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Relevant bibliographies by topics / Eschatological image

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Academic literature on the topic 'Eschatological image'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "Eschatological image"

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Prilutskii, A. M. "The Image of China in Modern Discourses of Marginal Eschatology." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 36 (2021): 109–17. http://dx.doi.org/10.26516/2073-3380.2021.36.109.

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In contemporary eschatological discourses of marginal Orthodoxy, the image of China occupies one of the central places. Over the centuries, an ambivalent attitude towards China has been formed in Russian religious culture. On the one hand, China acted as a religious and geopolitical adversary, on the other, as “almost a brother in faith.” Such contradiction in assessments is typical for a mythological culture. This ambivalence remains in a modern eschatological discourse as well. In apocryphal and pseudonymous eschatological prophecies China appears as the religious and political antipode of H

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Scully, Ellen. "Jerusalem: Image of Hilary’s Christocentric Eschatology in the Tractatus super Psalmos." Vigiliae Christianae 66, no. 3 (2012): 269–82. http://dx.doi.org/10.1163/157007211x561644.

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Abstract In his lengthy Tractatus super Psalmos, Hilary of Poitiers states only twice that humans are to “live the life of the angels.” Nevertheless, these rare statements seem to undermine both the role of the human body in eschatological life and the christocentrism of Hilary’s soteriology. However, this paper will argue that Hilary’s designation of different eschatological locations for humans and angels—namely in Mt. Zion and Jerusalem, respectively—in the Tractatus super Psalmos demonstrate that Hilary, at least in this later work, believes that while humans will resemble angels in certai

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Prilutskiy, Aleksandr M. "The Image of the “Coming Tsar” and the Mythologemes of Modern Eschatological Monarchism." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (June 20, 2023): 108–18. http://dx.doi.org/10.37482/2687-1505-v259.

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This article presents a hermeneutic analysis of the key concept of eschatological monarchism, i.e. the image of the coming eschatological tsar, whose accession to the throne is expected at the end of the world’s existence, shortly before the onset of the last apocalyptic events. Such mythologemes are particularly popular among Orthodox fundamentalists, the movement of tsarebozhniki (tsar worshippers), who endow the monarch and monarchy with a special sacred religious status. They commonly hold the idea that the modern Russian Federation is an illegitimate state. The author starts with analysin

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Kuryaev, I. R. "Eschatological plot in the work of I. Masodov." Neophilology 11, no. 2 (2025): 335–45. https://doi.org/10.20310/2587-6953-2025-11-2-335-345.

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INTRODUCTION. The research is devoted to the study of the eschatological plot in the works of I. Masodov. The goal of the study is to determine the specifics of eschatological imagery and those mechanisms that contribute to the transformation of familiar plots within the framework of the analyzed works.MATERIALS AND METHODS. The material of the study is I. Masodov’s trilogy “The Darkness of Your Eyes” (2001), which includes the novels “The Darkness of Your Eyes”, “The Warmth of Your Hands”, “The Sweetness of Your Tender Lips”. The study is based on historical-cultural, mythopoetic, structural,

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Hryhorak, A. "THE IMAGE OF THE LAST JUDGMENT IN THE UKRAINIAN LITERARY TRADITION OF THE 12th – 18th CENTURIES AS A KEY TO EXPLANATION OF THE WORLDVIEW OF UKRAINIAN POPULATION OF THE MIDDLE AGES AND EARLY MODERN TIMES." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 144 (2020): 19–25. http://dx.doi.org/10.17721/1728-2640.2020.144.4.

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The article deals with the systematization and analysis of authentic ancient Ukrainian texts dedicated to the topic of the Last Judgment with the author's purpose to reconstruct the worldview of Ukrainian population of the Middle Ages and the Early Modern Times. The source base of the study included eschatological literature as the most popular and numerous during that ages as well as Holy Bible, hagiographic works, prophecies and the graffiti of St. Sophia Cathedral of Kyiv. The dominant idea in the works found was the idea of the Last Judgment. Through the prism of this idea the most urgent

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Kroshkina, Lidia V. "The Image of the Church in Hagiographies by Mother Maria Skobtsova." Observatory of Culture, no. 1 (February 28, 2015): 110–14. http://dx.doi.org/10.25281/2072-3156-2015-0-1-110-114.

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Analyses biographies of saints and ecclesiastical leaders of both hagiographic and quasihagiographic types written in the 1920s and the 1930s. The author argues that through represented characters she builds her own image of the Church as a holy, communal organism the main characteristics of which are freedom, responsibility, eschatological orientation and creativity.

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Szkredka, Sławomir. "Postmortem Punishment in the Parable of Lazarus and the Rich Man (Luke 16:19-31): Between Coherence and Indeterminacy of Luke’s Eschatology." Verbum Vitae 36 (September 4, 2019): 109–32. http://dx.doi.org/10.31743/vv.4832.

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Taking as its point of departure the commonly recognized tension between the image of postmortem punishment in Lk 16:19-31 and other Lukan conceptualizations of the afterlife, the article examines the said image against the background of Luke’s overall eschatology. In the first step, both Luke’s bipolar ideological horizon and the conjunction of eschatology and wealth ethics are brought to light, demonstrating general coherence between the parable and Luke’s eschatological perspective. The parable’s presentation of the post-mortem punishment as immediate and final is affirmed. In the second st

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Cho, Han Kyu. "Eschatological Study on the Christological Characteristics of the Soul." Society of Theology and Thought 89 (December 31, 2023): 91–135. http://dx.doi.org/10.21731/ctat.2023.89.91.

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Human beings are not absolute beings that can enable themselves, but sort of accidental beings that airse from inevitable beings. Humans cannot find of themselves the reasons for their existence. The Bible teaches that humans are God’s creatures and ‘the image of God’ (Imago Dei) (cf. Gn 1:26-27). The first characteristics of human beings created in the image of God is that they are born with the spiritual and mental abilities which make them distinct and distinguished from the other creatures. Made of clay, humans are finite and limited, but as the breath (=spirit) of God is breathed into the

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Zemlyakov, Mikhail. "The Image of Judgment in the Eschatological Poem Muspilli (9th Century)." ISTORIYA 16, no. 3 (149) (2025): 0. https://doi.org/10.18254/s207987840035210-0.

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This article discusses the most important source of alliterative poetry of the 9th century in Old High German, the “Muspilli” poem, in which pagan and Christian images are complicated. Special attention is paid to the Judgment Day and the figure of the Judge, as well as to the terminology of legal process at whole. On the ground of a wide range of sources (Germanic tribal law, epic and Christian poetry, glossaries of Latin and German, and the late Roman encyclopedic tradition of Isidore of Seville’ works) it is concluded that in order to preach in the vernacular language the anonym refers hims

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Utkin, Abbot Vitaly. "The Image of Power Among the Old Faith Priests." Almanac “Essays on Conservatism” 102 (March 1, 2020): 376–93. http://dx.doi.org/10.24030/24092517-2020-0-1-376-393.

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In the article the attempt is made to explain John’s of Kronstadt radical denial of any truth in the movement of the Old Believers. The author analyzes the perception of state power in the discourse of Popovtsy Old Believers, the movement of state documents objectors, collisions of Okruzhniki and Anti-Okruzhniki. Special attention is paid to the ideas regarding the liturgical origin of political issues and the reflection in them of eschatological reality.

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Dissertations / Theses on the topic "Eschatological image"

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Bolander, Alisa Curtis. "Margaret Cavendish and Scientific Discourse in Seventeenth-Century England." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd422.pdf.

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Books on the topic "Eschatological image"

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Stewart-Kroeker, Sarah. Neighbor-Love, Earthly and Eschatological. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198804994.003.0007.

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This chapter develops Augustine’s view of neighbor-love and its tasks. Neighbor-love operates on the same principles of attraction to beauty and formation by love as love for Christ and love amongst Christ’s ecclesial members (described, respectively, in Chapters 3 and 4). The intimate link between love of God and love of neighbor in the context of the voyage to the homeland reflects the nature of those loves as both earthly and eschatological. This chapter shows how the reading of the pilgrimage image elaborated in the book resolves a long-standing debate on Augustine’s use–enjoyment distinct

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Stewart-Kroeker, Sarah. Pilgrimage as Moral and Aesthetic Formation in Augustine’s Thought. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198804994.001.0001.

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Augustine’s dominant image for the human life is peregrinatio, which signifies at once a journey to the homeland—a pilgrimage—and the condition of exile from the homeland. For Augustine, all human beings are, in the earthly life, exiles from their true homeland: heaven. Only some become pilgrims seeking a way back to the heavenly homeland, a return mediated by the incarnate Christ. Becoming a pilgrim begins with attraction to beauty. The return journey therefore involves formation, both moral and aesthetic, in loving rightly. This image has occasioned a lot of angst in ethical thought in the l

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Lievens, Matthias. Carl Schmitt’s Concept of History. Edited by Jens Meierhenrich and Oliver Simons. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199916931.013.013.

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In many of his political writings, Carl Schmitt seeks to render conflict and struggle visible and recognizable. He wages a metapolitical struggle against depoliticizing types of spirit and for the political. The meaning of history, as this chapter shows, is a crucial terrain for this metapolitical struggle: friends and enemies are symbolized and rendered (in)visible through historical discourses. The analysis demonstrates that Schmitt strongly rejects representations of history that tend to obfuscate its political nature, such as ideologies of progress or the idea of repetition in history. Ins

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Belser, Julia Watts. Romans Before the Rabbis’ God. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190600471.003.0006.

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This chapter grapples with rabbinic fantasies of revenge and recompense, focusing primarily on the lengthy rabbinic tale of Titus’s downfall after his destruction of the temple. It examines the Titus narrative through the framework of rabbinic eschatology, demonstrating how the tale critiques the arrogance and hubris of the conqueror, imagines the downfall of the wicked, and undercuts the triumphalist assertions of Roman imperial power. These rabbinic eschatological fantasies are expressed in striking corporeal terms: through images of bodily rupture and physical pain, as well as the humiliati

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Smith, John Howard. A Dream of the Judgment Day. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197533741.001.0001.

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The End is near! This phrase, so well known in the contemporary United States, invokes images of manic self-proclaimed prophets of doom standing on street corners shouting their warnings and predictions to amused or indifferent passersby. However, such proclamations have long been a feature of the American cultural landscape, and were never exclusively the domain of wild-eyed fanatics. A Dream of the Judgment Day describes the origins and development of American apocalypticism and millennialism from the beginnings of English colonization of North America in the early 1600s through the formatio

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Book chapters on the topic "Eschatological image"

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"THE ESCHATOLOGICAL IMAGE:." In Incomprehensible Certainty. University of Notre Dame Press, 2022. http://dx.doi.org/10.2307/jj.21995992.10.

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Melion, Walter S. "‘Abstracto igitur animo’: Eschatological Image-Making in the Emblematic Spiritual Exercises of Jan David, S.J." In The Eschatological Imagination. BRILL, 2024. http://dx.doi.org/10.1163/9789004688247_015.

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Neuwirth, Angelika, and Samuel Wilder. "Subgroup C." In The Qur'an: Text and Commentary, Volume 1. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300232332.003.0004.

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This chapter evaluates subgroup C of the first group of suras: suras 103, 99, 100, 101, and 95. In this subgroup, there are for the first time eschatologically marked suras, each with a poetically marked beginning. Sura 103 begins with an oath by a liturgically deployed time, followed by a rebuking pronouncement about humanity as a religiously unmoved creature, a rebuke that can only be understood with an eschatological aspect. Sura 100 begins with an essentially more extensive, poetically forceful oath tableau, wherein the oaths also transition into a rebuke of humanity. The two purely eschat

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"MARY’S ASSUMPTION—THE VIRGIN, ESCHATOLOGICAL IMAGE OF THE CHURCH." In A Short Treatise on the Virgin Mary. Catholic University of America Press, 2022. http://dx.doi.org/10.2307/jj.11498461.20.

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Satran, David. "Moral Formation and the Path to Scripture." In In the Image of Origen. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291232.003.0004.

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This chapter examines the lengthy central portion of the address, in which the author presents his training in ethics and proceeds to discuss the study of theology and scripture. The description of ethics places an emphasis on the balanced control of the passions and the consequent flowering of the classical virtues, a widespread contemporary amalgam of Stoicizing psychology and Platonic moral theory. The emphasis on the interiorization of virtue leads to a discussion of the theme of deification and its relationship to the traditional Platonic goal of the attainment of a “likeness to God.” The

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"Chapter Five. The Image Of Eschatological Priesthood In The Dead Sea Scrolls." In Otherworldly and Eschatological Priesthood in the Dead Sea Scrolls. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004181458.i-382.31.

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Aviad, Janet. "The Messianism of Gush Emunim." In Jews And Messianism In The Modern Era: Metaphor And Meaning. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195066906.003.0010.

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Abstract Gush Emunim has been characterized as a messianic movement whose radicalism stems from eschatological categories and imperatives. This image has been fostered by both journalistic reports and academic analyses of the movement. The popular conception of the settlers as fanatic messianists propelled to activist tactics and even to violence in order to advance the process of Redemption and to “force the End” was strengthened in recent years by the disclosure in 1984 of a Jewish underground, whose leaders and key members were central figures in Gush Emunim. The plan to blow up the mosques

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Sukina, Liudmila B. "Visual Metaphors of Literary Image Spiritual Sword in the Composition of Title-page of Lazar Baranovich’s Book." In Hermeneutics of Old Russian Literature. Issue 21. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-514-526.

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The paper examines the symbolic meanings of visual metaphor of “sword” in an iconographic composition of title page frame of book by Lazar Baranovich Spiritual Sword (1666). This metaphor correlates with the main literary image of book interpreted by Lazar as Word of God, acting as an instrument of struggle between Good and Evil in the End Times. The plot of title page is primarily associated with the Preface to the Reader, but, moreover, it is not an accurate and complete illustration. Lazar Baranovich does not explain in detail the deep eschatological meaning of the title’s microplots. Inste

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Neuwirth, Angelika, and Samuel Wilder. "Subgroup C." In The Qur'an: Text and Commentary, Volume 1. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300232332.003.0007.

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This chapter addresses subgroup C of the second group of suras: suras 82, 81, 84, 86, and 85. Sura 82 carries the idea of unavoidable human responsibility, which attributes to the physical creation of humanity a causal role for his societal duties. It begins with an idhā series that includes four verses about the cosmic dissolution, which offer a counterimage to the Christian image of the eschatological vision of the coming of the Son of man. However, the theme of the dissolution of the cosmos already quite quickly becomes a qur'anic topos, unfolded in more detailed image series in suras 81 an

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Drexler-Dreis, Joseph. "Decolonizing Salvation." In Decolonial Love. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281886.003.0008.

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This chapter focuses on theologies of salvation oriented toward liberation in order to establish resources for a decolonized image of salvation, or an image of salvation that unsettles the coloniality of power and that offers an alternative way of being, way thinking, and eschatology. The chapter proceeds by first mapping three soteriologies oriented toward liberation, from Ignacio Ellacuría, Ivone Gebara, and Marcella Althaus-Reid. It then reads these theologies of salvation through orientations of decolonial love, and vice versa, in view of presenting decolonial love as a locus of salvation.

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Conference papers on the topic "Eschatological image"

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Semikolennykh, Maria V. "SERPENT/DRAGON IN PLATO-ARISTOTELIAN POLEMICS OF THE 15TH CENTURY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.17.

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The serpent or dragon and its fight with the dragonslayer is a traditional mythological and literary motif. It is also common for a polemical context, when an adversary — a schismatic, a heretic, a political opponent — is compared to a poisonous or fire-breathing monster. Among the many eschatological images that George of Trebizond cites in his dramatic characteristic of Plato and the Platonists in Comparatio philosophorum Aristotelis et Platonis (1458), there is also a comparison of Platonic teachings with a serpent, a dragon, or the many-headed Hydra. This is not a coincidence: George draws

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Jovanović, Stefan. "Body as Image of God in Anthropology of Metropolitan John Zizioulas." In Naučni skup Doprinos mitropolita pergamskog Jovana (Zizijulasa) savremenom sistematskom bogoslovlju. Univerzitet u Beogradu, Institut za Sistematsko bogoslovlje Pravoslavnog bogoslovskog fakulteta, 2024. http://dx.doi.org/10.46793/mitjovan23.099j.

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The question of body and corporeality is strongly present in today’s society and culture. It is because of this that Metropolitan Zizioulas wrote about the place and role of the body in the context of orthodox ontology. For him, a body is a medium through which freedom unfolds, it is a way in which we are available for one another, and therefore it is also an icon of God, symbol of God in this effect. In which way does understanding of ontology, which is based on relations, affect the un- derstanding of the body? What is the role of body in the Church? What is the eschatological fate of the bo

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Bondzev, Asen. "The life of Orpheus – Contributions to European culture." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.09125b.

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Orpheus is one of the greatest historical contributions of the Thracians in European culture. He is much more than a talented poet and singer. He is a religious reformer, a priest, a teacher. This study aims to present his life and influence on later philosophers as Pythagoras and Plato, and analyze some Orphic tablets of eschatological nature. The roots of Orphic teachings are so deep, that missionaries of the new Christian faith were forced to use the image of Orpheus in their desire to baptize the local population in Thrace and even Rome. Orpheus comes to walk the most difficult path – spre

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HIDALGO, D. I., and V. A. LOMAKO. "ESCHATOLOGICAL CHRISTIAN MOTIFS IN JAPANESE POPULAR CULTURE ON THE EXAMPLE OF THE MANGA BY KANTARO MIURA “BERSERK”." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_338.

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The article describes the most important feature of Japanese popular culture - adaptability to borrowings of other cultural traditions. Using the example of the iconic product of Japanese mass culture, the manga by Kantaro Miura “Berserk”, the mechanisms of borrowing and adapting Christian eschatological motifs in the space of Japanese mass culture are demonstrated. The images used by the author, their processing, addition and adaptation to the national peculiarities of Japanese culture are shown. The reasons why the author borrows these symbols and images to create a cultural product are also

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