Academic literature on the topic 'Espace Jean Tinguely-Niki de Saint Phalle'

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Journal articles on the topic "Espace Jean Tinguely-Niki de Saint Phalle"

1

Trapani, Roberta. "Une architecture du désir. L’offensive surréaliste contre le modernisme." Déméter, no. 8 | Été (September 15, 2022). http://dx.doi.org/10.54563/demeter.902.

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Promoteurs de l’imagination contre le réel, les surréalistes fantasment une demeure qui, étant une figure de la poésie, ne peut pas exister dans le monde réel. Par leurs regards, ils offrent pourtant un horizon inverse à celui du modernisme, relevant d’une approche à la fois onirique et organique de l’architecture. Ils enrichissent ainsi la pensée architecturale de l’époque par le recours au mythe, au sacré, à l’irrationnel, au grotesque, au spontané. Ils travaillent d’ailleurs à établir une contre-tradition architecturale qui fera sortir de l’ombre des antécédents bannis par la rhétorique fon
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2

Burleigh, Paula. "Ludic Labyrinths: Strategies of Disruption." Stedelijk Studies Journal 1 (2018). http://dx.doi.org/10.54533/stedstud.vol007.art05.

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Dylaby (1962), an exhibition organized by Stedelijk director Willem Sandberg in collaboration with the artist Jean Tinguely, transformed the museum into an immersive labyrinth. At times dark and disorienting, the participating artists—Tinguely with Niki de Saint Phalle, Daniel Spoerri, Per Olof Ultvedt, and Robert Rauschenberg—cluttered the galleries with physical obstacles that required visitors to navigate raised platforms, climbing structures, and false stairways amidst a cacophony of noise. A celebratory atmosphere likely tempered any frustration generated by the deliberate lack of clarity
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Schavemaker, Margriet, and Dorine de Bruijne. "Lose Yourself – Editorial." Stedelijk Studies Journal 1 (2018). http://dx.doi.org/10.54533/stedstud.vol007.art01.

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A logical sequence of bright-lit, white-walled spaces has become the dominant architectural model of presenting modern and contemporary art and design around the globe. However, since its first appearance in the early decades of the twentieth century, the introduction of this “white cube” model has been paired with its disruption: artists and curators have created chaotic structures in which the art breaks out of its increasingly sanitized cage and visitors are asked to engage physically, getting lost in what can best be described as labyrinthine exhibitions that often meander, both inside and
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Books on the topic "Espace Jean Tinguely-Niki de Saint Phalle"

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Margrit, Hahnloser-Ingold, Lehnherr Yvonne, and Fondation pour l'art moderne et contemporain (Fribourg, Switzerland), eds. Niki de Saint Phalle, aventure suisse. 3rd ed. Benteli, 2010.

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2

Violand-Hobi, Heidi E. Niki de Saint Phalle & Jean Tinguely. Prestel, 2004.

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3

1925-, Tinguely Jean, Siben Isabel, Osten Claus von der, Bayerische Versicherungskammer, Kunstmuseum Heidenheim, and Museum für Kunst und Gewerbe Hamburg., eds. Niki de Saint Phalle & Jean Tinguely posters. Prestel, 2005.

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1925-1991, Tinguely Jean, Bloum 1971-, Krempel Ulrich, Pardey Andres, and Centro Atlántico de Arte Moderno., eds. Niki de Saint Phalle & Jean Tinguely: L'art et l'amour. Prestel, 2007.

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5

Moresi, Patrizia Cattaneo, Alice Invernizzi, and Francesca Masciadri. Niki de Saint-Phalle e Jean Tinguely: Duo : anime ribelli, spiriti gemelli, destini intrecciati nell'arte = rebel souls, kindred spirits, intertwined destinies within art. Artrust, 2015.

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6

Aventure suisse. Espace Jean Tinguely - Niki de Saint Phalle Fribourg. Benteli, 1998.

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7

Violand-Hobi, Heidi. Niki De Saint Phalle & Jean Tinguely. Prestel Publishing, 2007.

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8

Siben, Isabel. Niki De Saint Phalle And Jean Tinguely Posters. Prestel Publishing, 2005.

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9

Jean Tinguely & Cie : collaborations artistiques : Eva Aeppli, Niki de Saint Phalle, Milena Palakarkina. Musée de l'Hôtel-Dieu, 2002.

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