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Journal articles on the topic 'Eschatological image'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Prilutskii, A. M. "The Image of China in Modern Discourses of Marginal Eschatology." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 36 (2021): 109–17. http://dx.doi.org/10.26516/2073-3380.2021.36.109.

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In contemporary eschatological discourses of marginal Orthodoxy, the image of China occupies one of the central places. Over the centuries, an ambivalent attitude towards China has been formed in Russian religious culture. On the one hand, China acted as a religious and geopolitical adversary, on the other, as “almost a brother in faith.” Such contradiction in assessments is typical for a mythological culture. This ambivalence remains in a modern eschatological discourse as well. In apocryphal and pseudonymous eschatological prophecies China appears as the religious and political antipode of H

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Scully, Ellen. "Jerusalem: Image of Hilary’s Christocentric Eschatology in the Tractatus super Psalmos." Vigiliae Christianae 66, no. 3 (2012): 269–82. http://dx.doi.org/10.1163/157007211x561644.

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Abstract In his lengthy Tractatus super Psalmos, Hilary of Poitiers states only twice that humans are to “live the life of the angels.” Nevertheless, these rare statements seem to undermine both the role of the human body in eschatological life and the christocentrism of Hilary’s soteriology. However, this paper will argue that Hilary’s designation of different eschatological locations for humans and angels—namely in Mt. Zion and Jerusalem, respectively—in the Tractatus super Psalmos demonstrate that Hilary, at least in this later work, believes that while humans will resemble angels in certai

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Prilutskiy, Aleksandr M. "The Image of the “Coming Tsar” and the Mythologemes of Modern Eschatological Monarchism." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (June 20, 2023): 108–18. http://dx.doi.org/10.37482/2687-1505-v259.

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This article presents a hermeneutic analysis of the key concept of eschatological monarchism, i.e. the image of the coming eschatological tsar, whose accession to the throne is expected at the end of the world’s existence, shortly before the onset of the last apocalyptic events. Such mythologemes are particularly popular among Orthodox fundamentalists, the movement of tsarebozhniki (tsar worshippers), who endow the monarch and monarchy with a special sacred religious status. They commonly hold the idea that the modern Russian Federation is an illegitimate state. The author starts with analysin

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Kuryaev, I. R. "Eschatological plot in the work of I. Masodov." Neophilology 11, no. 2 (2025): 335–45. https://doi.org/10.20310/2587-6953-2025-11-2-335-345.

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INTRODUCTION. The research is devoted to the study of the eschatological plot in the works of I. Masodov. The goal of the study is to determine the specifics of eschatological imagery and those mechanisms that contribute to the transformation of familiar plots within the framework of the analyzed works.MATERIALS AND METHODS. The material of the study is I. Masodov’s trilogy “The Darkness of Your Eyes” (2001), which includes the novels “The Darkness of Your Eyes”, “The Warmth of Your Hands”, “The Sweetness of Your Tender Lips”. The study is based on historical-cultural, mythopoetic, structural,

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Hryhorak, A. "THE IMAGE OF THE LAST JUDGMENT IN THE UKRAINIAN LITERARY TRADITION OF THE 12th – 18th CENTURIES AS A KEY TO EXPLANATION OF THE WORLDVIEW OF UKRAINIAN POPULATION OF THE MIDDLE AGES AND EARLY MODERN TIMES." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 144 (2020): 19–25. http://dx.doi.org/10.17721/1728-2640.2020.144.4.

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The article deals with the systematization and analysis of authentic ancient Ukrainian texts dedicated to the topic of the Last Judgment with the author's purpose to reconstruct the worldview of Ukrainian population of the Middle Ages and the Early Modern Times. The source base of the study included eschatological literature as the most popular and numerous during that ages as well as Holy Bible, hagiographic works, prophecies and the graffiti of St. Sophia Cathedral of Kyiv. The dominant idea in the works found was the idea of the Last Judgment. Through the prism of this idea the most urgent

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Kroshkina, Lidia V. "The Image of the Church in Hagiographies by Mother Maria Skobtsova." Observatory of Culture, no. 1 (February 28, 2015): 110–14. http://dx.doi.org/10.25281/2072-3156-2015-0-1-110-114.

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Analyses biographies of saints and ecclesiastical leaders of both hagiographic and quasihagiographic types written in the 1920s and the 1930s. The author argues that through represented characters she builds her own image of the Church as a holy, communal organism the main characteristics of which are freedom, responsibility, eschatological orientation and creativity.

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Szkredka, Sławomir. "Postmortem Punishment in the Parable of Lazarus and the Rich Man (Luke 16:19-31): Between Coherence and Indeterminacy of Luke’s Eschatology." Verbum Vitae 36 (September 4, 2019): 109–32. http://dx.doi.org/10.31743/vv.4832.

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Taking as its point of departure the commonly recognized tension between the image of postmortem punishment in Lk 16:19-31 and other Lukan conceptualizations of the afterlife, the article examines the said image against the background of Luke’s overall eschatology. In the first step, both Luke’s bipolar ideological horizon and the conjunction of eschatology and wealth ethics are brought to light, demonstrating general coherence between the parable and Luke’s eschatological perspective. The parable’s presentation of the post-mortem punishment as immediate and final is affirmed. In the second st

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Cho, Han Kyu. "Eschatological Study on the Christological Characteristics of the Soul." Society of Theology and Thought 89 (December 31, 2023): 91–135. http://dx.doi.org/10.21731/ctat.2023.89.91.

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Human beings are not absolute beings that can enable themselves, but sort of accidental beings that airse from inevitable beings. Humans cannot find of themselves the reasons for their existence. The Bible teaches that humans are God’s creatures and ‘the image of God’ (Imago Dei) (cf. Gn 1:26-27). The first characteristics of human beings created in the image of God is that they are born with the spiritual and mental abilities which make them distinct and distinguished from the other creatures. Made of clay, humans are finite and limited, but as the breath (=spirit) of God is breathed into the

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Zemlyakov, Mikhail. "The Image of Judgment in the Eschatological Poem Muspilli (9th Century)." ISTORIYA 16, no. 3 (149) (2025): 0. https://doi.org/10.18254/s207987840035210-0.

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This article discusses the most important source of alliterative poetry of the 9th century in Old High German, the “Muspilli” poem, in which pagan and Christian images are complicated. Special attention is paid to the Judgment Day and the figure of the Judge, as well as to the terminology of legal process at whole. On the ground of a wide range of sources (Germanic tribal law, epic and Christian poetry, glossaries of Latin and German, and the late Roman encyclopedic tradition of Isidore of Seville’ works) it is concluded that in order to preach in the vernacular language the anonym refers hims

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Utkin, Abbot Vitaly. "The Image of Power Among the Old Faith Priests." Almanac “Essays on Conservatism” 102 (March 1, 2020): 376–93. http://dx.doi.org/10.24030/24092517-2020-0-1-376-393.

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In the article the attempt is made to explain John’s of Kronstadt radical denial of any truth in the movement of the Old Believers. The author analyzes the perception of state power in the discourse of Popovtsy Old Believers, the movement of state documents objectors, collisions of Okruzhniki and Anti-Okruzhniki. Special attention is paid to the ideas regarding the liturgical origin of political issues and the reflection in them of eschatological reality.

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Treffort, Cécile. "Vertus prophylactiques et sens eschatologique d'un dépôt funéraire du haut Moyen Âge : les plaques boucles rectangulaires burgondes à inscription." Archéologie médiévale 32, no. 1 (2002): 31–53. http://dx.doi.org/10.3406/arcme.2002.1587.

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Prophylactic and eschatological virtues of Early Middle Age grave goods : Burgundian rectangular belt plates with inscriptions. Since the nineteenth century, numerous rectangular belt fittings of bronze, usually decorated with an image of Daniel in the lion’s den, have been found on the ancient territory of Burgundia (Switzerland and the Jura, Savoy and Burgundy regions of France). The inscriptions that border some of these include the signatures of the craftsmen and/or the commissioners, providing us with information about the production of the objects, and the status of the craftsmen within

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Utkin, Abbot Vitaly. "“Flight from Vavilov” vs General Confession as Judgment Day (Eschatological Views of Russian Radical Old Faith Followers and Followers of Saint Holy John of Kronstadt)." Almanac “Essays on Conservatism” 102 (March 1, 2020): 508–22. http://dx.doi.org/10.24030/24092517-2020-0-1-508-522.

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The article is devoted to the comparative analysis of eschatological views of Russian radical Old Faith followers, on the one hand, and the followers of the Saint John of Kronstadt, on the other hand. The author reconstructs the radical Old Believers concept of the total world desacralization, “spiritual Antichrist”, its manifestations in state power and sociality. The author analyzes the views of Saint John of Kronsradt on the presence of the sacral in the world by way of Eucharist. He reconstructs the perception of Saint John of Kronstadt followers of the general confession as the image of t

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Rakhno, K. Yu. "THE IMAGE OF THE KIEVAN RUS POPULATION IN BYZANTINE SOURCES." Rusin, no. 61 (2020): 10–23. http://dx.doi.org/10.17223/18572685/61/2.

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Drawing on Byzantine written sources and fine arts, this article reproduces the Byzantine ideas about the image of the Kievan Rus population. They primarilyrelate to the anthropological characteristics of the Rusins: face contours, complexion, eyes and hair color, men’s hairstyles, character. Such data can be found in the historical works by Leo the Deacon, Michael Psellos, Anna Komnene, Georgius Pachymeres. Another valuable source is the Byzantine mosaic of the Last Judgment in Torcello, which contains alleged images of the Rusins and their ruler. The works of the Byzantine authors of the 10t

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Pedersen, Thomas Lederballe. "Det nye billede." Dansk Teologisk Tidsskrift 81, no. 4 (2019): 262–81. http://dx.doi.org/10.7146/dtt.v81i4.115360.

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Discussing the scenario of future resurrection in 1 Cor. 15, Paul touches on the visual aspects of the bodily transformation which he claims will take place as a part of eschatological fulfilment. The con-cept of image plays a crucial role in this transformation as he believes the resurrected body will be shaped according to a “heavenly” exemplar, which he refers to as an image. Using examples drawn from Roman visual culture, both visual and textual, the article describes what type of image Paul’s Corinthian readers would have been inclined to think of in connection with a discussion of bodily

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Carlson, Stephen C. "Eschatological Viticulture in 1 Enoch, 2 Baruch, and the Presbyters of Papias." Vigiliae Christianae 71, no. 1 (2017): 37–58. http://dx.doi.org/10.1163/15700720-12341289.

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This study looks at three of the most prominent instances of eschatological viticulture in early Judaism and Christianity, namely 1 En. 10.19, 2 Bar. 29.5, and the presbyters of Papias in Irenaeus, Adv. haer. 5.33.3, paying particular attention to their tradition histories and intertextual relationships. All three of these texts imagine that the grape vine will be fantastically productive in God’s renewed creation, but they develop this image in different ways based on different biblical texts. First Enoch uses the trope in conjunction with its use of the account of Noah’s renewal of the earth

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Faraoanu, Iulian. "Funzione e ruolo delle porte nella Nuova Gerusalemme di Ap 21." DIALOG TEOLOGIC XXIV, no. 48 (2021): 39–53. http://dx.doi.org/10.53438/arpq6447.

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The internal description of the gates of New Jerusalem in Ap 21 focuses the concepts of the opening and universalism. The idea of a continuous opening reveals a change in the function of the gates and suggests a symbolic interpretation. The image of gates always open expresses total acceptance and willingness to receive the incessant flow of the nations that will enter the eschatological Jerusalem. At the same time, their non-closure means the absence of obstacles or barriers for entry into the holy city. This is the way to universalism. Actually, in the new heavenly Jerusalem enter the nation

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Stefanovich, Petr Sergeevich. "The Place of Rus’ / Russia in the eschatological concepts in Muscovite state of the late 16th – mid 17th centuries." Studia Slavica et Balcanica Petropolitana, no. 2(34) (2023): 29–52. http://dx.doi.org/10.21638/spbu19.2023.203.

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This article examines how eschatological ideas which circulated in the late 16th – mid 17th century Muscovite State, described the place of Rus’ / Russia in the world and in the world history. The starting point for the analysis is the model of the God-chosen exclusivity of the Muscovite tsardom, which is often called a special Muscovite mythology. Eschatological ideas, first of all, the idea of «Moscow—Third Rome», developed by the Pskov monk Philotheus in the 1520s, were a necessary element of this model, which created the image of «shining Russia» (or «holy Rus»), preserving the true faith

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Adrian, Matthias. "Der Blick durch die enge Tür: Lk 13.22–30 im architekturgeschichtlichen Kontext der städtischen domus." New Testament Studies 58, no. 4 (2012): 481–502. http://dx.doi.org/10.1017/s0028688512000136.

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The image of the narrow door in the Gospel of Luke is to be read in the context of a symposium in a Roman domus. The elaboration of the Q-material is related to patron-client-relationships and their architectural and cultural conditions (salutatio, cena). By announcing an eschatological turn of events the pericope warns householders in the community to open now their residences for wandering prophets, thus fulfilling the teaching of Jesus.

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MIHAIL, MIHNEA ALEXANDRU. "BOUND TO THE COLUMN: ANTICHRIST ICONOGRAPHY IN THE LAST JUDGMENT SCENES IN THE MEDIEVAL KINGDOM OF HUNGARY." New Europe College Yearbook 2021-2022 (March 31, 2023): 163–200. http://dx.doi.org/10.58367/necy.odo.2022.1.163-200.

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This study aims to investigate the relationship between visual culture and theological disputes during the pre‑Hussite and Hussite eras. By looking at fourteenth‑century Last Judgment scenes from the Hungarian Kingdom that contain an image of a demon bound to the column inside Leviathan’s jaws, I analyze the connections between this figure and the eschatological and Antichrist‑related discourse used by both Church representatives and preachers of the Reformation in Bohemia.

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Chupat, Daryna. "Transformation of Christian Motifs in Ihor Rymaruk’s Poetry Collection The Bermuda Triangle." NaUKMA Research Papers. Literary Studies, no. 4-5 (March 17, 2025): 140–45. https://doi.org/10.18523/2618-0537.2024.4-5.140-145.

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Revisiting the key notions of the myth is prerequisite for keeping its relevance. Ihor Rymaruk’s poetry collection “The Bermuda Triangle” is closely related to the Christian myth and represents a radical transformation of the core Christian concepts. This article examines the forms of re-thinking the Christian myth in “The Bermuda Triangle” and analyzes an eschatological leitmotif of the collection.The research distinguishes four types of Christian concepts in Rymaruk’s poetry collection. preserves the original Christian connotations of the Holy Mother, Saint Peter and the fish. They still hav

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Tarasenko, Mykola. "Some Remarks to the Semantics of Image of Deity on the Coffin of Sepi III (Cairo CG 28083)." Eikon / Imago 10 (February 8, 2021): 229–39. http://dx.doi.org/10.5209/eiko.74148.

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The problem of the iconography of a unique image of a deity drawn on the Middle Kingdom rectangular coffin of Sepi III (Cairo CG 28083; B1C; Deir el-Bersha; CT VI, 386) is discussed in the article. It is possible that the god is the first known image of the syncretic double god Re-Osiris. The deity (with a head unusually for Egyptian iconography unfolded in full face) is shown sitting on a throne with the inscription “millions (of years)”. The image of this god could be a visual display of the eschatological plot described in Spell 1130 of the Coffin Texts (the union of Atum(-Re) and Osiris af

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de Wet, Chris L. "“Illius sponsi thalamus fuit uterus virginis”." Religion and Theology 27, no. 3-4 (2020): 299–328. http://dx.doi.org/10.1163/15743012-02703007.

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Abstract This article examines the image of Mary’s womb as the bridal chamber in which the Word and the flesh, the divine and the human natures of Christ, are united. The image presents the reader with a paradox – the Word and the flesh engage in a divine unification and comingling in the womb of the virgin. The study traces the development of the image in the earlier works of Augustine, and contextualises it within Augustine’s later thought, in which the body and sexuality are considered in a more positive light. The study aims to demonstrate that Augustine’s structuring of incarnational theo

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Veselov, Fedor N. "Apocalypse of the Thirteenth Century: the First Russian Encounter with the Mongols through the Prism of the Medieval Mind." Golden Horde Review 10, no. 2 (2022): 256–83. http://dx.doi.org/10.22378/2313-6197.2022-10-2.256-283.

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Research objective: The idea has already been expressed that the eschatological image of the Mongols of Russian annalists, recorded in the Tale of the Battle on the Kalka River of 1223, after some time, through the reports of Dominican Julian and testimony of Archbishop Peter at the Council of Lyons in 1245, influenced the apocalyptic character of the Mongols’ Great Western Campaign in Latin Europe. However, it remains unstudied why the Russians turned to the terrifying eschatological apocrypha. In the presented study we are going to deal with this question. Research materials: The research i

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Wagatsuma, Seizo. "Coming: the eschatological consummation in the Book of Revelation." Asia Adventist Seminary Studies 2, no. 1 (1999): 95. https://doi.org/10.63201/ypfe3937.

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Christians, especially Adventists, tend to be Christocentric and neglect the theocentric. They emphasize the work of Christ and His second coming, but often forget or never think of those of God the Father. In fact, the role of Christ was to be the messenger or mediator of the covenant between God and His people (Mal 3:1; Heb. 8:6), and to lead every one to God, His "Father and their Father" (John 17:6; 20:17), as well as to Himself (John 12:32; 14:6; cf. Matt 11:28). Most commentators on the book of Revelation lose sight of its theocentricity. The thinking of most Christians today tends to st

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Sudarmanto, Gunaryo. ""SELF SPIRITUAL THERAPY” KRISTEN SUATU KAJIAN INTEGRATIF TEOLOGI SISTEMATIKA, PASTORAL KONSELING DAN EMOTIONAL SPIRITUAL QUOTIENT (ESQ)." Jurnal Misioner 2, no. 1 (2022): 20–66. http://dx.doi.org/10.51770/jm.v2i1.46.

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Covid-19 Pandemic has created many personal problems among Christians. Christian Counsellor has not able to cover it through onsite and online ministry. Believers have to face their problem by themselves. So that they need to have ability to treat themselves by Self Spiritual Therapy. The purpose of this research is to design theological foundations in relationship with counselling pastoral principles and ESQ. To reach the aim, this research uses Qualitative approach with inductive mind and Phenomenological paradigm. The method that be used is ‘exegetic biblical theology-systematic theology’ t

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Betschart, Christof. "Imago Dei, Ontological and Relational Interpretations. Introducing Edith Stein to the Debate." Warszawskie Studia Teologiczne 35, no. 1 (2022): 83–100. http://dx.doi.org/10.30439/10.30439/wst.2022.1.5.

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The complex theological treatment of the person as imago Dei has focused on ontological, functional, relational or eschatological interpretations, which either belong or possibly belong to all human beings. It is however unusual to encounter a reflection on the person’s intrinsic uniqueness as imago Dei. For Edith Stein intrinsic or a priori individuality refers to a unique quality of the person’s soul which unfolds more or less fully in the unity of the person’s body-soul-spirit unity: «the soul is destined for eternal being, and this destination explains why the soul is called upon to be an

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Betschart, Christof. "Imago Dei, Ontological and Relational Interpretations. Introducing Edith Stein to the Debate." Warszawskie Studia Teologiczne 35, no. 1 (2022): 83–100. http://dx.doi.org/10.30439/wst.2022.1.5.

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The complex theological treatment of the person as imago Dei has focused on ontological, functional, relational or eschatological interpretations, which either belong or possibly belong to all human beings. It is however unusual to encounter a reflection on the person’s intrinsic uniqueness as imago Dei. For Edith Stein intrinsic or a priori individuality refers to a unique quality of the person’s soul which unfolds more or less fully in the unity of the person’s body-soul-spirit unity: «the soul is destined for eternal being, and this destination explains why the soul is called upon to be an

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Prilutskiy, Aleksandr M. "Semiotics of Doubles in Modern Eschatology." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (June 10, 2022): 113–25. http://dx.doi.org/10.37482/2687-1505-v185.

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Traditionally, a double (or doppelgänger) is considered to be a personified part of one’s consciousness or subconsciousness, social experience, behavioural patterns, etc. represented as an independent actor of social relations (in a literary text, an independent character or a character claiming independence). Doubles are characters that have something in common. The study of the doubles phenomenon is often limited to artistic discourse, its religious interpretation, including in eschatological narratives, being poorly investigated. In the Christian tradition, the eschatological interpretation

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Chen, Xue. "“THE SUN OF THE DEAD” BY I.S. SHMELEV: SPATIAL SYMBOLS OF THE PICTURE OF BEING." Bulletin of Udmurt University. Series History and Philology 31, no. 2 (2021): 330–34. http://dx.doi.org/10.35634/2412-9534-2021-31-2-330-334.

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The article analyzes the key spatial images of the story by I.S. Shmelev "The Sun of the Dead." Their role in describing a specific landscape and expression of the author's worldview is indicated. Shmelev gives volume and ambiguity to the landscape, which appears in the story not only as a topos, a plot element, but also an image of cultural, psychological, religious intentions. The conclusion is drawn about the realism and mythologization of nature paintings, their symbolic meanings are decoded, structuring the vertical and horizontal space of the text and expressing the sensory, behavioral m

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Ostapenko, L. "The Biblical Code in the Novel «Windows on the World» by Frédéric Beigbeder." Literature and Culture of Polissya 106, no. 20f (2022): 63–75. http://dx.doi.org/10.31654/2520-6966-2022-20f-106-63-75.

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The article represents the interpretation of the novel "Windows on the World" by the modern French writer Frédéric Beigbeder from the point of view of the biblical code. The author of the article distinguishes two levels of the presence of biblical components: explicit and implicit. The author inventories the Old Testament and New Testament images and motifs marked in the work, and she determines their functionality. The author proves that it is the components of the biblical code that perform content-creating and form-creating functions in the novel. The biblical code defines the structure of

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Vertiienko, Hanna. "The Saknivka Plate." Eikon / Imago 10 (February 8, 2021): 259–70. http://dx.doi.org/10.5209/eiko.74150.

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This paper proposes the reconstruction of the Scythian eschatological concepts on the basis of semantics of the Sakhnivka plate composition (4th century BC, Museum of Historical Treasures of Ukraine, branch of the National Museum of History of Ukraine). Taking into account the ritual detour of the sacral center from left to right in the Indo-Iranian tradition, the plate plots show a consecutive visual statement of the episodes of the myth of Kolaxais’ destiny. The culmination scene of the plate includes three figures. The half-turned and full-face iconography of the Goddess shows her belonging

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Macchia, Frank D. "Baptized in the Spirit: Reflections in Response to My Reviewers." Journal of Pentecostal Theology 16, no. 2 (2008): 14–20. http://dx.doi.org/10.1163/174552508x294170.

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AbstractBaptized in the Spirit: A Global Pentecostal Theology is essentially my effort to develop the early Pentecostal focus on the chief vocation of humanity to bear the divine Spirit in the image of Jesus Christ. I have sought to expand the horizons of this focus on the divine indwelling in order to view it as an eschatological reality that will end in the entire creation becoming the dwelling place of God. I attempt within this pneumatological context to understand the Pentecostal breakthrough experiences of conversion to Christ, sanctification, and empowerment (with signs following). It i

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Vevyurko, Ilya. "Cardinal Virtues in the Book of Wisdom: An Eschatological Context." Philosophy of Religion: Analytic Researches 7, no. 1 (2023): 58–74. http://dx.doi.org/10.21146/2587-683x-2023-7-1-58-74.

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The four cardinal (so-called Platonic) virtues are mentioned twice in the Old Testament according to the Septuagint version – in the Book of Wisdom of Solomon and in the Fourth Book of the Maccabees, of which the latter was rarely included in the biblical canon. We will focus on the Book of Wisdom as a work that presents a generalized biblical view of the universe and the historical, as well as eschatological fate of the Jewish people. There is still a strong opinion in the scientific literature that the philosophical intuitions of this book, although subordinated to the logic of the Jews’ bei

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Zhuravel, Olga D. "The Autocratic Myth in the Late Journalism of Valentin Rasputin: The “Russian Idea” in an Eschatological Context." Vestnik NSU. Series: History and Philology 19, no. 6 (2020): 70–87. http://dx.doi.org/10.25205/1818-7919-2020-19-6-70-87.

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The article is devoted to research of features of mythological model, which is reflected in the late journalism of Valentin Rasputin. The complex of interconnected myths is revealed, their historical roots are traced. The eschatological myth is considered; the author shows that the messianic idea of Russia’s unique role in the world is accompanied by the construction of the enemy image. Images of internal enemies (liberals) and external enemies (Europe and America) are demonized. The eschatological experiences of the crisis moments of “adjustment period” and the beginning of the 21st century a

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Сыромятников, Олег Иванович. "Eschatological Aspects of Orthodox Poetics. The Novel F. M. Dostoevsky «Demons»." Theological Herald, no. 3(38) (October 15, 2020): 316–40. http://dx.doi.org/10.31802/gb.2020.38.3.015.

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Православная поэтика представляет собой совокупность средств выражения православного вероучения в образности литературного произведения. Ее основы лежат в «Слове о законе и благодати» (XI в.), но свое наивысшее развитие она получила в XIX в. в трудах православных писателей, среди которых особое место принадлежит Ф.М. Достоевскому. Найденные им художественные средства позволяют изображать процессы, протекающие в духовном мире человека и общества. В творчестве писателя вопрос о личном спасении человека неразрывно связан с вопросом об исторической судьбе России. Ярким примером является роман «Бес

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Сыромятников, Олег Иванович. "Eschatological Aspects of Orthodox Poetics. The Novel F. M. Dostoevsky «Demons»." Theological Herald, no. 3(38) (October 15, 2020): 316–40. http://dx.doi.org/10.31802/gb.2020.38.3.015.

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Православная поэтика представляет собой совокупность средств выражения православного вероучения в образности литературного произведения. Ее основы лежат в «Слове о законе и благодати» (XI в.), но свое наивысшее развитие она получила в XIX в. в трудах православных писателей, среди которых особое место принадлежит Ф.М. Достоевскому. Найденные им художественные средства позволяют изображать процессы, протекающие в духовном мире человека и общества. В творчестве писателя вопрос о личном спасении человека неразрывно связан с вопросом об исторической судьбе России. Ярким примером является роман «Бес

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Yastrubetska, Galina, and Tereza Levchuk. "Diffusion of Styles as a Feature of Modernist Poetics: Naturalism and Expressionism in Todosya Osmachka's Poetry." Volyn Philological: Text and Context, no. 33-2022 (June 28, 2022): 262–75. https://doi.org/10.5281/zenodo.7229982.

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The article deals with the connection of Expressionism and Naturalism elements in the T. Osmachka poetry. According to the scientific data, there is a certain antithesis within these phenomena, respectively, their diffusion in the individual authorial poetics are <strong>the study’s objectives.</strong>             Within the research a strong <strong>theoretical basis</strong> is applied, that comprises scientific studies of M. Sloboshhpytskyi, M. Moklytsia, V. Barchan, Yu. Sherekh. In the course of investig

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Glenthøj, Elisabeth Albinus. "Grundtvig teologiske udvikling til omkring affattelsen af »De levendes land«." Grundtvig-Studier 46, no. 1 (1995): 217–74. http://dx.doi.org/10.7146/grs.v46i1.16194.

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The Development of Grundtvig ’s Theology until about the Time of the Composition of .The Land of the Living. About the Eschatological Tension in the Understanding of the Kingdom of GodBy Elisabeth Albinus GlenthøjIn order to characterize briefly Grundtvig’s ideas about the Kingdom of God, the following statements are crucial: The Kingdom of God will break through visibly at the Second Coming of Christ. Until then the Kingdom is present to Faith and Hope through the Holy Spirit.The tension between the eschatological, visible Kingdom of God and the presence of the Kingdom now is a common theme i

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Harker, Ryan D. "Intertextuality, Apocalypticism, and Covenant: The Rhetorical Force of the New Jerusalem in Rev 21:9-22:5." Horizons in Biblical Theology 38, no. 1 (2016): 45–73. http://dx.doi.org/10.1163/18712207-12341315.

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The culminating text of the Christian canon, Rev 21-22, is a key text for the church’s articulation of its eschatological hope. This paper argues that in Rev 21:9-22:5 John draws on the prophetic theme of covenant renewal and the attendant conception of the identity and character of God’s covenant people to reinforce in a new context that same conception of the identity of God’s people, though reimagined in light of the life and resurrection of the Lamb. The author is making a claim on his audience’s identity as the locus of the fulfilment of the prophetic hope of covenant renewal. Using the t

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Gen, Li. "CHINESE MOTIFS IN D. LIPSKEROV's NOVEL "FORTY YEARS OF CHANGZHOE"." Bulletin of Udmurt University. Series History and Philology 32, no. 2 (2022): 345–49. http://dx.doi.org/10.35634/2412-9534-2022-32-2-345-349.

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The article aims to discover the Chinese cultural codes in the novel "Forty Years of Changzhoe" by the modern Russian writer D. Lipskerov. The research adopts historical-cultural and hermeneutic methods. The article concentrates on defining the function of Chinese allusions in the plot structure of the novel. The central mythological and cultural concept in the novel is the image of the “chicken” and the “chicken invasion”, which reproduce the eschatological plot in a profane form. The images of the "chicken" and the "rooster", fixed under a common hieroglyph, have a sacred meaning in Chinese

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Prilutskii, Aleksander Mikhailovich, and Vladimir Yur'evich Lebedev. "Image of a village in the discourses of pseudo-traditionalism." Культура и искусство, no. 2 (February 2020): 34–43. http://dx.doi.org/10.7256/2454-0625.2020.2.29624.

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This article is dedicated to analysis of the phenomenon of pseudo-traditionalism on the example of interpretation of image of a village in the discourses of modern culture. The concepts and processes that cursory are perceived as traditional, but modernistic in their essence, are referred to pseudo-traditional. The authors understand pseudo-traditionalism as a result of stylistic mimicry based on the partial digestion of separate elements of the traditional semiotic system borrowed extra-contextually and uncoupled from other elements, with which they are in a state of structural-systemic relat

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Kobakhidze, Rusudan. "Typological Correlations of the Symbol of Wine in Byzantine Exegesis." PHASIS, no. 17 (May 17, 2014): 197–208. https://doi.org/10.60131/phasis.17.2014.2332.

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My analysis of exegetical interpretations of biblical wine is based on the typological method of Bible exegesis. Typological interpretation is one of the main and probably the most popular methods of Biblical hermeneutics in Byzantine exegetic literature. Typological parallelism enables us to comprehend the basic concept of the Bible – i. e. the integrity of both Testaments, and to view biblical imagery in eschatological terms. The semantic field of wine as a typological symbol shows systemic reference to the mystery of the Eucharist. The basic exegetical line focuses on the analogy of wine wi

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Osborne, Patrick William. "Constructing the Antichrist as Superstar: Marilyn Manson and the Mechanics of Eschatological Narrative." Persona Studies 3, no. 1 (2017): 43–59. http://dx.doi.org/10.21153/ps2017vol3no1art651.

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This article examines the moral crusade against Marilyn Manson’s Antichrist Superstar, the various sign-vehicles that contributed to his persona, and the social construction of a folk devil. By fashioning his persona using previous claims concerning Satan’s influence in society - primarily, those employed during the 1980s Satanism scare - Manson ensured that Antichrist Superstar would incite panic as moral crusaders interpreted his pseudo-ostensive actions using collective memories and explanatory millenarianism. He achieved this aim by attacking middle-class Christian ideologies and connectin

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Tantlevskij, Igor. "The Babylonian Exile of the Judaeans and the Formation of the Doctrine of the Bodily Resurrection from the Dead: From the Naturalistic Allegory of the Collective Revival of the Jews upon their Expected Return to Judaea through the Personified Image of the People’s Rising from the Dead to the Concept of an Individual Eschatological Resurrection in the Flesh." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 14, no. 1 (2020): 26–37. http://dx.doi.org/10.25205/1995-4328-2020-14-1-26-37.

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The author reveals the following sequence in the formation of the Jewish doctrine of the bodily resurrection of the dead: during the Babylonian captivity of the Judaeans, a naturalistic allegory of their revival upon their expected return to their Motherland arises (Ezek. 37:1–14, Isa. 26:19, 41:14); by the end of the period of exile / at the very beginning of the Persian period, the personified image of the people’s rising from the dead is developing (the allegory of the Servant of the Lord in Isa. 42:1–9, 49: 1–7, 50:4–9, 52:13–53:12; perhaps also the image of Job, cf. especially: Job 19:25–

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Ильиных, Анастасия Витальевна. "BIBLICAL DISCOURSE IN YURI KUZNETSOV’S POETRY." Вестник Тверского государственного университета. Серия: Филология, no. 1(68) (April 9, 2021): 265–72. http://dx.doi.org/10.26456/vtfilol/2021.1.265.

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В статье рассмотрены основные векторы развития поэтической мысли Ю.П. Кузнецова, связанные с библейским дискурсом: осмысление образа Христа как морально-нравственного ориентира, отношение к Родине как к образу мира в свете христианского миропредставления, определение роли поэта как проповедника Божьего Слова. Особое внимание уделено сквозному мотиву отражения в творчестве автора и антонимическому построению образной системы Ю.П. Кузнецова, а также эсхатологическим, или инфернальным, мотивам в его произведениях. The article discusses the main vectors of the development of Y.P. Kuznetsov’s poeti

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Gershowitz, Uri. "Language in Eschatological Perspective and the Greek Translation of Scripture in the Midrash Debarim Rabba." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 16, no. 2 (2022): 731–52. http://dx.doi.org/10.25205/1995-4328-2022-16-2-731-752.

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Eschatology is one of the most important themes of Talmudic literature. With all the variety of end-time concepts and the abundance of research on the subject, the connection between universal deliverance and language remains overshadowed. This article is analyzing a composition from Debarim Rabba 1:1 that expresses the idea of improvement of the human language as a sign of the future world. What will lead to this improvement? One of the possible answers: translation of the Scripture into Greek. This answer, rather unexpected for the Sages of Talmud, will be analyzed in the context of the hist

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Tantlevskij, Igor. "Two Figures in the Dead Sea Scrolls — Melchizedek in 11QMelchizedek (11Q13) and “Son of God” in the “Apocryphon of Daniel” (4Q246) — as Two Eschatological Soteriological Concepts." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 15, no. 2 (2021): 625–42. http://dx.doi.org/10.25205/1995-4328-2021-15-2-625-642.

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The article analyses and juxtaposes the images of the eschatological soteriological figures of Melchizedek in 11QMelchizedek (11Q13) and the “Son of God” in 4QApocryphon of Daniel (4Q246). Identifying the differences in the soteriological concepts reflected in 11Q13 and 4Q246, the author reaches the following main conclusions. God the Creator is transcendent to creation; Melchizedek is predominantly the spiritual head of the entire universe (cf. also 4Q521, frag. 2, 2:1 of the “Messiah” of the Lord), who during the Eschaton will put an end to all the dark forces of creation led by Belial, aton

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van Urk-Coster, Eva. "Ending Extinction." Journal of Reformed Theology 17, no. 2 (2023): 172–99. http://dx.doi.org/10.1163/15697312-01702004.

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Abstract Given that today’s mass extinction of species is driven by human activity, it matters profoundly how the place and role of humans vis-à-vis the earth’s biodiversity is construed. In this regard, Anglican theologian Christopher Southgate argues that the idea of being created in God’s image (imago Dei) results in an eschatological calling to counter both anthropogenic and natural extinction as co-redeemers with God. How should Southgate’s perspective be evaluated in light of the ever-worsening extinction crisis and our attempts to mitigate it through conservation efforts? To answer this

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Charette, Blaine. "‘Tongues as of Fire’: Judgment as a Function of Glossolalia in Luke’s Thought." Journal of Pentecostal Theology 13, no. 2 (2005): 173–86. http://dx.doi.org/10.1177/0966736905053245.

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AbstractThe argument advanced in this paper is that the Pentecost language event signals judgment as well as blessing. The reference to ‘tongues as of fire’ in Luke’s description of Pentecost portends judgment. This is consistent both with Luke’s use of the image of fire elsewhere and with the very character of Pentecost as an eschatological event. The judgment in view is directed against those who fail to respond appropriately to the word of God present in the redemptive revelation centered in Jesus. The positive response of obedient disciples results in their experience of the baptism with t

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Lee, Jihye. "The Unshakable Kingdom through the Shaking of Heaven and Earth in Heb 12:26–29." Novum Testamentum 62, no. 3 (2020): 257–72. http://dx.doi.org/10.1163/15685365-12341665.

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Abstract In Heb 12:26–29, the author envisages the unshakable kingdom that will be established through the shaking of heaven and earth. The image of the cosmic shaking caused many interpreters to understand the present passage as the vision of the immaterial, ideal world, which will come after the destruction of the creation, reflecting the background of the Platonic dualism. Nevertheless, the usages of the main terms, χρηµατίζω and µετάθεσις, and the OT citations in the present passage suggest that this understanding is not indisputable. In this article, it is argued that some Jewish apocalyp

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