Academic literature on the topic 'Essais sur maquette'

This chapter explores the connections between Le Lexique de l’auteur (the seminar of 1973–4 in which Barthes reflects on the genesis of the text that will become Roland Barthes par Roland Barthes), La Préparation du roman (his last Collège de France lecture course of 1978–80), and critical essays he wrote in the mid- and late 1970s on scription, the ductus, and writing as gesture (from an anthropological point of view, as in the posthumously published Variations sur l’écriture, and within the paintings of Bernard Réquichot and Cy Twombly). The main focus will be on Barthes’s reflection, across the two seminars, on the idea of the virtual work: his exploration of the modalities of literary genesis in the grammatical mood of the ‘as if’, and his development of ways of modelling literary genesis through the concept of the œuvre-maquette. This bringing together of modelling, genesis, and writing as process, placed in relation to the desire to write as a significant dimension of actual writing, is one of the strikingly original aspects of Barthes’s 1970s thought. It is one that the posthumous publication of the seminars and lectures allows us to understand.

Introdução: Devido aos distintos processos de colonização na América Latina os países formaram as identidades nacionais mesclando heranças dos colonizadores, povos originários e africanos escravizados. Antes da chegada dos colonizadores havia diversidade de povos originários com organizações distintas, como o caso dos Astecas e Incas que estavam organizados em sociedades antigas e numerosas, as quais contavam com articulação política e dominavam técnicas avançadas. Já os nativos no território brasileiro estavam distribuídos em grupos pequenos e com poucas intervenções espaciais. Além disso, há