Relevant bibliographies by topics / Eskimo Hymns

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Academic literature on the topic 'Eskimo Hymns'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Eskimo Hymns"

1

Nielsen, Flemming A. J., and Thorkild Kjærgaard. "Den første grønlandske bog." Fund og Forskning i Det Kongelige Biblioteks Samlinger 60 (January 25, 2022): 73–107. http://dx.doi.org/10.7146/fof.v60i.130495.

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Flemming A. J. Nielsen And Thorkild Kjærgaard:The First Greenlandic Book
 Ever since the arrival of Norse peasants in south-west Greenland in the second halfof the tenth century there have been links between the immense island (2.2 millionkm2) in the north-eastern corner of the American hemisphere and the Scandinavianworld. At the end of the twelfth century, the ancestors of today’s Inuit, a whale- andseal-hunting people speaking a language of the Eskimo-Aleut group, migrated fromEllesmere Island across the narrow Smith Sound to northern Greenland. Within twoand a half centuries, the Nors
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2

KIRBAŞOĞLU, Hayri. "EGYPTOLOGY: THE MISSING MİLLENNIUM: ANCIENT EGYPT IN MEDIEVAL ARABIC WRITINGS." e-Şarkiyat İlmi Araştırmaları Dergisi/Journal of Oriental Scientific Research (JOSR), September 21, 2022. http://dx.doi.org/10.26791/sarkiat.1178264.

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The Arab study of Ancient Egypt was the result of a universal understanding of history rather than the narrow purpose of verifying scriptures. They were critical of pre-Islamic written sources and did not accept even texts based on eyewitnesses uncritically. The Arabs' work, which included accurate descriptions of ancient monuments, was aimed at understanding their symbolic value and function. They noticed the relationship of the ancient Egyptian language to Coptic, the phonetic value of hieroglyphs, and that some were grouped like alphabets. Arab writers interested in deciphering Egyptian scr
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Books on the topic "Eskimo Hymns"

1

McKellar, Hugh D. Hymn texts in the aboriginal languages of Canada: Three historical-bibliographic studies. The Hymn Society in the United States and Canada, 1992.

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2

R, Sperry John, and Anglican Church of Canada. Diocese of the Arctic., eds. Atutit, kengautillu: Inuinakton/Copper-Eskimo : atugnaktun anglikamiuni : Book of common prayer & hymns 1992. Diocese of the Arctic, Anglican Church of Canada, 1992.

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3

England, Church of. [A portion of the Book of Common Prayer in the Cree language]. J. Horden], 1993.

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England, Church of. Ṣalāth al-jamāʻath kī kitāb aur secrīmanṭon kī dustūr aur dusrī rasmen̲ ... ʻaqāʼid-i dīn ke sāth. Church Mission Press, 1997.

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England, Church of. Kitabu cha sala: Na kutenda siri, na taratibu za kanisa , pamoja na zaburi za Daudi. Society for Promoting Christian Knowledge, 1987.

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1921-2006, Porter J. R., Church of England, and Church of England, eds. The first and second prayer books of Edward VI. Prayer Book Society, 1999.

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7

A Prayer for all seasons: The Collects of the Book of common prayer. Lutterworth Press, 1999.

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8

England, Church of. The book of common prayer and administration of the sacraments and other rites and ceremonies of the church according to the use of the Church of England. H. Holt, 1992.

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9

England, Church of. Synaptai, Epistolai kai Euangelia =: Collects, Epistles & Gospels. Exantas, 1988.

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Vivien, Morris, and Burgess Henry James, eds. A Prayer for all seasons: The Collects of the Book of common prayer. Fort House Publications, 1987.

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Book chapters on the topic "Eskimo Hymns"

1

Perea, Jessica Bissett. "Sounding Archives of Presence." In Sound Relations. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190869137.003.0002.

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Colonial regimes of sounds used to represent Inuit—what one might shorthand as “the Sound of Eskimo,” an Arctic complement to Deloria’s “Sound of Indian”—can be traced back to cue sheets, scores, and soundtracks that accompanied Robert Flaherty’s Nanook of the North (1922). A lack of musical and cultural specificity granted to Arctic Indigenous Peoples represented in film over the long twentieth century is due to misplaced assumptions about circumpolar lands, waters, and lifeways as monolithic. Until the 1970s, ethnographic records about Inuit lifeways and music-making also lacked radical and relational approaches to research that acknowledged the particularities among and between Inuit communities and performance practices across the Arctic. This chapter traces important shifts over the past century, from non-Inuit ethnologists to Inuit filmmakers, and offers in-depth analyses of soundscapes and soundtracks from Iñupiaq filmmaker Andrew Okpeaha MacLean’s award-winning feature film On the Ice (2010). The author emphasizes three on-screen musical performances—Iñupiaq drumsong, “Eskimo flow” hip hop, and a singspiration, or Presbyterian hymn singing—that archive dense histories of colonization and resurgence in Utqiaġvik.
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