in particular Laevius, Hortensius, Cinna, and Memmius. Rising to meet this charge, Gellius’ teacher of rhetoric, Antonius Julianus, admits the superiority of the Greeks in what he calls ‘cantilenarum mollitiae’ in general (8), but to show that the Romans too have some good erotic poets, he recites four early Latin love epigrams, by Valerius Aedituus (frs. 1 and 2), Porcius Licinus (fr. 6), and Lutatius Catulus (fr. I). The same three poets are listed in the same order in Apuleius’ Apology in a list of amatory poets which he provides in order to establish precedents and thus invalidate his prosecutors’ referral to his erotic poems in their accusation (Apul. Apol. 9). Catulus is also enumerated in Pliny's list of Roman dignitaries who composed ‘uersiculos seueros parum’ like his own (Ep. 5.3.5), and an amatory epigram of his is cited by Cicero in De Natura Deorum 1.79 (fr. 2). We possess no further evidence connecting the other two with the composition of either erotic or, more generally, ‘light’ verse, but a poem by Porcius Licinus on Roman literary history is attested by several sources including Varro, Suetonius, and Gellius himself.

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31

Kukorenchuk, Volodymyr, and Valeriia Bondar. "Erotica in Photography Through the Ages." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 2 (December 24, 2021): 270–77. http://dx.doi.org/10.31866/2617-2674.4.2.2021.248769.

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The purpose of the article is to analyze the components of erotic photography, establish the role of photography in defining a person’s worldview, prove the importance of erotic photography in the self-expression of new generations of photographers. The research methodology is based on an integrated scientific approach and theoretical analysis of the erotic genre masters’ works, information sources; generalization of the influence of erotic photography on the worldview in photography; defining the historical aspects that shape the worldview of eroticism. Scientific novelty. The components of erotic photography are analysed, a detailed analysis of the historical aspects in the formation of the worldview of erotic is made, by theoretical analysing the erotic photography masters’ works, the role of photography in the self-expression of new generations is determined. Conclusions. In the article, we analysed the components of erotic photography. Through the detailed analyses of erotic photographs, the role of photography in determining a person’s worldview has been established. The factors that influence the self-expression of new generations have been summarized.

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Wijana, I. Dewa Putu. "Erotical Riddles in Javanese and Indonesian." LITE 18, no. 1 (March 31, 2022): 1–11. http://dx.doi.org/10.33633/lite.v18i1.5903.

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This article is about erotical riddles found in Javanese and Indonesian. By using data collected and formulated through an introspective method, it is found that the addressers commonly construct erotic riddles in odd interrogative sentence types intended to deceive and mislead the addressees. The riddled topics are mostly about human genital and everything related to it, woman's breasts, and sexual activity. The humorous riddle discourses are created by various riddling techniques, such as analogy and metaphor, homonymy, sound change, word and syllabic permutation, and metonymy. Javanese and Indonesian erotic riddle discourses often contain code-mixing of the two codes mastered almost equally well by the bilingual interlocutors living in bilingual and diglossic speech communities.

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Benga, Ioana Corina. "The influence of erotic capital on professional and social success." Sociologie Romaneasca 20, no. 1 (June 30, 2022): 47–68. http://dx.doi.org/10.33788//sr.20.1.3.

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The main objective of the study was to explore the theory of erotic capital created by Catherine Hakim (2011). Starting from her theory – which says that individuals with a high erotic capital have some advantages in life – I have analyzed both the construction process of the erotic capital and the advantages and disadvantages of this form of capital. In my research I was focused on the following aspects: identifying the components of erotic capital, analyzing the social construction of erotic capital, and identifying the role of erotic capital in the personal lives of respondents. I used a qualitative research method, the interview. The results I obtained are largely in consonance Hakim's theory of erotic capital, all its components were presented and commented on by the respondents. Another important aspect of the study comes from the new perspectives which emerged during the research. Apart from the components of the erotic capital proposed by Hakim, in my own research it was identified other essential elements of erotic capital such as: self-confidence, intelligence, sense of humor, love or ability to adapt to new situations. This research was an exploratory one, being the basis of future research.

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34

Møller, Kristian. "Digital chemsex publics: Algorithmic and user configurations of fear and desire on Pornhub." European Journal of Cultural Studies 24, no. 4 (June 3, 2021): 869–86. http://dx.doi.org/10.1177/13675494211006679.

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In recent years, chemsex has emerged as both a subcultural vernacular and an orientation device for gay health promotion. Chemsex loosely describes gay men using certain drugs to extend and modulate group sex practice. In line with hegemonic responses to gay sexuality in general, most research has been grounded in problematisation, with discourse mostly returning to the question of containment. Drawing on porn, platform and critical drug studies, this article offers a corrective approach by defining a networked, cultural study of chemsex that is attuned to how chemsex erotics operate in many different (digital) intimate publics. Assembling algorithmic search suggestions, 41 videos and 450 comments, the article finds that the videos and comments found through the search function are vastly different than those found through user-generated playlists. Two competing publics form around the fear/desire-response to drug use: a cautious erotic of disinhibition and a counterpublic erotic of transgression.

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35

Adjepong, Anima. "Erotic Ethnography: Sex, Spirituality, and Embodiment in Qualitative Research." Journal of Men’s Studies 30, no. 3 (September 16, 2022): 383–401. http://dx.doi.org/10.1177/10608265221108201.

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Qualitative methods training in sociology often warns of the dangers of sex in fieldwork and discounts the power of the erotic for knowledge production. This essay makes a case for a deeper engagement with the erotic in qualitative research. The erotic is an ineffable energy that connects us to one another on a sensual, spiritual, and political plane. Despite its scope, the erotic is typically reduced to sexual intimacy. This limitation maintains the idea that all erotic encounters during ethnographic research are sexual and potentially harmful, discounting the possibilities of pleasure and mutual exchange. Through a meditation on key eroticized moments from ethnographic research for various projects, the author examines how an embrace of erotic ethnography can produce more ethical, mindful, and human-centered approaches to doing qualitative research. A deeper engagement with the erotic creates greater opportunity for mutual exchange and reduces instances of exploitation and extraction during ethnographic research.

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King, Brian W. "Location, lore and language." Journal of Language and Sexuality 1, no. 1 (March 1, 2012): 106–25. http://dx.doi.org/10.1075/jls.1.1.06kin.

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This study addresses how language interacts with the erotic and ‘place’ (our socially understood surroundings) in an online, text-only, mostly linguistic environment to create an erotic atmosphere, and how eroticised atmosphere relates to linguistically driven sexual subject formation. Analysis focuses on extracts from a conversation in which public erotic discussions unfold between participants who are (ostensibly) men who desire men. A ‘room’ spatiality is continually performed, sometimes relying upon idealised images of ‘erotic oases’ from the offline world to build an erotic atmosphere. These offline erotic oases are places of ‘deviance’ characterised by semi-public sex (e.g. parks, public washrooms, and saunas). This type of atmosphere is contested by some participants while others embrace it. Analysis demonstrates that eroticism, spatiality, and language adapt to one another along a reformulating path. This suggests that a more nuanced understanding of language and the erotic depends on spatial investigations as much as discursive theory.

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Kenyowati, Embun. "ESTETIKA SENI EROTIS (EROTICA) : REPOSISI OTONOMI DAN HETERONOMI SENI ( UNTUK PERMASALAHAN ESTETIKA SENI EROTIS YANG DIANGGAP PORNOGRAFI)." Jurnal Dimensi Seni Rupa dan Desain 8, no. 2 (September 1, 2011): 11–22. http://dx.doi.org/10.25105/dim.v8i2.987.

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AbstractThis article discusses and reflect philosophically the aesthetic of erotic art phenomenon with considered as pornography by part of the member of society , which also has caused horizontal real conflict, because it is considered as inferting ethical ( moral) and political domain.Starting from the distiction between the aestheticof art based on the maxim " art for the art'sake " which is requested whether it is an adequate reason for defending the aesthetic of aerotic art. By refering to Jacques Ranciere (born 1940) through as a theory , about the autonomy and heteronomy of art, it is concluded that he probloem of erotic art which considered as pornography not far from the problem in life it self and the going politics that works in society, primarily when the politician nort giving attention to teh politic of esthetic (aesthetics) but functioning the role of aesthtic to the politics ( politics) and always in the position of controversy and polemik about politic only AbstrakTulisan ini membahas dan mereflesikan secara filosofis. fenomena estetika seni erotis yang dianggap porno oleh sebagai masyarakat, yang telah menimbulka real conflict di tingkat horizontal, karena hal tersebut dianggap sebagai bagian ranah etik (moral) dan politik ( hidup bersama dengan orang lain) Berangkat dari perbedaan antara estetika seni erotis dan pornografi, dalam tulisan inidiuraikan tentang apa itu estetika seni, seni erotis dan porogarfi. Argumen kebesan ekspresi dalam seni, dan otonomi seni yang berdasar slogan seni untuk seni diuraikan dan dipertanyakan kembali apakah mencukupi sebagai dasar pembelajaran bagi estetika seni erotis. Dengan menacu pada pemiikiran Jaqcus Rancier ( lahair 1940) sebagai metode reflektif, tentang otonomi dan heteronomi seni, disimpulkan bahwa persoalan seni erotis yang dianggap pornografi oleh sebagian masyarakat, tidak lepas dari persoalan kehidupan itu sendiri dan politik yang mewarnai masyarakat, terutama ketika para politisinya tidak memperhatikan politik estetik ( estetika) , melainkan lebih memainkan peran estetik politik ( politik) yang berkutat di wilayah kontroversi dan polemik belaka

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38

Principe, Jesus. "Plato’s Erotic Thought." Ancient Philosophy 26, no. 1 (2006): 197–201. http://dx.doi.org/10.5840/ancientphil200626144.

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39

Tipton, Nathan G., and Vivian R. Pollak. "The Erotic Whitman." South Central Review 19, no. 2/3 (2002): 111. http://dx.doi.org/10.2307/3189877.

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40

Polanichka, Dana M. "The Erotic Hunt." Medieval Feminist Forum 56, no. 2 (March 25, 2021): 5–47. http://dx.doi.org/10.17077/1536-8742.2068.

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Kersten, Fred. "The Erotic Bird." International Studies in Philosophy 36, no. 1 (2004): 222–23. http://dx.doi.org/10.5840/intstudphil200436117.

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42

Škubalová, Tereza. "Female erotic desire." Human Affairs 28, no. 3 (July 26, 2018): 240–52. http://dx.doi.org/10.1515/humaff-2018-0020.

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Abstract This paper explores the epistemology and methodology for describing sexual/erotic desire in women. Culture provides a variety of discourses which create possibilities for individual agents to think, experience and act. This paper outlines the dominant discourses of sexuality. The main focus is on the emerging psychodynamic understanding of erotic desire as a cultivated way of experiencing and expressing intersubjective embodied desire. The story of a female research participant has been selected to illustrate the journey from undifferentiated physical and mental experiences of desire to the peculiar integration of both aspects in her lived experience. A combination of interpretive methods is employed.

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43

Junker, William. "The Erotic Phenomenon." American Catholic Philosophical Quarterly 82, no. 2 (2008): 370–74. http://dx.doi.org/10.5840/acpq200882210.

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TASCHEN, SERGE NAZARIEFF. "EARLY EROTIC PHOTOGRAPHS." Art Book 1, no. 2 (March 1994): 24. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00028.x.

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Jechura, Chet Mitchell. "Enfleshing the Erotic." Theology & Sexuality 18, no. 3 (January 2012): 234–52. http://dx.doi.org/10.1179/1355835813z.00000000017.

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Myers, Jacob D. "The Erotic Approach." Theology & Sexuality 19, no. 1 (January 2013): 36–48. http://dx.doi.org/10.1179/1355835814z.00000000025.

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Alvares, Jean. "Chariton's Erotic History." American Journal of Philology 118, no. 4 (1997): 613–29. http://dx.doi.org/10.1353/ajp.1997.0052.

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Kleinplatz, Peggy J. "The Erotic Encounter." Journal of Humanistic Psychology 36, no. 3 (July 1996): 105–23. http://dx.doi.org/10.1177/00221678960363008.

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Goldwyn, Robert M. "Auto Erotic, M.D." Plastic and Reconstructive Surgery 104, no. 1 (July 1999): 292. http://dx.doi.org/10.1097/00006534-199907000-00050.

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Taylor, Anya, and Julie Carlson. "Massaging "Erotic Coleridge"." Wordsworth Circle 37, no. 2 (March 2006): 85–91. http://dx.doi.org/10.1086/twc24044135.

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