Relevant bibliographies by topics / Eroticism and literature - History of Colombian poetry

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  2. Dissertations / Theses
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Academic literature on the topic 'Eroticism and literature - History of Colombian poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Eroticism and literature - History of Colombian poetry"

1

Dorais, David. "«Les Païens de la Pléiade»: L'Érotisme dans les Folastries de Ronsard et dans les Gayetez d'Olivier de Magny." Renaissance and Reformation 35, no. 3 (July 1, 1999): 65–79. http://dx.doi.org/10.33137/rr.v35i3.10740.

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This article compares the eroticism of Ronsard's Folastries (1553) with that of the Gayetez (1554) of Olivier de Magny. Although the former exercised some influence on the latter, the eroticism of the two poets turns out to be very different, as much in thematic and stylistic terms as with regard to vocabulary. Moreover, on the conceptual level, when it comes to depicting the body and erotic technique, Magny proves to be far more chaste and less risqué than his master. Nevertheless, the two share at once a belief in the aphrodisiac power of poetry and a mistrust of the sexual act itself.
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Littlewood, A. R. "J.C.B. Petropoulos, Eroticism in Ancient and Medieval Greek Poetry. London: Duckworth, 2003. Pp. xiii + 206." Byzantine and Modern Greek Studies 29, no. 1 (2005): 102–4. http://dx.doi.org/10.1017/s0307013100015251.

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Zimmerman, Susan. "Ronald Corthell. Ideology and Desire in Renaissance Poetry: The Subject of Donne. Detroit, MI: Wayne State University Press, 1997. 227 pp. (no price available) ISBN: 0-8143-2676-5. - Dorothy Stephens. The Limits of Eroticism in Post-Petrarchan Narrative: Conditional Pleasure From Spenser to Marvell. (Cambridge Studies in Renaissance Literature and Culture, 29.) Cambridge and New York: Cambridge University Press, 1998. xi-xii + 248 pp. $59.95. ISBN: 0-521-63064-9." Renaissance Quarterly 52, no. 4 (1999): 1181–84. http://dx.doi.org/10.2307/2901860.

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Dissertations / Theses on the topic "Eroticism and literature - History of Colombian poetry"

1

Toro, Murillo Alejandra Maria. "Le parcours sinueux de l’érotisme dans la poésie colombienne depuis l’œuvre de José Asunción Silva jusqu’à la poésie du groupe Mito." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA020/document.

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Cette étude est une recherche sur les relations complexes entre la poésie et l’érotisme au sein de la poésie colombienne, et elle suit un itinéraire qui va de la poésie de José Asunción Silva, à la fin du XIXe siècle, à celle du groupe Mito, dans les années 50. Cet exercice d’investigation et d’analyse démontre qu’on peut observer une tradition de l’érotisme dans la poésie colombienne, au sein de laquelle l’érotisme comme sujet sensible a pénétré la poésie de plusieurs groupes –modernistes, piedracielistes et Mito– et de quelques-uns des auteurs les plus importants, parmi lesquels: Silva, Porfirio Barba Jacob, Luis Carlos López et León de Greiff
This study examines the complex relationships between poetry and eroticism that have emerged in the Colombian poetry throughout a historical journey that goes from José Asunción Silva’s poetry (late nineteenth century) to the poetry of the group Mito, during the decade of 50s in the twentieth century. This research and analytical work shows that a tradition of the erotic in the Colombian poetry can be observed, in which eroticism, as a sensitive subject, has permeated the poetics of various groups –modernists, Piedracielistas, and Mito– as well as some of the most important Colombian authors such as Silva, Porfirio Barba Jacob, Luis Carlos López, and León de Greiff
Este estudio se pregunta por las complejas relaciones entre poesía y erotismo que se han dado en la poesía colombiana, en un recorrido histórico que va desde la poesía de José Asunción Silva, finales del siglo XIX, hasta la poesía del grupo Mito en la década del 50 del siglo XX. Este ejercicio investigativo y analítico demuestra que se puede observar una tradición de lo erótico en la poesía colombiana en la que el erotismo, como asunto sensible, ha permeado la poética de varios grupos –modernistas, piedracielistas y Mito– y de algunos de los más importantes autores, entre los cuales: Silva, Porfirio Barba Jacob, Luis Carlos López y León de Greiff
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Dorais, David 1975. "Le corps érotique dans la poésie française du seizième siècle /." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100351.

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This thesis deals with the representation of the erotic body in the works of the most important authors of French sixteenth-century poetry, particularly those of the Pleiade. By "erotic body" we mean a body that is involved in activities of carnal love, a type of love which is considered, during the Renaissance, as the opposite of a more chaste and spiritual kind of love. Our hypothesis is that the textual representation of such a body is coherent throughout the sixteenth century. Since poetic expression is governed by rules of decency during this period, description of the erotic body cannot be direct; its expression depends on analogy and attenuation techniques. Analogy, besides its allusive quality, creates the image of a body "open" to the cosmos rather than one that is fragmented and hermetic. Beauty holds a central position in the imagery of the erotic body. It is a very conventional beauty whose qualities (white, round, hard and smooth) transform the female form into a veritable statue. On the contrary, ugliness and disease are used to sanction behaviour that would otherwise be seen as reprehensible. The erotic art shown in poetry is framed by orthodox morals that condemn certain acts such as sodomy. The guiding principle is one of moderation. Erotic art is also based upon gestures that are fluid and capricious, quite the opposite of a fixed posture. Gestures are made in varied ways, from biting to tickling. However, kissing is the most important practice; it literally kills and resurrects the lover. The center of Renaissance erotic art is the loving couple, whose relations consist of requital and sometimes also of restraint. The game of feigned resistance allows lovers to reconcile these two extremes and to create an erotic relationship that embraces opposition and collaboration between the sexes. The most sought-after locations in Renaissance eroticism are always the same: bucolic surroundings offering a corner away from others' eyes. Temporality on the other hand is variable: stages of life, seasons, holidays, all lend themselves to carnal love. However, the instant reveals itself as the most erotic moment, not because it allows direct pleasure but because it concentrates desire under the guise of a call to carpe diem or of fictitious times (wishes, prayers), thus offering an imaginary satisfaction.
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Pereira, Fellipe Ramos 1988. "Erotismo e crueldade em Coxas - sex fiction & delírios de Roberto Piva." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270070.

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Orientador: Marcos Aparecido Lopes
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T21:59:09Z (GMT). No. of bitstreams: 1 Pereira_FellipeRamos_M.pdf: 992086 bytes, checksum: 35d2346ea14779e6bf9fb3879bf1860b (MD5) Previous issue date: 2015
Resumo: O presente trabalho tem por objetivo desenvolver um estudo sobre a obra Coxas ¿ sex fiction & delírios de Roberto Piva. Buscar-se-á analisar os pontos de contato entre a crueldade e o erotismo no interior desta obra. Cabe assinalar que Coxas é uma obra erótica, que tem por tema o erotismo, e não uma obra com passagens eróticas. Por isso o que se busca fundamentalmente neste trabalho é analisar como erotismo e a crueldade são trabalhados pelo poeta. Para isso se desenvolveu dois pontos principais na pesquisa. O primeiro é exatamente o que diz respeito ao erotismo, porque a crueldade que se busca analisar provém deste aspecto e ele se mostra bastante relevante na obra em questão. O segundo é uma análise formal, pois há nitidamente em Coxas certa hibridização dos gêneros poesia e prosa. Para cumprir estas tarefas buscou-se primeiramente compreender como se compunha o quadro poético da época em que Roberto Piva inicia sua trajetória nas letras e como se configura o erotismo em sua obra. Em seguida se procurou alguns parâmetros especulativos que servissem de apoio à análises da obra nos aspectos apontados, por fim o problema formal se mostrou também de grande relevância, por isso há um capítulo destinado a expor os traços formais de Coxas
Abstract: This dissertation aims to develop a study about the book "Coxas" ¿ sex fiction & delirious, by Roberto Piva. We intend to analyze the points of contact between cruelty and eroticism within this work. It is worth highlighting that "Coxas" is an erotic literary work, whose theme is eroticism, and not an erotic passages book. That is why we seek primarily to investigate how eroticism and cruelty were used by the poet. In this regard we had developed two main points in the research. The first is exactly what concerns the eroticism, because the idea of cruelty that we seek to analyze comes from this aspect and it shows high relevance in the mentioned work. The second one is a formal analysis because it is possible to notice that there is poetry and prose genre hybridization into "Coxas". In order to accomplish this goal we sought to understand firstly on how the poetic scenario was composed from the time that Roberto Piva had begun his career in the poetic world and how eroticism had been configured in his work. And then, we tried some speculative parameters that work in order to give us support in the work analysis on what concerns the highlighted aspects. Finally, the formal point had also been showed highly relevant, so there is a chapter that intends to expose the formal features in "Coxas"
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
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4

Gontovnik, Monica. "Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

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5

Diaz, Ruiz Fernando. "Malditismo y subversión en la poética de Fernando Vallejo: un estudio sobre su obra, recepción y estrategia literaria." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209393.

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Este trabajo analiza la gestación, funcionamiento y recepción de la estrategia literaria de Fernando Vallejo, en especial, el malditismo y la subversión que caracterizan su controvertida poética. Para hacerlo, adopta un enfoque metodológico que tiene en cuenta tanto los aportes de la Sociología de la literatura como los de disciplinas como la Estética de la recepción y el Análisis del discurso, sin olvidarse de estudiar los códigos narrativos, afectivos y culturales que favorecen los efectos subversivos de sus textos, entre los que destaca el pacto ambiguo firmado con sus lectores por el autor colombiano, único en la narrativa actual en español.

Ante la ausencia de un marco teórico sobre este tipo de obras subversivas o malditas, de manera más específica se intentan desentrañar las claves principales de las poéticas del mal y de la subversión, llegando a proponer un cuadro explicativo con los rasgos que, en base al estudio pluridisciplinar de nociones como la “desviación social”, el “mal” y la “subversión”, presentan los textos literarios subversivos y malditos. En este sentido, los no hispanistas pueden leer esta tesis como un case study o materialización de dicha propuesta

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Ce travail analyse la gestation, le fonctionnement et la réception de la stratégie littéraire de Fernando Vallejo, et plus particulièrement la malédiction et la subversion qui caractérisent sa poétique controversée. Dans ce but, l’étude adopte un point de vue méthodologique qui tient compte tant des apports de la Sociologie de la littérature que de l’Esthétique de la réception et de l’Analyse du discours. Seront également étudiés les codes narratifs, affectifs et culturels qui favorisent les effets subversifs des textes, parmi lesquels ressort l’ambiguïté du pacte signé par l’écrivain colombien avec ses lecteurs, unique dans la littérature contemporaine de langue espagnole.

Devant l’absence de cadre théorique sur ce type d’œuvres subversives ou maudites, il s’agit d’identifier de manière plus spécifique les éléments clés des poétiques du mal et de la subversion, pour arriver à proposer un cadre explicatif. Celui-ci comprend les caractéristiques que présentent, sur base de l’étude pluridisciplinaire de notions telles que la “déviation sociale” et la “subversion”, les textes littéraires subversifs et maudits. En ce sens, les non hispanistes pourront lire cette thèse comme une étude de cas ou comme la matérialisation d’une telle proposition théorique.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished

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Books on the topic "Eroticism and literature - History of Colombian poetry"

1

Petropoulos, J. C. B. Eroticism in ancient and medieval Greek poetry. London: Duckworth, 2003.

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2

Articulate flesh: Male homo-eroticism and modern poetry. New Haven: Yale University Press, 1987.

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3

Literatura risaraldense. Pereira, Colombia: Corporación Biblioteca Pública, 1988.

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Tenorio, Harold Alvarado. Ensayos. Cali, Colombia: Universidad del Valle, 1994.

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Montero, Carlos Rodolfo Ortega. La lírica política en la historia de Colombia. [Bogotá, Colombia?]: Impr. Nacional de Colombia, 1999.

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Z, Federico Santodomingo. Las voces de la tierra. Barranquilla, Colombia: Editorial Antillas, 1992.

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The limits of eroticism in post-Petrarchan narrative: Conditional pleasure from Spenser to Marvell. Cambridge [England]: Cambridge University Press, 1998.

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Fukumoto, Ichirō. Haiku to erosu. Tōkyō: Kōdansha, 2005.

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Poesía y canon: Los poetas como críticos en la formación del canon de la poesía moderna en Colombia, 1920-1950. Bogotá: Grupo Editorial Norma, 2002.

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Hanʾguk hyŏndaesi wa erotʻisijŭm. Sŏul-si: Saemi, 2002.

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