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Journal articles on the topic 'Erotica literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Guardiani, Francesco. "Erotica mariniana." Quaderni d'italianistica 7, no. 2 (1986): 197–207. http://dx.doi.org/10.33137/q.i..v7i2.11002.

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2

Rose, Jennifer. "Country Erotica." Antioch Review 55, no. 3 (1997): 329. http://dx.doi.org/10.2307/4613535.

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3

Wardarita, Ratu, and Erwant O. "Eroticism in Ayu Utami’s Novels “Saman” and “Larung” and its Implications for Literature Learning in High School." Children and Teenagers 5, no. 2 (2022): p31. http://dx.doi.org/10.22158/ct.v5n2p31.

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This study aims to describe the depiction of female eroticism, the idea of feminism in Saman and Larung novels written by AyuUtami, and its implications for learning literature in high school. The method used in this research is a descriptive method utilizing qualitative analysis. The data source in this research is Saman and Larung novels written by AyuUtami. Data analysis utilized work analysis technique. Based research result, the types of eroticism include metabolic erotica, biological erotica, metabolic/biological erotica, whereas the expression of erotism includes the mention of genitals

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4

Francis, Scott. "How the Heptaméron Became Erotica." French Forum 47, no. 2-3 (2022): 171–215. http://dx.doi.org/10.1353/frf.2022.a914328.

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Abstract: This article examines a distinct trend in illustrated editions of the Heptaméron , which date back to 1698 but become increasingly common starting in the 1860s. Whereas illustrated Heptamérons from the second half of the nineteenth century tend to foreground displays of passion in the nouvelles and foster a nostalgic vision of France’s medieval past, around the turn of the twentieth century, they go in a direction that specialists of Marguerite might find surprising. The collection could not be considered pornographic or even obscene by today’s standards or those of its time, and if

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5

Kendal, Evie. "Horny for COVID." Extrapolation: Volume 63, Issue 1 63, no. 1 (2022): 55–73. http://dx.doi.org/10.3828/extr.2022.6.

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The COVID-19 global pandemic has significantly disrupted people’s social lives and dating habits. Research has shown a substantial increase in the consumption of erotic and pornographic material during periods of isolation, including narratives focused on quarantine, illness, and even the personification of the SARS-CoV-2 virus itself as a potential sexual partner. This article considers the latter manifestation of coronavirus-related erotica, focusing on the four-part e-book series, Kissing the Coronavirus, by M. J. Edwards. This article will demonstrate that as a speculative fiction subgenre

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6

Zalloua, Z., and L. Huffer. "Foucault's Ethical Ars Erotica." SubStance 38, no. 3 (2009): 125–47. http://dx.doi.org/10.1353/sub.0.0062.

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7

Isachenko, O. M., and He Sin. "Euphemistic Means of the Erotic Narrative in the Cycle <i>Dark Alleys</i> by I. Bunin." Vestnik NSU. Series: History and Philology 23, no. 2 (2024): 20–30. http://dx.doi.org/10.25205/1818-7919-2024-23-2-20-30.

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Purpose. The article analyses the features of the erotic narrative of I. A. Bunin in his cycle Dark Alleys, which became a phenomenon in Russian classical literature – a kind of artistic “encyclopedia of love”, written in defiance of ethical and ideological prohibitions.Results. Erotica in this cycle is presented in descriptions of the physiology of sex and sexual communication. The research examines 209 contexts extracted from the cycle. They describe actions of a sexual nature, including violent or commercial ones, human physiology and anatomy (59 contexts), which determine human sexual beha

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8

Plamondon, Jean François. "Luc Bureau, Terra erotica." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 419–20. http://dx.doi.org/10.4000/studifrancesi.7070.

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9

Brulotte, Gaëtan. "L'ars erotica de l'Occident." Contemporary French and Francophone Studies 6, no. 1 (2002): 133–53. http://dx.doi.org/10.1080/10260210290021824.

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10

Pasquesi, Carina D. "The Morgesons : Elizabeth Stoddard’s Ars Erotica." Legacy: A Journal of American Women Writers 31, no. 2 (2014): 183–206. http://dx.doi.org/10.1353/leg.2014.a562499.

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11

Branwyn, Gareth. "Compu-Sex: Erotica for Cybernauts." South Atlantic Quarterly 92, no. 4 (1993): 779–91. http://dx.doi.org/10.1215/00382876-92-4-779.

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12

KIROVA, Milena. "EROTICA – A CURE OR A DISEASE OF OUR DEMOCRACY? (ACCORDING TO THE BULGARIAN LITERATURE OF THE EARLY 21ST CENTURY)." Ezikov Svyat (Orbis Linguarum), ezs.swu.v20i2 (May 30, 2022): 269–76. http://dx.doi.org/10.37708/ezs.swu.bg.v20i2.11.

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Anyone who experienced the late 20th century remembers the astonishing sexualization of Bulgarian culture that erupted with the first steps of the longed-for democracy. Bulgarian literature likewise took an active part in this process. It used the erotic narrative as a sign of its own ability to evolve; it tried to tie up the broken ties with the modernism between the two world wars, emulating American writers such as Henry Miller and Charles Bukowski. The article examines the work of those writers who revived the erotic narrative in Bulgarian literature in the 1990s and the beginning of the 2

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13

Béjar, Eduardo. "La Fuga Erotica De Mario Vargas Llosa." Symposium: A Quarterly Journal in Modern Literatures 46, no. 4 (1993): 243–56. http://dx.doi.org/10.1080/00397709.1993.10113443.

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14

Ge, Liang. "Problematizing heteronormativity: Performativity, resignification and A/B/O fiction in Chinese danmei literature." East Asian Journal of Popular Culture 7, no. 2 (2021): 241–54. http://dx.doi.org/10.1386/eapc_00051_1.

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The literary form of danmei, in which male–male romance and/or erotica is portrayed, is a flourishing genre in China which has received significant attention from academia in recent years. This article focuses on a notorious subgenre of danmei, A/B/O fiction, which introduces three additional sexes, alpha, beta and omega, into mankind, alongside the male/female binary sex/gender system. By focusing on a popular but atypical example of this subgenre, this study aims to contribute to the understanding of how female danmei writers constantly question the hierarchical and heteronormative system in

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15

Martin, Carol. "Kawamura Takeshi: New Ideas in/for Japanese Theatre." TDR/The Drama Review 44, no. 1 (2000): 109–13. http://dx.doi.org/10.1162/10542040051058933.

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16

Eckersall, Peter. "Japan As Dystopia: Kawamura Takeshi's Daisan Erotica." TDR/The Drama Review 44, no. 1 (2000): 97–108. http://dx.doi.org/10.1162/10542040051058924.

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In the 1960s, the angura (underground) theatre movement was a site of radical culture. But by the 1980s and '90s, angura was co-opted. Even so, there is some critical and transgressive post-angura theatre worth noting, most especially Kawamura Takeshi's Daisan Erotica.

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17

Deininger, Melissa. "The Marquis de Sade and the Resurgence of Erotica in Modern Literature." Journal of the International Network for Sexual Ethics & Politics 4, no. 1 (2016): 64–75. http://dx.doi.org/10.3224/insep.v2i1.25767.

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18

Vardi, Amiel D. "An anthology of early Latin epigrams? A ghost reconsidered." Classical Quarterly 50, no. 1 (2000): 147–58. http://dx.doi.org/10.1093/cq/50.1.147.

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In Book 19, chapter 9 of the Nodes Atticae Gellius describes the birthday party of a young Greek of equestrian rank at which a group of professional singers entertained the guests by performing poems by Anacreon, Sappho, ‘et poetarum quoque recentium ⋯λεγεῖα quaedam erotica’ (4). After the singing, Gellius goes on, some of the Greek συμπόται present challenged Roman achievements in erotic poetry, excepting only Catullus and Calvus, and criticized in particular Laevius, Hortensius, Cinna, and Memmius. Rising to meet this charge, Gellius’ teacher of rhetoric, Antonius Julianus, admits the superi

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19

Kokkola, Lydia. "Directions of Desire: Reading the Adolescent Body." International Research in Children's Literature 16, no. 1 (2023): 16–29. http://dx.doi.org/10.3366/ircl.2023.0485.

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In Queer Phenomenology, Sara Ahmed discusses the spatial dimensions of orientation, asking not only ‘What does it mean to be oriented?’ but also ‘What does it mean for sexuality to be lived as oriented? What difference does it make what or who we are oriented toward in the very direction of our desire?’ (1). This article uses Ahmed's idea of sexual orientation as a form of way-finding to consider how masturbation might be considered a form of orientation that is particularly relevant for teenagers learning to understand their pubescent bodies and their desires. The concept is developed through

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20

Hill, Heather, and Marni Harrington. "Beyond obscenity: an analysis of sexual discourse in LIS educational texts." Journal of Documentation 70, no. 1 (2014): 62–73. http://dx.doi.org/10.1108/jd-11-2012-0150.

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Purpose – This research seeks to discover the type of discourse encouraged around controversial materials, particularly those of a sexual nature, in LIS educational texts. Censorship and controversial materials are often issues addressed in the LIS literature, but even with ideals of neutrality it can be difficult to remain balanced on certain issues, particularly those dealing with sex. Design/methodology/approach – A content analysis of 85 LIS texts on collection development, reference, and intellectual freedom was completed using the following thematic elements: sex, pornography, erotica, c

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21

Resina, Joan Ramon. "Laissez faire y reflexividad erotica en La gitanilla." MLN 106, no. 2 (1991): 257. http://dx.doi.org/10.2307/2904859.

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22

Colombo Timelli, Maria. "Aa. Vv., Erotica Vetera, Hommage à Rose M. Bidler." Studi Francesi, no. 143 (XLVIII | II) (December 1, 2004): 339. http://dx.doi.org/10.4000/studifrancesi.39002.

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23

Giacomoni, Agnese. "Rito e trasgressione erotica: Aristoph. "Thesm". 466 ss." Quaderni Urbinati di Cultura Classica 63, no. 3 (1999): 91. http://dx.doi.org/10.2307/20546611.

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24

Booth, Gordon K. "COMRADES IN ADVERSITY: WILLIAM ROBERTSON SMITH AND RICHARD BURTON." Victorian Literature and Culture 37, no. 1 (2009): 275–84. http://dx.doi.org/10.1017/s1060150309090172.

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At first sight these two eminent Victorians appear to be most incongruous travelling companions: the one a relatively austere young professor of Hebrew in the Free Church of Scotland, the other a mature, hard-swearing, short-tempered, thoroughly agnostic trouble-maker with an unconcealed penchant for oriental erotica. Both men, however, had provoked widespread controversy and were regarded in high places as “unsound.”

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25

Moignard, Elizabeth. "Greek Fictile Erotica - Martin F. Kilmer: Greek Erotica on Attic Red-Figure Vases. Pp. xiii+286; copiously illustrated. London: Duckworth, 1993. Cased, £50." Classical Review 44, no. 2 (1994): 383–84. http://dx.doi.org/10.1017/s0009840x00289518.

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26

Carina D. Pasquesi. "The Morgesons: Elizabeth Stoddard's Ars Erotica." Legacy 31, no. 2 (2014): 183. http://dx.doi.org/10.5250/legacy.31.2.0183.

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27

Tortorici, Zeb. "Circulating Erotica: Flea Markets, Collections, and Archives in Mexico." Journal of Popular Culture 53, no. 6 (2020): 1335–57. http://dx.doi.org/10.1111/jpcu.12976.

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28

Edmondson, Laura. "National Erotica, The Politics of “Traditional” Dance in Tanzania." TDR/The Drama Review 45, no. 1 (2001): 153–70. http://dx.doi.org/10.1162/105420401300079103.

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In Tanzania, a tension exists between the persistence of the “primi-tive” and “erotic” stereotype of African performance and the emergent means of representing culture and gender on the dance stage. This tension leads to a complex process of inventing, counterinventing, and reinventing tradition.

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29

Augsburg, Tanya. "The Concupiscent Performer: Joanna Frueh's “Art of Seduction”." TDR/The Drama Review 55, no. 2 (2011): 86–103. http://dx.doi.org/10.1162/dram_a_00072.

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Joanna Frueh has developed her own contemporary ars erotica, in which seduction is both a persistent motif and performance strategy. Frueh has embodied numerous seductive personas, mirroring her own iterative process of self-transformation. The investigation of Frueh's “art of seduction” uncovers its relevance for her live performances since 1979.

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30

Martin, Adrienne Laskier. "La poesia erotica de los Siglos de Oro (review)." MLN 120, no. 2 (2005): 489–92. http://dx.doi.org/10.1353/mln.2005.0088.

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31

Lubin, Joan. "A Survey of the Literature." American Literary History 35, no. 1 (2023): 320–34. http://dx.doi.org/10.1093/alh/ajac239.

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Abstract Datafication has a literary history. This essay takes up that history to repair to the apparent novelty of contemporary mass personalized politics the history of the novel as one cultural technology for personifying the masses. The machinery of mass personalization was set in motion long ago. However discrepant its emergent scenes may now seem, they have been multiply fused along the way, issuing from a common substrate of survey culture. Section 1 considers a magazine humor column linking the Elmira Community Study of voting and the Kinsey Reports on sex on the basis of their shared

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32

Sunga, Agnes. "My Fifty Shades of Grey: The Ambivalenceof Sexism in E.L. James Erotica." Mabini Review 14, no. 1 (2024): 55–65. https://doi.org/10.70922/62d2vk58.

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his paper focuses on the manifestation of two forms of sexism in the popular novel of E.L. James. By making use of content analysis, a method used to obtain the objective, systematic, and content manifest of communication, this research seeks to find a weave of similar patterns present in the literary work. The representation of patriarchy, sexism, and gender stereotypes through the characters, plot, setting, theme, and literary symbols employed in the story were used as coding categories in the novel. The author made use of Glick and Fiske’s concept of hostile and benevolent sexism to create

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33

Swami, Pragati, and Devendra Kumar Sharma. "Mapping the Story of Manga: Graphic Novels and the Cultural Boom in Japan and World." International Journal of English Literature and Social Sciences 9, no. 3 (2024): 500–508. http://dx.doi.org/10.22161/ijels.93.65.

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Manga are circulated in graphic novel format as printed Japanese comic books. They are famous Japanese graphic novels or comic books. A popular form of literature, read by people of different age groups. They certainly provide visual as well as linguistic examples of Japanese culture. They deal with a number of genres like fantasy, romance, supernatural, erotica, action, psychological, science fiction and many more to include. This paper deals with manga-culture, its evolution and, cultural and global aspects attached to it. It highlights the educational element associated with manga. It furth

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34

Sugiharto, Setiono. "Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love: Exploring Shusterman’s Writing Identity in the Discourse on the Art of Lovemaking and Body Aesthetics." Journal of Language and Literature 24, no. 2 (2024): 623–30. http://dx.doi.org/10.24071/joll.v24i2.9700.

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Standing in marked contrast with Foucauldian notion of “the care for the self” which seeks bodily pleasure by advocating violent practices of consensual homosexual sadomasochism and drugs, Shusterman’s Ars Erotica takes up the notion further by unveiling the idea of somaesthetics that alternatively favors such tranquil, less violent somatic practices as a pursuit of bodily pleasure and cultivation. Rich in its cross-cultural perspectives of how artistic body practices (including the art of love making) are cultivated, Ars Erotica combines important ideas from different philosophical traditions

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35

Pretagostini, Roberto. "La ripresa teocritea della poesia erotica arcaica e tardoarcaica (Idd. 29 e 30)." Materiali e discussioni per l’analisi dei testi classici, no. 38 (1997): 9. http://dx.doi.org/10.2307/40236089.

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36

Pinto, Isabel. "Women, Erotica and Citizenship in the Eighteenth Century:VirginiaandMegaraas Iberian Tragic Heroines." Journal of Iberian and Latin American Research 22, no. 2 (2016): 154–72. http://dx.doi.org/10.1080/13260219.2016.1229808.

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37

Edwards, A. S. G. "Bookleggers and Smuthounds: The Trade in Erotica, 1920–1940. Jay A. Gertzman." Papers of the Bibliographical Society of America 94, no. 3 (2000): 434–36. http://dx.doi.org/10.1086/pbsa.94.3.24304074.

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38

Słomak, Iwona. "Military Themes in Selected Eighteenth-Century Prayer Books in Relation to the Emblem Tradition." Terminus 21, Special Issue 1 (2019): 107–38. http://dx.doi.org/10.4467/20843844te.19.028.11289.

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This paper was inspired by the lack of studies that would show examples of military-erotic symbols in religious literature associated with the emblem tradition. The works discussed here, namely prayer books by Andrzej Gabriel Kasperowicz, anonymous Atak niebieskiej twierdzy [The attack of the heavens or The attack into the fortress of heavens] and Wojsko serdecznych afektów [The army of heartfelt affections] by Hieronim Falęcki, retain high formal and semantic discipline; as a result, they are examples of interesting phenomena of Baroque culture. In the first part of the study, Słomak presents

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39

Pesti, Brigitta. "Die schwüle Welt des Harems •." Hungarian Studies 37, no. 1 (2023): 68–84. http://dx.doi.org/10.1556/044.2022.00223.

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AbstractIn the 18th century, as political and economic relations with the East strengthened, and the first travelogues on Turkey and various other works on ethnological, geographical and cultural topics were published, a particularly positive reception of the Orient became widespread, originating from the southern and south-eastern Europe. As a result, the image of the threatening apocalyptic enemy, the “bloodhound”, was replaced by the stereotype of an attractive and exotic foreigner.The euphoric reception of Ottoman culture was initially manifested in the presentation of operas and Turkish f

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40

West, Kevin. "Translating the Body: Towards an Erotics of Translation." Translation and Literature 19, no. 1 (2010): 1–25. http://dx.doi.org/10.3366/e0968136109000740.

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By seeking the impossible goal of full understanding, the translator as a maximally engaged reader seeks the plenitude of another's words as a surrogate of the elusive Other. Translation as at once a physical, mental, and emotional attempt fully to understand another's utterances thus constitutes a process of complete engagement characterized by the desire for knowledge. Such desire can be deemed erotic inasmuch as it hopes to dissolve the customary separation of minds and attain oneness of understanding. A particular moment in the English translation of Umberto Eco's Il nome della rosa involv

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41

SCRUGGS, CHARLES. "The Unknown Van Vechten and His Impact on His Times." Resources for American Literary Study 38 (January 1, 2015): 267–74. http://dx.doi.org/10.2307/26367568.

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Abstract Edward White's study of Carl Van Vechten is both a biography and a critical study of his multifaceted career—as novelist, essayist, photographer, and patron of the Harlem Renaissance. White also argues that Van Vechten anticipates the present-day interest in gay studies, for he focuses on a little-known side of Van Vechten's life, his homosexuality and his collection of gay erotica. Although White talks intelligently about Van Vechten's essays on the blues and his friendship with and advocacy of Gertrude Stein, he merely skims the surface when discussing Van Vechten's fiction, especia

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42

SCRUGGS, CHARLES. "The Unknown Van Vechten and His Impact on His Times." Resources for American Literary Study 38 (January 1, 2015): 267–74. http://dx.doi.org/10.5325/resoamerlitestud.38.2015.0267.

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Abstract Edward White's study of Carl Van Vechten is both a biography and a critical study of his multifaceted career—as novelist, essayist, photographer, and patron of the Harlem Renaissance. White also argues that Van Vechten anticipates the present-day interest in gay studies, for he focuses on a little-known side of Van Vechten's life, his homosexuality and his collection of gay erotica. Although White talks intelligently about Van Vechten's essays on the blues and his friendship with and advocacy of Gertrude Stein, he merely skims the surface when discussing Van Vechten's fiction, especia

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43

Tutter, Adele. "The Erotics of Knowing: A Neglected Contribution to Analytic Erotism." Journal of the American Psychoanalytic Association 66, no. 3 (2018): 407–41. http://dx.doi.org/10.1177/0003065118783669.

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An erotics of knowing is posited that comprises embodied aspects of psychological and emotional closeness, and derives not from transference dynamics but from psychological and emotional intimacy—both component and consequence of the analytic process. The experience of knowing and being known is invested with erotism via its interpenetrative and interreceptive aspects; regardless of gender, to know the other is to enter a hidden interior “space” that represents that person’s embodied inner world. Yet the interrogation of the intrinsic relationship between knowing and loving is stunningly absen

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44

Nilges, Mathias. "Michael Naas, Don DeLillo, American Original: Drugs, Weapons, Erotica, and Other Literary Contraband." American Literary History 35, no. 2 (2023): 1060–62. http://dx.doi.org/10.1093/alh/ajad057.

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45

Domínguez Galván, Zaradat. "Sexualidad y resistencia en Panfleto: Erótica y feminismo, de María Moreno." Moderna Språk 115, no. 3 (2021): 53–64. http://dx.doi.org/10.58221/mosp.v115i3.6817.

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María Moreno (1947) es una de las escritoras feministas más interesantes y aclamadas literariamente del panorama argentino actual. Vinculada a los movimientos feministas desde finales de los años setenta y al movimiento LGTBI+, ha emprendido una lucha dialéctica en sus crónicas y artículos contra el pensamiento moral y patriarcal del tiempo que le ha tocado vivir. Su libro Panfleto. Erótica y feminismo (2018) es una recopilación de textos publicados en periódicos y revistas a lo largo de cuarenta años, en ellos reflexiona sobre la diferencia sexual, la pornografía, la literatura erótica y el f

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46

Tarapata, Olga. "Writing Disability | Disabling Writing: E.T. Russian and the Fragmentation of Texts and Textures." Zeitschrift für Anglistik und Amerikanistik 67, no. 1 (2019): 37–51. http://dx.doi.org/10.1515/zaa-2019-0004.

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Abstract This paper focuses on the US-American queer disability artist E.T. Russian and the question of how the experience of disability can be translated into artistic experience and practice. Russian’s The Ring of Fire Anthology (2014) draws attention to the insufficiency of words and language and deploys a form of literary collage that presents an empowering testimony to her life as an amputee. While the author’s account of the pitfalls entailed in prosthetics as well as gender and class struggles is captivating in itself, the force of her work resides elsewhere: the reader cannot escape th

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47

Bhatia, Nandi. "Sanjay K. Gautam. Foucault and the Kamasutra. The Courtesan, the Dandy, and the Birth of Ars Erotica as Theater in India." Symposium: A Quarterly Journal in Modern Literatures 72, no. 3 (2018): 176–78. http://dx.doi.org/10.1080/00397709.2018.1493258.

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48

Ben-Ari, Nitsa. "The role and responsibility of the anonymous: The historic function of mass translations." Translation and Interpreting Studies 1, no. 2 (2006): 73–89. http://dx.doi.org/10.1075/tis.1.2.03ben.

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A remarkable phenomenon in Hebrew culture of the 1950s was the emergence of a considerable quantity of translations and pseudo-translations of pulp literature. The phenomenon stemmed from the need of the literary system to renew and stratify itself, supplying the general reading public with popular literature in Hebrew that was neither didactic nor engaged. This "healthy" drive was encountered by conservative efforts of the mainstream, which insisted on maintaining high literary norms. Culture-shapers even sought ways of imposing the "right" kind of popular literature on the working classes, r

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49

Sabor, Peter. "Eighteenth-Century British Erotica, Parts I and II, and: When Flesh Becomes Word: An Anthology of Early Eighteenth-Century Libertine Literature (review)." Eighteenth Century Fiction 19, no. 1 (2006): 217–22. http://dx.doi.org/10.1353/ecf.2006.0092.

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50

Zuraikat, Malek J. "Contextualizing the Medieval Tradition of Courtly Love in Nabokov's Lolita." International Journal of Arabic-English Studies 23, no. 2 (2023): 177–94. http://dx.doi.org/10.33806/ijaes.v23i2.459.

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Abstract:

Using modern terms of morality to evaluate the sexual attitude of Humbert towards Lolita, which constitutes the central subject matter of Vladimir Nabokov’s Lolita (2005), most readers view the novel as erotica, a piece of literature that glamorizes amoral sexuality and rebels against humans' morality. This view feasibly condemns the sexual relationship between a forty-year-old male and a twelve-year-old girl-child nymphet; nevertheless, it overlooks the insistence of the novel's fictitious narrator and editor that the narrative is ethical and heavily loaded with pro morality messages. To reso

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